Songs like Nótt (karaoke) by Aron Hannes
Based on a tempo of (+/- 10%) and a similar genre
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Aron Hannes
Tonight
109 bpm • E min • 02:59 • -7.19db
4% Popularity • 73% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
4% Popularity • 73% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Camden
Darkest Night
109 bpm • C min • 01:59 • -12.73db
29% Popularity • 63% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
29% Popularity • 63% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Morgan Harper-Jones
Joshua
109 bpm • G Maj • 03:50 • -17.37db
26% Popularity • 64% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 64% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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A. Johanson
October, Halfway July
109 bpm • G Maj • 03:22 • -13.08db
28% Popularity • 61% Danceability • 20% Energy • 24% Liveness
1% Instrumentalness • 6% Positiveness
28% Popularity • 61% Danceability • 20% Energy • 24% Liveness
1% Instrumentalness • 6% Positiveness
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PJ Harding
It Wasn't Enough
109 bpm • E Maj • 04:25 • -11.78db
39% Popularity • 43% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 43% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Belle Mt.
Life Song
108 bpm • C Maj • 04:48 • -17.58db
10% Popularity • 43% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 43% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Aron Hannes
Nótt
109 bpm • E min • 02:59 • -8.56db
0% Popularity • 56% Danceability • 62% Energy • 34% Liveness
24% Instrumentalness • 19% Positiveness
0% Popularity • 56% Danceability • 62% Energy • 34% Liveness
24% Instrumentalness • 19% Positiveness
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Luca Fogale
Slow Correction - Acoustic
109 bpm • F# Maj • 03:22 • -12.35db
21% Popularity • 47% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 47% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Jordan Tyler Poole
Old Rugged Cross
108 bpm • G# Maj • 03:54 • -12.97db
10% Popularity • 44% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 44% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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I Shiver
Piece By Piece
110 bpm • A# Maj • 02:30 • -12.65db
16% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Davis John Patton
Vacant Airport
108 bpm • D# Maj • 02:53 • -9.6db
38% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Hope Whitelock
Windsong
110 bpm • A# Maj • 02:57 • -13.51db
15% Popularity • 67% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 67% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Aron Hannes
Tonight
109 bpm • E min • 02:59 • -8.59db
0% Popularity • 55% Danceability • 61% Energy • 32% Liveness
10% Instrumentalness • 18% Positiveness
0% Popularity • 55% Danceability • 61% Energy • 32% Liveness
10% Instrumentalness • 18% Positiveness
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Bree Rusev
Dotted Lines
108 bpm • C# Maj • 03:44 • -7.41db
14% Popularity • 75% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 75% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Cavill
Everything I Am
111 bpm • G Maj • 03:41 • -17db
16% Popularity • 79% Danceability • 41% Energy • 11% Liveness
35% Instrumentalness • 18% Positiveness
16% Popularity • 79% Danceability • 41% Energy • 11% Liveness
35% Instrumentalness • 18% Positiveness
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Liza Weald
Shape Of The Dunes
108 bpm • D Maj • 03:13 • -13.76db
23% Popularity • 44% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 44% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Michael Benjamin
This One's for Us
111 bpm • D# Maj • 02:24 • -14.03db
19% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Ian Bareham
Stay the Night
111 bpm • D Maj • 02:57 • -11.15db
29% Popularity • 41% Danceability • 43% Energy • 38% Liveness
3% Instrumentalness • 11% Positiveness
29% Popularity • 41% Danceability • 43% Energy • 38% Liveness
3% Instrumentalness • 11% Positiveness
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Aron Hannes
You
110 bpm • A min • 03:16 • -7.26db
0% Popularity • 71% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 71% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Christof van der Ven
Nothing For Miles
107 bpm • C Maj • 04:34 • -14.17db
