Songs like Nothing Special by The Jazz Butcher
Based on a tempo of (+/- 10%) and a similar genre
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McCarthy
The Fall
180 bpm • E min • 01:46 • -11.3db
11% Popularity • 31% Danceability • 74% Energy • 30% Liveness
76% Instrumentalness • 72% Positiveness
11% Popularity • 31% Danceability • 74% Energy • 30% Liveness
76% Instrumentalness • 72% Positiveness
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The dB's
Neverland
179 bpm • A Maj • 02:46 • -7.2db
10% Popularity • 33% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 33% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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The Primitives
Really Stupid
178 bpm • F# Maj • 02:28 • -6.57db
18% Popularity • 32% Danceability • 98% Energy • 34% Liveness
43% Instrumentalness • 58% Positiveness
18% Popularity • 32% Danceability • 98% Energy • 34% Liveness
43% Instrumentalness • 58% Positiveness
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The Jazz Butcher
Nothing Special
181 bpm • G Maj • 03:29 • -6.23db
12% Popularity • 26% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 26% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Mighty Mighty
Is There Anyone Out There?
184 bpm • C Maj • 03:42 • -4.98db
12% Popularity • 42% Danceability • 93% Energy • 13% Liveness
15% Instrumentalness • 72% Positiveness
12% Popularity • 42% Danceability • 93% Energy • 13% Liveness
15% Instrumentalness • 72% Positiveness
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The Popguns
Waiting for the Winter
184 bpm • E min • 03:15 • -9.06db
16% Popularity • 28% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 28% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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McCarthy
The Way Of The World
177 bpm • E min • 02:29 • -8.7db
10% Popularity • 42% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
10% Popularity • 42% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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The Motorcycle Boy
Big Rock Candy Mountain
177 bpm • B Maj • 03:16 • -13.1db
22% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 47% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Robyn Hitchcock & The Egyptians
Balloon Man
175 bpm • G Maj • 03:35 • -12db
30% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 53% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Jazz Butcher
Rain - Roadrunner B-Side
178 bpm • C min • 03:26 • -8.4db
1% Popularity • 35% Danceability • 94% Energy • 10% Liveness
78% Instrumentalness • 72% Positiveness
1% Popularity • 35% Danceability • 94% Energy • 10% Liveness
78% Instrumentalness • 72% Positiveness
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The Blue Aeroplanes
The Applicant - 2006 Remaster
175 bpm • A min • 04:03 • -4.35db
19% Popularity • 38% Danceability • 98% Energy • 7% Liveness
72% Instrumentalness • 39% Positiveness
19% Popularity • 38% Danceability • 98% Energy • 7% Liveness
72% Instrumentalness • 39% Positiveness
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The Auteurs
Show Girl
174 bpm • F# min • 04:06 • -7.56db
31% Popularity • 40% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 40% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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McCarthy
Should The Bible Be Banned - 20.10.87
177 bpm • E min • 03:06 • -9.07db
10% Popularity • 31% Danceability • 84% Energy • 14% Liveness
2% Instrumentalness • 67% Positiveness
10% Popularity • 31% Danceability • 84% Energy • 14% Liveness
2% Instrumentalness • 67% Positiveness
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The Monochrome Set
The Mating Game
173 bpm • A Maj • 03:20 • -8.77db
8% Popularity • 33% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 33% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
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Orange Juice
Get While the Gettings Good
173 bpm • G Maj • 03:35 • -10.03db
8% Popularity • 40% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 40% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Jazz Butcher
Sixteen Years - CD single version
176 bpm • C Maj • 02:03 • -6.43db
1% Popularity • 34% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 34% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Mighty Mighty
Throwaway
172 bpm • A Maj • 02:13 • -5db
10% Popularity • 42% Danceability • 95% Energy • 9% Liveness
8% Instrumentalness • 84% Positiveness
10% Popularity • 42% Danceability • 95% Energy • 9% Liveness
8% Instrumentalness • 84% Positiveness
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Eleventh Dream Day
Rose of Jericho
171 bpm • G Maj • 03:42 • -5.16db
9% Popularity • 8% Danceability • 95% Energy • 34% Liveness
93% Instrumentalness • 20% Positiveness
9% Popularity • 8% Danceability • 95% Energy • 34% Liveness
93% Instrumentalness • 20% Positiveness
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Julian Cope
Trampolene
170 bpm • A Maj • 03:38 • -7db
