Songs like Nunc Dimittis in F by George Dyson
Based on a tempo of (+/- 10%) and a similar genre
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Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Samuel Coleridge-Taylor
Samuel Coleridge-Taylor: Hiawatha’s We...
78 bpm • F Maj • 02:52 • -26.73db
7% Popularity • 13% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
7% Popularity • 13% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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César Franck
Franck: Dextera Domini, FWV 65
78 bpm • A# Maj • 10:27 • -19.3db
10% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
10% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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George Dyson
Variations on Old Psalm-Tunes, Book 1: V...
78 bpm • D Maj • 03:05 • -18.73db
0% Popularity • 8% Danceability • 14% Energy • 15% Liveness
82% Instrumentalness • 6% Positiveness
0% Popularity • 8% Danceability • 14% Energy • 15% Liveness
82% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
O Mother of God, Vigilantly Praying, Sac...
78 bpm • D# Maj • 09:36 • -26.92db
7% Popularity • 7% Danceability • 3% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 3% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
17% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
17% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Frank La Rocca
Mass of the Americas: IX. Salve regina
78 bpm • A Maj • 04:36 • -19.34db
5% Popularity • 10% Danceability • 22% Energy • 33% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 22% Energy • 33% Liveness
84% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
78 bpm • G Maj • 06:48 • -25.56db
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Farrant
Lord, for thy tender mercy's sake
78 bpm • G# Maj • 01:49 • -30db
17% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: IV. Gladsome Li...
78 bpm • C min • 04:11 • -28.46db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
78 bpm • C Maj • 02:43 • -30db
19% Popularity • 11% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi
78 bpm • A Maj • 01:57 • -21db
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
12% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Philip Stopford
Do Not Be Afraid
78 bpm • D Maj • 05:05 • -31.38db
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
17% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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George Dyson
Choral Symphony: IV. Allegro molto - And...
78 bpm • E Maj • 10:55 • -19.07db
0% Popularity • 12% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Hubert Parry
Blest Pair of Sirens
78 bpm • D# Maj • 10:44 • -18.64db
3% Popularity • 8% Danceability • 20% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
3% Popularity • 8% Danceability • 20% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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Max Reger
Der Mensch lebt und bestehet nur eine kl...
77 bpm • A min • 03:14 • -23.98db
8% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
34% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • F Maj • 02:10 • -30db
28% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
19% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
36% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Thomas Tallis
If Ye Love Me
79 bpm • F Maj • 02:28 • -34.11db
30% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
30% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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George Dyson
The Canterbury Pilgrims: I. Prologue (Fi...
79 bpm • C Maj • 10:06 • -28.86db
2% Popularity • 20% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
2% Popularity • 20% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
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Damijan Močnik
Acclamatio
77 bpm • G Maj • 03:04 • -22.63db
12% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 2, Ave Maria
79 bpm • F Maj • 04:39 • -35.82db
10% Popularity • 8% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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William Walton
Belshazzar's Feast: The trumpeters and p...
79 bpm • A min • 01:02 • -34.79db
13% Popularity • 8% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Magnificat | Magnificat in C
79 bpm • C Maj • 05:04 • -23.78db
7% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • G# Maj • 02:47 • -24db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Henry Purcell
Evening Service in G Minor, Z. 231: No. ...
79 bpm • A min • 04:03 • -21.42db
11% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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George Dyson
Choral Symphony: II. Allegro agitato, ma...
79 bpm • C Maj • 10:42 • -20.64db
0% Popularity • 12% Danceability • 12% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 12% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Pange lingua, WAB 33
79 bpm • A min • 04:46 • -31db
25% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
25% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
10% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D major, Op. 86: 1. Kyrie
79 bpm • D Maj • 05:44 • -21db
10% Popularity • 11% Danceability • 9% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 9% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Henry Purcell
Funeral Sentences for the death of Queen...
