Songs like Nuits bleues by Bertrand Belin
Based on a tempo of (+/- 10%) and a similar genre
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Rover
To This Tree
130 bpm • F Maj • 03:47 • -7.9db
29% Popularity • 48% Danceability • 60% Energy • 10% Liveness
15% Instrumentalness • 24% Positiveness
29% Popularity • 48% Danceability • 60% Energy • 10% Liveness
15% Instrumentalness • 24% Positiveness
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Alex Beaupain
De Tout Sauf De Toi
130 bpm • A# Maj • 04:00 • -10.51db
7% Popularity • 65% Danceability • 64% Energy • 12% Liveness
14% Instrumentalness • 62% Positiveness
7% Popularity • 65% Danceability • 64% Energy • 12% Liveness
14% Instrumentalness • 62% Positiveness
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Alexis HK
Les pieds dans la boue
130 bpm • A min • 03:02 • -9.82db
17% Popularity • 75% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 75% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Jasmine Bande
22 Minutes
130 bpm • A# Maj • 02:49 • -7.53db
0% Popularity • 62% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 62% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Bazbaz
Ma chérie
130 bpm • A Maj • 03:16 • -7.77db
15% Popularity • 76% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 76% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Arman Méliès
Météores (avec Hubert-Félix Thiéfain...
130 bpm • G# Maj • 03:52 • -7.69db
12% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Nour
Pauvre Prince Charmant
130 bpm • G Maj • 03:51 • -7.66db
1% Popularity • 68% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 68% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Daniel Darc
C'était mieux avant
130 bpm • A min • 04:13 • -11db
18% Popularity • 66% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
18% Popularity • 66% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Bertrand Belin
Nuits bleues
130 bpm • G Maj • 03:20 • -9db
27% Popularity • 53% Danceability • 56% Energy • 15% Liveness
46% Instrumentalness • 58% Positiveness
27% Popularity • 53% Danceability • 56% Energy • 15% Liveness
46% Instrumentalness • 58% Positiveness
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Jeanne Cherhal
Canicule
130 bpm • C# min • 03:04 • -17.02db
26% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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L (Raphaële Lannadère)
Jalouse
130 bpm • C# Maj • 03:15 • -10.9db
29% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Brigitte Fontaine
Les filles d'aujour'hui
130 bpm • G# Maj • 03:37 • -9db
17% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 64% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Claire Diterzi
Infiniment petit
130 bpm • C# min • 03:36 • -6.51db
30% Popularity • 72% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
30% Popularity • 72% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
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Thomas Fersen
Les vieilles
130 bpm • F Maj • 02:14 • -10db
23% Popularity • 72% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 72% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Clara Ysé
Le monde s'est dédoublé
130 bpm • F min • 03:30 • -8.86db
43% Popularity • 48% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 48% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Babx
Le déserteur
131 bpm • D# Maj • 04:24 • -17.03db
8% Popularity • 45% Danceability • 6% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
8% Popularity • 45% Danceability • 6% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
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Alain Souchon
On s'aimait
129 bpm • G# Maj • 03:09 • -15db
26% Popularity • 68% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 68% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Brigitte Fontaine
Pipeau
129 bpm • A min • 02:38 • -7db
24% Popularity • 75% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 75% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Charlelie Couture
Partie sans rien dire
131 bpm • C min • 03:29 • -15db
23% Popularity • 56% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
23% Popularity • 56% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Florent Marchet
En famille
129 bpm • A# min • 03:54 • -12db
17% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Sammy Decoster