30% Popularity • 44% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 44% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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The Monochrome Set
Love Goes Down the Drain
172 bpm • F# min • 02:27 • -10.45db
16% Popularity • 41% Danceability • 73% Energy • 11% Liveness
3% Instrumentalness • 93% Positiveness
16% Popularity • 41% Danceability • 73% Energy • 11% Liveness
3% Instrumentalness • 93% Positiveness
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Orange Juice
Tenterhook
171 bpm • D Maj • 05:05 • -11.6db
15% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Close Lobsters
Sewer Pipe Dream
170 bpm • D Maj • 03:11 • -8.79db
15% Popularity • 24% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 24% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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The Jazz Butcher
Roadrunner
173 bpm • D Maj • 05:54 • -6.23db
5% Popularity • 42% Danceability • 93% Energy • 32% Liveness
1% Instrumentalness • 73% Positiveness
5% Popularity • 42% Danceability • 93% Energy • 32% Liveness
1% Instrumentalness • 73% Positiveness
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That Petrol Emotion
Cellophane
168 bpm • B min • 02:48 • -11db
11% Popularity • 45% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 45% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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The Soup Dragons
Hang Ten!
195 bpm • C Maj • 02:16 • -7.56db
8% Popularity • 16% Danceability • 97% Energy • 24% Liveness
7% Instrumentalness • 51% Positiveness
8% Popularity • 16% Danceability • 97% Energy • 24% Liveness
7% Instrumentalness • 51% Positiveness
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Big Dipper
Faith Healer
167 bpm • G Maj • 03:07 • -6db
15% Popularity • 36% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 78% Positiveness
15% Popularity • 36% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 78% Positiveness
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Orange Juice
Salmon Fishing in New York
168 bpm • D min • 03:05 • -8.27db
10% Popularity • 39% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 39% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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McCarthy
We Are All Bourgeois Now
167 bpm • G Maj • 04:44 • -10.57db
14% Popularity • 47% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 47% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The Jazz Butcher
Girlfriend
171 bpm • G Maj • 04:07 • -7.18db
12% Popularity • 28% Danceability • 88% Energy • 6% Liveness
1% Instrumentalness • 85% Positiveness
12% Popularity • 28% Danceability • 88% Energy • 6% Liveness
1% Instrumentalness • 85% Positiveness
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Close Lobsters
Never Seen Before
166 bpm • A Maj • 03:00 • -9db
11% Popularity • 26% Danceability • 80% Energy • 24% Liveness
49% Instrumentalness • 71% Positiveness
11% Popularity • 26% Danceability • 80% Energy • 24% Liveness
49% Instrumentalness • 71% Positiveness
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Sea Urchins
Pristine Christine
166 bpm • D Maj • 02:48 • -9db
24% Popularity • 32% Danceability • 80% Energy • 33% Liveness
95% Instrumentalness • 95% Positiveness
24% Popularity • 32% Danceability • 80% Energy • 33% Liveness
95% Instrumentalness • 95% Positiveness
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The Feelies
On The Roof
164 bpm • A Maj • 02:59 • -7.02db
12% Popularity • 54% Danceability • 80% Energy • 7% Liveness
90% Instrumentalness • 89% Positiveness
12% Popularity • 54% Danceability • 80% Energy • 7% Liveness
90% Instrumentalness • 89% Positiveness
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Half Man Half Biscuit
Dickie Davies Eyes
200 bpm • D Maj • 04:28 • -10.19db
22% Popularity • 17% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 17% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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McCarthy
Monetaries
164 bpm • D Maj • 01:59 • -9.07db
12% Popularity • 44% Danceability • 84% Energy • 8% Liveness
22% Instrumentalness • 86% Positiveness
12% Popularity • 44% Danceability • 84% Energy • 8% Liveness
22% Instrumentalness • 86% Positiveness
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The Monochrome Set
The Lighter Side of Dating
164 bpm • A min • 02:42 • -11.43db
18% Popularity • 36% Danceability • 61% Energy • 9% Liveness
3% Instrumentalness • 55% Positiveness
18% Popularity • 36% Danceability • 61% Energy • 9% Liveness
3% Instrumentalness • 55% Positiveness
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The Jazz Butcher
Big Saturday
167 bpm • E Maj • 02:40 • -11db
15% Popularity • 29% Danceability • 60% Energy • 20% Liveness
49% Instrumentalness • 70% Positiveness
15% Popularity • 29% Danceability • 60% Energy • 20% Liveness
49% Instrumentalness • 70% Positiveness
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The Blue Aeroplanes
Huh!
