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Note To Self
Songs like
Note To Self
by
The Sundance Kids
Based on a tempo of (+/- 10%) and a similar genre
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Army of Freshmen
Juliet
126 bpm • D Maj • 03:24 • -2.82db
16% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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The Sundance Kids
Note To Self
126 bpm • G Maj • 03:34 • -6.63db
6% Popularity • 52% Danceability • 84% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
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Brian McFadden
Twisted
126 bpm • E Maj • 03:54 • -6.66db
13% Popularity • 55% Danceability • 90% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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Jeremy Redmore
Bad Philosophy
126 bpm • C# Maj • 03:26 • -4.5db
14% Popularity • 75% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Motor Ace
Where Did You Go?
126 bpm • G# Maj • 04:17 • -4.47db
11% Popularity • 52% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Opshop
Smoke and Mirrors
126 bpm • A min • 05:01 • -7.93db
9% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Carolina Liar
California Bound
126 bpm • C Maj • 03:59 • -1.01db
25% Popularity • 46% Danceability • 91% Energy • 34% Liveness
3% Instrumentalness • 23% Positiveness
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Mumsdollar
Nevertheless
126 bpm • A# min • 03:20 • -6.96db
11% Popularity • 50% Danceability • 92% Energy • 12% Liveness
63% Instrumentalness • 63% Positiveness
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My Favorite Highway
What Are You Waiting For?
125 bpm • C Maj • 03:49 • -4.52db
17% Popularity • 61% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Faker
Love For Sale
127 bpm • G Maj • 03:54 • -4.08db
13% Popularity • 57% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Short Stack
Planets
125 bpm • A# min • 03:31 • -4.02db
38% Popularity • 64% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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We Shot The Moon
Woke Her Up
125 bpm • D# Maj • 03:07 • -5.72db
13% Popularity • 60% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Gyroscope
Fifty500
125 bpm • A min • 03:32 • -3.71db
18% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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The Kin
Get On It
125 bpm • C Maj • 03:05 • -5.88db
12% Popularity • 67% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Killing Heidi
Heavensent
127 bpm • A Maj • 04:31 • -6.1db
24% Popularity • 50% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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Silverchair
Straight Lines
127 bpm • C# Maj • 04:18 • -6.39db
56% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sugarcult
Shaking
124 bpm • G# Maj • 03:52 • -4.68db
36% Popularity • 50% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Smart
City Lights
128 bpm • F# min • 03:40 • -4.5db
10% Popularity • 55% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Sparks The Rescue
We Love Like Vampires
124 bpm • D Maj • 02:56 • -3.04db
29% Popularity • 48% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Gyroscope
These Days
124 bpm • D Maj • 04:02 • -4.58db
22% Popularity • 48% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Short Stack
Sweet December
128 bpm • A Maj • 03:54 • -3.62db
23% Popularity • 58% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Bluejuice
No Time For Tears
124 bpm • E Maj • 03:10 • -4.48db
11% Popularity • 62% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Amely
Sing To You
124 bpm • F Maj • 03:47 • -4.15db
15% Popularity • 53% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Fulcrum
On the Lash
128 bpm • A Maj • 03:33 • -5.18db
16% Popularity • 54% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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My Favorite Highway
Simple Life
124 bpm • F Maj • 03:51 • -3.35db
13% Popularity • 61% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Slowly Slowly
Jellyfish
128 bpm • E Maj • 03:16 • -5.06db
37% Popularity • 70% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Snow Patrol
Hands Open
124 bpm • D# Maj • 03:17 • -2.18db
42% Popularity • 51% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Good Charlotte
Last Night
128 bpm • F Maj • 03:40 • -3.18db
49% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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The Potbelleez
Are You With Me - Radio Edit
128 bpm • G Maj • 03:39 • -5.22db
28% Popularity • 57% Danceability • 88% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Kisschasy
Spray On Pants
128 bpm • D# Maj • 03:47 • -4db
34% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Mêlée
Stand Up
128 bpm • C Maj • 04:11 • -3.66db
20% Popularity • 49% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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General Fiasco
Waves
124 bpm • G# Maj • 02:45 • -3.29db
