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Now is the Time
Songs like
Now is the Time
by
Jade Bird
Based on a tempo of (+/- 10%) and a similar genre
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Jade Bird
Now is the Time
110 bpm • G Maj • 03:35 • -6db
37% Popularity • 53% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Lucy Dacus
Forever Half Mast
110 bpm • A Maj • 04:02 • -10.31db
35% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Lizzie No
Birthday Party
110 bpm • E Maj • 02:15 • -11.77db
13% Popularity • 88% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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SONTALK
Baby, I'm Gone
110 bpm • C min • 03:26 • -5.78db
8% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Erin Rae
Can't Cut Loose
110 bpm • C# Maj • 03:13 • -12.51db
22% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Caroline Spence
Who’s Gonna Make My Mistakes
110 bpm • C# Maj • 02:36 • -6.7db
27% Popularity • 68% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Maggie Rogers
Burning
110 bpm • F Maj • 03:33 • -5db
53% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Angie McMahon
Everywhere
110 bpm • C Maj • 02:46 • -11.94db
36% Popularity • 73% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Jade Bird
Walk Like An Egyptian
111 bpm • B min • 02:23 • -8.68db
30% Popularity • 60% Danceability • 65% Energy • 37% Liveness
1% Instrumentalness • 49% Positiveness
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Joshua Burnside
Whiskey Whiskey
111 bpm • D Maj • 02:51 • -13db
50% Popularity • 44% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Tall Heights
Back to Autumn
111 bpm • G# Maj • 03:19 • -8db
50% Popularity • 48% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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First Aid Kit
Tender Offerings
109 bpm • G Maj • 03:11 • -5.9db
28% Popularity • 53% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Maggie Rogers
Past Life
110 bpm • A min • 03:36 • -11.18db
48% Popularity • 48% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Fenne Lily
Top to Toe
111 bpm • C# Maj • 03:36 • -14.59db
50% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jade Bird
Does Anybody Know
109 bpm • A# min • 03:27 • -11.12db
47% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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The Wind and The Wave
We Burn It Down
111 bpm • D Maj • 04:06 • -5.87db
9% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Caroline Spence
Mint Condition
111 bpm • C Maj • 04:02 • -11.43db
31% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bonny Light Horseman
Deep In Love
112 bpm • F Maj • 05:09 • -8db
55% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
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Maddie Medley
Wild Parts
112 bpm • E Maj • 03:59 • -9.71db
33% Popularity • 64% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
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Jade Bird
Madeline
108 bpm • D# min • 02:13 • -14.33db
16% Popularity • 62% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Alana Henderson
On Board
111 bpm • C# Maj • 05:10 • -8.73db
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Amanda Shires
Swimmer
112 bpm • A min • 02:54 • -8.27db
18% Popularity • 69% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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John Paul White
My Dreams Have All Come True
112 bpm • A# Maj • 04:25 • -7.19db
26% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Nathaniel Rateliff
What A Drag
108 bpm • G Maj • 03:34 • -10db
45% Popularity • 64% Danceability • 42% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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David Keenan
Two Kids
112 bpm • B Maj • 06:42 • -20.31db
29% Popularity • 41% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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jeremy messersmith
Fast Times in Minnesota
108 bpm • A# Maj • 03:39 • -9.05db
16% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Wild Reeds
Let No Grief
112 bpm • A Maj • 04:34 • -6.72db
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Mama Kin
Eye Of The Storm
112 bpm • E Maj • 03:34 • -11db
16% Popularity • 79% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Margaret Glaspy
Killing What Keeps Us Alive
108 bpm • B Maj • 03:18 • -8.76db
7% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Mariel Buckley
Rose Coloured Frames
108 bpm • G Maj • 03:19 • -10.27db
13% Popularity • 56% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 54% Positiveness
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Sera Cahoone
Crows
112 bpm • D Maj • 03:32 • -7.59db
18% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Waxahatchee
Can’t Do Much
112 bpm • A# Maj • 03:44 • -9.49db
50% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Wild Reeds
Only Songs
108 bpm • F# Maj • 04:36 • -5db
32% Popularity • 58% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Brandi Carlile
Harder to Forgive
108 bpm • G# Maj • 04:06 • -5.58db
34% Popularity • 52% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jim and Sam
Calling It Quits - Hotel J Day 32
112 bpm • B Maj • 03:09 • -7.77db
9% Popularity • 62% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Jade Bird
DKOL
113 bpm • C Maj • 01:33 • -16.18db
15% Popularity • 18% Danceability • 24% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
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Fenne Lily
Unfucktheworld - Recorded at Metropolis ...
113 bpm • C Maj • 02:15 • -13.61db
25% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Combs
Ideal Man
108 bpm • C Maj • 03:46 • -8.18db
8% Popularity • 56% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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The Wild Reeds
Only Songs (Radio Edit)
108 bpm • F# Maj • 03:03 • -4.89db
22% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Maggie Rogers
Love You For A Long Time
113 bpm • A Maj • 03:43 • -6.14db
68% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Florence + The Machine
South London Forever
107 bpm • A min • 04:22 • -7.82db
50% Popularity • 68% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Jade Bird
Breaking The Grey
107 bpm • E Maj • 03:02 • -5.29db
29% Popularity • 74% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Liz Lawrence
Life Again
107 bpm • A Maj • 02:35 • -8.35db
25% Popularity • 71% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Madi Diaz
Man In Me
113 bpm • D Maj • 04:48 • -11.12db
24% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jenny Lewis
Wasted Youth
107 bpm • C Maj • 04:13 • -8db
30% Popularity • 59% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Tyler Ramsey
A Dream Of Home
107 bpm • G Maj • 06:02 • -6.6db
31% Popularity • 66% Danceability • 76% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
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Dan Mangan
Cold In The Summer
107 bpm • F Maj • 03:29 • -8db
31% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Jade Bird
Different Kinds of Light
113 bpm • C Maj • 03:05 • -12.7db
30% Popularity • 37% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
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The Harmaleighs
Anthem for the Weak
114 bpm • A# Maj • 04:42 • -11.52db
19% Popularity • 51% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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VISSIA
You Don’t Know Her
114 bpm • C Maj • 04:06 • -10.12db
11% Popularity • 67% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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The Wind and The Wave
Happiness Is Not A Place
114 bpm • A# min • 04:10 • -4db
36% Popularity • 70% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Amelia Curran
I Am the Night
114 bpm • C Maj • 03:34 • -14.62db
16% Popularity • 79% Danceability • 37% Energy • 7% Liveness
14% Instrumentalness • 65% Positiveness
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Wild Child
Expectations
114 bpm • B min • 04:17 • -6.46db
32% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Becca Mancari
Devils Mouth
114 bpm • G min • 02:53 • -4.51db
18% Popularity • 57% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Jamie Drake
Blue
106 bpm • F min • 03:08 • -9.04db
10% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hush Kids
What's Your Hurry
106 bpm • C Maj • 03:55 • -6.34db
22% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Henry Jamison
Boys
106 bpm • B Maj • 03:55 • -12.42db
35% Popularity • 45% Danceability • 42% Energy • 12% Liveness
28% Instrumentalness • 23% Positiveness
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The Milk Carton Kids
I'll Be Gone
114 bpm • G min • 02:24 • -10.5db
39% Popularity • 59% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jade Bird
Candidate
106 bpm • D# Maj • 02:29 • -7.03db
18% Popularity • 46% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Ondara
Television Girl
115 bpm • B Maj • 03:43 • -6.86db
26% Popularity • 57% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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I'm With Her
Crescent City
106 bpm • C# min • 02:59 • -14.79db
28% Popularity • 54% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Margaret Glaspy
Without Him
106 bpm • G Maj • 03:37 • -8.74db
7% Popularity • 74% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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CLEWS
Crushed II
115 bpm • F min • 04:05 • -7.67db
10% Popularity • 53% Danceability • 40% Energy • 9% Liveness
4% Instrumentalness • 8% Positiveness
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Lera Lynn
Are You Listening?
