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November - Single Edit
Songs like
November - Single Edit
by
Max Richter
Based on a tempo of (+/- 10%) and a similar genre
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Ilya Beshevli
Wanderer
121 bpm • F# min • 03:27 • -16.5db
23% Popularity • 29% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Max Richter
November
120 bpm • C Maj • 06:07 • -11.44db
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Christian Reindl
Cernunnos
120 bpm • D min • 02:14 • -9.01db
32% Popularity • 51% Danceability • 43% Energy • 7% Liveness
39% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Peer Gynt (Death Of Aase) - Solom...
122 bpm • F# Maj • 04:07 • -13db
34% Popularity • 37% Danceability • 31% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Frederic Sans
Elegant Strings
120 bpm • C Maj • 01:40 • -11.03db
43% Popularity • 82% Danceability • 55% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Zoë Keating
The Last Bird
120 bpm • G# Maj • 01:56 • -10db
41% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Guy Skornik
Source of Innovation
120 bpm • C min • 02:21 • -10.59db
38% Popularity • 64% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 63% Positiveness
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Max Richter
November - Single Edit
121 bpm • A min • 05:29 • -9.04db
34% Popularity • 45% Danceability • 52% Energy • 31% Liveness
23% Instrumentalness • 19% Positiveness
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Shigeru Umebayashi
Come il vento
120 bpm • D min • 02:39 • -14.18db
24% Popularity • 57% Danceability • 17% Energy • 13% Liveness
25% Instrumentalness • 60% Positiveness
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Martin Kohlstedt
AMSOMB
120 bpm • A min • 06:34 • -18.42db
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Saban
Lust of Power
120 bpm • D min • 02:32 • -10.38db
44% Popularity • 60% Danceability • 63% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Sebastian Plano
Éxta
120 bpm • B min • 02:21 • -16db
36% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Max Richter
Path 17 (Before the Ending of Daylight) ...
122 bpm • F Maj • 03:53 • -35.87db
38% Popularity • 17% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Power-Haus
Dragonfly
122 bpm • A min • 02:34 • -14.98db
13% Popularity • 22% Danceability • 30% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Armand Amar
Life I
120 bpm • A min • 03:10 • -18db
34% Popularity • 54% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Shigeru Umebayashi
Armida Miserere
120 bpm • D min • 02:27 • -14.8db
18% Popularity • 33% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Agnes Obel
Parliament Of Owls
119 bpm • B min • 02:29 • -17.04db
51% Popularity • 21% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Sjors Weijermars
Ik Heb Een Hekel Aan
119 bpm • C min • 01:11 • -23.67db
45% Popularity • 40% Danceability • 9% Energy • 16% Liveness
84% Instrumentalness • 19% Positiveness
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Federico Albanese
Shadow Land, Pt. 1
123 bpm • F min • 03:54 • -22.17db
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Max Richter
Sarajevo
119 bpm • A# min • 04:03 • -16db
35% Popularity • 23% Danceability • 31% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Dario Marianelli
The Call Within
123 bpm • D min • 03:42 • -15.35db
31% Popularity • 17% Danceability • 16% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Sergio DÃaz De Rojas
My Old Green Shirt, Coffee and Cigarette...
