Songs like Nowhere To Run - From "The Warriors" Soundtrack by Arnold McCuller
Based on a tempo of (+/- 10%) and a similar genre
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Meco
The Empire Strikes Back (Medley)
141 bpm • C# min • 04:03 • -10.04db
18% Popularity • 52% Danceability • 72% Energy • 7% Liveness
82% Instrumentalness • 68% Positiveness
18% Popularity • 52% Danceability • 72% Energy • 7% Liveness
82% Instrumentalness • 68% Positiveness
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Arnold McCuller
Nowhere To Run
141 bpm • E Maj • 03:15 • -6.58db
35% Popularity • 59% Danceability • 86% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 59% Danceability • 86% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
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Huey Lewis & The News
Hip To Be Square
141 bpm • A Maj • 04:05 • -11.09db
63% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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AC/DC
If You Want Blood (You've Got It)
141 bpm • D Maj • 04:34 • -4db
64% Popularity • 49% Danceability • 93% Energy • 43% Liveness
15% Instrumentalness • 54% Positiveness
64% Popularity • 49% Danceability • 93% Energy • 43% Liveness
15% Instrumentalness • 54% Positiveness
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Spinal Tap
Gimme Some Money
141 bpm • A Maj • 02:25 • -13.24db
29% Popularity • 72% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 72% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Buckner & Garcia
Pac-Man Fever
142 bpm • A# Maj • 03:49 • -6.74db
35% Popularity • 80% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 80% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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The Bus Boys
New Shoes
142 bpm • E Maj • 03:52 • -4.92db
21% Popularity • 52% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 52% Danceability • 96% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
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Foxy
Hot Number
140 bpm • A Maj • 04:02 • -4db
23% Popularity • 84% Danceability • 89% Energy • 7% Liveness
10% Instrumentalness • 98% Positiveness
23% Popularity • 84% Danceability • 89% Energy • 7% Liveness
10% Instrumentalness • 98% Positiveness
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War
Low Rider
140 bpm • C Maj • 03:10 • -10.76db
71% Popularity • 81% Danceability • 64% Energy • 6% Liveness
78% Instrumentalness • 99% Positiveness
71% Popularity • 81% Danceability • 64% Energy • 6% Liveness
78% Instrumentalness • 99% Positiveness
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The O'Jays
Buddy's Business
140 bpm • C Maj • 04:47 • -10.06db
18% Popularity • 68% Danceability • 53% Energy • 5% Liveness
2% Instrumentalness • 94% Positiveness
18% Popularity • 68% Danceability • 53% Energy • 5% Liveness
2% Instrumentalness • 94% Positiveness
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Love Fist
Dangerous Bastard
140 bpm • F Maj • 04:08 • -5db
31% Popularity • 35% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Possum River
Stand up and Meet Your Brother
140 bpm • A Maj • 03:38 • -14.92db
13% Popularity • 53% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 53% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Esposito
Success
140 bpm • A# min • 04:00 • -10.9db
25% Popularity • 68% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 68% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Broken English
Comin' on Strong
142 bpm • D Maj • 03:36 • -9.9db
33% Popularity • 67% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 67% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Robert Palmer
Simply Irresistible
143 bpm • A Maj • 04:14 • -6.96db
52% Popularity • 64% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 64% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Mountain
Mississippi Queen
139 bpm • A Maj • 02:32 • -14.52db
16% Popularity • 53% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 53% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Los Lobos
Viking
139 bpm • C Maj • 03:29 • -8.81db
28% Popularity • 64% Danceability • 72% Energy • 45% Liveness
15% Instrumentalness • 59% Positiveness
28% Popularity • 64% Danceability • 72% Energy • 45% Liveness
15% Instrumentalness • 59% Positiveness
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Cyndi Lauper
The Goonies 'R' Good Enough
139 bpm • C# min • 03:38 • -5.19db
50% Popularity • 71% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
50% Popularity • 71% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Beth Andersen
Right Combination
143 bpm • F min • 03:46 • -11.56db
31% Popularity • 69% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 69% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Bunny Sigler
Let The Good Times Roll (Feel So Good)
143 bpm • G Maj • 02:55 • -6db
34% Popularity • 71% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 71% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Googie Rene
Smokey Joe's La La
139 bpm • C Maj • 02:58 • -6.96db
44% Popularity • 65% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 65% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Blondie
Call Me - Theme From "American Gigolo" /...