34% Popularity • 38% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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The Franklin Electric
This Time Tomorrow
107 bpm • G Maj • 02:12 • -11.04db
22% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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N. Kerbin
The Best Day of My Life
112 bpm • C# Maj • 03:50 • -10.4db
14% Popularity • 55% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 55% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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David Nevory
Still Afternoons
112 bpm • G Maj • 03:51 • -13.31db
19% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Julia Wallace
Throw Your Arms Around Me
106 bpm • F# Maj • 03:46 • -12.48db
46% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Freyr
Neighbour Boy
112 bpm • A Maj • 03:00 • -13db
46% Popularity • 45% Danceability • 34% Energy • 11% Liveness
49% Instrumentalness • 26% Positiveness
46% Popularity • 45% Danceability • 34% Energy • 11% Liveness
49% Instrumentalness • 26% Positiveness
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Aron Hannes
Doubts
112 bpm • F Maj • 03:31 • -8.96db
0% Popularity • 75% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 75% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Jonny Morgan
Lonely In Soho
106 bpm • A# Maj • 04:27 • -9.87db
29% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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A. Johanson
Fragments
106 bpm • A Maj • 03:48 • -17.55db
6% Popularity • 57% Danceability • 22% Energy • 11% Liveness
58% Instrumentalness • 27% Positiveness
6% Popularity • 57% Danceability • 22% Energy • 11% Liveness
58% Instrumentalness • 27% Positiveness
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Micah Felts
Devil
106 bpm • F# min • 03:34 • -12.54db
15% Popularity • 70% Danceability • 39% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
15% Popularity • 70% Danceability • 39% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
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Sons Of The East
Head Above The Water
112 bpm • B Maj • 02:49 • -6.89db
49% Popularity • 38% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 38% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ken Yates
The Future Is Dead - Tiny Habits Version
106 bpm • G# Maj • 03:02 • -11.12db
15% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Samuel Andryk
Places To Be
106 bpm • B Maj • 04:03 • -13.5db
39% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Arbour Season
Roam
106 bpm • G# Maj • 03:15 • -13.42db
26% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jamie Yost
Drifting On
105 bpm • C# Maj • 03:14 • -10.14db
20% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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HAFFWAY
I Don't Need You Anymore
113 bpm • F# Maj • 02:45 • -11.29db
28% Popularity • 60% Danceability • 51% Energy • 20% Liveness
2% Instrumentalness • 18% Positiveness
28% Popularity • 60% Danceability • 51% Energy • 20% Liveness
2% Instrumentalness • 18% Positiveness
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Kenneth Beide
Crazy Ways
105 bpm • B Maj • 02:56 • -9db
11% Popularity • 42% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 42% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Plà si
Missing Faith
105 bpm • C Maj • 03:40 • -15.09db
13% Popularity • 62% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 62% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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néomÃ
oblivious
105 bpm • F# min • 03:32 • -15.78db
12% Popularity • 61% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 61% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Davis John Patton
Rosewood
113 bpm • D# Maj • 04:00 • -12.91db
30% Popularity • 67% Danceability • 28% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
30% Popularity • 67% Danceability • 28% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
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Aron Hannes
Morgunkoss
105 bpm • G Maj • 03:08 • -13db
0% Popularity • 80% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 80% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Marcus Lee
Not For You
113 bpm • E Maj • 02:34 • -15db
33% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Belle Mt.