123 bpm • F min • 04:10 • -20.72db
30% Popularity • 28% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Moon Ate the Dark
Messy Hearts
123 bpm • G# Maj • 09:10 • -21.58db
25% Popularity • 42% Danceability • 13% Energy • 54% Liveness
91% Instrumentalness • 4% Positiveness
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Brice Davoli
Petit Trianon
124 bpm • G min • 01:30 • -13.48db
45% Popularity • 60% Danceability • 54% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Kerry Muzzey
The Secret History
124 bpm • D# min • 05:02 • -14.03db
59% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Felix Räuber
Between the Lines
124 bpm • A# min • 03:15 • -12db
25% Popularity • 30% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Ilya Beshevli
City at Night
124 bpm • G min • 03:39 • -19.81db
27% Popularity • 29% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Alex Baranowski
Thoughts of Home
125 bpm • C min • 01:12 • -17.82db
31% Popularity • 31% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Max Richter
November
117 bpm • C Maj • 06:22 • -12.1db
42% Popularity • 36% Danceability • 45% Energy • 23% Liveness
22% Instrumentalness • 7% Positiveness
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Pascal Hautois
Motivation
125 bpm • C Maj • 01:49 • -18.15db
32% Popularity • 69% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
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Piano Novel
Connected Colors
125 bpm • A# min • 03:46 • -19.69db
29% Popularity • 45% Danceability • 23% Energy • 22% Liveness
93% Instrumentalness • 9% Positiveness
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Federico Albanese
The Stars We Follow
125 bpm • A min • 03:54 • -24.91db
49% Popularity • 46% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Job Roggeveen
Uma
125 bpm • A# min • 03:12 • -13.85db
33% Popularity • 43% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Thomas Farnon
Transcendence
125 bpm • G min • 02:16 • -12.87db
34% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
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Max Richter
On the Nature of Daylight (Entropy)
117 bpm • C# Maj • 06:53 • -14.82db
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Martin Kohlstedt
AUHEJA
117 bpm • F min • 06:23 • -15.58db
14% Popularity • 39% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Rachel Grimes
Earthly Heaven
125 bpm • A min • 06:34 • -14.05db
33% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Federico Albanese
Carousel #3
116 bpm • G min • 04:22 • -27.11db
38% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
36% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Clint Mansell
Portrait Of Armand Roulin
116 bpm • A# min • 02:58 • -16.71db
25% Popularity • 23% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Max Richter
The Departure
117 bpm • C min • 01:15 • -39.05db
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Martin Kohlstedt
LEH
126 bpm • A min • 06:49 • -20.81db
29% Popularity • 43% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Mari Samuelsen
Mitt hjerte alltid vanker (Arr. for Solo...
126 bpm • E min • 03:52 • -16.71db
19% Popularity • 17% Danceability • 20% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
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Jan A.P. Kaczmarek
At Home
126 bpm • A min • 01:35 • -30.8db
45% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
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Meredi
White Flowers Take Their Bath
126 bpm • E min • 03:06 • -12.88db
44% Popularity • 20% Danceability • 17% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
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Grzegorz Ciechowski
Tak tak to ja
126 bpm • G min • 04:51 • -23.92db
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
126 bpm • G min • 04:11 • -13db
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
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Craig Armstrong
If You Should Fall
126 bpm • F min • 03:33 • -17.5db
33% Popularity • 33% Danceability • 8% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
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Agnes Obel
Broken Sleep - Instrumental
127 bpm • E min • 04:54 • -19.43db
19% Popularity • 72% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Dominique Charpentier
Instantané (The Cakemaker Original Movi...
115 bpm • F min • 03:00 • -18.5db
31% Popularity • 46% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Woodkid
Winter Morning I
127 bpm • G min • 09:12 • -24db
41% Popularity • 37% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 5% Positiveness
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Federico Albanese
The Lantern
115 bpm • C min • 04:27 • -25.68db
30% Popularity • 45% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Max Richter
Infra 4
116 bpm • D min • 02:45 • -14db
31% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Astor Piazzolla
Oblivion (Arr. String Quartet)
115 bpm • C min • 03:32 • -16.62db
27% Popularity • 19% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Alexandre Desplat
Aggression
128 bpm • G min • 03:36 • -18.97db
24% Popularity • 21% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Julia Kent
Gardermoen
128 bpm • G min • 04:10 • -20.67db
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Ilya Beshevli
Silent Sky
128 bpm • A min • 03:07 • -16.75db
23% Popularity • 26% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Federico Albanese
Migrants
128 bpm • G# Maj • 03:58 • -21db
45% Popularity • 31% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Max Richter
The Trees
115 bpm • G min • 07:52 • -13.73db
33% Popularity • 23% Danceability • 31% Energy • 34% Liveness
94% Instrumentalness • 3% Positiveness
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Kerry Muzzey
The Architect
128 bpm • D min • 05:33 • -12.93db
43% Popularity • 57% Danceability • 47% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
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Maxence Cyrin
Mer de velours
128 bpm • G# Maj • 03:34 • -21.25db
36% Popularity • 34% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Grace Davidson
Queen Of The Fairies
114 bpm • G# Maj • 02:03 • -13.78db
35% Popularity • 80% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 76% Positiveness
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Efisio Cross
Lettre à élise
129 bpm • C min • 04:42 • -15.59db
38% Popularity • 22% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
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Clint Mansell
The Night Café
113 bpm • D min • 04:07 • -16db
45% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Max Richter
The Twins (Prague)
116 bpm • C min • 01:58 • -31db
39% Popularity • 37% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Kerry Muzzey
Broken People
114 bpm • A# Maj • 05:55 • -13.59db
37% Popularity • 24% Danceability • 18% Energy • 12% Liveness
21% Instrumentalness • 6% Positiveness
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Roberto Attanasio
Isolated III
129 bpm • D# min • 04:42 • -10.53db
22% Popularity • 45% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Martin Kohlstedt
NIODOM
129 bpm • D min • 06:04 • -17.12db
21% Popularity • 32% Danceability • 11% Energy • 23% Liveness
95% Instrumentalness • 8% Positiveness
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Wim Mertens
Struggle for Pleasure
129 bpm • F min • 05:26 • -20.8db
30% Popularity • 25% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
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Luca D'Alberto
Start Again
129 bpm • G min • 03:19 • -12.93db
26% Popularity • 38% Danceability • 29% Energy • 17% Liveness
78% Instrumentalness • 32% Positiveness
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Max Richter
Vladimir's Blues
115 bpm • A Maj • 01:18 • -22db
66% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Invention No. 13 in A Minor, BWV 784 (Ar...