143 bpm • D Maj • 08:06 • -7.94db
42% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Alice Cooper
I Am the Future
139 bpm • C Maj • 03:27 • -16.02db
19% Popularity • 45% Danceability • 45% Energy • 16% Liveness
26% Instrumentalness • 22% Positiveness
19% Popularity • 45% Danceability • 45% Energy • 16% Liveness
26% Instrumentalness • 22% Positiveness
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Survivor
The Moment Of The Truth
139 bpm • D Maj • 03:44 • -8db
48% Popularity • 68% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 68% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Gary Wright
Dream Weaver - Wayne's World Version
144 bpm • C# min • 04:25 • -9db
28% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Time Zone
World Destruction
138 bpm • B min • 05:33 • -4.53db
39% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Arnold McCuller
Love Will Prevail
144 bpm • C Maj • 04:49 • -10.95db
1% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Sonics
You Got Your Head On Backwards
138 bpm • C Maj • 02:18 • -12.42db
16% Popularity • 48% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 48% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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The Real Kids
Do The Boob
138 bpm • E Maj • 02:18 • -14db
19% Popularity • 49% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 49% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Survivor
The Moment Of Truth
139 bpm • D Maj • 03:46 • -10.97db
38% Popularity • 70% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 70% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
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Queen
Brighton Rock - Remastered 2011
138 bpm • B min • 05:10 • -9.17db
50% Popularity • 35% Danceability • 84% Energy • 79% Liveness
1% Instrumentalness • 35% Positiveness
50% Popularity • 35% Danceability • 84% Energy • 79% Liveness
1% Instrumentalness • 35% Positiveness
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Harry Nilsson
Jump Into the Fire - Single Version
145 bpm • D Maj • 03:33 • -9.34db
39% Popularity • 57% Danceability • 78% Energy • 33% Liveness
70% Instrumentalness • 96% Positiveness
39% Popularity • 57% Danceability • 78% Energy • 33% Liveness
70% Instrumentalness • 96% Positiveness
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Prince
Trust
137 bpm • C# Maj • 04:24 • -11db
36% Popularity • 70% Danceability • 70% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
36% Popularity • 70% Danceability • 70% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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Carl Weathers
You Ought to Be with Me
137 bpm • A min • 03:48 • -11db
15% Popularity • 54% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 54% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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The Miracles
Love Machine
145 bpm • G min • 06:55 • -4.52db
41% Popularity • 74% Danceability • 98% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 74% Danceability • 98% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
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War
Low Rider - Remix by Arthur Baker
137 bpm • C Maj • 03:52 • -12db
13% Popularity • 70% Danceability • 78% Energy • 6% Liveness
15% Instrumentalness • 98% Positiveness
13% Popularity • 70% Danceability • 78% Energy • 6% Liveness
15% Instrumentalness • 98% Positiveness
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Moving Pictures
Never
137 bpm • A min • 03:46 • -9.23db
44% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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St. Regis
Rhythm Man
145 bpm • C Maj • 04:14 • -7.43db
25% Popularity • 62% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 62% Danceability • 92% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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The Hollywood Stars
King of the Nighttime World
136 bpm • F Maj • 03:27 • -7.8db
19% Popularity • 52% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 52% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Fee Waybill
Running Scared
146 bpm • F min • 04:39 • -10.76db
12% Popularity • 60% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 60% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Bus Boys
Boys Are Back In Town
146 bpm • G Maj • 03:24 • -4.76db
17% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Marc Bolan
20th Century Boy (Master Version with Fa...
