Songs like Now You Know by Jon Langston
Based on a tempo of (+/- 10%) and a similar genre
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Kenny Chesney
Here And Now
148 bpm • A Maj • 02:51 • -3.58db
52% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Grow
Better Than Me
148 bpm • G Maj • 03:08 • -4.44db
45% Popularity • 45% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 45% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Justin Moore
That’s My Boy
148 bpm • G Maj • 03:10 • -4.26db
38% Popularity • 51% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 51% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan Scott
Nothing To Do Town
148 bpm • D Maj • 03:05 • -5db
43% Popularity • 55% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 55% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Larry Fleet
Different Shade of Red
148 bpm • C# Maj • 03:07 • -5db
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Trace Adkins
Mind on Fishin'
148 bpm • G# Maj • 03:17 • -4.96db
46% Popularity • 65% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 65% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Sam Riggs
Game Boy
148 bpm • D Maj • 02:45 • -4db
30% Popularity • 63% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 63% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
52% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Jon Langston
Happy Ever After
148 bpm • A Maj • 03:10 • -3.07db
24% Popularity • 56% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 56% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Mitchell Tenpenny
Truck I Drove in High School
148 bpm • F# Maj • 03:27 • -2.78db
33% Popularity • 61% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 61% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
46% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Noah Hicks
No More of 'Em
148 bpm • F# Maj • 03:08 • -5db
35% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dillon Carmichael
Hot Beer
148 bpm • B Maj • 03:10 • -5db
44% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Jon Langston
Now You Know
148 bpm • F# Maj • 02:55 • -4db
39% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Heath Sanders
Bloodline
148 bpm • F# Maj • 03:52 • -5.19db
44% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Ray Holbrook
Way Back When
148 bpm • G# Maj • 02:43 • -5.05db
47% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
47% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Mike Ryan
Ghost Town
148 bpm • F# min • 03:26 • -6.74db
41% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Cody Hibbard
Just For The Record
148 bpm • F# Maj • 03:21 • -5.49db
41% Popularity • 47% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 47% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
My Kinda Folk
148 bpm • G Maj • 04:27 • -4.59db
51% Popularity • 52% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 52% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Cagle
Wal-Mart Parking Lot
147 bpm • F# Maj • 04:22 • -6.3db
35% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Drew Parker
I Was Lying
146 bpm • A# Maj • 03:10 • -4.3db
29% Popularity • 48% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 48% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Jaden Hamilton
Ride It Out
146 bpm • C# min • 02:54 • -3.74db
30% Popularity • 50% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 50% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jon Langston
Love While It Lasted
146 bpm • G Maj • 03:31 • -5db
24% Popularity • 43% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 43% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Combs
Don't Tempt Me
147 bpm • G Maj • 03:31 • -4.62db
49% Popularity • 56% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 56% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ray Fulcher
Love Ya Son, Go Dawgs
150 bpm • C# Maj • 04:02 • -6db
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Tyler Farr
Soundtrack to a Small Town Sundown
150 bpm • G# Maj • 03:00 • -4.7db
32% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 44% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
40% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Jon Pardi
Old Hat
150 bpm • D Maj • 03:14 • -3.87db
40% Popularity • 60% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 60% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Luke Combs
Out There
147 bpm • F# Maj • 03:23 • -4.48db
46% Popularity • 44% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 44% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Drew Parker
Hell Yeah Say When I'm In
146 bpm • D Maj • 02:48 • -3.68db
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Ryan Hurd
Her Name Was Summer
146 bpm • E Maj • 03:24 • -6db
33% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Fulcher
Somebody Like Me
150 bpm • A Maj • 03:23 • -5.97db
26% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ronnie Dunn
Young Buck
150 bpm • A Maj • 03:12 • -6db
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Dustin Lynch
The World Ain't Yours and Mine
150 bpm • E Maj • 03:24 • -6.06db
30% Popularity • 66% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 66% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Walker Montgomery
Just Say When
150 bpm • F min • 03:09 • -5.68db
27% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 50% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Justin Moore
Someday I Gotta Quit
146 bpm • E Maj • 03:37 • -7.7db
43% Popularity • 61% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 61% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Carter Winter
Bad Boy
146 bpm • C# Maj • 03:38 • -5.65db
37% Popularity • 55% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 55% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Canaan Smith
Pour Decisions
146 bpm • D Maj • 02:26 • -4.12db
32% Popularity • 54% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 54% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Niko Moon
DRUNK OVER YOU
146 bpm • C# Maj • 02:42 • -7.04db
39% Popularity • 82% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 82% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Walker Montgomery
Like My Daddy Done It
150 bpm • C Maj • 03:27 • -4.54db
25% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
49% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Tyler Rich
11:11
146 bpm • A# Maj • 03:15 • -4.62db
40% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Wallen
Somethin’ Country
146 bpm • D Maj • 02:52 • -4.44db
58% Popularity • 60% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 60% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Jon Langston
'Til Sunrise
146 bpm • A Maj • 02:49 • -4.39db
26% Popularity • 47% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 47% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Owen