130 bpm • A min • 01:43 • -14.99db
13% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Alice In Winter
Don't Let Go
130 bpm • A min • 04:06 • -14db
32% Popularity • 53% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Christophe Julien
Le temps d'une vie
130 bpm • D min • 01:03 • -19db
34% Popularity • 62% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Rafael Krux
Baroque Harpsichord and Strings
130 bpm • A min • 01:36 • -7.71db
41% Popularity • 64% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 52% Positiveness
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Luca D'Alberto
Grace
129 bpm • A min • 03:48 • -17.13db
23% Popularity • 24% Danceability • 15% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Dr. Ford
130 bpm • B min • 05:30 • -18db
48% Popularity • 21% Danceability • 7% Energy • 6% Liveness
65% Instrumentalness • 4% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
114 bpm • F Maj • 05:41 • -16.4db
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
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Jóhann Jóhannsson
Zurich
130 bpm • E min • 02:06 • -14.75db
26% Popularity • 24% Danceability • 22% Energy • 23% Liveness
87% Instrumentalness • 8% Positiveness
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Hildur Guðnadóttir
Opaque
130 bpm • A min • 03:50 • -17db
26% Popularity • 30% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 32% Positiveness
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Venceslas Catz
Hazy Day
112 bpm • G min • 04:17 • -16db
15% Popularity • 42% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Grace Davidson
Queen Of The Night
112 bpm • D min • 01:59 • -11.97db
23% Popularity • 85% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 96% Positiveness
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Arvo Pärt
Fratres For Violin, String Orchestra & P...
131 bpm • D Maj • 10:29 • -20.61db
7% Popularity • 27% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
49% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Zoë Keating
The Path
131 bpm • F# Maj • 05:42 • -17db
33% Popularity • 68% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Christen Lien
Love of Fate
111 bpm • D min • 04:53 • -18.75db
12% Popularity • 21% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Kerry Muzzey
Broken People (String Quintet Version)
111 bpm • A# Maj • 05:57 • -13.61db
22% Popularity • 19% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
38% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ezio Bosso
Music for Weather Elements: Thunders and...
111 bpm • A min • 06:04 • -14db
28% Popularity • 34% Danceability • 44% Energy • 9% Liveness
70% Instrumentalness • 14% Positiveness
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Max Richter
Chorale - Pt. 4
112 bpm • G# Maj • 06:42 • -14.39db
22% Popularity • 17% Danceability • 38% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Reverse
111 bpm • F# min • 03:42 • -12.86db
31% Popularity • 55% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Steven Gutheinz
Sierra
132 bpm • D Maj • 04:15 • -21db
31% Popularity • 57% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Anne Müller
Walzer für Robert
132 bpm • B min • 04:11 • -18.54db
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Julia Kent
Idlewild
132 bpm • C Maj • 03:15 • -17.04db
33% Popularity • 54% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
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Ólafur Arnalds
Near Light
132 bpm • D Maj • 02:59 • -12.6db
37% Popularity • 16% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Max Richter
Three Worlds: Music from Woolf Works / M...
131 bpm • F# Maj • 05:17 • -16.33db
29% Popularity • 18% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Oskar Schuster
Vleurgat
132 bpm • C min • 02:05 • -21db
55% Popularity • 70% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Khaled Mouzanar
Zeyn
110 bpm • G# Maj • 03:43 • -17db
26% Popularity • 21% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Armand Amar
La terre vue du ciel
110 bpm • C# min • 10:16 • -15.28db
42% Popularity • 25% Danceability • 26% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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November - Single Edit