Songs like Now and Then by Maury Yeston
Based on a tempo of (+/- 10%) and a similar genre
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Danny Burstein
Sunrise, Sunset
120 bpm • D min • 03:27 • -7db
26% Popularity • 33% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Alun Armstrong
Dog Eats Dog
120 bpm • C Maj • 01:54 • -8.78db
30% Popularity • 65% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
30% Popularity • 65% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Jan Maxwell
No Way to Stop It
120 bpm • F Maj • 02:54 • -13db
15% Popularity • 70% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 70% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Joshua Henry
The Highest Judge Of All
121 bpm • F# Maj • 01:42 • -10.25db
15% Popularity • 47% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 47% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
27% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Luke Brady
Johanna
121 bpm • F Maj • 01:58 • -10.91db
20% Popularity • 25% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 25% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Isabelle Georges
La Rivière
119 bpm • G# min • 03:43 • -8.88db
0% Popularity • 37% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 37% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Finale
119 bpm • A# Maj • 02:22 • -8.72db
18% Popularity • 64% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 64% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Dashiell Eaves
Sixteen Going on Seventeen
121 bpm • G Maj • 03:47 • -16db
17% Popularity • 39% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 39% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Josie de Guzman
Follow the Fold
119 bpm • C Maj • 01:16 • -16.46db
28% Popularity • 76% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 76% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Ragtime Ensemble
Prologue: Ragtime
121 bpm • F Maj • 09:24 • -10db
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
30% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Maury Yeston
Home
122 bpm • G Maj • 03:51 • -7.89db
0% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
The Last One You'd Expect
119 bpm • A Maj • 06:21 • -9.62db
21% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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The Original Broadway Cast Of 'Curtains'
He Did It
122 bpm • C# Maj • 03:07 • -18.32db
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Jimmy Roberts
Cantata Reprise / Always A Bridesmaid
118 bpm • B Maj • 05:07 • -10db
15% Popularity • 53% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 53% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Bebe Neuwirth
When Velma Takes the Stand
118 bpm • C Maj • 02:13 • -11.97db
29% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Brian D'Arcy James
What a Party
118 bpm • F min • 03:35 • -6.6db
19% Popularity • 55% Danceability • 49% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 55% Danceability • 49% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
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James Davis
Kansas City
122 bpm • G# Maj • 02:02 • -8.91db
24% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 70% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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James Moye
That Face
123 bpm • A Maj • 03:11 • -6.65db
25% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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How To Succeed Company
Finale - The Company Way
117 bpm • G# min • 01:00 • -9.23db
14% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Santino Fontana
Who Are You?
124 bpm • C# Maj • 03:22 • -14.08db
15% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Pia Douwes
Dezemberschnee
116 bpm • A min • 03:57 • -14.29db
2% Popularity • 41% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 41% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Mitch Tebo
The Farmer And The Cowman
124 bpm • D Maj • 03:22 • -9.21db
18% Popularity • 76% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 76% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Maury Yeston
Unusual Way (Bonus Track)
115 bpm • C# min • 03:39 • -16.91db
3% Popularity • 51% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 51% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Jefferson Mays
Lady Hyacinth Abroad
123 bpm • A Maj • 05:05 • -9.52db
20% Popularity • 62% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 62% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
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Jeanine Tesori
Maps
125 bpm • G Maj • 02:32 • -15db
27% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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2021 London Cast of Cabaret
Tomorrow Belongs To Me - Reprise
115 bpm • A# Maj • 03:06 • -13.35db
27% Popularity • 45% Danceability • 29% Energy • 43% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 45% Danceability • 29% Energy • 43% Liveness
0% Instrumentalness • 42% Positiveness
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Harriet Harris
Muqin
115 bpm • D Maj • 02:17 • -11.84db
17% Popularity • 49% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 49% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Preshy Marker
That'll Show Him
125 bpm • C Maj • 01:48 • -15db
15% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Pia Douwes
Am Anfang der Liebe
115 bpm • A Maj • 02:15 • -9.68db
1% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Overture / Prologue: A Warning to the Au...