Feathers
105 bpm • D# Maj • 04:31 • -10.18db
24% Popularity • 41% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 41% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ryan Harris
Forever
105 bpm • G Maj • 02:40 • -11.61db
42% Popularity • 57% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
42% Popularity • 57% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 35% Positiveness
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Ed Patrick
Life Vest - demo
105 bpm • E Maj • 03:29 • -11.71db
34% Popularity • 82% Danceability • 27% Energy • 9% Liveness
56% Instrumentalness • 20% Positiveness
34% Popularity • 82% Danceability • 27% Energy • 9% Liveness
56% Instrumentalness • 20% Positiveness
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Sterre Weldring
Never Your Name
114 bpm • C min • 02:56 • -8.65db
4% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
4% Popularity • 42% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Taylour
Our Love
104 bpm • D Maj • 04:04 • -11.3db
13% Popularity • 31% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 31% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie Brennan
Old War
114 bpm • E Maj • 03:16 • -14.01db
23% Popularity • 63% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 63% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Southey
Someday
104 bpm • D# min • 03:19 • -16.97db
30% Popularity • 64% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
30% Popularity • 64% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
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Daniel Docherty
The Way I Love You Now
103 bpm • E min • 02:53 • -17.93db
42% Popularity • 58% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 58% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sven Ross
a world we believe in
115 bpm • F# min • 03:43 • -10.26db
19% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 44% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Emory Duncan
The High Road
115 bpm • B Maj • 03:57 • -10.35db
33% Popularity • 69% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
33% Popularity • 69% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
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Ryan Harris
My Mind - acoustic
115 bpm • C# Maj • 03:18 • -10.01db
34% Popularity • 67% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
34% Popularity • 67% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Braden Lam
white dress
115 bpm • A Maj • 03:23 • -8.82db
8% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Lawson Hull
Strange
115 bpm • D# Maj • 03:45 • -10.22db
29% Popularity • 62% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
29% Popularity • 62% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Paper Planes
Call My Number
103 bpm • D Maj • 01:57 • -17.91db
47% Popularity • 69% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 82% Positiveness
47% Popularity • 69% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 82% Positiveness
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Tay Oskee
Sequoia (Lovers On The Mountain)
103 bpm • G# Maj • 03:40 • -12.32db
36% Popularity • 69% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 69% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cujo Moon
Don't Give up on Grace
116 bpm • F# Maj • 03:11 • -12db
30% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Children of Indigo
Yesterday
116 bpm • G# Maj • 03:30 • -12.53db
39% Popularity • 67% Danceability • 39% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
39% Popularity • 67% Danceability • 39% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
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Gildor
Fine Wine
116 bpm • A# Maj • 03:23 • -9.27db
27% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Lauren Spring
Make It Look Easy
116 bpm • D# Maj • 03:33 • -7db
39% Popularity • 80% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 80% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Plà si
Strangers
116 bpm • D Maj • 02:55 • -13.18db
13% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Seánie Bermingham
Songs in the Kitchen
116 bpm • E Maj • 03:10 • -14.19db
33% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Morning Bear
Splitting of the Wood
102 bpm • A# Maj • 03:04 • -14.56db
30% Popularity • 52% Danceability • 32% Energy • 16% Liveness
17% Instrumentalness • 29% Positiveness
30% Popularity • 52% Danceability • 32% Energy • 16% Liveness
17% Instrumentalness • 29% Positiveness
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Duncan Covey
Waking Up Slowly
117 bpm • B Maj • 02:01 • -14.19db
20% Popularity • 64% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 64% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Christian Hayes
LILY
102 bpm • E Maj • 03:55 • -8.22db
35% Popularity • 51% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 51% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fabian Kuhn
Lost by the Sea
117 bpm • E Maj • 04:35 • -8.76db
25% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Boatkeeper
Plateaus
117 bpm • C Maj • 04:14 • -11.2db
14% Popularity • 46% Danceability • 41% Energy • 15% Liveness
25% Instrumentalness • 18% Positiveness
14% Popularity • 46% Danceability • 41% Energy • 15% Liveness
25% Instrumentalness • 18% Positiveness
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Ed Patrick
Nothing To Me Now
117 bpm • G# Maj • 02:25 • -18.59db
46% Popularity • 79% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 57% Positiveness
46% Popularity • 79% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 57% Positiveness
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FRIDAY
Slow Love - Acoustic
101 bpm • A Maj • 03:19 • -14.59db
