Songs like Now & Then (feat. Goody Grace) by Lily Kershaw
Based on a tempo of (+/- 10%) and a similar genre
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Rose Cousins
I Would Die 4 U
121 bpm • A min • 03:00 • -11.46db
53% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 59% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Axel Flóvent
Nightlife
120 bpm • G# Maj • 05:12 • -15.06db
30% Popularity • 39% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
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Tom Speight
Dakota
122 bpm • D# Maj • 04:54 • -9.8db
44% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jake Etheridge
What You Want To
120 bpm • C Maj • 02:40 • -9.85db
27% Popularity • 57% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 57% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:19 • -11.69db
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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OSKA
Honeymoon Phase - Stripped Duet
122 bpm • G# Maj • 03:26 • -15.59db
31% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
42% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
42% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Regina Price
Meant to Be
122 bpm • A min • 03:59 • -15.64db
27% Popularity • 66% Danceability • 32% Energy • 11% Liveness
7% Instrumentalness • 21% Positiveness
27% Popularity • 66% Danceability • 32% Energy • 11% Liveness
7% Instrumentalness • 21% Positiveness
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Jill Andrews
Cloud Chaser
120 bpm • A# Maj • 03:20 • -10db
30% Popularity • 65% Danceability • 46% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
30% Popularity • 65% Danceability • 46% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
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Joy Oladokun
look up
120 bpm • C Maj • 03:33 • -9.71db
59% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Lily Kershaw
Marlboro Man
122 bpm • A# Maj • 03:42 • -12db
17% Popularity • 66% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 66% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Drew Holcomb & The Neighbors
Tomorrow
120 bpm • A Maj • 04:03 • -14.65db
23% Popularity • 59% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 10% Positiveness
23% Popularity • 59% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 10% Positiveness
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Woodlock
I Loved You Then (And I Love You Still)
120 bpm • B Maj • 02:38 • -12db
63% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jordan Hart
Whole
120 bpm • C Maj • 03:44 • -15db
44% Popularity • 35% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
44% Popularity • 35% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Luca Fogale
Villains
122 bpm • A Maj • 04:07 • -13.83db
39% Popularity • 50% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 50% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Emily Rowed
Shipwreck
119 bpm • A# Maj • 02:32 • -11.6db
22% Popularity • 50% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 50% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Ray LaMontagne
We'll Make It Through
119 bpm • F Maj • 06:01 • -12db
48% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ten Towers
Lottery
123 bpm • D Maj • 03:01 • -9.14db
30% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Rosi Golan
Can't Go Back
119 bpm • D# Maj • 03:47 • -11db
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Lily Kershaw
Darker Things
123 bpm • C# Maj • 02:02 • -12db
51% Popularity • 77% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 77% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Mountains of the Moon
Caterpillar
119 bpm • A# min • 05:24 • -17db
40% Popularity • 47% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
40% Popularity • 47% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Aisha Badru
Prisoners & Guards
123 bpm • F Maj • 04:50 • -16db
35% Popularity • 45% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Penny and Sparrow
Don't Start Now
124 bpm • C min • 03:47 • -14.68db
40% Popularity • 38% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 38% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Langhorne Slim
Sea Of Love
118 bpm • B Maj • 03:23 • -10.78db
51% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Luca Fogale
I Don't Want to Lose You - Acoustic
124 bpm • A# Maj • 03:13 • -12db
37% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Lily Kershaw
Forever Young
124 bpm • A min • 03:41 • -9.48db
47% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gregory Alan Isakov
If I Go, I'm Goin'
124 bpm • D# Maj • 04:24 • -14.72db
38% Popularity • 57% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
38% Popularity • 57% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Billy Raffoul
Dark Four Door
118 bpm • A# Maj • 03:28 • -11.72db
45% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Rosie Doonan
Leave the Light On
124 bpm • A Maj • 04:18 • -12.3db
32% Popularity • 43% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 43% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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LULLANAS
Don't Say
118 bpm • C# Maj • 03:24 • -10.96db
37% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Axel Flóvent
Forest Fires
118 bpm • G min • 03:30 • -12db
62% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Katie Herzig
We're All in This Together
124 bpm • D# Maj • 02:00 • -10.33db
28% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Keir
leave a light on
118 bpm • G Maj • 03:50 • -9.69db