115 bpm • A Maj • 01:20 • -8db
24% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Don't Quit While You're Ahead
125 bpm • D Maj • 03:23 • -10.33db
13% Popularity • 61% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 61% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Maury Yeston
Death Is in the House
115 bpm • D min • 02:16 • -9.32db
4% Popularity • 48% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 48% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Stephen Weller
I'm Martin Guerre
126 bpm • D Maj • 03:02 • -9db
13% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Judy Kaye
The Night that Goldman Spoke at Union Sq...
115 bpm • G Maj • 03:24 • -9.01db
22% Popularity • 51% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 51% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Jerry Herman
Masculinity
115 bpm • F Maj • 03:19 • -8.27db
13% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Jefferson Mays
Why Are All the D'Ysquiths Dying - Repri...
115 bpm • C# Maj • 01:03 • -10.98db
21% Popularity • 73% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 73% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Marvin Hamlisch
Montage (In Three Parts): Montage Part 2...
115 bpm • B Maj • 02:41 • -11.39db
21% Popularity • 55% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 55% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Thoroughly Modern Millie Ensemble
Final Bows
114 bpm • F Maj • 02:07 • -9.34db
18% Popularity • 48% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 48% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Ian Calvin
Prologue: Valjean Arrested / Valjean For...
114 bpm • C Maj • 01:44 • -15.74db
37% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Victoria Clark
Fable
126 bpm • C# Maj • 04:23 • -13.73db
18% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Kate Baldwin
A Stranger
126 bpm • A Maj • 02:31 • -11db
9% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Lane
Where Did We Go Right?
127 bpm • G Maj • 02:14 • -13.71db
22% Popularity • 64% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 64% Danceability • 35% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Lanning
God's Arms Are Always Open
126 bpm • G Maj • 04:55 • -9.87db
28% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Maury Yeston
Home
114 bpm • G Maj • 06:18 • -7.46db
4% Popularity • 36% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 36% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Julia Murney
Queenie Was a Blonde
127 bpm • C min • 05:58 • -7.07db
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Jarrod Emick
Once in a While
114 bpm • C Maj • 03:30 • -11.79db
17% Popularity • 50% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 50% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Georgia Engel
I Remember Love
127 bpm • G Maj • 02:41 • -11.45db
20% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Brian Stokes Mitchell
His Name Was Coalhouse Walker
127 bpm • A# Maj • 02:38 • -13.65db
20% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 56% Danceability • 32% Energy • 86% Liveness
0% Instrumentalness • 38% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Maury Yeston
Centuries
127 bpm • A min • 01:13 • -11.41db
5% Popularity • 35% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 35% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Christopher J. Hanke
The Company Way (Reprise)
128 bpm • A min • 01:39 • -9.65db
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 80% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Roger Rees
Princess
128 bpm • C Maj • 03:23 • -18db
14% Popularity • 43% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 43% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Isabelle Georges
By the River
112 bpm • G# min • 03:44 • -4.91db
1% Popularity • 30% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 30% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Marin Mazzie
Nothing Like the City
113 bpm • D# Maj • 02:27 • -16.83db
20% Popularity • 61% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 61% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Sunday in the Park with George Ensemble
It's Hot Up Here
112 bpm • C Maj • 04:28 • -12.97db
22% Popularity • 66% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 66% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Maury Yeston
To Be a Captain (Reprise)
113 bpm • B min • 00:57 • -38.56db
18% Popularity • 21% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 21% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jerry Herman
Cocktail Counterpoint
128 bpm • G# Maj • 02:30 • -8.91db
12% Popularity • 66% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 66% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Mindi Dickstein
Could You?
