Songs like Now That I'm Gone (Look How You're Crying) by Charles Bradley
Based on a tempo of (+/- 10%) and a similar genre
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Michael Kiwanuka
Rolling
125 bpm • B min • 02:51 • -4.95db
50% Popularity • 68% Danceability • 78% Energy • 68% Liveness
59% Instrumentalness • 59% Positiveness
50% Popularity • 68% Danceability • 78% Energy • 68% Liveness
59% Instrumentalness • 59% Positiveness
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Nick Waterhouse
It No. 3
125 bpm • F Maj • 03:03 • -8.64db
32% Popularity • 81% Danceability • 86% Energy • 9% Liveness
15% Instrumentalness • 88% Positiveness
32% Popularity • 81% Danceability • 86% Energy • 9% Liveness
15% Instrumentalness • 88% Positiveness
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Charles Bradley
Now That I'm Gone (Look How You're Cryin...
125 bpm • B min • 03:28 • -12db
24% Popularity • 63% Danceability • 72% Energy • 10% Liveness
30% Instrumentalness • 88% Positiveness
24% Popularity • 63% Danceability • 72% Energy • 10% Liveness
30% Instrumentalness • 88% Positiveness
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Dyke & The Blazers
We Got More Soul
125 bpm • C# Maj • 03:19 • -11db
38% Popularity • 82% Danceability • 66% Energy • 8% Liveness
32% Instrumentalness • 85% Positiveness
38% Popularity • 82% Danceability • 66% Energy • 8% Liveness
32% Instrumentalness • 85% Positiveness
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Romare
Hey Now - When I Give You All My Lovin'
125 bpm • G Maj • 02:26 • -8.42db
65% Popularity • 87% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 12% Positiveness
65% Popularity • 87% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 12% Positiveness
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Archie Bell & The Drells
Tighten Up, Pt. 1
125 bpm • B Maj • 03:16 • -13db
46% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Edwin Starr
Twenty Five Miles
125 bpm • C# Maj • 03:18 • -7db
53% Popularity • 81% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 81% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Stevie Wonder
Higher Ground
125 bpm • G# Maj • 03:42 • -9.95db
65% Popularity • 72% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
65% Popularity • 72% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Nick Waterhouse
Song for Winners
125 bpm • C# Maj • 03:00 • -5.22db
35% Popularity • 59% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
35% Popularity • 59% Danceability • 93% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Sly & The Family Stone
Que Sera, Sera (Whatever Will Be, Will B...
124 bpm • E Maj • 05:22 • -15.47db
43% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Sam & Dave
Soothe Me
126 bpm • F# Maj • 02:32 • -13.42db
51% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
51% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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The James Hunter Six
Chicken Switch
124 bpm • B min • 02:48 • -7db
27% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 76% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Solomon Burke
Fast Train
126 bpm • D# Maj • 05:43 • -10db
36% Popularity • 66% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
36% Popularity • 66% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Nina Simone
Save Me
127 bpm • C Maj • 03:22 • -8db
43% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Nick Waterhouse
Katchi
124 bpm • A min • 03:40 • -7db
46% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Black Joe Lewis & The Honeybears
Sugarfoot
123 bpm • G Maj • 03:17 • -3.48db
38% Popularity • 76% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 88% Positiveness
38% Popularity • 76% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 88% Positiveness
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Charles Bradley
Can't Fight the Feeling
123 bpm • A Maj • 02:48 • -5db
45% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Marvin Gaye
Got To Give It Up - Pt. 1
123 bpm • D Maj • 04:15 • -9.02db
69% Popularity • 86% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
69% Popularity • 86% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Buddy Miles
Down By The River
127 bpm • D Maj • 06:20 • -12.35db
42% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 60% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Donny Hathaway
Jealous Guy
122 bpm • G Maj • 03:08 • -8.99db
58% Popularity • 46% Danceability • 48% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 46% Danceability • 48% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Nick Waterhouse
La Turnaround
127 bpm • F# Maj • 02:51 • -10.4db
39% Popularity • 71% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 77% Positiveness
39% Popularity • 71% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 77% Positiveness
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Son Little
O Me O My
128 bpm • A min • 02:52 • -8db
48% Popularity • 81% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 81% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The James Hunter Six
Brother or Other
122 bpm • F# min • 03:21 • -6.97db
38% Popularity • 84% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 84% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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Nina Simone
I Wish I Knew How It Would Feel to Be Fr...