17% Popularity • 72% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
17% Popularity • 72% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Sophie van Hasselt
Burning Bodies - Stripped Down Sessions
101 bpm • E Maj • 02:46 • -13.32db
41% Popularity • 66% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 66% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Ocie Elliott
Miles Are Wide
118 bpm • D Maj • 03:54 • -9.14db
56% Popularity • 77% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 77% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Dom Malin
South America
118 bpm • C# Maj • 03:00 • -12.76db
15% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Luna Keller
Ocean Inside Of Me
118 bpm • C Maj • 05:03 • -12.08db
18% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Verne Gaia
what if it works out
118 bpm • C Maj • 02:31 • -9.51db
18% Popularity • 68% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 68% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Max Kelly
colour of the sea
100 bpm • F# Maj • 03:48 • -11.16db
39% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Bony Man
Past Tenses
119 bpm • A# min • 05:21 • -10.28db
9% Popularity • 59% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 59% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Murdo Mitchell
June in July
118 bpm • C# Maj • 03:16 • -12.39db
35% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Band Willa
Follow Me
100 bpm • F# Maj • 02:05 • -16.45db
35% Popularity • 60% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
35% Popularity • 60% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Freyr
Wilderness
100 bpm • E Maj • 03:23 • -14.13db
42% Popularity • 73% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
42% Popularity • 73% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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The National Forest
No Matter The Miles
100 bpm • E Maj • 03:12 • -16.71db
33% Popularity • 66% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
33% Popularity • 66% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
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Paper Planes
Lonelier Together
100 bpm • E Maj • 01:45 • -16.77db
50% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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The Neighborly
Home To You
100 bpm • C Maj • 03:22 • -12.93db
34% Popularity • 51% Danceability • 34% Energy • 6% Liveness
41% Instrumentalness • 18% Positiveness
34% Popularity • 51% Danceability • 34% Energy • 6% Liveness
41% Instrumentalness • 18% Positiveness
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Dave Thomas Junior
Still In Love
119 bpm • C# Maj • 02:52 • -11.94db
29% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Twin Tacoma
Simplest Things
100 bpm • D# Maj • 02:34 • -21.19db
42% Popularity • 53% Danceability • 13% Energy • 11% Liveness
6% Instrumentalness • 42% Positiveness
42% Popularity • 53% Danceability • 13% Energy • 11% Liveness
6% Instrumentalness • 42% Positiveness
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Oshima Brothers
Love Is Tall
100 bpm • G Maj • 02:33 • -10.07db
44% Popularity • 52% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
44% Popularity • 52% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Hayden Calnin
Something Went Wrong
120 bpm • C min • 05:05 • -16.35db
15% Popularity • 45% Danceability • 16% Energy • 7% Liveness
9% Instrumentalness • 19% Positiveness
15% Popularity • 45% Danceability • 16% Energy • 7% Liveness
9% Instrumentalness • 19% Positiveness
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Michael Benjamin
It's Okay
99 bpm • E Maj • 03:23 • -11.12db
14% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Luna Keller
Wolves
120 bpm • A# Maj • 04:55 • -13db
18% Popularity • 54% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 54% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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The Franklin Electric
Wasted
120 bpm • E Maj • 03:19 • -10.96db
15% Popularity • 54% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 54% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
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Aron Hannes
You Got The Moves
120 bpm • A min • 03:45 • -5.64db
0% Popularity • 67% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 67% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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R.D. Thomas
Numbers Game
120 bpm • D Maj • 03:10 • -12.5db
11% Popularity • 74% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 43% Positiveness
11% Popularity • 74% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 43% Positiveness
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Ed Prosek
Tell a Lie
120 bpm • G Maj • 03:13 • -11.65db
29% Popularity • 64% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 64% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Laura Alden
Elvis Song
120 bpm • C# Maj • 03:39 • -13.07db
35% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Sylvan Weekends
185
120 bpm • A Maj • 03:24 • -14.33db
30% Popularity • 40% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 40% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Hot Left Pole
The Right Way
120 bpm • D Maj • 02:40 • -21.86db
37% Popularity • 74% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Riley Pearce
Nostalgia
120 bpm • D Maj • 04:01 • -14.3db
40% Popularity • 79% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
40% Popularity • 79% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Ed Prosek
Vertigo
120 bpm • E Maj • 03:57 • -10.97db
15% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