13% Popularity • 61% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Bressie
Can't Stay Young (Forever)
123 bpm • G Maj • 04:46 • -7.28db
9% Popularity • 50% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Trial Kennedy
Neighbours
123 bpm • D Maj • 04:05 • -2.72db
12% Popularity • 45% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Amy Meredith
Young at Heart
123 bpm • F# Maj • 03:51 • -3.63db
16% Popularity • 49% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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A Rocket To The Moon
If Only They Knew
130 bpm • D# Maj • 02:33 • -3.79db
31% Popularity • 53% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Slowly Slowly
Melbourne
130 bpm • D Maj • 03:42 • -7.88db
23% Popularity • 59% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Kisschasy
Generation Why
130 bpm • D Maj • 02:42 • -4.88db
21% Popularity • 53% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Jack's Mannequin
Spinning
130 bpm • C# Maj • 02:52 • -4db
34% Popularity • 52% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Danger Is My Middle Name
Sidecar One
130 bpm • C# Maj • 02:55 • -3.25db
10% Popularity • 57% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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The Getaway Plan
Flying Colours
130 bpm • F Maj • 04:33 • -3.9db
17% Popularity • 50% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Midnight Youth
World Comes Calling
130 bpm • D Maj • 03:24 • -5.66db
9% Popularity • 48% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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The Living End
Keep On Running
130 bpm • C# Maj • 04:07 • -6.23db
29% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tom Will Morris
Tonight
130 bpm • G# Maj • 03:56 • -4.76db
13% Popularity • 54% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Short Stack
Heartbreak Made Me A Killer
130 bpm • A# min • 03:44 • -3.65db
20% Popularity • 60% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Deaf Havana
Night Drives
130 bpm • A Maj • 04:19 • -3.85db
24% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Gyroscope
Don't Forget Me When I Die
122 bpm • C# Maj • 02:50 • -2.97db
12% Popularity • 47% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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A Cursive Memory
The Piano Song
130 bpm • A Maj • 04:16 • -6.16db
8% Popularity • 74% Danceability • 73% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
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Taxiride
Oh Yeah
130 bpm • A min • 04:11 • -5.94db
13% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The Rocket Summer
Brat Pack
122 bpm • C# min • 03:47 • -4.52db
31% Popularity • 76% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Faker
This Heart Attack
122 bpm • C# min • 03:47 • -4db
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Deaf Havana
Lights
130 bpm • B Maj • 04:57 • -4.46db
25% Popularity • 29% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Matchbox Twenty
Put Your Hands Up
122 bpm • D Maj • 02:53 • -4.7db
35% Popularity • 64% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Wesley Dean
Love Is An Animal
122 bpm • F Maj • 03:50 • -5.14db
15% Popularity • 71% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Low Level Flight
Change for Me
122 bpm • G Maj • 03:38 • -6.01db
14% Popularity • 44% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Lo-tel
Teenager Of The Year
131 bpm • A# Maj • 04:29 • -7.99db
32% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Trial Kennedy
Sunday Warning
131 bpm • A Maj • 04:20 • -5.67db
13% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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the feelers
Dasvidaniya
131 bpm • B min • 04:49 • -3.79db
14% Popularity • 49% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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The Rocket Summer
So Much Love
131 bpm • G Maj • 03:56 • -3.12db
31% Popularity • 51% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Shortstack
Television
131 bpm • B Maj • 03:06 • -4.54db
14% Popularity • 66% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Dropping Daylight
Apologies
121 bpm • D Maj • 03:39 • -3.74db
10% Popularity • 61% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Something With Numbers
We'll Fight
121 bpm • E Maj • 04:06 • -3.13db
8% Popularity • 62% Danceability • 86% Energy • 15% Liveness
2% Instrumentalness • 80% Positiveness
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Jet
Seventeen
132 bpm • D Maj • 03:41 • -3.25db
38% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Valencia
Safe To Say
121 bpm • C# Maj • 03:20 • -4db
22% Popularity • 48% Danceability • 86% Energy • 62% Liveness
0% Instrumentalness • 40% Positiveness
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Gyroscope
Safe Forever
121 bpm • A min • 03:41 • -3.69db
25% Popularity • 41% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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We Shot The Moon
The Brightside
132 bpm • D# Maj • 02:20 • -4.47db
11% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Bowling For Soup
Girl All the Bad Guys Want
132 bpm • G Maj • 03:16 • -4.74db
40% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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The Working Title
Beloved
132 bpm • D Maj • 04:27 • -4.75db
19% Popularity • 61% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Mumsdollar
Sticks & Stones
132 bpm • G# Maj • 03:18 • -4.08db
13% Popularity • 49% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Dukes
Vampires
132 bpm • F Maj • 03:23 • -4.44db
28% Popularity • 71% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Gyroscope
Fast Girl
120 bpm • E min • 03:18 • -5db
31% Popularity • 62% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Elliot Minor
Still Figuring Out
120 bpm • D Maj • 03:29 • -4.82db
24% Popularity • 50% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Go Radio
Collide
120 bpm • C Maj • 03:34 • -2.48db
22% Popularity • 49% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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My Favorite Highway
Bigger Than Love
120 bpm • D Maj • 03:49 • -5db
28% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Stars of Track and Field
Racing Light
120 bpm • D Maj • 03:19 • -5db
10% Popularity • 43% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Wesley Dean
You
120 bpm • C Maj • 03:18 • -2.9db
24% Popularity • 61% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Newton Faulkner
If This is It
120 bpm • C Maj • 04:00 • -6db
19% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Motor Ace
Tomorrow's Gone
120 bpm • D Maj • 04:07 • -4.65db
16% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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After the Fall
The Fighter
120 bpm • B min • 03:55 • -3.33db
19% Popularity • 60% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Brighter Brightest
Right For Me
133 bpm • C# Maj • 03:01 • -5.23db
8% Popularity • 53% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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A Change of Pace
Weekend Warriors
133 bpm • A Maj • 03:02 • -3.94db
32% Popularity • 48% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Opshop
Big Energy in Little Spaces
133 bpm • D min • 03:59 • -4.18db
21% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
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Dukes
Self Control
133 bpm • F# min • 03:16 • -3.96db
12% Popularity • 70% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Deaf Havana
The Past Six Years (Acoustic Version)
133 bpm • B min • 02:41 • -5.31db
18% Popularity • 28% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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The Getaway Plan
Shadows
119 bpm • C min • 03:41 • -4.41db
32% Popularity • 55% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Axle Whitehead
I Don't Do Surprises
119 bpm • D# Maj • 03:14 • -4.84db
22% Popularity • 68% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Trial Kennedy
Mississippi Burn
134 bpm • B min • 06:32 • -8.25db
8% Popularity • 36% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Midnight Youth
Dead Flowers
134 bpm • C# Maj • 03:52 • -5.04db
8% Popularity • 55% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Simpson
Comets
119 bpm • C Maj • 03:21 • -4.73db
22% Popularity • 50% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Kisschasy
Black Dress
118 bpm • B Maj • 04:40 • -9.05db
22% Popularity • 36% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Anberlin
Haight St
134 bpm • F Maj • 02:59 • -3.86db
32% Popularity • 52% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Faker
Sleepwalking
118 bpm • A min • 05:01 • -4.85db
24% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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The Bigger Lights
What About Us
135 bpm • G# Maj • 03:38 • -4.31db
9% Popularity • 59% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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The Rocket Summer
200,000
118 bpm • A Maj • 04:07 • -6.83db
23% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Taxiride
Everywhere You Go
135 bpm • D Maj • 03:32 • -5.04db
38% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Good Charlotte
1979
117 bpm • C Maj • 02:59 • -2.67db
41% Popularity • 56% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Jack's Mannequin
American Love
117 bpm • C min • 03:43 • -4.21db
21% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Faker
Killer On The Loose
117 bpm • C Maj • 03:56 • -4.16db
10% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Lee Harding
Anything For You
117 bpm • G Maj • 03:02 • -2.16db
19% Popularity • 60% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Grinspoon
Passerby
117 bpm • D Maj • 03:34 • -4.41db
34% Popularity • 64% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Note To Self