122 bpm • A# Maj • 03:08 • -8.5db
64% Popularity • 69% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
64% Popularity • 69% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Temptations
Papa Was A Rollin' Stone - Single Versio...
121 bpm • A# min • 06:59 • -13.51db
66% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
66% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
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Dr. John
Such a Night
121 bpm • F Maj • 02:57 • -16.94db
50% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Ephemerals
Six Days a Week
129 bpm • D min • 04:50 • -7.25db
16% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Booker T. & the M.G.'s
Sunny
122 bpm • D min • 03:26 • -15.73db
35% Popularity • 62% Danceability • 25% Energy • 22% Liveness
64% Instrumentalness • 40% Positiveness
35% Popularity • 62% Danceability • 25% Energy • 22% Liveness
64% Instrumentalness • 40% Positiveness
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The Beginning Of The End
Funky Nassau, Pt. 1
121 bpm • F# min • 03:06 • -8db
52% Popularity • 70% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 70% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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The Quantic Soul Orchestra
Who Knows
121 bpm • C Maj • 04:42 • -6db
38% Popularity • 61% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 81% Positiveness
38% Popularity • 61% Danceability • 81% Energy • 9% Liveness
2% Instrumentalness • 81% Positiveness
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Charles Bradley
This Love Ain't Big Enough
121 bpm • G Maj • 02:50 • -4.28db
25% Popularity • 58% Danceability • 98% Energy • 8% Liveness
33% Instrumentalness • 87% Positiveness
25% Popularity • 58% Danceability • 98% Energy • 8% Liveness
33% Instrumentalness • 87% Positiveness
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Sam Cooke
Summertime (Part 1) - Mono
120 bpm • F# min • 02:23 • -9.58db
59% Popularity • 66% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 66% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Darondo
I'm Gonna Love You
130 bpm • F# min • 03:34 • -6.73db
24% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Ann Peebles
Until You Came into My Life
130 bpm • C Maj • 03:12 • -14.52db
43% Popularity • 55% Danceability • 26% Energy • 7% Liveness
3% Instrumentalness • 44% Positiveness
43% Popularity • 55% Danceability • 26% Energy • 7% Liveness
3% Instrumentalness • 44% Positiveness
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Mayer Hawthorne
A Long Time
120 bpm • C min • 03:41 • -5.46db
55% Popularity • 90% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
55% Popularity • 90% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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The James Hunter Six
Whatever It Takes
120 bpm • A Maj • 02:53 • -10db
53% Popularity • 82% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 82% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Charles Bradley
Confusion
120 bpm • C Maj • 03:44 • -7.76db
26% Popularity • 56% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 77% Positiveness
26% Popularity • 56% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 77% Positiveness
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O.V. Wright
Into Something (Can't Shake Loose)
120 bpm • F min • 04:24 • -5.76db
21% Popularity • 64% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 64% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Alabama Shakes
This Feeling
131 bpm • G Maj • 04:28 • -11.51db
56% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 62% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Meltdown
Better Days
119 bpm • G min • 03:57 • -10.1db
64% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
64% Popularity • 81% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Howlin' Wolf
Spoonful
119 bpm • C Maj • 02:50 • -13.62db
57% Popularity • 82% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 82% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Relatives
It's Coming Up Again
131 bpm • G Maj • 03:19 • -7db
30% Popularity • 62% Danceability • 77% Energy • 10% Liveness
5% Instrumentalness • 83% Positiveness
30% Popularity • 62% Danceability • 77% Energy • 10% Liveness
5% Instrumentalness • 83% Positiveness
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Charles Bradley
Black Velvet
120 bpm • A# min • 03:29 • -8.95db
28% Popularity • 50% Danceability • 40% Energy • 15% Liveness
78% Instrumentalness • 61% Positiveness
28% Popularity • 50% Danceability • 40% Energy • 15% Liveness
78% Instrumentalness • 61% Positiveness
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RodrÃguez
Inner City Blues
119 bpm • F# Maj • 03:26 • -7db
53% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ann Peebles
Slipped, Tripped and Fell in Love
119 bpm • A min • 02:28 • -7.12db
46% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Kevin Morby
Harlem River
119 bpm • C# min • 09:15 • -10.25db
52% Popularity • 61% Danceability • 47% Energy • 10% Liveness
40% Instrumentalness • 48% Positiveness
