Songs like Now or Never by Quantic
Based on a tempo of (+/- 10%) and a similar genre
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Quantic
Now or Never
156 bpm • D min • 05:30 • -9db
24% Popularity • 65% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 65% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 88% Positiveness
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Blundetto
Take Me with You
156 bpm • D# min • 03:24 • -12.69db
11% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 71% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Elodie Rama
The End of Something
156 bpm • E min • 03:24 • -10.3db
11% Popularity • 80% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 89% Positiveness
11% Popularity • 80% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 89% Positiveness
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Red Astaire
Rollin' Stone
157 bpm • G# min • 04:49 • -7.41db
41% Popularity • 57% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 57% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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The Buttshakers
Back in America
155 bpm • F min • 04:28 • -7db
29% Popularity • 67% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
29% Popularity • 67% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Cookin' On 3 Burners
More Than a Mouthful
155 bpm • F min • 04:00 • -6db
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Mr Day
Follow You
155 bpm • F Maj • 05:12 • -7.3db
10% Popularity • 44% Danceability • 66% Energy • 12% Liveness
7% Instrumentalness • 73% Positiveness
10% Popularity • 44% Danceability • 66% Energy • 12% Liveness
7% Instrumentalness • 73% Positiveness
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Curtis Harding
Welcome To My World
157 bpm • F Maj • 03:36 • -8.17db
47% Popularity • 57% Danceability • 66% Energy • 14% Liveness
18% Instrumentalness • 56% Positiveness
47% Popularity • 57% Danceability • 66% Energy • 14% Liveness
18% Instrumentalness • 56% Positiveness
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Hemai
Relight
157 bpm • G min • 04:21 • -7db
17% Popularity • 62% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
17% Popularity • 62% Danceability • 74% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
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The Quantic Soul Orchestra
End Of The Road
155 bpm • A min • 03:28 • -4.99db
30% Popularity • 75% Danceability • 74% Energy • 13% Liveness
16% Instrumentalness • 97% Positiveness
30% Popularity • 75% Danceability • 74% Energy • 13% Liveness
16% Instrumentalness • 97% Positiveness
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Quantic
Where The Flowers Grow
158 bpm • E min • 03:45 • -10.35db
24% Popularity • 42% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 36% Positiveness
24% Popularity • 42% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 36% Positiveness
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Emma Donovan
Pink Skirt
152 bpm • G min • 05:09 • -12.3db
16% Popularity • 67% Danceability • 46% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
16% Popularity • 67% Danceability • 46% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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Flo Morrissey
Everybody Loves the Sunshine
160 bpm • A Maj • 04:47 • -8.5db
41% Popularity • 58% Danceability • 71% Energy • 32% Liveness
10% Instrumentalness • 35% Positiveness
41% Popularity • 58% Danceability • 71% Energy • 32% Liveness
10% Instrumentalness • 35% Positiveness
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Curtis Harding
Face Your Fear
154 bpm • F min • 03:54 • -9.39db
33% Popularity • 63% Danceability • 60% Energy • 32% Liveness
29% Instrumentalness • 73% Positiveness
33% Popularity • 63% Danceability • 60% Energy • 32% Liveness
29% Instrumentalness • 73% Positiveness
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Jazzanova
Rendezvous
160 bpm • F min • 02:35 • -7.77db
44% Popularity • 66% Danceability • 59% Energy • 17% Liveness
15% Instrumentalness • 87% Positiveness
44% Popularity • 66% Danceability • 59% Energy • 17% Liveness
15% Instrumentalness • 87% Positiveness
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Nightmares On Wax
Isolated
160 bpm • C# Maj • 04:13 • -13.81db
34% Popularity • 55% Danceability • 27% Energy • 12% Liveness
5% Instrumentalness • 26% Positiveness
34% Popularity • 55% Danceability • 27% Energy • 12% Liveness
5% Instrumentalness • 26% Positiveness
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Quantic
Make Dub Not War
158 bpm • B min • 03:47 • -6.86db
31% Popularity • 81% Danceability • 75% Energy • 13% Liveness
12% Instrumentalness • 62% Positiveness
31% Popularity • 81% Danceability • 75% Energy • 13% Liveness
12% Instrumentalness • 62% Positiveness
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Taggy Matcher
On & On
162 bpm • D Maj • 04:09 • -10.55db
13% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Limp Twins
Sunday Driver
150 bpm • C min • 03:29 • -7.48db
51% Popularity • 79% Danceability • 54% Energy • 10% Liveness
28% Instrumentalness • 50% Positiveness
51% Popularity • 79% Danceability • 54% Energy • 10% Liveness
28% Instrumentalness • 50% Positiveness
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Judi Jackson
Set on You
162 bpm • A# Maj • 03:10 • -8db
27% Popularity • 73% Danceability • 60% Energy • 10% Liveness
30% Instrumentalness • 82% Positiveness
27% Popularity • 73% Danceability • 60% Energy • 10% Liveness
30% Instrumentalness • 82% Positiveness
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Kraak & Smaak
Soul Liberator
147 bpm • G Maj • 03:52 • -7.66db
20% Popularity • 61% Danceability • 65% Energy • 50% Liveness
1% Instrumentalness • 80% Positiveness
20% Popularity • 61% Danceability • 65% Energy • 50% Liveness
1% Instrumentalness • 80% Positiveness
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Spanky Wilson
Blood from a Stone
150 bpm • B min • 03:16 • -7.12db
33% Popularity • 86% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 86% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Quantic
Adiós Chacón
159 bpm • A min • 05:59 • -6.17db
27% Popularity • 57% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 57% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Melodiesinfonie
Boys Suck
147 bpm • F# min • 04:01 • -6.57db
17% Popularity • 79% Danceability • 74% Energy • 12% Liveness
7% Instrumentalness • 94% Positiveness
17% Popularity • 79% Danceability • 74% Energy • 12% Liveness
7% Instrumentalness • 94% Positiveness
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Belleruche
Balance
167 bpm • G# Maj • 04:08 • -8.83db
39% Popularity • 67% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 67% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Dynamics
Move on Up
146 bpm • B min • 04:52 • -7.84db
42% Popularity • 84% Danceability • 77% Energy • 9% Liveness
36% Instrumentalness • 97% Positiveness
42% Popularity • 84% Danceability • 77% Energy • 9% Liveness
36% Instrumentalness • 97% Positiveness
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Hannah Williams
I Feel It
146 bpm • C# min • 03:42 • -6.43db
14% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Sofa Surfers
Can I Get A Witness
168 bpm • E min • 03:28 • -11.03db
31% Popularity • 61% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 78% Positiveness
31% Popularity • 61% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 78% Positiveness
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Izo FitzRoy
Skyline
144 bpm • F min • 06:29 • -8db
29% Popularity • 61% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 61% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Adrian Quesada
One Woman Man
169 bpm • E min • 04:10 • -5.67db
33% Popularity • 40% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 55% Positiveness
33% Popularity • 40% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 55% Positiveness
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Quantic
Juanita Bonita
144 bpm • D min • 06:03 • -7.54db
30% Popularity • 76% Danceability • 63% Energy • 14% Liveness
3% Instrumentalness • 88% Positiveness
30% Popularity • 76% Danceability • 63% Energy • 14% Liveness
3% Instrumentalness • 88% Positiveness
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The Dynamics
Move on Up
146 bpm • B min • 05:59 • -9.14db
46% Popularity • 84% Danceability • 71% Energy • 9% Liveness
39% Instrumentalness • 97% Positiveness
46% Popularity • 84% Danceability • 71% Energy • 9% Liveness
39% Instrumentalness • 97% Positiveness
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Boulevards
Hooked
144 bpm • F# min • 03:28 • -10.3db
21% Popularity • 70% Danceability • 68% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
21% Popularity • 70% Danceability • 68% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
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Nneka
Believe System
169 bpm • D Maj • 04:35 • -8db
29% Popularity • 56% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 57% Positiveness
29% Popularity • 56% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 57% Positiveness
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Secret Rendezvous
Back in the Day - HIGH HØØPS Flip
170 bpm • A# min • 03:51 • -5.65db
38% Popularity • 75% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 75% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Ghetto Priest
Hercules - North Street West 'holyvoodou...
