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Nothing Matters Anymore
Songs like
Nothing Matters Anymore
by
Brian Dunne
Based on a tempo of (+/- 10%) and a similar genre
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Brian Dunne
Nothing Matters Anymore
145 bpm • F# Maj • 04:06 • -5.5db
5% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Alain Clark
Songs Don't Die
145 bpm • F Maj • 03:23 • -10.74db
11% Popularity • 43% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Ray LaMontagne
Highway to the Sun
145 bpm • C Maj • 05:31 • -11.11db
37% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Blackbird
Back
145 bpm • C Maj • 03:38 • -8.91db
20% Popularity • 62% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ruth Moody
Pockets
145 bpm • A# min • 05:03 • -13.61db
28% Popularity • 39% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Pieternel
Ugly Beast
146 bpm • C# Maj • 04:19 • -13.69db
17% Popularity • 48% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Brian Dunne
We Don't Talk About It
145 bpm • G# Maj • 04:57 • -13.78db
7% Popularity • 48% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Kellogg
Orion
144 bpm • D Maj • 03:45 • -9.33db
14% Popularity • 53% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Will Knox
Anny
146 bpm • E min • 04:03 • -15.93db
16% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lukas Batteau
Rainbow
144 bpm • G Maj • 04:15 • -11.06db
20% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Tangarine
Things Go Like This Anyway
144 bpm • E Maj • 03:40 • -9.2db
18% Popularity • 47% Danceability • 69% Energy • 36% Liveness
3% Instrumentalness • 69% Positiveness
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The BlueBirds
Sweet Soil
146 bpm • A Maj • 03:18 • -9.21db
14% Popularity • 66% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Brian Dunne
Getting Wrecked on Election Day
144 bpm • D# Maj • 03:10 • -5.24db
4% Popularity • 43% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Ilse DeLange
Went For A While
147 bpm • D Maj • 03:45 • -14.12db
31% Popularity • 57% Danceability • 25% Energy • 11% Liveness
17% Instrumentalness • 31% Positiveness
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Chef'Special
Superman
144 bpm • D# Maj • 02:54 • -10.22db
44% Popularity • 66% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Sofia Dragt
Come Home
143 bpm • A# Maj • 02:49 • -10.04db
47% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Glen Hansard
Why Woman
147 bpm • E Maj • 03:03 • -8.19db
49% Popularity • 41% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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St. Solaire
idlm
147 bpm • G min • 02:33 • -15.86db
38% Popularity • 39% Danceability • 20% Energy • 13% Liveness
6% Instrumentalness • 8% Positiveness
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Brian Dunne
You're Not Ready
142 bpm • A Maj • 02:51 • -7db
4% Popularity • 52% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Yola
Ride Out In The Country
143 bpm • C Maj • 03:15 • -5.85db
35% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Outlaw
Bottomless Mimosas
148 bpm • G# Maj • 03:46 • -7.05db
26% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tangarine
You
148 bpm • D# Maj • 04:04 • -9.7db
14% Popularity • 49% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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VanWyck
Your Favorite Tune
142 bpm • A Maj • 03:21 • -12.93db
19% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Pat Byrne
Only a Man
142 bpm • D# Maj • 03:31 • -11.53db
12% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sophia
Perfume
142 bpm • F Maj • 02:32 • -13db
44% Popularity • 53% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Novastar
Holler And Shout
141 bpm • A Maj • 03:06 • -10.79db
20% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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MAUGER
No Time to Look at You
141 bpm • E Maj • 03:13 • -13.08db
17% Popularity • 57% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Maurice van Hoek
Last Light
141 bpm • G# Maj • 03:32 • -13.09db
17% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Tim Akkerman
Brand New Days
149 bpm • A Maj • 03:01 • -6.81db
12% Popularity • 52% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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DINAND
Whatever Comes For Me
149 bpm • E Maj • 03:57 • -12.21db
20% Popularity • 49% Danceability • 51% Energy • 7% Liveness
43% Instrumentalness • 15% Positiveness
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Nils Krake
Burning House
141 bpm • A# Maj • 03:26 • -8.63db
18% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Anderson East
Josephine
140 bpm • B Maj • 03:42 • -11.56db
31% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Reuben de Melo
Sweet Oblivion
141 bpm • F# Maj • 03:57 • -13.23db
42% Popularity • 53% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Davy Knowles
Roll Me
140 bpm • D# Maj • 05:07 • -9.43db
22% Popularity • 65% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
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Tim Akkerman
Guilt
140 bpm • E Maj • 03:50 • -10.74db
19% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ilse DeLange
New Amsterdam
140 bpm • A Maj • 03:36 • -10.55db
31% Popularity • 58% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Jim van der Zee
Father And Son
140 bpm • G Maj • 02:54 • -10.83db
18% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lucie Silvas
We Don’t Know We’re Living (w/ Brand...