52% Popularity • 61% Danceability • 47% Energy • 10% Liveness
40% Instrumentalness • 48% Positiveness
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Bobby Womack
I'm A Midnight Mover
119 bpm • A Maj • 02:02 • -10.41db
42% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
42% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
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The Equatics
Merry Go Round
132 bpm • C min • 02:43 • -10.62db
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Jr. Walker & The All Stars
Monkey Jump
118 bpm • C Maj • 02:06 • -7.29db
49% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Don Covay & The Goodtimers
Mercy, Mercy
118 bpm • A Maj • 02:26 • -13.43db
45% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The James Hunter Six
I Don't Wanna Be Without You
118 bpm • A min • 03:25 • -9db
57% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Shirley Ann Lee
There's A Light
133 bpm • C min • 01:57 • -7.77db
49% Popularity • 59% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 59% Danceability • 31% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Darondo
How I Got Over
118 bpm • G min • 03:42 • -9.44db
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
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J.J. Cale
Don't Go To Strangers
118 bpm • D min • 02:23 • -20.73db
64% Popularity • 79% Danceability • 22% Energy • 11% Liveness
23% Instrumentalness • 88% Positiveness
64% Popularity • 79% Danceability • 22% Energy • 11% Liveness
23% Instrumentalness • 88% Positiveness
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Menahan Street Band
Every Day a Dream
117 bpm • A# Maj • 03:53 • -7.16db
53% Popularity • 69% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 70% Positiveness
53% Popularity • 69% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 70% Positiveness
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Isaac Hayes
Medley: Ike's Rap II / Help Me Love
117 bpm • F Maj • 07:33 • -15.38db
39% Popularity • 44% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
39% Popularity • 44% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Marvin Gaye
I Heard It Through The Grapevine
117 bpm • D# min • 03:14 • -10.85db
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Saun & Starr
Blah Blah Blah Blah Blah Blah Blah
117 bpm • D# Maj • 04:29 • -7.48db
27% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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RodrÃguez
Climb Up On My Music
117 bpm • D min • 04:54 • -6db
45% Popularity • 47% Danceability • 79% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
45% Popularity • 47% Danceability • 79% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
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Bob & Earl
Harlem Shuffle
116 bpm • F Maj • 02:54 • -6.64db
52% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
52% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
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Ann Peebles
99 Lbs
116 bpm • C Maj • 02:19 • -10.04db
42% Popularity • 81% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 81% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The James Hunter Six
Look Out
135 bpm • A min • 03:36 • -7.82db
35% Popularity • 77% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Nick Waterhouse
Stanyan Street
116 bpm • C Maj • 07:47 • -11db
34% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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James Brown & The Famous Flames
I'll Go Crazy
135 bpm • C Maj • 02:11 • -11db
38% Popularity • 57% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 57% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Charles Bradley
You Put the Flame on It
116 bpm • F# min • 03:48 • -6db
36% Popularity • 56% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 56% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Lee Dorsey
Everything I Do Gohn Be Funky
136 bpm • F min • 03:10 • -10.75db
23% Popularity • 79% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
23% Popularity • 79% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
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Ann Peebles
What You Laid on Me
116 bpm • C Maj • 02:25 • -8.3db
31% Popularity • 88% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 88% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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The James Hunter Six
Heartbreak
115 bpm • A Maj • 04:23 • -11.47db
32% Popularity • 85% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 85% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Menahan Street Band
There's a New Day Coming
136 bpm • D Maj • 02:23 • -8.18db
62% Popularity • 38% Danceability • 51% Energy • 24% Liveness
1% Instrumentalness • 49% Positiveness
62% Popularity • 38% Danceability • 51% Energy • 24% Liveness
1% Instrumentalness • 49% Positiveness
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Alabama Shakes
Sound & Color
115 bpm • D Maj • 03:02 • -7.4db
52% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
52% Popularity • 55% Danceability • 43% Energy • 8% Liveness
