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Note To Self
Songs like
Note To Self
by
Bre Kennedy
Based on a tempo of (+/- 10%) and a similar genre
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Kathleen Regan
Better Than That
164 bpm • F Maj • 03:35 • -9.63db
20% Popularity • 50% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Paperwing
Blackbirds
164 bpm • A Maj • 03:03 • -11.74db
32% Popularity • 54% Danceability • 36% Energy • 14% Liveness
4% Instrumentalness • 28% Positiveness
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LULLANAS
I Have Met My Love Today
164 bpm • B Maj • 01:53 • -10.07db
37% Popularity • 45% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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Bre Kennedy
Note to Self
164 bpm • D Maj • 03:15 • -14.97db
30% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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COLETON RUBIN
Zebra
166 bpm • A# Maj • 03:05 • -9.97db
28% Popularity • 62% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ken Yates
Grey County Blues
166 bpm • A Maj • 03:50 • -17.91db
34% Popularity • 44% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Emma Charles
Comfort in the Chaos
162 bpm • C min • 03:12 • -9.87db
22% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Anthony da Costa
Send My Regards
161 bpm • D# Maj • 04:07 • -13.81db
27% Popularity • 40% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 21% Positiveness
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Wild Rivers
Better When We're Falling Apart
168 bpm • C# Maj • 03:06 • -8.82db
44% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Adam Melchor
Light Year
168 bpm • D# Maj • 03:08 • -9.09db
49% Popularity • 40% Danceability • 50% Energy • 12% Liveness
4% Instrumentalness • 52% Positiveness
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Bre Kennedy
Ribbon
160 bpm • D Maj • 03:04 • -5.89db
26% Popularity • 49% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Andrea von Kampen
Wedding Song
160 bpm • G# min • 03:04 • -14.4db
33% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dylan Rockoff
Problems
160 bpm • D Maj • 02:50 • -11.63db
6% Popularity • 64% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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REUNIØN
Jump
160 bpm • C Maj • 04:16 • -16.34db
22% Popularity • 31% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Matt Hartke
Hey Babe
169 bpm • E Maj • 02:55 • -7.41db
35% Popularity • 62% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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LULLANAS
butterflies in reverse
170 bpm • B Maj • 03:34 • -8.2db
32% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Bre Kennedy
Intuition
169 bpm • B Maj • 03:37 • -15.87db
14% Popularity • 37% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Wylder
Into the Blue
170 bpm • C# Maj • 02:39 • -11.5db
32% Popularity • 52% Danceability • 40% Energy • 11% Liveness
24% Instrumentalness • 26% Positiveness
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Andrea von Kampen
Of Him I Love Both Day and Night
160 bpm • D Maj • 01:04 • -15.04db
50% Popularity • 61% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Jessie Reid
Hearts On Fire - Acoustic
171 bpm • F Maj • 03:39 • -10.28db
27% Popularity • 37% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Hartke
Summer Of Love
171 bpm • A Maj • 02:22 • -11.9db
40% Popularity • 34% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Davis John Patton
If/Then
172 bpm • C Maj • 03:14 • -13.58db
30% Popularity • 30% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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PJ Harding
A Dangerous Thing
157 bpm • F Maj • 03:03 • -10.76db
49% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Bre Kennedy
Broken Record
172 bpm • G# Maj • 02:50 • -5.45db
9% Popularity • 44% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Jolé
Let Go
156 bpm • C# min • 03:04 • -7.69db
36% Popularity • 52% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 48% Positiveness
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Woodlock
Quick Hands
156 bpm • G Maj • 03:23 • -9db
50% Popularity • 43% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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Cassandra Coleman
Moonbeam
156 bpm • F Maj • 03:40 • -4.67db
29% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Memorial
Latchkey
156 bpm • F# Maj • 02:51 • -12.92db
38% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Oshima Brothers
Lost at Sea
156 bpm • F Maj • 03:18 • -11.34db
26% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Bre Kennedy
Introvert
156 bpm • F Maj • 02:45 • -8.24db
7% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Seánie Bermingham