140 bpm • F Maj • 04:30 • -8db
43% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Emmy d’Arc
Tell The World
140 bpm • D# Maj • 02:55 • -8.33db
20% Popularity • 56% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lori McKenna
When You're My Age
140 bpm • B Maj • 05:11 • -8db
37% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Marcel Kapteijn
Time Looks Good On You
151 bpm • E Maj • 02:49 • -16.29db
13% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Morgan Bain
Tell My Lover
151 bpm • C Maj • 05:05 • -12.88db
12% Popularity • 45% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jasper Schalks
The Ballad of Lisa Marie Montgomery
152 bpm • F Maj • 05:58 • -14.97db
19% Popularity • 45% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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CHRISTON
Born Free
152 bpm • C Maj • 03:28 • -14db
46% Popularity • 62% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Brian Dunne
I Hope I Can Make It to the Show
152 bpm • A# Maj • 03:53 • -9.5db
5% Popularity • 51% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Malford Milligan
Freedom Ain't Free
138 bpm • E min • 04:45 • -8.57db
6% Popularity • 66% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Bob Schneider
Small Dreams
152 bpm • D Maj • 04:34 • -9.05db
13% Popularity • 54% Danceability • 38% Energy • 35% Liveness
5% Instrumentalness • 35% Positiveness
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Anderson East
If You Really Love Me - F.A.M.E.
138 bpm • F Maj • 04:09 • -9.87db
18% Popularity • 53% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Josh Ritter
Miles Away
138 bpm • D# Maj • 03:53 • -7.17db
38% Popularity • 56% Danceability • 58% Energy • 10% Liveness
36% Instrumentalness • 20% Positiveness
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Calicos
Desire
152 bpm • A Maj • 04:30 • -11.88db
15% Popularity • 22% Danceability • 36% Energy • 14% Liveness
14% Instrumentalness • 13% Positiveness
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Jelka van Houten
Hard Place for a Dreamer
138 bpm • A Maj • 03:31 • -8.14db
16% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Brian Dunne
I Come to You
137 bpm • F# Maj • 04:00 • -10.32db
4% Popularity • 43% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Hello Darlins
Catch That Train
137 bpm • F Maj • 04:01 • -8.92db
22% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Blackbird
Back - Acoustic
137 bpm • C Maj • 03:42 • -8.76db
14% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tim Dawn
Everyday Magic
137 bpm • E Maj • 03:56 • -12.5db
12% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Admiral Freebee
The Gardener - Acoustic Version
137 bpm • B Maj • 03:33 • -10.45db
26% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Malford Milligan
I'm Glad to Do It
137 bpm • F# min • 04:44 • -7.97db
12% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Brian Dunne
Bad Luck
137 bpm • C# min • 03:10 • -4.19db
8% Popularity • 52% Danceability • 83% Energy • 10% Liveness
12% Instrumentalness • 50% Positiveness
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Ilse DeLange
Always Been
154 bpm • C Maj • 03:29 • -12.99db
22% Popularity • 51% Danceability • 40% Energy • 12% Liveness
11% Instrumentalness • 60% Positiveness
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VanWyck
God is in the Detour
154 bpm • A Maj • 04:00 • -9.65db
13% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Novastar
Word's Out
154 bpm • F Maj • 03:47 • -6.72db
31% Popularity • 31% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Mary Chapin Carpenter
All Broken Hearts Break Differently
136 bpm • A# Maj • 04:42 • -13.16db
15% Popularity • 72% Danceability • 30% Energy • 12% Liveness
11% Instrumentalness • 36% Positiveness
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Tim Akkerman
Wash Away
136 bpm • C Maj • 06:05 • -12.03db
16% Popularity • 31% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Brian Dunne
Long Long Gone
137 bpm • F Maj • 02:56 • -10.39db
6% Popularity • 45% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Boaz
Sweet Sweet Honey
136 bpm • A Maj • 02:37 • -7.38db
18% Popularity • 61% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Aidan & the Wild
What It Ain't
136 bpm • F Maj • 05:44 • -15.58db
19% Popularity • 53% Danceability • 25% Energy • 19% Liveness
1% Instrumentalness • 28% Positiveness
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Anouk
Something Better
136 bpm • F# min • 03:47 • -9.24db
26% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Douglas Firs
At Least Once
135 bpm • F# Maj • 04:51 • -11db
17% Popularity • 51% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Niels Geusebroek
Room For Two
135 bpm • F Maj • 03:22 • -6.05db
8% Popularity • 33% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Brian Dunne
