Songs like Nuestro Ayer by Alfonso Santisteban
Based on a tempo of (+/- 10%) and a similar genre
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Gerardo Frisina
Bluesanova
104 bpm • A min • 05:45 • -5.95db
25% Popularity • 68% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 68% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Angel Pocho Gatti Y Su Orquesta
Flamboyan - Samba Lenta
104 bpm • F min • 03:31 • -16.85db
32% Popularity • 50% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 32% Positiveness
32% Popularity • 50% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 32% Positiveness
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Alfonso Santisteban
Nuestro Ayer
104 bpm • A min • 02:09 • -11.3db
2% Popularity • 67% Danceability • 56% Energy • 61% Liveness
57% Instrumentalness • 81% Positiveness
2% Popularity • 67% Danceability • 56% Energy • 61% Liveness
57% Instrumentalness • 81% Positiveness
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Hugo Montenegro
Kit
105 bpm • G min • 01:46 • -19.19db
7% Popularity • 57% Danceability • 18% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 57% Danceability • 18% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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Marcello Giombini
Notti d'amore a Tokyo
103 bpm • C Maj • 02:08 • -12.99db
6% Popularity • 64% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
6% Popularity • 64% Danceability • 24% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
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Bossa Nostra
The Cricket Sing For Anamaria
105 bpm • E min • 04:57 • -11.96db
17% Popularity • 65% Danceability • 83% Energy • 30% Liveness
82% Instrumentalness • 74% Positiveness
17% Popularity • 65% Danceability • 83% Energy • 30% Liveness
82% Instrumentalness • 74% Positiveness
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Trubaduren & hans Rockband
Varme Brosten
103 bpm • F min • 01:59 • -13.37db
11% Popularity • 69% Danceability • 44% Energy • 14% Liveness
89% Instrumentalness • 72% Positiveness
11% Popularity • 69% Danceability • 44% Energy • 14% Liveness
89% Instrumentalness • 72% Positiveness
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Francesco De Masi
A mezza luce
105 bpm • D min • 03:51 • -20.75db
11% Popularity • 66% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
11% Popularity • 66% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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Jack Costanzo
Bei Mir Bist Du Schoen
105 bpm • G min • 02:47 • -13.09db
17% Popularity • 79% Danceability • 48% Energy • 6% Liveness
90% Instrumentalness • 70% Positiveness
17% Popularity • 79% Danceability • 48% Energy • 6% Liveness
90% Instrumentalness • 70% Positiveness
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Kareem Taylor
Clouds
105 bpm • B Maj • 02:18 • -18.42db
8% Popularity • 66% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
8% Popularity • 66% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Julius Wechter
Flyin' High
105 bpm • C min • 02:13 • -14.86db
20% Popularity • 52% Danceability • 50% Energy • 21% Liveness
66% Instrumentalness • 62% Positiveness
20% Popularity • 52% Danceability • 50% Energy • 21% Liveness
66% Instrumentalness • 62% Positiveness
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Gilson Luis Souza
Standing Tall And Above
105 bpm • D# Maj • 01:47 • -19.19db
17% Popularity • 72% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 44% Positiveness
17% Popularity • 72% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 44% Positiveness
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Mop Mop
Three Times Bossa
103 bpm • A# min • 03:23 • -10.37db
37% Popularity • 79% Danceability • 68% Energy • 28% Liveness
75% Instrumentalness • 73% Positiveness
37% Popularity • 79% Danceability • 68% Energy • 28% Liveness
75% Instrumentalness • 73% Positiveness
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Pete Moore
Street Groove
105 bpm • D Maj • 03:01 • -8.09db
10% Popularity • 50% Danceability • 76% Energy • 12% Liveness
66% Instrumentalness • 91% Positiveness
10% Popularity • 50% Danceability • 76% Energy • 12% Liveness
66% Instrumentalness • 91% Positiveness
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Carlo Rustichelli
Al trani
103 bpm • D min • 02:34 • -15.12db
8% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Sven Libaek
Lake Moondara
103 bpm • F min • 02:19 • -13.39db