115 bpm • F Maj • 03:18 • -6.95db
18% Popularity • 67% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 75% Positiveness
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Erin Rae
Love Like Before
115 bpm • C Maj • 03:28 • -12.19db
32% Popularity • 84% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jade Bird
Lottery
105 bpm • D Maj • 02:33 • -5.2db
44% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Francesca Blanchard
My Heart
115 bpm • G Maj • 03:16 • -11db
24% Popularity • 45% Danceability • 45% Energy • 12% Liveness
21% Instrumentalness • 50% Positiveness
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Josiah Johnson
World's Not Gonna End
105 bpm • G Maj • 03:27 • -6.88db
9% Popularity • 55% Danceability • 84% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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The Wind and The Wave
Rescue Me
105 bpm • C# Maj • 03:59 • -10.91db
13% Popularity • 66% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Madison Cunningham
Location
116 bpm • G Maj • 03:23 • -6.39db
15% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Madi Diaz
Taste of Rain
116 bpm • A# Maj • 03:51 • -10.62db
13% Popularity • 69% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Your Smith
Closer Than This
116 bpm • C min • 03:46 • -10.66db
17% Popularity • 71% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Kate Rhudy
I Don't Think You're an Angel (Anymore)
116 bpm • D# Maj • 04:18 • -10.57db
30% Popularity • 78% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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BAILEN
Cold Blue
116 bpm • D Maj • 03:51 • -11.39db
12% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Greta Stanley
Drunk Dreams
116 bpm • D Maj • 03:49 • -12.3db
21% Popularity • 73% Danceability • 38% Energy • 32% Liveness
2% Instrumentalness • 28% Positiveness
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Hush Kids
Love Is a Made up Word
116 bpm • D Maj • 03:06 • -7.45db
30% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jade Bird
Good Woman
104 bpm • D Maj • 02:26 • -5.16db
27% Popularity • 54% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Liz Lawrence
Shoes
104 bpm • C min • 02:16 • -12.72db
14% Popularity • 66% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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HAIM
The Steps
117 bpm • D Maj • 04:07 • -4.97db
48% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Mason Jennings
Race You To The Light
104 bpm • C Maj • 04:02 • -7.89db
23% Popularity • 67% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
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I'm With Her
Hannah Hunt
104 bpm • A Maj • 04:38 • -15db
40% Popularity • 71% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Gretta Ray
When We're in Fitzroy
117 bpm • F Maj • 03:58 • -9.17db
26% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Maggie Rogers
The Kill
117 bpm • D Maj • 04:11 • -3.83db
70% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Kate Davis
Cloud
117 bpm • F Maj • 03:31 • -10.58db
14% Popularity • 66% Danceability • 54% Energy • 14% Liveness
6% Instrumentalness • 28% Positiveness
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Jade Bird
Headstart
103 bpm • A# Maj • 02:22 • -8db
41% Popularity • 53% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Andrew Combs
Save Somebody Else
117 bpm • G Maj • 03:11 • -7.78db
10% Popularity • 63% Danceability • 75% Energy • 19% Liveness
4% Instrumentalness • 85% Positiveness
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Amythyst Kiah
Wild Turkey
103 bpm • F# Maj • 04:32 • -11.36db
34% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Waxahatchee
Lilacs
103 bpm • G Maj • 03:15 • -9db
55% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Yola
Heed My Words
117 bpm • G min • 03:44 • -6.59db
19% Popularity • 37% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Maia Sharp
Backburner
118 bpm • C Maj • 02:58 • -8.94db
10% Popularity • 79% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
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Elise Davis
Yellow Bed
118 bpm • D# Maj • 04:17 • -6.2db
3% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Stephanie Lambring
Fine
118 bpm • C Maj • 02:40 • -7.62db
10% Popularity • 57% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Tristen
A Case of You
118 bpm • C# Maj • 04:20 • -10db
27% Popularity • 82% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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John Paul White
The Good Old Days
118 bpm • G# min • 03:47 • -6.2db
17% Popularity • 51% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Sahara Beck
Mother Mother
102 bpm • A# Maj • 05:29 • -9.18db
8% Popularity • 36% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ferris & Sylvester
The Room
102 bpm • F Maj • 03:23 • -8.91db
14% Popularity • 64% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Jade Bird
Going Gone
119 bpm • C# min • 02:35 • -5.18db
27% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Laura Jean Anderson
On My Mind
119 bpm • G Maj • 04:08 • -11.11db
0% Popularity • 54% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Now is the Time