39% Popularity • 76% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
39% Popularity • 76% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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CLOVES
Frail Love
118 bpm • A Maj • 03:30 • -10.66db
22% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Joy Williams
Front Porch
124 bpm • C# Maj • 03:51 • -10.02db
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 57% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gregory Alan Isakov
Where You Gonna Go
125 bpm • C min • 04:01 • -12.46db
41% Popularity • 45% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
41% Popularity • 45% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Aisha Badru
Millennial
125 bpm • D Maj • 02:53 • -18.2db
40% Popularity • 58% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 58% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Hayden Calnin
Mountain Steeps
125 bpm • G# Maj • 04:03 • -13.18db
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Rosie Carney
Awake Me
117 bpm • E Maj • 04:17 • -12db
39% Popularity • 52% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
39% Popularity • 52% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Kat Cunning
Orange Sky
125 bpm • D Maj • 04:58 • -15.63db
29% Popularity • 41% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
29% Popularity • 41% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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John Lingard
We're Almost Home
125 bpm • A# Maj • 03:27 • -13db
29% Popularity • 60% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
29% Popularity • 60% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Miya Folick
I Will Follow You Into The Dark
117 bpm • D# Maj • 03:53 • -7.97db
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Jessie Reid
Home
117 bpm • D# Maj • 02:57 • -14db
33% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Matthew And The Atlas
Elijah - Acoustic Version
125 bpm • F# Maj • 04:39 • -13.97db
39% Popularity • 40% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Old Sea Brigade
Love Brought Weight
117 bpm • G Maj • 03:05 • -16db
65% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
65% Popularity • 37% Danceability • 33% Energy • 8% Liveness
36% Instrumentalness • 7% Positiveness
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Damien Rice
Colour Me In
116 bpm • D# Maj • 05:18 • -14.06db
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 48% Danceability • 12% Energy • 45% Liveness
0% Instrumentalness • 23% Positiveness
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Wolf Larsen
Jedi
126 bpm • D# Maj • 04:43 • -12.92db
18% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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John Mark Nelson
Shadow
126 bpm • E min • 02:08 • -14.1db
49% Popularity • 48% Danceability • 24% Energy • 21% Liveness
18% Instrumentalness • 28% Positiveness
49% Popularity • 48% Danceability • 24% Energy • 21% Liveness
18% Instrumentalness • 28% Positiveness
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Aron Wright
Welcome Back to You
116 bpm • C Maj • 03:07 • -12.53db
29% Popularity • 38% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
29% Popularity • 38% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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The Sweeplings
In Between
126 bpm • C# min • 03:39 • -11.13db
20% Popularity • 51% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 51% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Plà si
All Alone
116 bpm • A Maj • 02:52 • -13.8db
45% Popularity • 73% Danceability • 34% Energy • 11% Liveness
42% Instrumentalness • 51% Positiveness
45% Popularity • 73% Danceability • 34% Energy • 11% Liveness
42% Instrumentalness • 51% Positiveness
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Jenn Grant
Oh, Family
126 bpm • D min • 03:51 • -12.87db
30% Popularity • 47% Danceability • 24% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
30% Popularity • 47% Danceability • 24% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
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Marti West
Give Me Light - Acoustic
116 bpm • G# Maj • 03:35 • -14db
30% Popularity • 62% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
30% Popularity • 62% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
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Riley Pearce
Brave
116 bpm • E min • 04:07 • -10.59db
56% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Phoebe Bridgers
Killer + The Sound
127 bpm • C Maj • 07:55 • -15db
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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BURNS
Ho Hey
116 bpm • C Maj • 03:19 • -11.65db
37% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Luca Fogale
You Tried
127 bpm • D# Maj • 01:56 • -17.15db
46% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ciaran Lavery
Shame
115 bpm • D Maj • 04:11 • -8db
48% Popularity • 62% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 62% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Nina June
Rainbow Ashes
127 bpm • A# Maj • 04:03 • -10db
49% Popularity • 41% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 41% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Frances Cone
Unraveling
127 bpm • E Maj • 03:20 • -6.38db
33% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Old Sea Brigade
Caroline - Acoustic
127 bpm • E min • 03:57 • -12db
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Novo Amor
Pteryla
115 bpm • D min • 04:27 • -12db