Call the Coroner
174 bpm • F# Maj • 03:31 • -13.68db
30% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jillian Lake
Bleed Baby Bleed
154 bpm • B Maj • 03:19 • -11.91db
18% Popularity • 45% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
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Marti West
Alive Again
174 bpm • C Maj • 02:08 • -13.85db
32% Popularity • 25% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Beta Radio
Tongue Tied - Acoustic
154 bpm • G Maj • 03:05 • -15db
54% Popularity • 43% Danceability • 28% Energy • 13% Liveness
37% Instrumentalness • 38% Positiveness
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Ken Yates
Two Wrongs
154 bpm • G Maj • 04:00 • -15.09db
28% Popularity • 48% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Bre Kennedy
Before I Have a Daughter
156 bpm • D Maj • 03:38 • -10.26db
12% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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LULLANAS
Memphis
154 bpm • A# Maj • 03:35 • -7.62db
18% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Koziol Kennedy
Slow & Low
153 bpm • A Maj • 03:28 • -15.49db
0% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Davis John Patton
Stay
153 bpm • F# Maj • 03:30 • -11db
37% Popularity • 57% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Emily James
Cannonball
176 bpm • C# Maj • 02:43 • -9.55db
45% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Oshima Brothers
Goldmine
152 bpm • F# Maj • 01:54 • -11.37db
34% Popularity • 64% Danceability • 36% Energy • 10% Liveness
12% Instrumentalness • 33% Positiveness
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Sierra Eagleson
Darcy's Song
152 bpm • A min • 02:38 • -20.23db
31% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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LULLANAS
Pennsylvania Skies
152 bpm • B Maj • 03:39 • -8.16db
38% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Bre Kennedy
Words
152 bpm • A# min • 03:52 • -6.89db
1% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Matt Nathanson
German Cars
152 bpm • F# Maj • 03:21 • -10db
38% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ed Patrick
Shoulder
151 bpm • G# Maj • 03:01 • -12.37db
54% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Woodlock
Collateral - Acoustic
150 bpm • F Maj • 03:13 • -12db
44% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Marc Scibilia
Already Miss You
150 bpm • A# Maj • 03:14 • -8.24db
22% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bre Kennedy
Twenty Something - Audiotree Live Versio...
179 bpm • D Maj • 03:48 • -9.88db
0% Popularity • 43% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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AHI
Full Circle
179 bpm • F# Maj • 03:54 • -9.44db
43% Popularity • 30% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Thomas LaVine
Crumble
150 bpm • C# Maj • 03:58 • -10.33db
28% Popularity • 47% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Axel Flóvent
How Can I
150 bpm • G# Maj • 04:16 • -14db
36% Popularity • 43% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Emily James
Brooklyn - Stripped
180 bpm • A# Maj • 02:51 • -12.43db
36% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Andrea von Kampen
Wildwood Flower
150 bpm • F Maj • 02:31 • -15.48db
28% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bre Kennedy
Meantime
150 bpm • B Maj • 03:01 • -7.69db
16% Popularity • 56% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Sital-Singh
Maybe Tomorrow
149 bpm • G Maj • 03:45 • -11db
33% Popularity • 33% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Miller Roberts
All Over Again
180 bpm • G Maj • 03:43 • -11.29db
39% Popularity • 32% Danceability • 43% Energy • 23% Liveness
6% Instrumentalness • 19% Positiveness
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Molly Parden
Feel Alive Again
149 bpm • D Maj • 04:14 • -13.82db
40% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Emily James
Brooklyn
180 bpm • A# Maj • 02:50 • -10db
51% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Cassandra Coleman
Coming of Age
181 bpm • A Maj • 03:28 • -9.84db
15% Popularity • 28% Danceability • 31% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Bre Kennedy
Ahead of Myself
150 bpm • E Maj • 03:13 • -9.13db
10% Popularity • 66% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Bryant
Back to Love
148 bpm • B Maj • 03:51 • -10db
33% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Corey Harper
Pink Razor
148 bpm • A Maj • 03:10 • -7db
27% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Dylan Dunlap
Stupid Me
148 bpm • D Maj • 03:47 • -8db
32% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ewan J Phillips
The Art Of Letting You Go