13% Popularity • 38% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 38% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Piero Piccioni
Fortuna
103 bpm • A# Maj • 02:38 • -23.66db
8% Popularity • 48% Danceability • 36% Energy • 13% Liveness
7% Instrumentalness • 73% Positiveness
8% Popularity • 48% Danceability • 36% Energy • 13% Liveness
7% Instrumentalness • 73% Positiveness
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Balanço
Dreamflight
105 bpm • G# Maj • 03:19 • -13db
32% Popularity • 62% Danceability • 56% Energy • 15% Liveness
43% Instrumentalness • 90% Positiveness
32% Popularity • 62% Danceability • 56% Energy • 15% Liveness
43% Instrumentalness • 90% Positiveness
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Dudley Moore Trio
Cornfield
103 bpm • E min • 02:36 • -13.93db
17% Popularity • 56% Danceability • 37% Energy • 7% Liveness
94% Instrumentalness • 65% Positiveness
17% Popularity • 56% Danceability • 37% Energy • 7% Liveness
94% Instrumentalness • 65% Positiveness
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Franco Altissimi
Lounge Bossa
106 bpm • A min • 03:06 • -7.03db
11% Popularity • 69% Danceability • 78% Energy • 46% Liveness
87% Instrumentalness • 87% Positiveness
11% Popularity • 69% Danceability • 78% Energy • 46% Liveness
87% Instrumentalness • 87% Positiveness
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The Champs
Only The Young
106 bpm • E Maj • 02:25 • -7.62db
7% Popularity • 65% Danceability • 50% Energy • 17% Liveness
78% Instrumentalness • 59% Positiveness
7% Popularity • 65% Danceability • 50% Energy • 17% Liveness
78% Instrumentalness • 59% Positiveness
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Milt Buckner
Irresistible You
102 bpm • F Maj • 02:09 • -14.26db
13% Popularity • 54% Danceability • 21% Energy • 10% Liveness
61% Instrumentalness • 69% Positiveness
13% Popularity • 54% Danceability • 21% Energy • 10% Liveness
61% Instrumentalness • 69% Positiveness
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Montefiore Coctail
Gypsy Woman
102 bpm • D min • 07:00 • -8.62db
9% Popularity • 78% Danceability • 88% Energy • 6% Liveness
88% Instrumentalness • 92% Positiveness
9% Popularity • 78% Danceability • 88% Energy • 6% Liveness
88% Instrumentalness • 92% Positiveness
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Universal Production Music
Beachcomber
106 bpm • A# Maj • 01:21 • -11.77db
33% Popularity • 42% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 42% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
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Stelvio Cipriani
Affaire Theme Bossa
102 bpm • A# min • 01:05 • -7.9db
16% Popularity • 50% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 50% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Trio Leo
Hotel Étoile
107 bpm • C# min • 02:00 • -8.88db
11% Popularity • 48% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 94% Positiveness
11% Popularity • 48% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 94% Positiveness
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Alfonso Santisteban
La Chica de la BahÃa
107 bpm • F Maj • 02:09 • -7.65db
2% Popularity • 63% Danceability • 64% Energy • 7% Liveness
3% Instrumentalness • 84% Positiveness
2% Popularity • 63% Danceability • 64% Energy • 7% Liveness
3% Instrumentalness • 84% Positiveness
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Dudley Moore Trio
Lillian Lust
101 bpm • F Maj • 03:45 • -19db
11% Popularity • 49% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
11% Popularity • 49% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Jerzy Milian
Schritte in der Mitternacht
107 bpm • F Maj • 03:37 • -9.47db
19% Popularity • 45% Danceability • 50% Energy • 20% Liveness
11% Instrumentalness • 14% Positiveness
19% Popularity • 45% Danceability • 50% Energy • 20% Liveness
11% Instrumentalness • 14% Positiveness
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Hugo Montenegro
Love is a Many Splendored Thing
101 bpm • A min • 01:28 • -16db
16% Popularity • 68% Danceability • 24% Energy • 18% Liveness
86% Instrumentalness • 62% Positiveness
16% Popularity • 68% Danceability • 24% Energy • 18% Liveness
86% Instrumentalness • 62% Positiveness
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Stelvio Cipriani
Spruzzi D'Acqua
101 bpm • F# min • 01:30 • -6.18db
24% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Xavier Cugat & His Orchestra
Old-Fashioned (Beguine)
101 bpm • A# Maj • 03:21 • -11.25db
15% Popularity • 45% Danceability • 39% Energy • 43% Liveness
91% Instrumentalness • 41% Positiveness
15% Popularity • 45% Danceability • 39% Energy • 43% Liveness
91% Instrumentalness • 41% Positiveness
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Balanço
Cinnamon Clove
107 bpm • F min • 03:24 • -13.69db
16% Popularity • 54% Danceability • 52% Energy • 14% Liveness
19% Instrumentalness • 64% Positiveness
16% Popularity • 54% Danceability • 52% Energy • 14% Liveness
19% Instrumentalness • 64% Positiveness
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Alfonso Santisteban
Brincadeira
101 bpm • G Maj • 02:37 • -14.63db
15% Popularity • 60% Danceability • 60% Energy • 12% Liveness
5% Instrumentalness • 72% Positiveness
15% Popularity • 60% Danceability • 60% Energy • 12% Liveness
5% Instrumentalness • 72% Positiveness
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Modulo5
Yeah
107 bpm • A# min • 06:35 • -13.31db
17% Popularity • 73% Danceability • 69% Energy • 11% Liveness
20% Instrumentalness • 65% Positiveness
17% Popularity • 73% Danceability • 69% Energy • 11% Liveness
20% Instrumentalness • 65% Positiveness
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Michel Legrand
A Man's Castle
100 bpm • D min • 02:38 • -15.34db
5% Popularity • 30% Danceability • 24% Energy • 10% Liveness
51% Instrumentalness • 23% Positiveness
5% Popularity • 30% Danceability • 24% Energy • 10% Liveness
51% Instrumentalness • 23% Positiveness
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Burnie Whibley
Table for Two
100 bpm • D min • 02:33 • -12db
32% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
32% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
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Alessandro Alessandroni
Blue Bossa
100 bpm • F min • 02:29 • -8.45db
13% Popularity • 62% Danceability • 57% Energy • 32% Liveness
34% Instrumentalness • 70% Positiveness
13% Popularity • 62% Danceability • 57% Energy • 32% Liveness
34% Instrumentalness • 70% Positiveness
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80 Drums Around The World
Caravan - Digitally Remastered 1995
100 bpm • C min • 02:39 • -15.92db
27% Popularity • 52% Danceability • 36% Energy • 7% Liveness
88% Instrumentalness • 44% Positiveness
27% Popularity • 52% Danceability • 36% Energy • 7% Liveness
88% Instrumentalness • 44% Positiveness
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Alfonso Santisteban
La Chica de Bahia
108 bpm • F Maj • 02:10 • -9.63db
4% Popularity • 62% Danceability • 77% Energy • 12% Liveness
7% Instrumentalness • 39% Positiveness
4% Popularity • 62% Danceability • 77% Energy • 12% Liveness
7% Instrumentalness • 39% Positiveness
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Osmar Milito
Que Maravilha
108 bpm • G Maj • 04:02 • -13.74db
8% Popularity • 43% Danceability • 33% Energy • 14% Liveness
90% Instrumentalness • 30% Positiveness
8% Popularity • 43% Danceability • 33% Energy • 14% Liveness
90% Instrumentalness • 30% Positiveness
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Nicola Conte
Jet Sounds
108 bpm • E min • 05:19 • -5.88db
26% Popularity • 68% Danceability • 95% Energy • 11% Liveness
96% Instrumentalness • 84% Positiveness
26% Popularity • 68% Danceability • 95% Energy • 11% Liveness
96% Instrumentalness • 84% Positiveness
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Jeff Toyne
Grayman's Salon
100 bpm • D min • 02:46 • -20.81db
14% Popularity • 46% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
14% Popularity • 46% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Chico Hamilton
Who Can I Turn To
108 bpm • A Maj • 03:38 • -15.92db
14% Popularity • 57% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
14% Popularity • 57% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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Cozy Power
Positive Jazz in Book Store
100 bpm • A min • 01:03 • -16.25db
12% Popularity • 79% Danceability • 37% Energy • 13% Liveness
90% Instrumentalness • 88% Positiveness
12% Popularity • 79% Danceability • 37% Energy • 13% Liveness
90% Instrumentalness • 88% Positiveness
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George Kroy
Torna a surriento / Santa lucia
108 bpm • C Maj • 02:14 • -8.49db
18% Popularity • 64% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 54% Positiveness
18% Popularity • 64% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 54% Positiveness
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Django Reinhardt
Troublant Bolero - Single Edit
100 bpm • D Maj • 07:11 • -16.56db
9% Popularity • 32% Danceability • 20% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 20% Energy • 8% Liveness
80% Instrumentalness • 14% Positiveness
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Burt Bacharach
The Look Of Love
100 bpm • A# min • 02:42 • -14.09db
40% Popularity • 67% Danceability • 29% Energy • 32% Liveness
55% Instrumentalness • 42% Positiveness
40% Popularity • 67% Danceability • 29% Energy • 32% Liveness
55% Instrumentalness • 42% Positiveness
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Billy May & His Orchestra
The Odd Couple
109 bpm • E Maj • 02:17 • -17db
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
39% Popularity • 73% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 45% Positiveness
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Alfonso Santisteban
Tema Para Isabel
109 bpm • C Maj • 05:29 • -21.15db
1% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
1% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Gino Bonetti
Rosa Rosa
100 bpm • A# min • 02:11 • -11.82db
12% Popularity • 61% Danceability • 48% Energy • 18% Liveness
31% Instrumentalness • 95% Positiveness
12% Popularity • 61% Danceability • 48% Energy • 18% Liveness
31% Instrumentalness • 95% Positiveness
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Syd Dale
Perfume from Panama
109 bpm • G Maj • 02:36 • -13.72db
30% Popularity • 46% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 65% Positiveness
30% Popularity • 46% Danceability • 43% Energy • 38% Liveness
89% Instrumentalness • 65% Positiveness
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Peppino De Luca
Amore in Piccadilly - 4° Version
109 bpm • B min • 02:14 • -15db
13% Popularity • 43% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 32% Positiveness
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Enzo Scoppa
Tropicalia Chic
99 bpm • F Maj • 02:21 • -8db
8% Popularity • 62% Danceability • 32% Energy • 10% Liveness
68% Instrumentalness • 88% Positiveness
8% Popularity • 62% Danceability • 32% Energy • 10% Liveness
68% Instrumentalness • 88% Positiveness
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The Singing Hat
For Eternity
99 bpm • C Maj • 01:37 • -21.14db
24% Popularity • 62% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 78% Positiveness
24% Popularity • 62% Danceability • 30% Energy • 10% Liveness
31% Instrumentalness • 78% Positiveness
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Francy Boland
Claudia
109 bpm • B min • 02:55 • -14db
12% Popularity • 46% Danceability • 37% Energy • 41% Liveness
48% Instrumentalness • 48% Positiveness
12% Popularity • 46% Danceability • 37% Energy • 41% Liveness
48% Instrumentalness • 48% Positiveness
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Angel Pocho Gatti Y Su Orquesta
Florinda
109 bpm • F Maj • 02:40 • -13db
15% Popularity • 59% Danceability • 35% Energy • 20% Liveness
69% Instrumentalness • 24% Positiveness
15% Popularity • 59% Danceability • 35% Energy • 20% Liveness
69% Instrumentalness • 24% Positiveness
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Lelio Luttazzi
Dorian Gray Beguine
109 bpm • G min • 02:45 • -12.31db
21% Popularity • 73% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
21% Popularity • 73% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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Alfonso Santisteban
Silueta en Azul
99 bpm • G Maj • 01:45 • -18.57db
2% Popularity • 50% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 13% Positiveness
2% Popularity • 50% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 13% Positiveness
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Horst Jankowski
I'll Never Fall in Love Again
109 bpm • D# Maj • 02:58 • -14.05db
9% Popularity • 78% Danceability • 37% Energy • 12% Liveness
31% Instrumentalness • 83% Positiveness
9% Popularity • 78% Danceability • 37% Energy • 12% Liveness
31% Instrumentalness • 83% Positiveness
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Nino Rota
La dolce vita - Final
99 bpm • C# min • 03:01 • -15db
26% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Metropolitan Jazz Affair
Find a Way
98 bpm • C# Maj • 05:49 • -10db
27% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Xavier Cugat & His Orchestra
Cuba Libre (Gurarcha)
110 bpm • A min • 02:39 • -10.8db
18% Popularity • 67% Danceability • 60% Energy • 34% Liveness