Tucumcari
129 bpm • A# min • 03:42 • -5.77db
8% Popularity • 45% Danceability • 73% Energy • 13% Liveness
16% Instrumentalness • 46% Positiveness
8% Popularity • 45% Danceability • 73% Energy • 13% Liveness
16% Instrumentalness • 46% Positiveness
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Babx
Silicone Baby
129 bpm • C min • 03:20 • -8.27db
11% Popularity • 81% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 81% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Izïa
La ballade de Jim
131 bpm • C Maj • 04:07 • -11.38db
31% Popularity • 81% Danceability • 42% Energy • 20% Liveness
29% Instrumentalness • 33% Positiveness
31% Popularity • 81% Danceability • 42% Energy • 20% Liveness
29% Instrumentalness • 33% Positiveness
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Mickey 3d
Personne n'est parfait
132 bpm • A min • 04:19 • -6.68db
18% Popularity • 82% Danceability • 65% Energy • 10% Liveness
45% Instrumentalness • 92% Positiveness
18% Popularity • 82% Danceability • 65% Energy • 10% Liveness
45% Instrumentalness • 92% Positiveness
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Nicolas Michaux
À la vie, à la mort
129 bpm • G Maj • 03:13 • -9.48db
22% Popularity • 88% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
22% Popularity • 88% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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Véronique Sanson
Le Maudit
128 bpm • F# min • 04:17 • -6db
33% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Laura Cahen
La Jetée
128 bpm • E min • 04:44 • -8.73db
23% Popularity • 49% Danceability • 40% Energy • 27% Liveness
27% Instrumentalness • 10% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 27% Liveness
27% Instrumentalness • 10% Positiveness
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Françoise Hardy
Le danger
128 bpm • C# min • 03:32 • -10.32db
18% Popularity • 72% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 19% Positiveness
18% Popularity • 72% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 19% Positiveness
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Charlelie Couture
Jacobi marchait
128 bpm • G Maj • 03:38 • -11.48db
35% Popularity • 86% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
35% Popularity • 86% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
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Calypso Valois
Le jour
132 bpm • G min • 03:18 • -4.65db
13% Popularity • 68% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 68% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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Palatine
Paris - l'ombre
128 bpm • A min • 02:48 • -10.35db
29% Popularity • 64% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 64% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Miossec
La facture d'électricité
132 bpm • A min • 03:15 • -6db
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Albin de la Simone
J'aime Lire
132 bpm • G# Maj • 03:22 • -8.21db
21% Popularity • 83% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 83% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Alain Souchon
Presque
132 bpm • B Maj • 03:16 • -8.44db
38% Popularity • 66% Danceability • 75% Energy • 12% Liveness
4% Instrumentalness • 76% Positiveness
38% Popularity • 66% Danceability • 75% Energy • 12% Liveness
4% Instrumentalness • 76% Positiveness
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Jasmine Bande
Party
128 bpm • F Maj • 02:23 • -9.01db
0% Popularity • 60% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 75% Positiveness
0% Popularity • 60% Danceability • 45% Energy • 10% Liveness
2% Instrumentalness • 75% Positiveness
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Rover
Roger Moore
128 bpm • B Maj • 03:12 • -9.06db
27% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Marie-Flore
Passade digitale
132 bpm • D min • 03:41 • -8.39db
25% Popularity • 66% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 66% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Camélia Jordana
Ma gueule
133 bpm • A min • 03:57 • -6.89db
16% Popularity • 49% Danceability • 46% Energy • 13% Liveness
55% Instrumentalness • 15% Positiveness
16% Popularity • 49% Danceability • 46% Energy • 13% Liveness
55% Instrumentalness • 15% Positiveness
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Michel Houellebecq
Présence humaine
127 bpm • C# Maj • 04:08 • -9.03db
12% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Alain Souchon
Âme fifties
128 bpm • C min • 03:39 • -9db
30% Popularity • 61% Danceability • 50% Energy • 23% Liveness
1% Instrumentalness • 20% Positiveness
30% Popularity • 61% Danceability • 50% Energy • 23% Liveness
1% Instrumentalness • 20% Positiveness
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Patrick Coutin
J'aime regarder les filles - Version 45T
133 bpm • G Maj • 03:49 • -12.82db
40% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Miossec
Non non non non (Je ne suis plus saoul)
133 bpm • G Maj • 02:26 • -8db
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
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Dick Annegarn
Jacques
127 bpm • D Maj • 03:03 • -11db
27% Popularity • 63% Danceability • 37% Energy • 12% Liveness
17% Instrumentalness • 66% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 12% Liveness
17% Instrumentalness • 66% Positiveness
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Malik Djoudi
Aussi jolie
134 bpm • G Maj • 03:59 • -16.25db
24% Popularity • 32% Danceability • 40% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
24% Popularity • 32% Danceability • 40% Energy • 11% Liveness
80% Instrumentalness • 42% Positiveness
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Daniel Darc
J'irai au Paradis
126 bpm • C# min • 03:51 • -6.12db
22% Popularity • 70% Danceability • 76% Energy • 3% Liveness
68% Instrumentalness • 69% Positiveness
22% Popularity • 70% Danceability • 76% Energy • 3% Liveness
68% Instrumentalness • 69% Positiveness
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Alain Souchon
Tailler la zone
127 bpm • E min • 04:04 • -7.06db
29% Popularity • 72% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 72% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Patrick Coutin
J'aime regarder les filles
133 bpm • G Maj • 05:08 • -10.75db
35% Popularity • 71% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
35% Popularity • 71% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Manset
Royaume de Siam - Remasterisé en 2016
134 bpm • C# min • 03:18 • -11.44db
21% Popularity • 41% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 41% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Dick Annegarn
Bruxelles
134 bpm • E Maj • 02:28 • -11db
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Clara Luciani
On ne meurt pas d'amour
134 bpm • C Maj • 03:31 • -6.25db
34% Popularity • 69% Danceability • 82% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
34% Popularity • 69% Danceability • 82% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Miossec
Nous sommes
134 bpm • G min • 02:53 • -10db
12% Popularity • 59% Danceability • 55% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
12% Popularity • 59% Danceability • 55% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Nicolas Michaux
Une seconde chance
126 bpm • C Maj • 03:25 • -9.95db
25% Popularity • 89% Danceability • 28% Energy • 10% Liveness
6% Instrumentalness • 40% Positiveness
25% Popularity • 89% Danceability • 28% Energy • 10% Liveness
6% Instrumentalness • 40% Positiveness
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Jeanne Cherhal
Douze fois par an
134 bpm • A min • 02:32 • -13db
33% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
33% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
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Florent Marchet
Benjamin
126 bpm • E min • 02:44 • -5db
12% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Alain Chamfort
Linoleum
126 bpm • B min • 04:48 • -9.09db
10% Popularity • 49% Danceability • 73% Energy • 10% Liveness
72% Instrumentalness • 21% Positiveness
10% Popularity • 49% Danceability • 73% Energy • 10% Liveness
72% Instrumentalness • 21% Positiveness
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Françoiz Breut
La danse des ombres
126 bpm • A min • 04:07 • -9db
20% Popularity • 86% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 63% Positiveness
20% Popularity • 86% Danceability • 54% Energy • 17% Liveness
14% Instrumentalness • 63% Positiveness
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Pieta Brown
Ô Le Coeur (We Are Not Machines Remix b...
135 bpm • C Maj • 04:14 • -15.29db
6% Popularity • 28% Danceability • 13% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
6% Popularity • 28% Danceability • 13% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Bazbaz
Le professionnel
135 bpm • C# Maj • 02:32 • -12db
21% Popularity • 72% Danceability • 30% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 30% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Jeanne Cherhal
Comme Je T'Attends
135 bpm • F# Maj • 02:38 • -17db
26% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Buzy
Où vont mourir les baleines
135 bpm • C Maj • 03:43 • -8.49db
4% Popularity • 59% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 59% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Bertrand Belin
Alleluia
125 bpm • C Maj • 03:49 • -12db
18% Popularity • 81% Danceability • 35% Energy • 9% Liveness
48% Instrumentalness • 80% Positiveness
18% Popularity • 81% Danceability • 35% Energy • 9% Liveness
48% Instrumentalness • 80% Positiveness
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Thomas Fersen
Un parapluie pour deux
136 bpm • E Maj • 02:56 • -12.46db
33% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Louis Chedid
Ainsi soit-il
125 bpm • F min • 03:10 • -15db
35% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 70% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Clara Ysé
Soldat
125 bpm • A# Maj • 02:52 • -12.22db
35% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 53% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Dick Annegarn
Karlsbad
124 bpm • B min • 02:13 • -17db
28% Popularity • 77% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 77% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Julien Doré
BB baleine
136 bpm • F# min • 03:41 • -11.76db
15% Popularity • 66% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
15% Popularity • 66% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Bertrand Belin
Tambour
125 bpm • G Maj • 03:34 • -12.04db
20% Popularity • 92% Danceability • 29% Energy • 7% Liveness
86% Instrumentalness • 86% Positiveness
20% Popularity • 92% Danceability • 29% Energy • 7% Liveness
86% Instrumentalness • 86% Positiveness
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Thousand
Le nombre de la bête
136 bpm • F# min • 04:11 • -7.04db
18% Popularity • 64% Danceability • 75% Energy • 7% Liveness
15% Instrumentalness • 78% Positiveness
18% Popularity • 64% Danceability • 75% Energy • 7% Liveness
15% Instrumentalness • 78% Positiveness
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Alex Beaupain
Je Peux Aimer Pour Deux
136 bpm • B min • 04:25 • -9.44db
11% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Malik Djoudi
Belles sueurs
124 bpm • A Maj • 03:24 • -8.34db
40% Popularity • 80% Danceability • 60% Energy • 21% Liveness
37% Instrumentalness • 80% Positiveness
40% Popularity • 80% Danceability • 60% Energy • 21% Liveness
37% Instrumentalness • 80% Positiveness
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Clara Luciani
Monstre d'amour
124 bpm • C Maj • 03:11 • -7.19db
26% Popularity • 58% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 58% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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A.S Dragon
Mais pas chez moi
124 bpm • G Maj • 03:53 • -5db
12% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Bertrand Belin
Oiseau
125 bpm • A min • 03:52 • -17.01db
41% Popularity • 55% Danceability • 27% Energy • 30% Liveness
34% Instrumentalness • 24% Positiveness
41% Popularity • 55% Danceability • 27% Energy • 30% Liveness
34% Instrumentalness • 24% Positiveness
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Sarah Maison
Western Arabisant
124 bpm • A min • 04:14 • -4.89db
11% Popularity • 63% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 63% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Daniel Darc
Mes amis (tour à tour)
124 bpm • C Maj • 03:16 • -7.46db
15% Popularity • 61% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 82% Positiveness
15% Popularity • 61% Danceability • 72% Energy • 10% Liveness
18% Instrumentalness • 82% Positiveness
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Hubert-Félix Thiéfaine
Les dingues et les paumés - 2018 Remast...
124 bpm • C min • 04:45 • -10.89db
39% Popularity • 67% Danceability • 32% Energy • 5% Liveness
59% Instrumentalness • 22% Positiveness
39% Popularity • 67% Danceability • 32% Energy • 5% Liveness
59% Instrumentalness • 22% Positiveness
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Dick Annegarn
Les Tchèques
137 bpm • A min • 02:44 • -12db
22% Popularity • 77% Danceability • 38% Energy • 12% Liveness
18% Instrumentalness • 89% Positiveness
22% Popularity • 77% Danceability • 38% Energy • 12% Liveness
18% Instrumentalness • 89% Positiveness
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Jasmine Bande
Aie Aie Aie
137 bpm • F Maj • 02:18 • -9.94db
0% Popularity • 52% Danceability • 71% Energy • 35% Liveness
94% Instrumentalness • 71% Positiveness
0% Popularity • 52% Danceability • 71% Energy • 35% Liveness
94% Instrumentalness • 71% Positiveness
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Bertrand Belin
Vertige des cimes
135 bpm • A min • 02:04 • -10.32db
26% Popularity • 54% Danceability • 49% Energy • 45% Liveness
90% Instrumentalness • 12% Positiveness
26% Popularity • 54% Danceability • 49% Energy • 45% Liveness
90% Instrumentalness • 12% Positiveness
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Alex Beaupain
Sitôt
137 bpm • C Maj • 02:54 • -14.53db
31% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Manset
La mer n'a pas cessé de descendre - Rem...
123 bpm • E min • 03:44 • -11.94db
16% Popularity • 60% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 60% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Clara Luciani
Comme toi
123 bpm • A# Maj • 02:40 • -7db
26% Popularity • 66% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 66% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Mansfield.TYA
Pour oublier je dors
123 bpm • A# Maj • 03:27 • -10db
30% Popularity • 53% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 53% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lilly Wood and The Prick
Une vie comme ça
123 bpm • F# min • 04:30 • -6.95db
15% Popularity • 54% Danceability • 58% Energy • 27% Liveness
6% Instrumentalness • 10% Positiveness
15% Popularity • 54% Danceability • 58% Energy • 27% Liveness
6% Instrumentalness • 10% Positiveness
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Maud Lübeck
Ne me dis pas
138 bpm • F min • 02:39 • -14.41db
28% Popularity • 68% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 42% Positiveness
28% Popularity • 68% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 42% Positiveness
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Alex Beaupain
Avant La Haine
123 bpm • A# min • 03:22 • -10.21db
29% Popularity • 64% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 64% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bertrand Belin
Altesse
138 bpm • F# min • 03:46 • -11.72db
11% Popularity • 81% Danceability • 45% Energy • 10% Liveness
75% Instrumentalness • 62% Positiveness
11% Popularity • 81% Danceability • 45% Energy • 10% Liveness
75% Instrumentalness • 62% Positiveness
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Gaëtan Roussel
Tu ne savais pas
123 bpm • G min • 04:03 • -9.12db
28% Popularity • 35% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 25% Positiveness
28% Popularity • 35% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 25% Positiveness
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Thomas Fersen
Envie de ne rien faire
138 bpm • D Maj • 02:44 • -11db
28% Popularity • 75% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 75% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Françoiz Breut
Loon-plage
122 bpm • C Maj • 04:46 • -9db
16% Popularity • 68% Danceability • 49% Energy • 12% Liveness
14% Instrumentalness • 55% Positiveness
16% Popularity • 68% Danceability • 49% Energy • 12% Liveness
14% Instrumentalness • 55% Positiveness
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Arnaud Fleurent-Didier
Ne sois pas trop exigeant
138 bpm • D min • 05:15 • -12.08db
11% Popularity • 32% Danceability • 47% Energy • 9% Liveness
42% Instrumentalness • 20% Positiveness
11% Popularity • 32% Danceability • 47% Energy • 9% Liveness
42% Instrumentalness • 20% Positiveness
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Clara Luciani
Eddy
138 bpm • E Maj • 03:34 • -8.67db
28% Popularity • 64% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 64% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Izïa
Cosmos
138 bpm • D min • 02:58 • -13.08db
17% Popularity • 28% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
17% Popularity • 28% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Cali
À cet instant je pense à toi
122 bpm • G Maj • 04:12 • -8.03db
12% Popularity • 64% Danceability • 76% Energy • 9% Liveness
34% Instrumentalness • 63% Positiveness
12% Popularity • 64% Danceability • 76% Energy • 9% Liveness
34% Instrumentalness • 63% Positiveness
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Institut
Prenez soin de vous
122 bpm • F# Maj • 02:06 • -9.84db
31% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Hubert-Félix Thiéfaine
Lorelei sébasto cha - 2018 Remastered V...
122 bpm • E min • 04:06 • -10db
38% Popularity • 82% Danceability • 65% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
38% Popularity • 82% Danceability • 65% Energy • 36% Liveness
1% Instrumentalness • 77% Positiveness
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Dick Annegarn
L'institutrice
139 bpm • E min • 02:23 • -14.32db
25% Popularity • 68% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 68% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Laura Cahen
Désarmée
122 bpm • C min • 03:55 • -10.04db
23% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 68% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