170 bpm • F# Maj • 04:31 • -11.44db
27% Popularity • 69% Danceability • 43% Energy • 13% Liveness
59% Instrumentalness • 97% Positiveness
27% Popularity • 69% Danceability • 43% Energy • 13% Liveness
59% Instrumentalness • 97% Positiveness
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Lady Blackbird
Collage (Greg Foat Remix)
170 bpm • E min • 04:02 • -8.71db
34% Popularity • 61% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 77% Positiveness
34% Popularity • 61% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 77% Positiveness
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The Dynamics
Feel Like Making Love
170 bpm • F min • 04:44 • -11.45db
28% Popularity • 79% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 79% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Nicole Willis
Still Got a Way to Fall
171 bpm • A Maj • 03:47 • -7.29db
36% Popularity • 60% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 60% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Boozoo Bajou
Camioux
171 bpm • B min • 06:30 • -10.03db
27% Popularity • 77% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 77% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Red Astaire
When U Need Me
172 bpm • G# Maj • 03:15 • -11.84db
16% Popularity • 67% Danceability • 47% Energy • 9% Liveness
33% Instrumentalness • 54% Positiveness
16% Popularity • 67% Danceability • 47% Energy • 9% Liveness
33% Instrumentalness • 54% Positiveness
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Soel
My Singing Soul
172 bpm • E min • 04:40 • -11.14db
35% Popularity • 68% Danceability • 65% Energy • 9% Liveness
75% Instrumentalness • 73% Positiveness
35% Popularity • 68% Danceability • 65% Energy • 9% Liveness
75% Instrumentalness • 73% Positiveness
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Laurent Bardainne
Jou en nou rivé
172 bpm • C Maj • 03:49 • -8db
31% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 57% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Mr Day
Both Sides
172 bpm • E min • 04:53 • -11.83db
7% Popularity • 43% Danceability • 34% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
7% Popularity • 43% Danceability • 34% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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Kinny & Horne
Forgetting to Remember
173 bpm • F Maj • 03:31 • -6.17db
31% Popularity • 77% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 77% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Boozoo Bajou
Take It Slow
172 bpm • B min • 05:34 • -8.89db
45% Popularity • 80% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 80% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Quantic
Shuffle Them Shoes
174 bpm • E min • 03:27 • -8.1db
41% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Ks French
Baltisoul
174 bpm • C min • 04:06 • -9.25db
37% Popularity • 54% Danceability • 70% Energy • 12% Liveness
11% Instrumentalness • 62% Positiveness
37% Popularity • 54% Danceability • 70% Energy • 12% Liveness
11% Instrumentalness • 62% Positiveness
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Flevans
Some Day
140 bpm • A min • 04:01 • -7.13db
29% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Nicolas Godin
The Foundation
140 bpm • C# min • 05:29 • -10.11db
24% Popularity • 78% Danceability • 61% Energy • 8% Liveness
11% Instrumentalness • 84% Positiveness
24% Popularity • 78% Danceability • 61% Energy • 8% Liveness
11% Instrumentalness • 84% Positiveness
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TM Juke
Playground Games
174 bpm • G# min • 05:42 • -11db
39% Popularity • 77% Danceability • 64% Energy • 7% Liveness
78% Instrumentalness • 96% Positiveness
39% Popularity • 77% Danceability • 64% Energy • 7% Liveness
78% Instrumentalness • 96% Positiveness
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The Milk
Time Don't Cost Enough
174 bpm • F# min • 04:22 • -8.39db
10% Popularity • 53% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 47% Positiveness
10% Popularity • 53% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 47% Positiveness
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Hardkandy
Stronger Stuff
140 bpm • C min • 04:01 • -11.9db
8% Popularity • 48% Danceability • 42% Energy • 18% Liveness
10% Instrumentalness • 48% Positiveness
8% Popularity • 48% Danceability • 42% Energy • 18% Liveness
10% Instrumentalness • 48% Positiveness
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Rae & Christian
Get a Life - Regrind 09
174 bpm • C Maj • 03:57 • -8.08db
32% Popularity • 64% Danceability • 80% Energy • 12% Liveness
4% Instrumentalness • 70% Positiveness
32% Popularity • 64% Danceability • 80% Energy • 12% Liveness
4% Instrumentalness • 70% Positiveness
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Alice Russell
Mean to Me
139 bpm • D min • 04:05 • -9.91db
21% Popularity • 79% Danceability • 66% Energy • 22% Liveness
13% Instrumentalness • 84% Positiveness
21% Popularity • 79% Danceability • 66% Energy • 22% Liveness
13% Instrumentalness • 84% Positiveness
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Kinny & Horne
Leeds
176 bpm • F# min • 03:12 • -11.22db
19% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Kinny
Idle Forest of Chit Chat
139 bpm • D Maj • 04:08 • -8db
34% Popularity • 78% Danceability • 59% Energy • 96% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 78% Danceability • 59% Energy • 96% Liveness
0% Instrumentalness • 75% Positiveness
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Quantic
1000 Watts
177 bpm • G min • 04:39 • -6db
26% Popularity • 53% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 53% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Hardkandy
Scum
176 bpm • C Maj • 05:04 • -8.53db
20% Popularity • 68% Danceability • 51% Energy • 10% Liveness
8% Instrumentalness • 68% Positiveness
20% Popularity • 68% Danceability • 51% Energy • 10% Liveness
8% Instrumentalness • 68% Positiveness
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Curtis Harding
It's A Wonder
176 bpm • F min • 03:56 • -8.37db
24% Popularity • 56% Danceability • 47% Energy • 19% Liveness
1% Instrumentalness • 69% Positiveness
24% Popularity • 56% Danceability • 47% Energy • 19% Liveness
1% Instrumentalness • 69% Positiveness
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Hannah Williams
I Can't Let This Slip Away
178 bpm • C min • 03:31 • -6.39db
11% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Erik Truffaz
Reflections
137 bpm • C min • 03:44 • -10.26db
31% Popularity • 73% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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Red Astaire
Reaching out to You
178 bpm • C# Maj • 03:02 • -9.95db
23% Popularity • 42% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 42% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Mo' Horizons
You Gotta Know It
178 bpm • G Maj • 07:21 • -6.52db
10% Popularity • 79% Danceability • 83% Energy • 13% Liveness
8% Instrumentalness • 86% Positiveness
10% Popularity • 79% Danceability • 83% Energy • 13% Liveness
8% Instrumentalness • 86% Positiveness
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Omar
De Ja Vu
179 bpm • F min • 03:26 • -10.21db
27% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Hawa
Dance
136 bpm • F min • 04:14 • -7.1db
35% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 85% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Shawn Lee
Souvenir
136 bpm • E Maj • 03:46 • -5.36db
33% Popularity • 62% Danceability • 80% Energy • 41% Liveness
17% Instrumentalness • 80% Positiveness
33% Popularity • 62% Danceability • 80% Energy • 41% Liveness
17% Instrumentalness • 80% Positiveness
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The Souljazz Orchestra
Boat Rockers
134 bpm • G# Maj • 04:49 • -6.88db
16% Popularity • 78% Danceability • 80% Energy • 4% Liveness
5% Instrumentalness • 86% Positiveness
16% Popularity • 78% Danceability • 80% Energy • 4% Liveness
5% Instrumentalness • 86% Positiveness
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Kinny
Petrified Dazed
184 bpm • C Maj • 04:22 • -6.37db
20% Popularity • 80% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 80% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Spanky Wilson
That's How It Was
186 bpm • E min • 04:14 • -7.5db
24% Popularity • 76% Danceability • 63% Energy • 12% Liveness
39% Instrumentalness • 72% Positiveness
24% Popularity • 76% Danceability • 63% Energy • 12% Liveness
39% Instrumentalness • 72% Positiveness
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Aaron Frazer
Bad News
186 bpm • A min • 03:48 • -7.43db
49% Popularity • 56% Danceability • 57% Energy • 7% Liveness
8% Instrumentalness • 95% Positiveness
49% Popularity • 56% Danceability • 57% Energy • 7% Liveness
8% Instrumentalness • 95% Positiveness
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Mankoora
Sonór Tropicà l
190 bpm • D Maj • 04:39 • -7.25db
16% Popularity • 66% Danceability • 85% Energy • 7% Liveness
92% Instrumentalness • 58% Positiveness
16% Popularity • 66% Danceability • 85% Energy • 7% Liveness
92% Instrumentalness • 58% Positiveness
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Morcheeba
Cut My Heart Out - Jazzanova Remix
190 bpm • F min • 05:21 • -10.25db
31% Popularity • 54% Danceability • 88% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
31% Popularity • 54% Danceability • 88% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Monophonics
Love You Better
192 bpm • F Maj • 03:08 • -5.94db
40% Popularity • 31% Danceability • 79% Energy • 76% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 31% Danceability • 79% Energy • 76% Liveness
0% Instrumentalness • 79% Positiveness
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Alice Russell
I'm Just Here
202 bpm • G Maj • 05:21 • -12.02db
14% Popularity • 32% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
14% Popularity • 32% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Smoove & Turrell
Flames to Feed - Dr Rubberfunk Remix
202 bpm • D# min • 03:46 • -7db
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Da Break
So Beam Me Up
202 bpm • F# min • 03:25 • -4.77db
24% Popularity • 78% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 78% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