Chasing Down a Ghost
136 bpm • A# Maj • 03:23 • -7.38db
9% Popularity • 63% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ilse DeLange
Don't Hold Back
156 bpm • G Maj • 03:38 • -7.29db
16% Popularity • 52% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Joshua Hyslop
Let It Rain
135 bpm • E Maj • 04:16 • -9.75db
31% Popularity • 63% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Voltage
Rollin' with the Punches
156 bpm • F Maj • 04:13 • -7.78db
26% Popularity • 47% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jim van der Zee
Come On
134 bpm • A min • 03:28 • -10.03db
9% Popularity • 38% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Ocie Elliott
Eyes Fall
157 bpm • B Maj • 03:20 • -12.34db
47% Popularity • 49% Danceability • 30% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
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Brian Dunne
Nitehawk
136 bpm • A Maj • 03:34 • -8.59db
3% Popularity • 34% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Mercy John
This Ain't New York
133 bpm • A# Maj • 03:14 • -9.7db
20% Popularity • 50% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Our Man In The Field
Easy Going Smile
133 bpm • G# Maj • 03:25 • -18db
16% Popularity • 57% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Sam Outlaw
Tenderheart
158 bpm • F Maj • 04:36 • -6.53db
22% Popularity • 42% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Joshua Hyslop
No Stopping Now
133 bpm • F Maj • 03:45 • -8.62db
18% Popularity • 27% Danceability • 45% Energy • 12% Liveness
21% Instrumentalness • 34% Positiveness
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Jeffrey Foucault
Cheap Suit
133 bpm • D# Maj • 02:38 • -17db
41% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Brian Dunne
Don't Give Up On Me
135 bpm • G# Maj • 03:57 • -9.46db
16% Popularity • 60% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Malford Milligan
Yo Yo
133 bpm • E min • 06:09 • -9.58db
8% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Abbey
Never Stop Dancing
133 bpm • G# Maj • 03:58 • -5.85db
9% Popularity • 71% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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FRIDAY
One Last Chance (I Won't Let You Down) -...
133 bpm • F# min • 03:19 • -11.05db
14% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Mick Stender
I can Still Remember
132 bpm • D# Maj • 03:45 • -8.26db
3% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Voltage
How Lucky Am I
132 bpm • F# min • 03:45 • -7db
18% Popularity • 53% Danceability • 71% Energy • 26% Liveness
90% Instrumentalness • 30% Positiveness
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Brian Dunne
California (Rock Me Slow)
135 bpm • C min • 04:34 • -6.97db
7% Popularity • 54% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Christian Lopez
Miss Me Too
132 bpm • C# Maj • 03:08 • -9.99db
18% Popularity • 54% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Deborah Parlor
Dreaming Wide Awake
132 bpm • B Maj • 03:36 • -8db
26% Popularity • 56% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Marcel Kapteijn
Once Upon A Town
160 bpm • C# Maj • 02:59 • -6.78db
12% Popularity • 48% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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John Mayer
I Guess I Just Feel Like
160 bpm • E Maj • 04:46 • -9.1db
67% Popularity • 55% Danceability • 48% Energy • 9% Liveness
7% Instrumentalness • 17% Positiveness
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Robbert Duijf
Going Home
131 bpm • C# Maj • 03:12 • -17.86db
23% Popularity • 56% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Brian Dunne
Call It A Weakness
133 bpm • D Maj • 03:06 • -9.95db
5% Popularity • 39% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Tim Akkerman
Undiscovered Land
160 bpm • D Maj • 03:35 • -14.93db
8% Popularity • 43% Danceability • 35% Energy • 7% Liveness
10% Instrumentalness • 32% Positiveness
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Travis Meadows
Sideways
131 bpm • A Maj • 05:05 • -9db
32% Popularity • 52% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Robin Borneman
Woebegone Blues
160 bpm • B min • 04:03 • -11.84db
11% Popularity • 40% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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The Analogues Sideshow
Magnetic Fields
161 bpm • F# Maj • 02:33 • -14db
25% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Gregory Alan Isakov
Was I Just Another One
131 bpm • C# Maj • 02:57 • -12.91db
40% Popularity • 28% Danceability • 28% Energy • 11% Liveness
25% Instrumentalness • 5% Positiveness
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Brian Dunne
Taxi
132 bpm • F Maj • 04:09 • -8.62db
21% Popularity • 64% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Nothing Matters Anymore