136 bpm • A Maj • 06:14 • -8.85db
18% Popularity • 34% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 34% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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A Flock Of Seagulls
I Ran (So Far Away) - Single Edit
146 bpm • D Maj • 03:41 • -7db
63% Popularity • 51% Danceability • 77% Energy • 14% Liveness
83% Instrumentalness • 64% Positiveness
63% Popularity • 51% Danceability • 77% Energy • 14% Liveness
83% Instrumentalness • 64% Positiveness
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The O'Jays
Shotgun Safari
146 bpm • G Maj • 03:49 • -5.7db
14% Popularity • 64% Danceability • 92% Energy • 53% Liveness
5% Instrumentalness • 96% Positiveness
14% Popularity • 64% Danceability • 92% Energy • 53% Liveness
5% Instrumentalness • 96% Positiveness
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Arnold McCuller
Don't Go Nowhere
146 bpm • F min • 05:10 • -10.91db
1% Popularity • 79% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 79% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Kim & Dave
Nobody Knows
146 bpm • A Maj • 02:22 • -11.36db
16% Popularity • 41% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 41% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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NRBQ
Always Safety First
146 bpm • F Maj • 02:51 • -10.99db
11% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Jim Carroll Band
It's Too Late
146 bpm • B Maj • 03:04 • -12.67db
28% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Kingsmen
Money (That's What I Want)
136 bpm • B Maj • 02:19 • -10db
36% Popularity • 55% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
36% Popularity • 55% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 98% Positiveness
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Christopher Blue
Happy Just to Be Alive
136 bpm • A Maj • 02:54 • -5.05db
18% Popularity • 50% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 50% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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The Moody Blues
Rock 'N' Roll Over You
136 bpm • E min • 04:49 • -14.27db
29% Popularity • 52% Danceability • 87% Energy • 90% Liveness
3% Instrumentalness • 91% Positiveness
29% Popularity • 52% Danceability • 87% Energy • 90% Liveness
3% Instrumentalness • 91% Positiveness
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Segarini & Bishop
Over Me
147 bpm • D Maj • 03:04 • -13.62db
17% Popularity • 51% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 51% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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War
Livin' in the Red
147 bpm • G Maj • 03:43 • -10.81db
9% Popularity • 64% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 64% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Genya Ravan
Love Is a Fire
135 bpm • A Maj • 03:31 • -4.5db
10% Popularity • 45% Danceability • 92% Energy • 99% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 45% Danceability • 92% Energy • 99% Liveness
0% Instrumentalness • 43% Positiveness
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Danny Chaimson & The 11th Hour
Cold Night In Chicago
136 bpm • D Maj • 04:29 • -5.68db
23% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Isaac Hayes
Main Title "Truck Turner"
135 bpm • E min • 02:42 • -12.8db
36% Popularity • 69% Danceability • 76% Energy • 18% Liveness
8% Instrumentalness • 82% Positiveness
36% Popularity • 69% Danceability • 76% Energy • 18% Liveness
8% Instrumentalness • 82% Positiveness
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Loverboy
Working for the Weekend
147 bpm • G Maj • 03:41 • -12.77db
67% Popularity • 52% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 77% Positiveness
67% Popularity • 52% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Clone And The Same
She's so Primitive
147 bpm • C# Maj • 03:17 • -7.82db
14% Popularity • 60% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 60% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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T. Rex
20th Century Boy - Remaster
135 bpm • A Maj • 03:38 • -6.12db
50% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Amy Holland
She's On Fire
135 bpm • B min • 03:43 • -6.41db
34% Popularity • 67% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 67% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 96% Positiveness
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Jigsaw
Sky High
135 bpm • B min • 02:53 • -5.76db
48% Popularity • 60% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 60% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Axiom
All Around You
135 bpm • F Maj • 06:44 • -18.08db
0% Popularity • 59% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 59% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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James Gang
From Another Time
135 bpm • D Maj • 04:00 • -14.29db
17% Popularity • 63% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
17% Popularity • 63% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Jack Mack
True Lovin' Woman
135 bpm • E Maj • 04:06 • -9.64db
13% Popularity • 72% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 72% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
