Songs like Now That I Have You by Luther Vandross
Based on a tempo of (+/- 10%) and a similar genre
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Luther Vandross
I (Who Have Nothing)
121 bpm • D Maj • 07:26 • -12.62db
31% Popularity • 50% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 50% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Silk
Girl U for Me
121 bpm • B min • 04:31 • -11db
39% Popularity • 63% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 63% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Taral
I Wish You Were Here
121 bpm • C# Maj • 04:17 • -7db
27% Popularity • 55% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 55% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Howard Hewett
Can't Get Over Your Love
122 bpm • F min • 04:57 • -11.06db
12% Popularity • 71% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 71% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Karyn White
I'd Rather Be Alone
122 bpm • F# Maj • 05:30 • -8.29db
48% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jesse Powell
Something In The Past
122 bpm • F# min • 06:25 • -7db
23% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Luther Vandross
It's All About You
121 bpm • D# Maj • 05:27 • -6.83db
24% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Alexander O'Neal
Sentimental
122 bpm • A Maj • 06:15 • -12.71db
42% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Tamar Braxton
If You Don't Wanna Love Me
120 bpm • G# Maj • 03:58 • -5db
40% Popularity • 76% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 76% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Presss
Chasing the Rainbow
120 bpm • G# Maj • 04:24 • -8db
26% Popularity • 72% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 72% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Syleena Johnson
Baby I'm So Confused
122 bpm • C Maj • 04:48 • -8db
32% Popularity • 70% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 70% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Jesse Powell
Take My Breath Away
120 bpm • C Maj • 04:39 • -7db
21% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Luther Vandross
Too Far Down
121 bpm • C# Maj • 06:12 • -12.76db
17% Popularity • 61% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 61% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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A Few Good Men
Have I Never
120 bpm • E Maj • 05:36 • -9db
22% Popularity • 72% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 72% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Boyz II Men
Dreams
120 bpm • G min • 03:46 • -8db
50% Popularity • 56% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 56% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Howard Hewett
Jesus
120 bpm • F Maj • 04:37 • -11.37db
17% Popularity • 65% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Peabo Bryson
Can You Stop the Rain
120 bpm • D# min • 05:34 • -12.87db
47% Popularity • 68% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 68% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Keith Washington
Believe That
122 bpm • D min • 05:24 • -8db
23% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Luther Vandross
Now That I Have You
121 bpm • C Maj • 05:01 • -7.01db
46% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
46% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Paul Laurence
Cut The Crap
120 bpm • G# Maj • 06:34 • -10.98db
18% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jesse Powell
You - Darkchild Remix
122 bpm • C min • 04:45 • -6.28db
33% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Beverley Knight
Gold
122 bpm • C Maj • 04:51 • -7db
45% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Gladys Knight
I Don't Want To Know
120 bpm • D Maj • 05:48 • -8db
43% Popularity • 75% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 75% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Beau Williams
Make Me Whole
120 bpm • F Maj • 05:04 • -6.8db
16% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Luther Vandross
The Second Time Around
122 bpm • G Maj • 06:21 • -9.03db
24% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Keith Washington
You Make It Easy
122 bpm • F# Maj • 04:34 • -9.01db
12% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Gladys Knight & The Pips
Let Me Be The One
120 bpm • D# Maj • 04:42 • -12.89db
27% Popularity • 47% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 47% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Jesse Powell
I Didn't Realize
119 bpm • B min • 04:29 • -6.69db
30% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Miki Howard
Just the Way You Want Me To
123 bpm • D# min • 05:09 • -15db
13% Popularity • 40% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 40% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Christopher Williams
If You Say
123 bpm • G min • 05:16 • -6.51db
20% Popularity • 67% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 67% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Luther Vandross
If I Didn't Know Better
122 bpm • G min • 04:07 • -8.78db
50% Popularity • 81% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 81% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Keith Washington