162 bpm • B min • 03:56 • -8.92db
10% Popularity • 35% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 35% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Razorcuts
Sorry To Embarrass You
162 bpm • D Maj • 03:18 • -8.32db
10% Popularity • 33% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 33% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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The Icicle Works
Understanding Jane
162 bpm • C Maj • 03:21 • -11db
28% Popularity • 34% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 34% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Close Lobsters
What Is There to Smile About
161 bpm • B min • 02:38 • -7.77db
15% Popularity • 38% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 38% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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The Monochrome Set
The Jet Set Junta
202 bpm • B min • 02:02 • -6.33db
23% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Howard Devoto
Rainy Season - 7'' Single Version / Bonu...
160 bpm • B min • 03:39 • -12.58db
10% Popularity • 57% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
10% Popularity • 57% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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The Jazz Butcher
Big Saturday
166 bpm • E Maj • 02:41 • -13.07db
5% Popularity • 32% Danceability • 57% Energy • 18% Liveness
41% Instrumentalness • 74% Positiveness
5% Popularity • 32% Danceability • 57% Energy • 18% Liveness
41% Instrumentalness • 74% Positiveness
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Razorcuts
I'll Still Be There
161 bpm • D Maj • 02:33 • -4db
12% Popularity • 32% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 32% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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The Church
Tantalized - Remaster 2002
160 bpm • F Maj • 04:59 • -6.04db
27% Popularity • 18% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 18% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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One Thousand Violins
Like One Thousand Violins
160 bpm • C Maj • 04:44 • -5.66db
9% Popularity • 42% Danceability • 86% Energy • 4% Liveness
2% Instrumentalness • 68% Positiveness
9% Popularity • 42% Danceability • 86% Energy • 4% Liveness
2% Instrumentalness • 68% Positiveness
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McCarthy
Keep An Open Mind Or Else
159 bpm • D Maj • 03:09 • -12.17db
9% Popularity • 30% Danceability • 85% Energy • 8% Liveness
22% Instrumentalness • 87% Positiveness
9% Popularity • 30% Danceability • 85% Energy • 8% Liveness
22% Instrumentalness • 87% Positiveness
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Howard Devoto
Rainy Season - 2007 Digital Remaster
160 bpm • B min • 05:05 • -11db
16% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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The Jazz Butcher
Bath of Bacon
166 bpm • F Maj • 02:47 • -8.78db
1% Popularity • 52% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
1% Popularity • 52% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
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The Wolfhounds
Me
158 bpm • G Maj • 03:45 • -12.61db
8% Popularity • 42% Danceability • 70% Energy • 7% Liveness
24% Instrumentalness • 80% Positiveness
8% Popularity • 42% Danceability • 70% Energy • 7% Liveness
24% Instrumentalness • 80% Positiveness
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The Church
For A Moment We're Strangers - 2002 Digi...