2% Instrumentalness • 83% Positiveness
18% Popularity • 67% Danceability • 60% Energy • 34% Liveness
2% Instrumentalness • 83% Positiveness
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Jazzy Pepper
Swinging Into The Night
110 bpm • G# min • 02:17 • -19.1db
15% Popularity • 46% Danceability • 20% Energy • 15% Liveness
74% Instrumentalness • 33% Positiveness
15% Popularity • 46% Danceability • 20% Energy • 15% Liveness
74% Instrumentalness • 33% Positiveness
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Alfonso Santisteban
ManÃas de MarÃa
110 bpm • A min • 01:44 • -10.71db
4% Popularity • 67% Danceability • 76% Energy • 21% Liveness
3% Instrumentalness • 97% Positiveness
4% Popularity • 67% Danceability • 76% Energy • 21% Liveness
3% Instrumentalness • 97% Positiveness
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London Jazz Four
Things We Said Today
110 bpm • D Maj • 02:51 • -10.11db
11% Popularity • 41% Danceability • 74% Energy • 11% Liveness
10% Instrumentalness • 86% Positiveness
11% Popularity • 41% Danceability • 74% Energy • 11% Liveness
10% Instrumentalness • 86% Positiveness
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Nino Rota
La Dolce Vita (Finale)
99 bpm • C# min • 02:56 • -16db
17% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Berto Pisano
Bossa al bar
110 bpm • D min • 01:20 • -13.23db
27% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 68% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Chillwave Kid
Dancing in the Summer Rain
110 bpm • F# min • 00:56 • -23.54db
12% Popularity • 85% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
12% Popularity • 85% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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Martin Denny
Isle Of Love - 1996 Digital Remaster
98 bpm • F Maj • 02:29 • -15.7db
27% Popularity • 66% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 66% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Marcello Gigante
Bossa in California - Original Soundtrac...
98 bpm • A# min • 02:39 • -14.85db
7% Popularity • 58% Danceability • 28% Energy • 10% Liveness
25% Instrumentalness • 74% Positiveness
7% Popularity • 58% Danceability • 28% Energy • 10% Liveness
25% Instrumentalness • 74% Positiveness
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Syd Dale
Beguine for Trombone
98 bpm • D# Maj • 02:41 • -17.2db
33% Popularity • 57% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
33% Popularity • 57% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
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Musique de Noel Playlist
Nous vous Souhaitons un Joyeux Noël - A...
110 bpm • D# Maj • 03:16 • -11.05db
10% Popularity • 71% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 71% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Daniele Benati
Brasil for me
110 bpm • C Maj • 01:29 • -16.11db
17% Popularity • 82% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 94% Positiveness
17% Popularity • 82% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 94% Positiveness
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Nicola Conte
Charade
110 bpm • G min • 05:17 • -7db
36% Popularity • 63% Danceability • 93% Energy • 11% Liveness
36% Instrumentalness • 87% Positiveness
36% Popularity • 63% Danceability • 93% Energy • 11% Liveness
36% Instrumentalness • 87% Positiveness
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Franco Micalizzi
Lezioni private - Seq.9
110 bpm • C Maj • 01:31 • -18.81db
18% Popularity • 48% Danceability • 22% Energy • 26% Liveness
89% Instrumentalness • 41% Positiveness
18% Popularity • 48% Danceability • 22% Energy • 26% Liveness
89% Instrumentalness • 41% Positiveness
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Balanço
Intrigo A Francoforte
98 bpm • A min • 04:15 • -13.58db
17% Popularity • 63% Danceability • 63% Energy • 11% Liveness
72% Instrumentalness • 77% Positiveness
17% Popularity • 63% Danceability • 63% Energy • 11% Liveness
72% Instrumentalness • 77% Positiveness
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Rosinha De Valença
Atirei O Pau No Gato
110 bpm • D Maj • 01:45 • -9.11db
2% Popularity • 75% Danceability • 34% Energy • 15% Liveness
94% Instrumentalness • 23% Positiveness
2% Popularity • 75% Danceability • 34% Energy • 15% Liveness
94% Instrumentalness • 23% Positiveness
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Audio Lotion
Meditação Matutina Dum Maquiador Incog...
110 bpm • B min • 01:21 • -13.62db
9% Popularity • 81% Danceability • 37% Energy • 12% Liveness
66% Instrumentalness • 78% Positiveness
9% Popularity • 81% Danceability • 37% Energy • 12% Liveness
66% Instrumentalness • 78% Positiveness
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Les Hommes
Shaminah
98 bpm • F min • 02:15 • -9.66db
10% Popularity • 69% Danceability • 63% Energy • 12% Liveness
53% Instrumentalness • 76% Positiveness
10% Popularity • 69% Danceability • 63% Energy • 12% Liveness
53% Instrumentalness • 76% Positiveness
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Xavier Cugat & His Orchestra
Cocktails For Two (Cha-Cha)
110 bpm • C# Maj • 03:07 • -11.39db
18% Popularity • 74% Danceability • 54% Energy • 29% Liveness
46% Instrumentalness • 97% Positiveness
18% Popularity • 74% Danceability • 54% Energy • 29% Liveness
46% Instrumentalness • 97% Positiveness
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Alfonso Santisteban
Dirty Game
98 bpm • D min • 02:13 • -8.3db
1% Popularity • 43% Danceability • 74% Energy • 11% Liveness
59% Instrumentalness • 68% Positiveness
1% Popularity • 43% Danceability • 74% Energy • 11% Liveness
59% Instrumentalness • 68% Positiveness
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Trio Leo
Behind These Eyes
98 bpm • D Maj • 02:14 • -7.71db
24% Popularity • 51% Danceability • 53% Energy • 38% Liveness
87% Instrumentalness • 89% Positiveness
24% Popularity • 51% Danceability • 53% Energy • 38% Liveness
87% Instrumentalness • 89% Positiveness
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Jorge Autuori
Pobre Morro
111 bpm • G# Maj • 01:57 • -9.55db
14% Popularity • 61% Danceability • 76% Energy • 27% Liveness
92% Instrumentalness • 97% Positiveness
14% Popularity • 61% Danceability • 76% Energy • 27% Liveness
92% Instrumentalness • 97% Positiveness
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Berry Orchestra Lipman
The Girls From Paramaribo
111 bpm • E Maj • 03:51 • -9.17db
12% Popularity • 60% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 60% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Stephen Gray
A Tender Touch
98 bpm • B min • 02:25 • -11.98db
16% Popularity • 59% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
16% Popularity • 59% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
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Jonny Teupen Group
Bossa Nova Romantique
98 bpm • F Maj • 02:27 • -17.95db
20% Popularity • 71% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 71% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Alfonso Santisteban
Higway
110 bpm • C# Maj • 01:12 • -9.14db
1% Popularity • 49% Danceability • 88% Energy • 33% Liveness
2% Instrumentalness • 80% Positiveness
1% Popularity • 49% Danceability • 88% Energy • 33% Liveness
2% Instrumentalness • 80% Positiveness
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Piero Piccioni
In viaggio attraverso l'Australia
111 bpm • D min • 04:01 • -10.31db
9% Popularity • 40% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 40% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Roberto Menescal
Influencia do Jazz
97 bpm • C Maj • 02:28 • -5.62db
9% Popularity • 42% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 42% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Amedeo Tommasi
Scorpione
97 bpm • F min • 03:32 • -7.31db
9% Popularity • 57% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 57% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Elvio Monti
Fine bossa
97 bpm • C Maj • 03:09 • -10.23db
8% Popularity • 52% Danceability • 64% Energy • 10% Liveness
95% Instrumentalness • 69% Positiveness
8% Popularity • 52% Danceability • 64% Energy • 10% Liveness
95% Instrumentalness • 69% Positiveness
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Leroy Holmes Orchestra
Mah-Na, Mah-Na - 1997 Remastered
97 bpm • C Maj • 02:33 • -15.07db
17% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Nora Orlandi
Escapada en Fuerabordo
97 bpm • G Maj • 02:16 • -11.81db
16% Popularity • 27% Danceability • 40% Energy • 11% Liveness
81% Instrumentalness • 53% Positiveness
16% Popularity • 27% Danceability • 40% Energy • 11% Liveness
81% Instrumentalness • 53% Positiveness
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Piero Piccioni
Pop's Lolly
97 bpm • A# Maj • 02:19 • -13.72db
8% Popularity • 54% Danceability • 36% Energy • 10% Liveness
4% Instrumentalness • 62% Positiveness
8% Popularity • 54% Danceability • 36% Energy • 10% Liveness
4% Instrumentalness • 62% Positiveness
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Alessandro Alessandroni
Jazz Whistler
112 bpm • G# Maj • 02:45 • -10.11db
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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Berto Pisano
Voice in the Night - Version 2
111 bpm • F Maj • 03:04 • -10.97db
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
12% Popularity • 43% Danceability • 31% Energy • 11% Liveness
66% Instrumentalness • 72% Positiveness
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Lester Lanin
Recado - Slow Bossa Nova
112 bpm • G min • 02:10 • -16db
14% Popularity • 78% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 78% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