41% Popularity • 28% Danceability • 27% Energy • 8% Liveness
22% Instrumentalness • 10% Positiveness
41% Popularity • 28% Danceability • 27% Energy • 8% Liveness
22% Instrumentalness • 10% Positiveness
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Billie Marten
Cursive
115 bpm • C Maj • 04:00 • -11.54db
52% Popularity • 49% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 49% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Passenger
Sandstorm
115 bpm • C min • 05:01 • -15.63db
36% Popularity • 44% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 19% Positiveness
36% Popularity • 44% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 19% Positiveness
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sød ven
catacombs
128 bpm • G# min • 03:27 • -17db
39% Popularity • 28% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
39% Popularity • 28% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Jack in Water
A Stranger's Home
115 bpm • G Maj • 02:59 • -14db
33% Popularity • 63% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 63% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Old Sea Brigade
Feel You
128 bpm • D Maj • 03:54 • -14db
48% Popularity • 82% Danceability • 22% Energy • 10% Liveness
59% Instrumentalness • 36% Positiveness
48% Popularity • 82% Danceability • 22% Energy • 10% Liveness
59% Instrumentalness • 36% Positiveness
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Billy Raffoul
It's a Beautiful Life
114 bpm • B Maj • 02:40 • -11.25db
33% Popularity • 42% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 42% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Hartke
Gold
128 bpm • A# Maj • 04:16 • -8.21db
49% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Roses & Revolutions
Dancing in a Daydream
128 bpm • F# min • 02:56 • -11.67db
24% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Robby Hecht
I'll Keep You
128 bpm • A# Maj • 02:37 • -9.83db
38% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Axel Flóvent
Beach
128 bpm • D Maj • 04:48 • -13db
38% Popularity • 52% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 52% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Lily Kershaw
The Last Time
128 bpm • C Maj • 02:26 • -16db
16% Popularity • 56% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 56% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Hugo Barriol
Always
114 bpm • B Maj • 03:31 • -9.34db
28% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Haux
Eight
114 bpm • C# Maj • 02:49 • -13.4db
38% Popularity • 52% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 52% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Gregory Alan Isakov
If I Go, I'm Goin
114 bpm • D# Maj • 04:27 • -17.29db
62% Popularity • 51% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
62% Popularity • 51% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Reuben And The Dark
What A Wonderful World (Acoustic)
114 bpm • C Maj • 02:19 • -11.34db
18% Popularity • 38% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 38% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Axel Flóvent
No One's Gonna Love You
129 bpm • C# Maj • 03:52 • -14db
37% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Lily Kershaw
End of the World
113 bpm • A Maj • 02:14 • -13.37db
21% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Angel Snow
Arrows - Acoustic
129 bpm • D Maj • 03:35 • -18.13db
24% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jade Bird
What Am I Here For
129 bpm • G Maj • 04:43 • -13db
45% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
45% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Aisha Badru
Never Mind
129 bpm • B min • 02:02 • -17.5db
36% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lawson Hull
Paint
113 bpm • F# Maj • 04:31 • -8.57db
27% Popularity • 67% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 67% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Andrea von Kampen
Let Me Down Easy
113 bpm • D Maj • 03:08 • -7.21db
29% Popularity • 60% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 60% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jon Bryant
I Shall Not Fear
130 bpm • B min • 03:29 • -12db
38% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Aron Wright
Make It Easy on You
130 bpm • A# Maj • 03:26 • -10db
33% Popularity • 61% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 61% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Foy Vance
Sapling
130 bpm • A# min • 04:17 • -8.53db
45% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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ASKYA
Above the Water
130 bpm • E Maj • 03:16 • -14.23db
40% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
45% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Harrison Storm
Falling Down
130 bpm • B min • 03:45 • -7.43db
45% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Fenne Lily
For a While
130 bpm • D Maj • 03:54 • -12db
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hugo Barriol
Don't Let me Down
130 bpm • G min • 02:35 • -12.41db
31% Popularity • 36% Danceability • 38% Energy • 17% Liveness
20% Instrumentalness • 19% Positiveness
31% Popularity • 36% Danceability • 38% Energy • 17% Liveness
20% Instrumentalness • 19% Positiveness
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Angel Snow
Secret - Acoustic
113 bpm • D# Maj • 03:10 • -11.55db
46% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lily Kershaw
10,000 Miles
130 bpm • C Maj • 03:49 • -15.99db
30% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