Stay in My Corner
123 bpm • B Maj • 05:10 • -9db
23% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Monica
For You I Will
123 bpm • C min • 04:54 • -7.98db
58% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Kirk Whalum
I Wouldn't Be a Man
123 bpm • G Maj • 05:05 • -16.01db
35% Popularity • 69% Danceability • 16% Energy • 27% Liveness
1% Instrumentalness • 23% Positiveness
35% Popularity • 69% Danceability • 16% Energy • 27% Liveness
1% Instrumentalness • 23% Positiveness
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Maxwell
Fistful of Tears
123 bpm • C Maj • 03:39 • -7db
50% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Christopher Williams
I'm Your Present
119 bpm • D# min • 05:40 • -11.39db
15% Popularity • 76% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 76% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Cheryl Lynn
If This World Were Mine
124 bpm • A Maj • 05:23 • -10db
47% Popularity • 39% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 39% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Luther Vandross
Little Miracles (Happen Every Day)
122 bpm • B min • 04:41 • -12.27db
27% Popularity • 66% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 66% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Keith Washington
Make Time for Love
123 bpm • B Maj • 05:44 • -7.14db
28% Popularity • 50% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 50% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Betty Wright
For Love Alone
118 bpm • F# Maj • 07:49 • -14.02db
8% Popularity • 45% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 45% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The O'Jays
You Got Your Hooks in Me
124 bpm • D# Maj • 05:33 • -8db
38% Popularity • 55% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 55% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Shirley Brown
Don't Go Lookin' for My Man
124 bpm • G Maj • 05:11 • -4.5db
28% Popularity • 80% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 80% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Yolanda Adams
Fragile Heart
124 bpm • B min • 04:38 • -8.29db
39% Popularity • 76% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 76% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Luther Vandross
Isn't There Someone
120 bpm • C Maj • 04:41 • -10.13db
23% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Vesta Williams
I Don't Wanna Cry Anymore
118 bpm • G# Maj • 05:20 • -7.08db
9% Popularity • 55% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 55% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Kelly Price
As We Lay
124 bpm • G# Maj • 06:20 • -7.77db
39% Popularity • 58% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 58% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Uncle Sam
When I See You Smile
124 bpm • G# Maj • 04:49 • -7.48db
32% Popularity • 59% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 59% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Presss
Nkeke Kao Siya
118 bpm • A# Maj • 04:35 • -7.81db
32% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Gregory Hines
This Is What I Believe
124 bpm • A Maj • 04:58 • -16.22db
10% Popularity • 71% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 71% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Luther Vandross
Superstar / Until You Come Back to Me (T...
118 bpm • B Maj • 09:18 • -12.56db
43% Popularity • 37% Danceability • 28% Energy • 22% Liveness
8% Instrumentalness • 7% Positiveness
43% Popularity • 37% Danceability • 28% Energy • 22% Liveness
8% Instrumentalness • 7% Positiveness
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Brownstone
Don't Cry For Me
124 bpm • B min • 05:18 • -11.44db
22% Popularity • 57% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 57% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 23% Positiveness
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Cheryl Lynn
If This World Were Mine - Single Versio...
125 bpm • A Maj • 04:00 • -10.75db
24% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The O'Jays
A Prayer
125 bpm • C Maj • 06:21 • -8.96db
36% Popularity • 45% Danceability • 39% Energy • 48% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 45% Danceability • 39% Energy • 48% Liveness
0% Instrumentalness • 25% Positiveness
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Babyface
Seven Seas
125 bpm • F min • 04:02 • -9.19db
44% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Rene & Angela
Come My Way
117 bpm • G min • 04:49 • -7.85db
31% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Levert
Sorry Is
117 bpm • G Maj • 04:14 • -8db
29% Popularity • 60% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 60% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Deborah Cox
The Morning After
117 bpm • F Maj • 04:24 • -5db
36% Popularity • 54% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 54% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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The Manhattans
Do You Really Mean Goodbye?
125 bpm • A Maj • 03:40 • -15.98db
28% Popularity • 57% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 57% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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L.T.D.