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Jesse Johnson
Heart Too Hot To Hold
135 bpm • C Maj • 04:25 • -14.62db
29% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Amy Holland
She's On Fire
135 bpm • B min • 03:43 • -13db
48% Popularity • 70% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 70% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Johnny Law
Hold Me Down
135 bpm • D Maj • 05:13 • -10.35db
9% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Elizabeth Daily
I'm Hot Tonight
135 bpm • C Maj • 03:13 • -9db
32% Popularity • 78% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
32% Popularity • 78% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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Love Fist
Fist Fury
135 bpm • C Maj • 03:12 • -5.53db
32% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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James Burton
Polk Salad Annie - Ford V Ferrari Remix
148 bpm • A Maj • 03:26 • -8.09db
40% Popularity • 41% Danceability • 79% Energy • 33% Liveness
84% Instrumentalness • 29% Positiveness
40% Popularity • 41% Danceability • 79% Energy • 33% Liveness
84% Instrumentalness • 29% Positiveness
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Cyril Stapleton
Theme from "Department S"
148 bpm • C Maj • 02:53 • -9.81db
15% Popularity • 34% Danceability • 74% Energy • 36% Liveness
88% Instrumentalness • 77% Positiveness
15% Popularity • 34% Danceability • 74% Energy • 36% Liveness
88% Instrumentalness • 77% Positiveness
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The J. Geils Band
(Ain't Nothin' but A) House Party
148 bpm • D Maj • 04:40 • -12db
25% Popularity • 42% Danceability • 86% Energy • 68% Liveness
25% Instrumentalness • 58% Positiveness
25% Popularity • 42% Danceability • 86% Energy • 68% Liveness
25% Instrumentalness • 58% Positiveness
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Angelo Janotti
Tough Guys
134 bpm • A Maj • 03:26 • -9.56db
10% Popularity • 51% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
10% Popularity • 51% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
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Elizabeth Daily
I'm Hot Tonight
135 bpm • C Maj • 03:13 • -13db
38% Popularity • 87% Danceability • 53% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
38% Popularity • 87% Danceability • 53% Energy • 16% Liveness
1% Instrumentalness • 44% Positiveness
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Raspberries
Go All The Way
134 bpm • A Maj • 03:25 • -4.89db
62% Popularity • 30% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 30% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Cheech & Chong
Rock Fight
148 bpm • A Maj • 03:05 • -8.79db
24% Popularity • 53% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 53% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Pretenders
Boots of Chinese Plastic - Edit
134 bpm • E Maj • 02:31 • -6db
37% Popularity • 60% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 60% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Westworld
Ba-Na-Na-Bam-Boo
148 bpm • E Maj • 02:57 • -8.55db
16% Popularity • 58% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 58% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Stephanie Mills
Bit By Bit (Theme From "Fletch")
134 bpm • G# Maj • 03:28 • -8.24db
25% Popularity • 67% Danceability • 75% Energy • 19% Liveness
3% Instrumentalness • 73% Positiveness
25% Popularity • 67% Danceability • 75% Energy • 19% Liveness
3% Instrumentalness • 73% Positiveness
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Amy Holland
Turn Out The Night
134 bpm • B Maj • 03:30 • -12.5db
35% Popularity • 74% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 74% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Joel
Pressure
148 bpm • A min • 04:40 • -8.68db
56% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
56% Popularity • 55% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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10cc
Rubber Bullets
149 bpm • G Maj • 05:18 • -4.46db
47% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Cheap Trick
Surrender
134 bpm • C Maj • 04:13 • -7.08db
68% Popularity • 52% Danceability • 96% Energy • 66% Liveness
0% Instrumentalness • 87% Positiveness
68% Popularity • 52% Danceability • 96% Energy • 66% Liveness
0% Instrumentalness • 87% Positiveness
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The Jimmy Castor Bunch
Troglodyte (Cave Man)
133 bpm • F Maj • 03:37 • -14.23db
28% Popularity • 80% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 80% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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John Farnham
Thunder in Your Heart
133 bpm • D Maj • 03:38 • -6.12db
45% Popularity • 60% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 60% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Ben Morfitt (SquidPhysics)
GTA London 1969 Theme
133 bpm • E Maj • 01:28 • -13.1db
23% Popularity • 58% Danceability • 49% Energy • 20% Liveness
81% Instrumentalness • 96% Positiveness
23% Popularity • 58% Danceability • 49% Energy • 20% Liveness
81% Instrumentalness • 96% Positiveness
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Ethan Hurt
Nuke Em High (Soundtrack, Theme Song: th...