77 bpm • A# Maj • 02:12 • -27db
12% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Louis Vierne
Berceuse, Op. 31 No. 19
80 bpm • A Maj • 04:02 • -36db
9% Popularity • 10% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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George Dyson
Four Songs for Sailors: IV. A Wet Sheet ...
80 bpm • D# Maj • 02:09 • -17.55db
0% Popularity • 28% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 28% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Franz Schubert
Gott ist mein Hirt, D. 706
80 bpm • B min • 04:44 • -30db
28% Popularity • 12% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
29% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 4. Domine Deus noster-...
80 bpm • G Maj • 02:37 • -29db
11% Popularity • 22% Danceability • 5% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
11% Popularity • 22% Danceability • 5% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
George Dyson
Four Songs for Sailors: III. Sea Music (...
80 bpm • G Maj • 03:27 • -30.37db
1% Popularity • 20% Danceability • 6% Energy • 34% Liveness
46% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 6% Energy • 34% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Judith Hancock (organ)
Introit And Kyrie
76 bpm • A# Maj • 06:06 • -24.83db
10% Popularity • 12% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
► Preview
Thomas Tallis
If Ye Love Me
80 bpm • B Maj • 02:11 • -21.78db
13% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Lili Boulanger
Sous-bois
80 bpm • C# Maj • 05:46 • -28.31db
15% Popularity • 23% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Stabat mater: V. Sancta mater, istud aga...
80 bpm • A# Maj • 03:03 • -18.59db
7% Popularity • 13% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Philip Wilby
Marianne (arr. P. Wilby)
76 bpm • E Maj • 03:47 • -32db
24% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Under the Willow Tree
76 bpm • A Maj • 03:09 • -27.79db
7% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
► Preview
Anton Bruckner
Os justi, WAB 30
80 bpm • C Maj • 04:10 • -26.02db
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Sieben Lieder, Op. 62: No. 3, Waldesnach...
76 bpm • D Maj • 02:27 • -25.98db
3% Popularity • 16% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 3% Positiveness
3% Popularity • 16% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 3% Positiveness
► Preview
James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:10 • -23.73db
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
Cyrillus Kreek
Whilst Great Is Our Poverty
76 bpm • C# Maj • 05:17 • -25.36db
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Thomas Tallis
If Ye Love Me
81 bpm • F Maj • 02:12 • -25db
12% Popularity • 18% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 11% Positiveness
12% Popularity • 18% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 11% Positiveness
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Gustav Holst
Choral Hymns from the Rig Veda, 3rd Grou...
76 bpm • G Maj • 02:59 • -25.49db
14% Popularity • 14% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Psal...
81 bpm • C Maj • 06:25 • -32.03db
20% Popularity • 10% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mass brevis in C major, K.220 "Sparrow M...
81 bpm • C Maj • 01:48 • -17.16db
19% Popularity • 19% Danceability • 19% Energy • 65% Liveness
64% Instrumentalness • 20% Positiveness
19% Popularity • 19% Danceability • 19% Energy • 65% Liveness
64% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Petite Messe solennelle, Kyrie: II. Chri...
81 bpm • F min • 01:49 • -32.62db
30% Popularity • 16% Danceability • 2% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 2% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
22% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
22% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Thomas Tallis
O nata lux de lumine
81 bpm • G min • 01:35 • -15db
18% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sunrise Mass: IV. Identity
81 bpm • C min • 05:59 • -24.54db
22% Popularity • 14% Danceability • 10% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 10% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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George Dyson
Magnificat in D
81 bpm • D Maj • 04:32 • -21.41db
4% Popularity • 10% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
4% Popularity • 10% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
41% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
7% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
17% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Karol Szymanowski
Stabat Mater, Op. 53: IV. Spraw, niech p...
75 bpm • G# Maj • 02:52 • -36.76db
7% Popularity • 7% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: III. Credo
75 bpm • A min • 05:44 • -22db
13% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
18% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Anton Bruckner
Psalm 146, WAB 37: Solo and Chorus: Alle...
81 bpm • A Maj • 04:56 • -23.73db
9% Popularity • 8% Danceability • 13% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 13% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