We Both Deserve Each Other's Love
125 bpm • C# Maj • 03:07 • -15db
53% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
53% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
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Meli'sa Morgan
Do Me Baby
125 bpm • A# Maj • 05:17 • -14db
44% Popularity • 76% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 76% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Luther Vandross
Going In Circles
117 bpm • C# min • 05:10 • -10.52db
34% Popularity • 43% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 43% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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DeBarge
Love Me In A Special Way
126 bpm • C Maj • 04:15 • -14db
47% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Christopher Williams
We Don't Know How to Say Goodbye
126 bpm • D Maj • 03:20 • -6.84db
12% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 54% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Manhattans
The Way We Were / Memories
125 bpm • F Maj • 05:11 • -11db
29% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Moneoa
More Than You
126 bpm • A# min • 03:58 • -3.94db
46% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Howard Hewett
Take It To The Highest
116 bpm • F# Maj • 06:16 • -11.16db
17% Popularity • 70% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 70% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Glenn Jones
Love Songs
116 bpm • B Maj • 05:35 • -9db
37% Popularity • 79% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 79% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Uncle Sam
I Don't Ever Want to See You Again
126 bpm • B Maj • 05:45 • -7.02db
50% Popularity • 61% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 61% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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John Stoddart
Anything
126 bpm • F# Maj • 04:34 • -6.39db
20% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Lisa Fischer
How Can I Ease the Pain
116 bpm • E min • 05:19 • -7.58db
47% Popularity • 63% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 63% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Bebe Winans
This Song
126 bpm • F Maj • 04:06 • -6db
49% Popularity • 57% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 57% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Howard Hewett
Once, Twice, Three Times
116 bpm • C# Maj • 04:17 • -12.95db
28% Popularity • 64% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 64% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Cindy Mizelle
I've Had Enough
126 bpm • F# Maj • 04:33 • -7.88db
14% Popularity • 65% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 65% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Stimela
See the World (Through the Eyes of a Chi...
126 bpm • A Maj • 03:59 • -7.16db
27% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Silk
Ebony Eyes
126 bpm • D Maj • 06:02 • -6.59db
29% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Luther Vandross
The Closer I Get to You
116 bpm • C min • 06:25 • -11.07db
39% Popularity • 64% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 64% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Presss
Cry no more
116 bpm • A# min • 04:53 • -5.32db
25% Popularity • 59% Danceability • 52% Energy • 19% Liveness
3% Instrumentalness • 18% Positiveness
25% Popularity • 59% Danceability • 52% Energy • 19% Liveness
3% Instrumentalness • 18% Positiveness
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Christopher Williams
Not a Perfect Man
116 bpm • G min • 05:17 • -13.76db
18% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Najee
All I Ever Ask
126 bpm • A# Maj • 04:38 • -12.97db
51% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Keith Washington
Kissing You
127 bpm • G Maj • 04:20 • -8.86db
45% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Barry White
Let Me Live My Life Lovin' You Babe
127 bpm • A# Maj • 10:20 • -13.63db
30% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
30% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
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Luther Vandross
Superstar
116 bpm • B Maj • 05:38 • -13.27db
44% Popularity • 38% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 38% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Sylvester
Sharing Something Perfect Between Oursel...
128 bpm • C Maj • 06:23 • -17.73db
36% Popularity • 44% Danceability • 31% Energy • 80% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 44% Danceability • 31% Energy • 80% Liveness
0% Instrumentalness • 30% Positiveness
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Cheryl Lynn
If This World Were Mine
128 bpm • A Maj • 05:34 • -14db
17% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 36% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Millie Jackson
You Never Cross My Mind
128 bpm • G Maj • 04:01 • -10.75db
36% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Manhattans
I Kinda Miss You
115 bpm • A# Maj • 05:21 • -9.28db
27% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Beau Williams
You've Been
114 bpm • D Maj • 04:46 • -9.89db
29% Popularity • 64% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 64% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Anthony Hamilton
Pray For Me
128 bpm • F Maj • 04:39 • -5.93db
47% Popularity • 78% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 78% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Luther Vandross
Whether Or Not The World Gets Better
128 bpm • G Maj • 05:32 • -8.16db
23% Popularity • 60% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 60% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Maxwell
Lifetime - Remastered 2021
128 bpm • A Maj • 05:29 • -8.86db
52% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 68% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Howard Hewett
Forever and Ever
128 bpm • F min • 05:43 • -11.38db
9% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Zonke
Uyandithanda
128 bpm • D Maj • 04:08 • -11db
45% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Beau Williams
Elvina
114 bpm • E Maj • 05:50 • -10.6db
44% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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J.T. Taylor
How
128 bpm • G min • 04:47 • -11.13db
20% Popularity • 69% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 69% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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TKZEE
Girl Without A Name
128 bpm • D# Maj • 04:28 • -11.05db
21% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Cole
A Smile Like Yours
114 bpm • C# Maj • 04:22 • -10db
33% Popularity • 57% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 57% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Gladys Knight & The Pips
Hero (Wind Beneath My Wings)
114 bpm • G Maj • 03:43 • -13.63db
26% Popularity • 48% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 48% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Luther Vandross
Can Heaven Wait
128 bpm • F# min • 05:35 • -5.32db
28% Popularity • 73% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 73% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