148 bpm • A Maj • 03:33 • -12.11db
39% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Wild Rivers
Long Time
148 bpm • A# Maj • 03:16 • -11db
52% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Bre Kennedy
Pivot in Place
181 bpm • C# Maj • 03:10 • -7.73db
7% Popularity • 46% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Abraham
If I Didn’t Love You
147 bpm • A# Maj • 04:06 • -11.62db
42% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Alden
East Bank
147 bpm • C# Maj • 03:36 • -14.65db
12% Popularity • 37% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Marc Scibilia
Seed of Joy
148 bpm • A Maj • 03:30 • -10db
40% Popularity • 59% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Allison Ponthier
Hardcore - Acoustic
184 bpm • C Maj • 03:19 • -10.49db
10% Popularity • 50% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Annika Bennett
over
146 bpm • C# Maj • 02:14 • -9.63db
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Bre Kennedy
One Way
146 bpm • C# Maj • 03:33 • -9.09db
5% Popularity • 52% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Zander Hawley
Thumbs
146 bpm • C# Maj • 04:33 • -7db
35% Popularity • 63% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 52% Positiveness
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LULLANAS
Highway Honey
146 bpm • C# Maj • 03:13 • -8db
32% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ariza
Taking up Space
146 bpm • E Maj • 03:12 • -10.68db
28% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Allison Ponthier
Chasing A Feeling
146 bpm • D Maj • 02:50 • -9.27db
23% Popularity • 60% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Natalie Taylor
Hang On To Me
145 bpm • G Maj • 03:22 • -9.13db
38% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Woodlock
Start Again
145 bpm • C Maj • 03:14 • -15db
43% Popularity • 42% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Meadowlark
Disposable
145 bpm • G# Maj • 03:37 • -14.56db
4% Popularity • 67% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
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Bre Kennedy
Whirlwind
145 bpm • D Maj • 03:08 • -16db
35% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Becca Roth
Find Me
144 bpm • C Maj • 03:24 • -8.93db
33% Popularity • 49% Danceability • 47% Energy • 10% Liveness
64% Instrumentalness • 33% Positiveness
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Koziol Kennedy
Between You and I
144 bpm • C Maj • 04:27 • -9.32db
0% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Marc Scibilia
Already Miss You (Acoustic)
143 bpm • A Maj • 03:19 • -14.72db
29% Popularity • 52% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Inland Sky
Hello Again
188 bpm • D# Maj • 03:09 • -10.74db
25% Popularity • 36% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
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Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
31% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Jessie Reid
Give Me Love
142 bpm • D min • 03:14 • -11.86db
35% Popularity • 63% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Caroline Spence
True North
142 bpm • C# Maj • 02:17 • -12.32db
48% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Cujo Moon
Water from the Mountain
142 bpm • C# Maj • 03:43 • -16.42db
24% Popularity • 55% Danceability • 17% Energy • 12% Liveness
8% Instrumentalness • 13% Positiveness
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Marc Scibilia
Better Place
145 bpm • F Maj • 02:38 • -11.05db
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Charli Adams
Seventeen Again
141 bpm • D# Maj • 03:24 • -10.9db
39% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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HARBRS
Powder Blue
190 bpm • G# Maj • 03:36 • -8.73db
31% Popularity • 44% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
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Hayden Calnin
If It's Time
141 bpm • E Maj • 04:17 • -8.2db
31% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Amy Allen
Queen of Silver Linings
141 bpm • C Maj • 03:32 • -6.27db
41% Popularity • 47% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Hati
Mean Something
140 bpm • D Maj • 03:53 • -11.1db
30% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Wild Rivers
Amsterdam
140 bpm • C# Maj • 03:33 • -9.43db
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Trousdale
If You're Hurting
140 bpm • G Maj • 03:59 • -13.81db
33% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Bre Kennedy
Progress
140 bpm • G# Maj • 03:55 • -11.23db
30% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ken Yates
Ordinary Life
140 bpm • F min • 03:19 • -8.7db
18% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Note To Self