149 bpm • C Maj • 04:29 • -16.21db
9% Popularity • 54% Danceability • 51% Energy • 18% Liveness
3% Instrumentalness • 43% Positiveness
9% Popularity • 54% Danceability • 51% Energy • 18% Liveness
3% Instrumentalness • 43% Positiveness
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George Thorogood & The Destroyers
Bad To The Bone
150 bpm • C Maj • 03:38 • -6.69db
15% Popularity • 52% Danceability • 77% Energy • 33% Liveness
2% Instrumentalness • 93% Positiveness
15% Popularity • 52% Danceability • 77% Energy • 33% Liveness
2% Instrumentalness • 93% Positiveness
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Vital Signs
The Boys And Girls Are Doing It
150 bpm • A Maj • 03:21 • -10.37db
25% Popularity • 39% Danceability • 92% Energy • 27% Liveness
5% Instrumentalness • 63% Positiveness
25% Popularity • 39% Danceability • 92% Energy • 27% Liveness
5% Instrumentalness • 63% Positiveness
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Buchanan Brothers
Son of a Lovin' Man
133 bpm • B min • 02:56 • -5.89db
43% Popularity • 66% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 66% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Elizabeth Daily
Shake It Up
132 bpm • F min • 03:44 • -12.9db
41% Popularity • 73% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 73% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Thompson Twins
Lies
132 bpm • G min • 03:10 • -9.7db
46% Popularity • 82% Danceability • 93% Energy • 41% Liveness
6% Instrumentalness • 97% Positiveness
46% Popularity • 82% Danceability • 93% Energy • 41% Liveness
6% Instrumentalness • 97% Positiveness
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Adrian Younge
Dynomite - Suckapunch Re-edit
132 bpm • F min • 02:12 • -5.84db
13% Popularity • 41% Danceability • 95% Energy • 11% Liveness
6% Instrumentalness • 53% Positiveness
13% Popularity • 41% Danceability • 95% Energy • 11% Liveness
6% Instrumentalness • 53% Positiveness
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The Bus Boys
Minimum Wage
132 bpm • A min • 03:26 • -8.4db
11% Popularity • 70% Danceability • 79% Energy • 24% Liveness
3% Instrumentalness • 94% Positiveness
11% Popularity • 70% Danceability • 79% Energy • 24% Liveness
3% Instrumentalness • 94% Positiveness
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Kenny Vance
In Havana
151 bpm • A min • 03:56 • -7.64db
25% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Knack
Baby Talks Dirty - Remastered
151 bpm • C Maj • 03:45 • -4.45db
28% Popularity • 49% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 49% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Rolling Stones
Doom And Gloom - Jeff Bhasker Mix
132 bpm • C Maj • 04:07 • -5.23db
42% Popularity • 59% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
42% Popularity • 59% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
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Sweet
Fox on the Run
132 bpm • C Maj • 04:45 • -4.41db
22% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