112 bpm • G# Maj • 03:17 • -8.96db
25% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Brian Stokes Mitchell
Henry Ford
112 bpm • A Maj • 01:41 • -7db
25% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Original Cast of Amélie
The Commute
129 bpm • G Maj • 01:16 • -11.2db
19% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Maury Yeston
My True Love
113 bpm • D# Maj • 03:09 • -7.79db
2% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Laura Benanti
Mr. Nowack, Will You Please...
112 bpm • F Maj • 01:03 • -7.99db
21% Popularity • 60% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 60% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Stephanie Styles
Why Can't You Behave
129 bpm • C# Maj • 01:48 • -10db
14% Popularity • 44% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 44% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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'Anything Goes' New Broadway Cast Ensemble
There's No Cure Like Travel / Bon Voyage
129 bpm • G Maj • 01:54 • -7.8db
30% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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The Original Broadway Cast Of 'Curtains'
Coffee Shop Nights
129 bpm • A Maj • 03:08 • -21.09db
20% Popularity • 60% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 60% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Original Broadway Cast Of 'Passion'
I Wish I Could Forget You
130 bpm • A# min • 03:14 • -25db
16% Popularity • 38% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Maury Yeston
Folies Bergeres
112 bpm • D# Maj • 06:11 • -8.02db
14% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Zachary Levi
Finale
111 bpm • D# Maj • 01:23 • -7.59db
21% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sheryl Lee Ralph
Long as I'm Here with You
111 bpm • D Maj • 02:24 • -9db
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Original Cast of Amélie
World's Best Mom
111 bpm • C Maj • 03:07 • -9.62db
18% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 42% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him / I Miss The Music - Rep...
111 bpm • C# Maj • 01:56 • -21.43db
17% Popularity • 32% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 32% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Two Kinsmen
130 bpm • D Maj • 01:32 • -8.93db
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Rose
Seattle to Los Angeles
130 bpm • C Maj • 01:32 • -3.32db
16% Popularity • 56% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 56% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Tim Curry
Come With Me - Broadway/Original Cast/20...
130 bpm • G Maj • 01:41 • -9.04db
31% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Taye Diggs
Come with Me
110 bpm • B Maj • 02:47 • -5.58db
16% Popularity • 41% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 41% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Maury Yeston
The Proposal / The Night Was Alive
110 bpm • A# Maj • 04:40 • -21db
27% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 35% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jane Krakowski
I Want to Go to Hollywood
110 bpm • A Maj • 03:33 • -13db
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 56% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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2021 London Cast of Cabaret
It Couldn't Please Me More
131 bpm • A# Maj • 03:31 • -15.01db
27% Popularity • 41% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 41% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 39% Positiveness
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Harriet Harris
They Don't Know
110 bpm • G# Maj • 02:09 • -14.84db
21% Popularity • 66% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 66% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Rose
Who Needs Him? - Bonus Track
131 bpm • G Maj • 01:16 • -5.7db
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Maury Yeston
Please Let's Not Even Say Hello
110 bpm • A Maj • 03:16 • -12.36db
3% Popularity • 30% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 30% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Bob Martin
Hello
110 bpm • G# Maj • 01:16 • -13.32db
23% Popularity • 71% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 71% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Gwen Verdon
I Know a Girl
132 bpm • C Maj • 02:04 • -19.33db
23% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Victoria Clark
Where Are You Now?
109 bpm • E min • 01:24 • -9.49db
2% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Danny Burstein
Chavaleh / Tevye's Denial
132 bpm • A# Maj • 03:41 • -16.15db
20% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Maury Yeston
Amor
109 bpm • G min • 03:11 • -10.92db
6% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Isabelle Georges
I Am Longing
132 bpm • A# Maj • 03:35 • -9.85db
1% Popularity • 30% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 30% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jeff Bowen
Part of It All
109 bpm • A# Maj • 03:04 • -8db
17% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Park
A Secretary Is Not A Toy
109 bpm • F Maj • 03:21 • -11.44db
17% Popularity • 78% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 78% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness