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Nothing but Everything
Songs like
Nothing but Everything
by
Jon and Roy
Based on a tempo of (+/- 10%) and a similar genre
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Jon Middleton
South Pacific
134 bpm • F Maj • 03:00 • -15.69db
34% Popularity • 72% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 34% Positiveness
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Jon and Roy
Nothing but Everything
134 bpm • F# Maj • 03:34 • -16.12db
60% Popularity • 80% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
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Jesse Woods
PJ
134 bpm • F# Maj • 02:30 • -8.33db
43% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Octave Lissner
My Grace
134 bpm • G# min • 03:54 • -17.42db
25% Popularity • 43% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Frazey Ford
Blue Streak Mama
133 bpm • C# min • 03:46 • -14.4db
42% Popularity • 93% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Roo Panes
Open Road - EP Version
132 bpm • F Maj • 04:18 • -8.28db
45% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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James Vincent McMorrow
I Should Go - Solo Version
132 bpm • F# min • 02:31 • -10.37db
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
51% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Abigail Lapell
Gonna Be Leaving
135 bpm • F Maj • 03:10 • -15.05db
43% Popularity • 72% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Steph Strings
San Remo
136 bpm • E Maj • 05:29 • -10db
37% Popularity • 38% Danceability • 63% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Isbells
Reunite
136 bpm • C# min • 03:55 • -12.78db
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Jon Middleton
Stand By
132 bpm • C# Maj • 03:06 • -18.18db
25% Popularity • 74% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Caamp
So Long, Honey
131 bpm • E Maj • 04:51 • -13db
55% Popularity • 57% Danceability • 26% Energy • 16% Liveness
8% Instrumentalness • 8% Positiveness
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Jon and Roy
Rising Sun
130 bpm • C min • 03:22 • -11.25db
51% Popularity • 73% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 34% Positiveness
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Forest Sun
Diamond
131 bpm • D Maj • 02:46 • -13db
41% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Chris Staples
Times Square
138 bpm • F# Maj • 02:33 • -11.38db
31% Popularity • 75% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Old Sea Brigade
Day by Day - Acoustic
138 bpm • F# min • 03:29 • -14db
54% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Beta Radio
Come on Make It Right Once
138 bpm • E min • 03:04 • -11.05db
47% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
48% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Jon and Roy
What I Need
138 bpm • C Maj • 04:08 • -9.67db
39% Popularity • 85% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Dekker
Maybe October
130 bpm • F# Maj • 02:44 • -10db
63% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Caamp
Hey Joe
130 bpm • D# Maj • 03:29 • -10.67db
46% Popularity • 77% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Gone Gone Beyond
Riptide
130 bpm • G Maj • 05:23 • -14.03db
36% Popularity • 48% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Trevor Hall
Green Mountain State
130 bpm • D# Maj • 04:34 • -11.66db
59% Popularity • 69% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Jon and Roy
The Road Ahead Is Golden
130 bpm • B min • 03:45 • -13.09db
54% Popularity • 60% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 17% Positiveness
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Dekker
Too Young To Die
130 bpm • B Maj • 02:38 • -9.37db
39% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Caamp
Penny, Heads Up
139 bpm • E Maj • 03:27 • -11.42db
49% Popularity • 59% Danceability • 37% Energy • 26% Liveness
13% Instrumentalness • 75% Positiveness
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Fink
If Only
130 bpm • D Maj • 04:23 • -19.28db
44% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Ella Grace
Whole Again
139 bpm • A Maj • 03:07 • -6.41db
27% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Frazey Ford
Firecracker
129 bpm • D Maj • 03:45 • -11db
45% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jon and Roy
How the Story Goes
129 bpm • D# Maj • 02:22 • -11.32db
46% Popularity • 70% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 58% Positiveness
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Jon Middleton
I See You
140 bpm • F Maj • 03:02 • -17.26db
38% Popularity • 71% Danceability • 19% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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Cat Clyde
Mama Said
139 bpm • C# Maj • 03:33 • -6.9db
50% Popularity • 59% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Ella Grace
Pieces
140 bpm • F min • 03:15 • -12db
42% Popularity • 73% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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L'aupaire
Rollercoaster Girl
140 bpm • F Maj • 04:52 • -9.15db
50% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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The Odd 910
Going South
140 bpm • G Maj • 03:46 • -7db
36% Popularity • 80% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Staples
Full Color Dream
140 bpm • D# min • 03:35 • -8.45db
40% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
46% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jon and Roy
High on a Hill
140 bpm • C Maj • 02:26 • -12.23db
19% Popularity • 66% Danceability • 45% Energy • 8% Liveness
93% Instrumentalness • 19% Positiveness
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Mat McHugh
No One Left to Blame
128 bpm • F Maj • 03:09 • -8db
49% Popularity • 83% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Ella Grace
She Looked Like Me
128 bpm • C# Maj • 03:14 • -11.18db
28% Popularity • 63% Danceability • 24% Energy • 9% Liveness
31% Instrumentalness • 8% Positiveness
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Felipe Baldomir
Ocean is Calling
128 bpm • B Maj • 03:26 • -11db
43% Popularity • 65% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Gone Gone Beyond
She Just Can't Help But Shine
128 bpm • C Maj • 02:44 • -13db
47% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Old Sea Brigade
Caroline - Acoustic
127 bpm • E min • 03:57 • -12db
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jon and Roy
Getting Warm
128 bpm • E Maj • 02:55 • -13.11db
34% Popularity • 83% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 61% Positiveness
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Jesper Munk
Blood or Redwine
142 bpm • E Maj • 02:50 • -6.81db
22% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jon Middleton
Byron Banter
127 bpm • F Maj • 02:44 • -12.85db
15% Popularity • 77% Danceability • 26% Energy • 11% Liveness
72% Instrumentalness • 58% Positiveness
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Blanco White
Una Noche Más
127 bpm • E min • 03:20 • -15.16db
47% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hanreti
Shine On
142 bpm • E Maj • 05:24 • -12.15db
37% Popularity • 45% Danceability • 61% Energy • 9% Liveness
24% Instrumentalness • 32% Positiveness
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The Barr Brothers
Little Lover
127 bpm • A# Maj • 04:50 • -10db
39% Popularity • 58% Danceability • 52% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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Jon and Roy
Deerfoot
141 bpm • A min • 05:27 • -14.04db
17% Popularity • 53% Danceability • 28% Energy • 10% Liveness
61% Instrumentalness • 9% Positiveness
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Dekker
Let's Pretend
142 bpm • A# min • 02:35 • -12.8db
55% Popularity • 76% Danceability • 32% Energy • 10% Liveness
16% Instrumentalness • 64% Positiveness
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Jamaram
Honey Bee
127 bpm • A Maj • 03:03 • -17.32db
13% Popularity • 75% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Carly King
Mountains, Alone.
126 bpm • C Maj • 03:00 • -8.95db
35% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
73% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Frazey Ford
You're Not Free
126 bpm • C Maj • 04:05 • -8.98db
43% Popularity • 55% Danceability • 40% Energy • 16% Liveness
86% Instrumentalness • 24% Positiveness
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Jon and Roy
My Baby's Gone
127 bpm • G# Maj • 02:55 • -10.51db
27% Popularity • 72% Danceability • 65% Energy • 8% Liveness
76% Instrumentalness • 58% Positiveness
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Dekker
Small Wins
142 bpm • D min • 02:52 • -10.42db
54% Popularity • 78% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Ondara
Milk And Honey
126 bpm • B Maj • 02:54 • -7.64db
36% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ziggy Alberts
Days in the Sun
126 bpm • F# Maj • 03:34 • -10.79db
57% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Mar Malade
Clocks
126 bpm • F Maj • 03:17 • -9.74db
52% Popularity • 83% Danceability • 55% Energy • 18% Liveness
8% Instrumentalness • 93% Positiveness
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Logan Bowden
Fur
126 bpm • D Maj • 02:32 • -15.46db
37% Popularity • 76% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 74% Positiveness
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Jon and Roy
By My Side
127 bpm • D Maj • 04:12 • -8.3db
42% Popularity • 68% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Staples
Hold Onto Something
126 bpm • A Maj • 03:09 • -11.79db
45% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Alivan Blu
Cabin In The Woods
143 bpm • C Maj • 03:11 • -8.45db
37% Popularity • 55% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Shakey Graves
House of Winston
125 bpm • D# Maj • 04:13 • -9.5db
44% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
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Ziggy Alberts
Hands I Can Hold
125 bpm • C Maj • 03:08 • -10.71db
52% Popularity • 54% Danceability • 43% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
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zeck
follow me
125 bpm • G min • 03:35 • -12db
47% Popularity • 72% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Jon and Roy
Thanks for That
126 bpm • C# min • 02:55 • -9.6db
30% Popularity • 74% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Staples
Mayflower
143 bpm • F# min • 02:18 • -11.51db
36% Popularity • 66% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 32% Positiveness
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Wild Child
Going In
144 bpm • E Maj • 02:41 • -12db
60% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Blind Pilot
I Buried a Bone
125 bpm • F Maj • 02:39 • -12.04db
52% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ziggy Alberts
Gone (The Pocahontas Song)
125 bpm • C# min • 03:38 • -10.36db
57% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jono McCleery
Darkest Light
125 bpm • F min • 03:24 • -9.78db
47% Popularity • 55% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Jon and Roy
Now
144 bpm • C min • 03:26 • -11.93db
32% Popularity • 68% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Ella Grace
Wild Roads
124 bpm • C Maj • 03:22 • -7db
36% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Angus & Julia Stone
Nothing Else
124 bpm • C# min • 04:24 • -13.53db
47% Popularity • 71% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Matt Costa
Pacific Grove - Alternate Version
124 bpm • D Maj • 04:09 • -10.86db
31% Popularity • 86% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Native Young
Yellow Brick Road
124 bpm • A Maj • 05:28 • -11db
36% Popularity • 68% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Staples
Golden Age
124 bpm • F# Maj • 03:18 • -7db
61% Popularity • 88% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Dekker
Supposed to Be a Friend
124 bpm • A# min • 02:49 • -8.59db
43% Popularity • 73% Danceability • 56% Energy • 9% Liveness
23% Instrumentalness • 71% Positiveness
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Matthew And The Atlas
I Will Remain
124 bpm • G# Maj • 03:26 • -11.48db
46% Popularity • 74% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
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Long Tall Jefferson
Good Dreamer
145 bpm • G# Maj • 03:19 • -12.86db
35% Popularity • 61% Danceability • 44% Energy • 7% Liveness
3% Instrumentalness • 56% Positiveness
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Ben Harper
A House Is A Home
145 bpm • D# Maj • 02:42 • -10.68db
49% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Native Young
Erase (Acoustic)
124 bpm • C Maj • 03:35 • -10db
37% Popularity • 66% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Old Sea Brigade
Once Again
145 bpm • A Maj • 03:44 • -9.04db
33% Popularity • 50% Danceability • 37% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
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Chris Staples
Hepburn In Summertime
124 bpm • C Maj • 02:42 • -8.77db
38% Popularity • 88% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Jon Middleton
Vibrant Scene
123 bpm • F# Maj • 02:12 • -15.26db
33% Popularity • 74% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 51% Positiveness
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Femi Luna
Choose to Be
123 bpm • C Maj • 02:52 • -12db
32% Popularity • 70% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Jack and the Weatherman
This Town
146 bpm • F Maj • 03:13 • -8.15db
34% Popularity • 90% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Frazey Ford
Bird Of Paradise
146 bpm • C# Maj • 05:17 • -11.26db
37% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Blanco White
We Know Who U R - Recorded at Spotify St...
147 bpm • G# Maj • 03:42 • -11.49db
40% Popularity • 35% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Stu Larsen
By the River - Acoustic
146 bpm • D min • 04:28 • -12db
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Dusty Boots
To the Sea
122 bpm • C# min • 03:23 • -10db
37% Popularity • 36% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Charlie Cunningham
Permanent Way
147 bpm • G# Maj • 04:12 • -17.42db
55% Popularity • 56% Danceability • 55% Energy • 9% Liveness
48% Instrumentalness • 45% Positiveness
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Bee Caves
Black Mason Hills
122 bpm • B min • 04:25 • -7.16db
33% Popularity • 33% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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harry hook is real
every river
147 bpm • D Maj • 04:50 • -13.34db
31% Popularity • 57% Danceability • 38% Energy • 16% Liveness
3% Instrumentalness • 58% Positiveness
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Nothing but Everything