159 bpm • C Maj • 03:55 • -5.4db
24% Popularity • 35% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 35% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Colourfield
The Colour Field
159 bpm • G min • 02:53 • -13.26db
30% Popularity • 64% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 83% Positiveness
30% Popularity • 64% Danceability • 60% Energy • 8% Liveness
1% Instrumentalness • 83% Positiveness
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Close Lobsters
Going to Heaven to See If It Rains
158 bpm • D Maj • 03:11 • -7db
13% Popularity • 25% Danceability • 93% Energy • 5% Liveness
56% Instrumentalness • 88% Positiveness
13% Popularity • 25% Danceability • 93% Energy • 5% Liveness
56% Instrumentalness • 88% Positiveness
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The Monochrome Set
He's Frank (Slight Return)
158 bpm • G Maj • 02:40 • -7db
29% Popularity • 40% Danceability • 93% Energy • 26% Liveness
76% Instrumentalness • 93% Positiveness
29% Popularity • 40% Danceability • 93% Energy • 26% Liveness
76% Instrumentalness • 93% Positiveness
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The Jazz Butcher
Big Bad Thing
166 bpm • A Maj • 02:59 • -6.74db
4% Popularity • 32% Danceability • 94% Energy • 71% Liveness
2% Instrumentalness • 84% Positiveness
4% Popularity • 32% Danceability • 94% Energy • 71% Liveness
2% Instrumentalness • 84% Positiveness
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The dB's
She Got Soul
158 bpm • D Maj • 02:39 • -11.86db
10% Popularity • 55% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 55% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Church
One Day - 2002 Digital Remaster
159 bpm • D Maj • 04:37 • -6.83db
21% Popularity • 42% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 42% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Television Personalities
Geoffrey Ingram
157 bpm • A Maj • 02:15 • -13.36db
27% Popularity • 55% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
27% Popularity • 55% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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The Go-Betweens
Love Goes On! - 2004 Digital Remaster
157 bpm • C Maj • 03:19 • -7.47db
30% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Field Mice
You're Kidding Aren't You
156 bpm • E min • 02:34 • -11db
24% Popularity • 58% Danceability • 78% Energy • 30% Liveness
89% Instrumentalness • 74% Positiveness
24% Popularity • 58% Danceability • 78% Energy • 30% Liveness
89% Instrumentalness • 74% Positiveness
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The Jazz Butcher
Grey Flanellette
158 bpm • F min • 02:11 • -10.41db
1% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
1% Popularity • 55% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Eyeless In Gaza
Welcome Now
156 bpm • G Maj • 03:36 • -7.96db
9% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Church
Shadow Cabinet - 2001 Digital Remaster
156 bpm • A min • 04:18 • -6.02db
11% Popularity • 29% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 29% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Felt
Ballad Of The Band
155 bpm • G Maj • 02:49 • -8.43db
24% Popularity • 30% Danceability • 76% Energy • 11% Liveness
88% Instrumentalness • 83% Positiveness
24% Popularity • 30% Danceability • 76% Energy • 11% Liveness
88% Instrumentalness • 83% Positiveness
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David J
I'll Be Your Chauffeur
155 bpm • C Maj • 04:34 • -14.53db
15% Popularity • 39% Danceability • 61% Energy • 8% Liveness
31% Instrumentalness • 62% Positiveness
15% Popularity • 39% Danceability • 61% Energy • 8% Liveness
31% Instrumentalness • 62% Positiveness
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The Gun Club
Humanesque
154 bpm • C Maj • 03:17 • -9.67db
11% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Jazz Butcher
She's a Yo-Yo
158 bpm • A Maj • 06:15 • -9.33db
1% Popularity • 35% Danceability • 82% Energy • 10% Liveness
12% Instrumentalness • 69% Positiveness
1% Popularity • 35% Danceability • 82% Energy • 10% Liveness
12% Instrumentalness • 69% Positiveness
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Howard Devoto
Cold Imagination - 2007 Digital Remaster
154 bpm • B Maj • 04:20 • -9.63db
9% Popularity • 49% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 49% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Ultra Vivid Scene
Lynn-Marie #2
154 bpm • E Maj • 03:20 • -8.61db
12% Popularity • 52% Danceability • 86% Energy • 17% Liveness
91% Instrumentalness • 91% Positiveness
12% Popularity • 52% Danceability • 86% Energy • 17% Liveness
91% Instrumentalness • 91% Positiveness
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Lloyd Cole and the Commotions
Four Flights Up
219 bpm • C Maj • 02:36 • -10.2db
30% Popularity • 39% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 39% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