61% Instrumentalness • 18% Positiveness
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Charles Bradley
Fly Little Girl
115 bpm • C Maj • 03:19 • -6.9db
25% Popularity • 42% Danceability • 58% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 42% Danceability • 58% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
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Bobby Womack
Fly Me To The Moon (In Other Words)
114 bpm • D# Maj • 02:08 • -11.12db
62% Popularity • 59% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
62% Popularity • 59% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Ann Peebles
99 Pounds
115 bpm • C Maj • 02:18 • -7.96db
34% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The James Hunter Six
He's Your Could've Been
115 bpm • D min • 02:39 • -9.87db
44% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Solomon Burke
Don't Give Up On Me
137 bpm • C min • 03:45 • -11db
50% Popularity • 55% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 55% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Booker T. & the M.G.'s
Green Onions
137 bpm • A# Maj • 02:56 • -8.74db
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
72% Popularity • 82% Danceability • 51% Energy • 9% Liveness
95% Instrumentalness • 91% Positiveness
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Al Kooper
Lookin' for a Home
137 bpm • A# Maj • 05:52 • -15.73db
35% Popularity • 46% Danceability • 28% Energy • 6% Liveness
6% Instrumentalness • 64% Positiveness
35% Popularity • 46% Danceability • 28% Energy • 6% Liveness
6% Instrumentalness • 64% Positiveness
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Charles Bradley
Slow Love
137 bpm • A Maj • 03:38 • -9.2db
29% Popularity • 48% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 48% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Donny Hathaway
The Ghetto
114 bpm • F min • 06:53 • -10.46db
52% Popularity • 74% Danceability • 52% Energy • 18% Liveness
19% Instrumentalness • 83% Positiveness
52% Popularity • 74% Danceability • 52% Energy • 18% Liveness
19% Instrumentalness • 83% Positiveness
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Bill Withers
Harlem
114 bpm • G Maj • 03:23 • -9.21db
48% Popularity • 77% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 77% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Menahan Street Band
Queens Highway
137 bpm • A# min • 01:07 • -8.98db
66% Popularity • 78% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
66% Popularity • 78% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Marlena Shaw
Liberation Conversation
114 bpm • A# min • 02:02 • -10db
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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The James Hunter Six
A Truer Heart
137 bpm • B min • 02:38 • -6.44db
27% Popularity • 80% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 80% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Charles Bradley
Ain't It a Sin
114 bpm • C# Maj • 03:49 • -9db
48% Popularity • 74% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 74% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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RodrÃguez
I Wonder
114 bpm • A Maj • 02:34 • -6.69db
60% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Carla Thomas
B-A-B-Y
114 bpm • G# Maj • 02:57 • -11.98db
58% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Dr. John
Big Chief
113 bpm • G# Maj • 03:26 • -16db
34% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
34% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Bill Withers
Ruby Lee
113 bpm • C min • 03:17 • -14.09db
56% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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RodrÃguez
Hate Street Dialogue
138 bpm • D# Maj • 02:33 • -3.66db
61% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Lee Dorsey
Everything I Do Gohn Be Funky
138 bpm • D# Maj • 03:08 • -14db
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
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Little Beaver
I'm Losin' the Feelin
138 bpm • G min • 03:18 • -10.52db
49% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Black Pumas
Confines
113 bpm • A min • 03:09 • -8.41db
44% Popularity • 51% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 51% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The Budos Band
Unbroken, Unshaven
113 bpm • A# min • 02:58 • -9.87db
41% Popularity • 61% Danceability • 93% Energy • 26% Liveness
88% Instrumentalness • 35% Positiveness
41% Popularity • 61% Danceability • 93% Energy • 26% Liveness
88% Instrumentalness • 35% Positiveness
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Leon Bridges
Coming Home
112 bpm • F# Maj • 03:26 • -6.6db
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Sam & Dave
Wrap It Up - LP / Single Version
113 bpm • C# Maj • 02:30 • -12db
43% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Googie Rene
Smokey Joe's La La
139 bpm • C Maj • 02:58 • -6.96db
46% Popularity • 65% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 65% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness