Songs like Nummer 2 by Anne Müller
Based on a tempo of (+/- 10%) and a similar genre
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Anne Müller
Nummer 2
79 bpm • D min • 05:55 • -20db
29% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Lotte Pen
Triptych III
79 bpm • G min • 04:11 • -14db
18% Popularity • 10% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Strokur
79 bpm • D min • 07:30 • -19db
27% Popularity • 15% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Mary Lattimore
Jimmy V
79 bpm • F min • 05:57 • -16.56db
29% Popularity • 34% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Hauschka
Hike
80 bpm • C Maj • 02:53 • -19db
26% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
26% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
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A Winged Victory for the Sullen
The Haunted Victorian Pencil
80 bpm • G min • 01:29 • -26db
56% Popularity • 29% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 29% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Nathan Fake
HoursDaysMonthsSeasons - Olga Wojciechow...
79 bpm • F min • 04:03 • -18db
29% Popularity • 27% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
29% Popularity • 27% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Masayoshi Fujita
Tears of Unicorn
78 bpm • G# min • 05:51 • -15db
25% Popularity • 19% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Carlos Cipa
dark tree
80 bpm • C min • 06:33 • -20.96db
23% Popularity • 12% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Maarten Vos
Epiloog
80 bpm • C min • 06:29 • -14.7db
10% Popularity • 14% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Sebastian Reynolds
By the Tower, At Nightfall
80 bpm • A min • 03:15 • -13.33db
2% Popularity • 25% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
2% Popularity • 25% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Hildur Guðnadóttir
Elevation
80 bpm • G min • 05:57 • -18db
24% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Neil Cowley
Don’t Walk Alone
80 bpm • A# Maj • 04:38 • -23.81db
26% Popularity • 45% Danceability • 15% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
26% Popularity • 45% Danceability • 15% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
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EydÃs Evensen
Bylur
80 bpm • D Maj • 04:11 • -17db
45% Popularity • 18% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 18% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Nico Muhly
Opening Cards
80 bpm • G Maj • 01:53 • -18.66db
33% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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David Darling
Stones Start Spinning
80 bpm • B min • 04:15 • -20db
38% Popularity • 17% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
38% Popularity • 17% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Julianna Barwick
Healing Is A Miracle
80 bpm • C Maj • 04:10 • -12.67db
39% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Sarah Davachi
Play The Ghost
78 bpm • B min • 05:01 • -19.27db
28% Popularity • 14% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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DjRUM
Creature, Pt. 1
80 bpm • C min • 04:43 • -19db
38% Popularity • 12% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
38% Popularity • 12% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Shida Shahabi
Pretty In Plums
77 bpm • G# min • 04:40 • -25.33db
34% Popularity • 56% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
34% Popularity • 56% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
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Hampshire & Foat
Lullaby
81 bpm • C Maj • 05:07 • -13.78db
27% Popularity • 36% Danceability • 25% Energy • 36% Liveness
87% Instrumentalness • 9% Positiveness
27% Popularity • 36% Danceability • 25% Energy • 36% Liveness
87% Instrumentalness • 9% Positiveness
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Lubomyr Melnyk
Le miroir d'amour
81 bpm • C min • 09:25 • -16.47db
14% Popularity • 11% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Greg Haines
With Everything That Breathes
77 bpm • C min • 05:21 • -29.97db
25% Popularity • 44% Danceability • 0% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
25% Popularity • 44% Danceability • 0% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
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Rafael Anton Irisarri
Moments Descend On My Windowpane
81 bpm • D Maj • 05:14 • -19.4db
34% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
34% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Neil Cowley
Prayer
77 bpm • C Maj • 03:23 • -26.61db
22% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
22% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Jim Perkins
As Light Moves
76 bpm • B min • 04:48 • -18.77db
18% Popularity • 7% Danceability • 11% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 11% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Olivia Belli
Spiderwebs of Clouds
76 bpm • G min • 02:15 • -23.5db
31% Popularity • 32% Danceability • 9% Energy • 15% Liveness
90% Instrumentalness • 19% Positiveness
31% Popularity • 32% Danceability • 9% Energy • 15% Liveness
90% Instrumentalness • 19% Positiveness
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Lubomyr Melnyk
Love Song
82 bpm • F# Maj • 09:08 • -15.41db
11% Popularity • 23% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 23% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
37% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
37% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Julia Kent
Crepuscolo
76 bpm • C min • 04:27 • -20db
15% Popularity • 10% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Angus MacRae
Gloaming
82 bpm • F min • 06:00 • -15.68db
32% Popularity • 8% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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William Orbit
Triple Concerto
82 bpm • E Maj • 05:32 • -17db
18% Popularity • 23% Danceability • 32% Energy • 11% Liveness
74% Instrumentalness • 9% Positiveness
18% Popularity • 23% Danceability • 32% Energy • 11% Liveness
74% Instrumentalness • 9% Positiveness
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Deaf Center
Undone
82 bpm • A# min • 02:36 • -28.25db
27% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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Jon Hopkins
Modern Driveway
82 bpm • A# min • 04:07 • -28.64db
31% Popularity • 12% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
31% Popularity • 12% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Dustin O'Halloran
Constellation No. 2
82 bpm • A# Maj • 04:21 • -22db
20% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Bing & Ruth
Reflector
76 bpm • A# Maj • 07:20 • -26.22db
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Oliver Coates
Prairie
82 bpm • A Maj • 01:41 • -22db
39% Popularity • 28% Danceability • 15% Energy • 22% Liveness
88% Instrumentalness • 13% Positiveness
39% Popularity • 28% Danceability • 15% Energy • 22% Liveness
88% Instrumentalness • 13% Positiveness
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Kjartan Sveinsson
The Last Farm 5
83 bpm • C# min • 02:46 • -11.76db
22% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Roger Goula
Something About Silence
83 bpm • D min • 08:23 • -14.31db
10% Popularity • 18% Danceability • 52% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 52% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
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minco eggersman
Abide
83 bpm • C# min • 04:40 • -22.67db
24% Popularity • 34% Danceability • 2% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 34% Danceability • 2% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Roger Eno
Spring Frost
75 bpm • D# Maj • 04:07 • -31db
31% Popularity • 9% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Bing & Ruth
The How of it Sped
75 bpm • A# min • 05:47 • -23.32db
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Federico Albanese
Céline
83 bpm • F# Maj • 04:04 • -18.02db
37% Popularity • 41% Danceability • 29% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 41% Danceability • 29% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Danny Mulhern
Perpetual Motion
75 bpm • B min • 02:26 • -14.32db
16% Popularity • 34% Danceability • 19% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
16% Popularity • 34% Danceability • 19% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Stella Le Page
Window Seat
83 bpm • D Maj • 02:24 • -22.34db
17% Popularity • 22% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Mary Lattimore
Sometimes He's In My Dreams
83 bpm • F# Maj • 03:46 • -20.4db
42% Popularity • 60% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
42% Popularity • 60% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Suzanne Ciani
432 - Suzanne Ciani Rework
83 bpm • C min • 04:29 • -19.32db
12% Popularity • 8% Danceability • 20% Energy • 60% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 20% Energy • 60% Liveness
92% Instrumentalness • 4% Positiveness
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Anne Müller
Being Anne
84 bpm • E min • 04:45 • -20db
14% Popularity • 20% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 20% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Martyn Heyne
The Hall Reprise
75 bpm • C# min • 03:27 • -16.2db
10% Popularity • 8% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Linnea Olsson
The Ocean
84 bpm • E min • 04:14 • -15db
41% Popularity • 18% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Shida Shahabi
Dawning and Wind
74 bpm • C Maj • 03:48 • -33.83db
19% Popularity • 50% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
19% Popularity • 50% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Abul Mogard
Half Light of Dawn
74 bpm • G min • 06:48 • -22db
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Hannah Peel
Reverie (Arr. Knoth for Solo Violin, Str...
84 bpm • C Maj • 03:02 • -19.29db
17% Popularity • 12% Danceability • 31% Energy • 8% Liveness
62% Instrumentalness • 5% Positiveness
17% Popularity • 12% Danceability • 31% Energy • 8% Liveness
62% Instrumentalness • 5% Positiveness
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Anne Müller
Rachel / Heliopause
75 bpm • E min • 06:42 • -20.12db
3% Popularity • 7% Danceability • 18% Energy • 6% Liveness
90% Instrumentalness • 2% Positiveness
3% Popularity • 7% Danceability • 18% Energy • 6% Liveness
90% Instrumentalness • 2% Positiveness
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Erland Cooper
St. Magnus of Hamnavoe - Daniel Pioro Re...
84 bpm • C Maj • 03:02 • -17.23db
37% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
37% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Bing & Ruth
Starwood Choker
74 bpm • B Maj • 06:16 • -19db
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Christina Vantzou
At Dawn (Mixed)
74 bpm • C# Maj • 01:45 • -20.56db
25% Popularity • 7% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
25% Popularity • 7% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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A Winged Victory for the Sullen
Steep Hills of Vicodin Tears
74 bpm • B Maj • 04:26 • -21.96db
41% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
41% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Nicholas Lens
Litany of Divine Absence
85 bpm • A min • 05:29 • -17db
21% Popularity • 24% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Brian Eno
By this River (Arr. Badzura)
85 bpm • G min • 03:35 • -21db
27% Popularity • 18% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Portico Quartet
Winding Snake
85 bpm • G min • 06:03 • -13.33db
31% Popularity • 17% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 17% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Terje Rypdal
If Mountains Could Sing
74 bpm • D Maj • 05:14 • -24.3db
19% Popularity • 14% Danceability • 6% Energy • 15% Liveness
68% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 15% Liveness
68% Instrumentalness • 3% Positiveness
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Martyn Heyne
Afar
85 bpm • E Maj • 03:40 • -24.86db
27% Popularity • 42% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 8% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 8% Positiveness
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Anne Müller
Serenade at 2
85 bpm • G Maj • 05:22 • -21.08db
1% Popularity • 17% Danceability • 15% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 15% Energy • 30% Liveness
94% Instrumentalness • 4% Positiveness
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Deaf Center
White Lake
85 bpm • A# min • 06:35 • -20.14db
22% Popularity • 25% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
22% Popularity • 25% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Christina Vantzou
Homemade Mountains
85 bpm • C Maj • 03:43 • -19.36db
25% Popularity • 9% Danceability • 14% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 14% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
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Jon Hopkins
Dawn Chorus
85 bpm • D Maj • 03:28 • -26db
41% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
41% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Patrick Jonsson
Suddenly We Looked Like Giants
85 bpm • D Maj • 06:11 • -18db
26% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Jacaszek
The Zone
73 bpm • G# Maj • 03:16 • -22.86db
14% Popularity • 26% Danceability • 6% Energy • 12% Liveness
46% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 6% Energy • 12% Liveness
46% Instrumentalness • 4% Positiveness
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Anne Müller
The Button
73 bpm • A min • 01:38 • -26.87db
4% Popularity • 21% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
4% Popularity • 21% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Brambles
To Speak Of Solitude
86 bpm • D# min • 04:21 • -25db
48% Popularity • 16% Danceability • 5% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
48% Popularity • 16% Danceability • 5% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Shida Shahabi
Epilog
86 bpm • G# Maj • 02:47 • -32.09db
20% Popularity • 14% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Snorri HallgrÃmsson
Bliss
73 bpm • F min • 03:40 • -37.1db
25% Popularity • 7% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Mary Lattimore
The Warm Shoulder
86 bpm • B min • 04:55 • -12db
31% Popularity • 67% Danceability • 23% Energy • 10% Liveness
27% Instrumentalness • 6% Positiveness
31% Popularity • 67% Danceability • 23% Energy • 10% Liveness
27% Instrumentalness • 6% Positiveness
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A Winged Victory for the Sullen
So That The City Can Begin To Exist
86 bpm • F Maj • 04:46 • -23.4db
32% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Christoph Berg
Coda
86 bpm • B Maj • 04:07 • -17.01db
17% Popularity • 12% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
17% Popularity • 12% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Neil Cowley
Dip Your Toe
72 bpm • G Maj • 03:33 • -29.27db
14% Popularity • 24% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Erland Cooper
Hoxa Sound
86 bpm • C Maj • 02:03 • -18.72db
55% Popularity • 25% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
55% Popularity • 25% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Nicolas Jaar
Muse
72 bpm • D# min • 05:43 • -24db
36% Popularity • 31% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
36% Popularity • 31% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
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Roger Eno
Verdigris
72 bpm • D# Maj • 04:03 • -32.42db
30% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Mathieu David Gagnon
La fin et le commencement
72 bpm • G Maj • 09:12 • -14.25db
28% Popularity • 6% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
28% Popularity • 6% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
A Minor Fifth Is Made Of Phantoms
87 bpm • B min • 04:59 • -23.25db
28% Popularity • 9% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
28% Popularity • 9% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Sundoor - 196 Hz - Short Edit
72 bpm • G min • 05:04 • -17.47db
25% Popularity • 12% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Bing & Ruth
As Much as Possible
72 bpm • C# Maj • 05:40 • -30.57db
37% Popularity • 13% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
37% Popularity • 13% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Hidden Orchestra
Wingbeats Source III: Piano and Wings
87 bpm • A Maj • 02:36 • -24db
47% Popularity • 34% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
47% Popularity • 34% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Anne Müller
Heliopause
71 bpm • A Maj • 05:22 • -21.71db
14% Popularity • 7% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Shida Shahabi
Sea Ear
87 bpm • C Maj • 06:46 • -20.24db
21% Popularity • 9% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Clark
Amor - C.B. Rework
71 bpm • C# Maj • 04:10 • -31.39db
34% Popularity • 41% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
34% Popularity • 41% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Daniel Thorne
Fear of Floating
87 bpm • B Maj • 06:37 • -13.96db
13% Popularity • 36% Danceability • 23% Energy • 10% Liveness
23% Instrumentalness • 9% Positiveness
13% Popularity • 36% Danceability • 23% Energy • 10% Liveness
23% Instrumentalness • 9% Positiveness
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Jim Perkins
Tribute
88 bpm • D Maj • 02:14 • -28.11db
31% Popularity • 18% Danceability • 7% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 7% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Snowdrops
Ultraviolet
71 bpm • B min • 06:27 • -13.27db
7% Popularity • 10% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Anne Müller
Pushed Out of the Window
88 bpm • A min • 04:48 • -21.7db
4% Popularity • 16% Danceability • 18% Energy • 20% Liveness
96% Instrumentalness • 3% Positiveness
4% Popularity • 16% Danceability • 18% Energy • 20% Liveness
96% Instrumentalness • 3% Positiveness
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Ben Frost
Reyja
88 bpm • C# min • 05:05 • -25.08db
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Arnold Kasar
Moon Square
88 bpm • C min • 03:29 • -23.15db
18% Popularity • 36% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
18% Popularity • 36% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
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A Winged Victory for the Sullen
Aqualung, Motherfucker
71 bpm • E min • 05:19 • -22.1db
32% Popularity • 12% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Federico Albanese
682 Steps
88 bpm • A# min • 01:51 • -22.62db
32% Popularity • 9% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Jon Hopkins
Feel First Life
71 bpm • C# Maj • 05:33 • -22db
49% Popularity • 18% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Martyn Heyne
Patina
88 bpm • B min • 03:41 • -26.81db
29% Popularity • 44% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
29% Popularity • 44% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