Catch A Cold One
150 bpm • D# Maj • 02:50 • -4.77db
44% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Tyler Braden
Leave Me Alone
150 bpm • C min • 03:16 • -7.02db
51% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Spencer Crandall
Ain't Working for Me
150 bpm • F# Maj • 02:52 • -5.37db
31% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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LOCASH
Cloud of Dust
150 bpm • F Maj • 02:49 • -4.66db
43% Popularity • 53% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 53% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Mike Ryan
New Hometown
146 bpm • C Maj • 03:17 • -4.49db
44% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Dustin Lynch
Old Country Song
146 bpm • A Maj • 02:54 • -3.59db
30% Popularity • 57% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 57% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Todd Cameron
Ruin My Truck
146 bpm • G# Maj • 03:13 • -3.31db
42% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 42% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Tyler Farr
I Don't Even Want This Beer
146 bpm • B min • 03:13 • -5.71db
38% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Florida Georgia Line
Can’t Say I Ain’t Country
150 bpm • D Maj • 02:56 • -2.4db
43% Popularity • 47% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 47% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
43% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
43% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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The Cadillac Three
The South
151 bpm • D Maj • 04:37 • -5.22db
32% Popularity • 54% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Wolfe
Some Ol' Bar in the 90's
145 bpm • G# Maj • 03:24 • -3.94db
42% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Sean Stemaly
Georgia
145 bpm • G# Maj • 03:06 • -4.38db
43% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Tyler Farr
Redneck Crazy
146 bpm • G min • 03:36 • -4.22db
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Morgan Wallen
Whatcha Think Of Country Now
145 bpm • A Maj • 03:02 • -4.36db
55% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Carter Winter
Chaser
152 bpm • F# min • 03:08 • -7.53db
25% Popularity • 53% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 53% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Colt Ford
Red, White, Blue and Blessed
152 bpm • C# Maj • 03:05 • -5.42db
25% Popularity • 53% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 53% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Jade Eagleson
More Drinkin' Than Fishin'
152 bpm • C# Maj • 02:59 • -4db
42% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 58% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Sean Stemaly
Hello, You Up
144 bpm • A Maj • 03:26 • -5db
38% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Wallen
Had Me By Halftime
144 bpm • F# Maj • 02:52 • -3db
59% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Abbott Band
Little More You
144 bpm • G Maj • 03:23 • -3db
39% Popularity • 48% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 48% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
43% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Walker Montgomery
Simple Town
144 bpm • G# Maj • 03:38 • -5db
30% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 55% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Ross
Tall Boys
144 bpm • G Maj • 02:24 • -3.7db
52% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
51% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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HIXTAPE
One Of Y’all
144 bpm • A Maj • 03:05 • -2.68db
48% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 55% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Canaan Smith
Cabin In The Woods
144 bpm • D# Maj • 02:56 • -5.82db
29% Popularity • 59% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 59% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 62% Positiveness
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Jon Langston
Hammer Down
144 bpm • G Maj • 02:43 • -4.22db
29% Popularity • 43% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 43% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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AIMP Nashville
Ask Me How I Know
144 bpm • C# Maj • 03:52 • -7db
39% Popularity • 53% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 53% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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HARDY
BOYFRIEND
144 bpm • D Maj • 03:39 • -4.69db
50% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 55% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Scotty McCreery
Forget To Forget You
144 bpm • A# Maj • 03:58 • -5.97db
39% Popularity • 62% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 62% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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HIXTAPE
Something A Lil' Stronger (HARDY Mitchel...
144 bpm • E Maj • 03:17 • -4.73db
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Sean Stemaly
Fading Away
144 bpm • G# Maj • 03:13 • -3db
34% Popularity • 43% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 43% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Langston
Dirt Roads & Diamonds
144 bpm • D Maj • 03:27 • -4.35db
22% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Hunter Phelps
You Don't Want Me
144 bpm • F# min • 03:04 • -5.37db
35% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Walker McGuire
Mysteries of the World
144 bpm • C# Maj • 03:38 • -4.77db
46% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Triston Marez
Darlin'
153 bpm • C Maj • 03:42 • -4.46db
43% Popularity • 56% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 56% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
39% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Hayden Coffman
Good As It Gets
154 bpm • C# Maj • 03:30 • -4.7db
42% Popularity • 50% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 50% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Jon Langston
Oklahoma
143 bpm • C# Maj • 04:37 • -8.4db
20% Popularity • 52% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 52% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Hunter Phelps
Throwin' Parties
143 bpm • F# Maj • 03:25 • -8.35db
47% Popularity • 52% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 52% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
51% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Bryan
She's A Hot One
154 bpm • F min • 02:55 • -1.9db
38% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Justin Lee
Like I've Fallen
154 bpm • G# Maj • 03:28 • -4.69db
34% Popularity • 42% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 42% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
