Songs like Nystedt: Prayers of Kierkegaard 2 by Knut Nystedt
Based on a tempo of (+/- 10%) and a similar genre
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Andrej Makor
O lux beata Trinitas
106 bpm • F# Maj • 02:37 • -25db
25% Popularity • 16% Danceability • 6% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
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Hans Leo Hassler
Dixit Maria
106 bpm • G Maj • 02:34 • -23.66db
9% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
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Dale Warland Singers
Mass - Frank Martin: III. Credo
106 bpm • A min • 05:45 • -29db
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 30% Liveness
21% Instrumentalness • 4% Positiveness
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Knut Nystedt
Nystedt: Prayers of Kierkegaard 2
106 bpm • D Maj • 01:43 • -20.55db
2% Popularity • 24% Danceability • 15% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
2% Popularity • 24% Danceability • 15% Energy • 12% Liveness
38% Instrumentalness • 7% Positiveness
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Benjamin Britten
Te Deum in C
106 bpm • G Maj • 07:30 • -25.21db
7% Popularity • 18% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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The Wartburg Choir
Set Me as a Seal
107 bpm • D Maj • 02:55 • -22.02db
12% Popularity • 18% Danceability • 16% Energy • 16% Liveness
88% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 16% Energy • 16% Liveness
88% Instrumentalness • 9% Positiveness
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George Lloyd
A Litany for soprano, baritone, chorus &...
107 bpm • G# Maj • 06:03 • -28.28db
8% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
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University of King's College Chapel Choir
Christ Our Passover
105 bpm • C min • 04:13 • -15db
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Johannes Brahms
Seven Songs, Op. 62: III. Waldesnacht
105 bpm • D Maj • 05:40 • -30.17db
11% Popularity • 15% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Knut Nystedt
I will praise Thee, o Lord
105 bpm • E min • 01:30 • -17.09db
3% Popularity • 26% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 26% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Thomas Morley
I Love, Alas, I Love Thee
107 bpm • G Maj • 01:32 • -23db
13% Popularity • 26% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 26% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Edward Elgar
My Love Dwelt in A Northern Land, Op. 18...
105 bpm • A min • 04:01 • -24.76db
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Merylin Poks
Shells
108 bpm • D# Maj • 04:22 • -30.47db
0% Popularity • 17% Danceability • 1% Energy • 7% Liveness
35% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 7% Liveness
35% Instrumentalness • 3% Positiveness
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Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
23% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
108 bpm • D Maj • 04:56 • -24.84db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Knut Nystedt
Missa Brevis, Op. 102: III. Credo
108 bpm • A min • 05:44 • -23.69db
3% Popularity • 20% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
3% Popularity • 20% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
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Antonio Lotti
Lotti: Crucifixus a 8 voci
103 bpm • C min • 03:44 • -25.69db
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
15% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Bob Chilcott
The Isle is Full of Noises
104 bpm • A min • 01:59 • -24.95db
15% Popularity • 28% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
15% Popularity • 28% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Kerensa Briggs
Preces
103 bpm • D Maj • 01:31 • -29.28db
9% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Knut Nystedt
Komm, susser Tod, BWV 478 (arr. K. Nyste...
110 bpm • E Maj • 10:08 • -26.04db
0% Popularity • 21% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: III. Over Hill....
110 bpm • A min • 01:04 • -29.6db
13% Popularity • 28% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 30% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 30% Positiveness
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Thomas Morley
April is in my mistress' face
105 bpm • G min • 01:13 • -19.98db
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Johannes Brahms
Three Songs, Op. 42: II. Vineta
101 bpm • F# Maj • 02:54 • -25.92db
11% Popularity • 25% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 25% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Yuri Alexandrovich Falik
Stranger
111 bpm • A min • 01:53 • -24.38db
14% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
112 bpm • C# Maj • 02:23 • -28.65db
16% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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John Ireland
Communion Service in C Major: Kyrie
113 bpm • C Maj • 01:04 • -32db
37% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Kestutis Daugirdas
Plaudite, Psallite
100 bpm • E Maj • 03:47 • -17.98db
11% Popularity • 25% Danceability • 30% Energy • 24% Liveness
5% Instrumentalness • 23% Positiveness
11% Popularity • 25% Danceability • 30% Energy • 24% Liveness
5% Instrumentalness • 23% Positiveness
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Fraser Wilson
Wishes
99 bpm • E min • 04:14 • -27.09db
6% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Steve Dobrogosz
Mass: V. Sanctus
113 bpm • F Maj • 05:26 • -13.92db
12% Popularity • 31% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
12% Popularity • 31% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 1. O...
99 bpm • D Maj • 01:49 • -24db
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Ubi Caritas
99 bpm • F# min • 03:17 • -29db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
20% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Finn Mathiassen
Lille Almanak – Little Almanac 3
98 bpm • D# Maj • 01:34 • -31.46db
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Truro Cathedral Choir
Nôtre Père, Op. 14
115 bpm • F Maj • 01:27 • -31.62db
18% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
16% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Douglas Guest
For the Fallen
97 bpm • C# min • 01:17 • -27.13db
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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William Byrd
Mass for 5 Voices, T. 3: IIa. Gloria in ...
97 bpm • B min • 01:55 • -23.41db
16% Popularity • 16% Danceability • 9% Energy • 22% Liveness
62% Instrumentalness • 15% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 22% Liveness
62% Instrumentalness • 15% Positiveness
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Thomas Morley
Now Is The Month Of Maying
97 bpm • A min • 02:07 • -19.13db
17% Popularity • 59% Danceability • 28% Energy • 22% Liveness
3% Instrumentalness • 64% Positiveness
17% Popularity • 59% Danceability • 28% Energy • 22% Liveness
3% Instrumentalness • 64% Positiveness
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Kampin Laulu Chamber Choir
Jaakko Mäntyjärvi: Väinämöinen unek...
97 bpm • D min • 04:33 • -20.79db
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Enrique Lacárcel Bautista
I Am in Need of Music - Bonus Track
116 bpm • A# Maj • 03:48 • -21.11db
14% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
14% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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Knut Nystedt
O Crux
96 bpm • B min • 06:18 • -25.09db
2% Popularity • 15% Danceability • 6% Energy • 5% Liveness
5% Instrumentalness • 3% Positiveness
2% Popularity • 15% Danceability • 6% Energy • 5% Liveness
5% Instrumentalness • 3% Positiveness
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LeoRoads
Serenade of the Celestials
117 bpm • E Maj • 02:17 • -17.26db
7% Popularity • 25% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
7% Popularity • 25% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Peter Cornelius
Weihnachtslieder, Op. 8: No. 3, The Thre...
95 bpm • G Maj • 02:42 • -19.34db
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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Bob Chilcott
Agnus Dei - SATB
118 bpm • F min • 04:13 • -23.31db
15% Popularity • 26% Danceability • 8% Energy • 7% Liveness
48% Instrumentalness • 9% Positiveness
15% Popularity • 26% Danceability • 8% Energy • 7% Liveness
48% Instrumentalness • 9% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
11% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Paul Hindemith
Six chansons: I. La biche
120 bpm • E Maj • 01:14 • -29.84db
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
9% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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LeoRoads
Angelic Symphony
93 bpm • A min • 02:26 • -18.67db
8% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
8% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
► Preview
Knut Nystedt
Immortal Bach
93 bpm • D# Maj • 04:40 • -27.29db
2% Popularity • 12% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
2% Popularity • 12% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Johann Stadlmayr
Missa Jubilate Deo: Agnus Die
121 bpm • G min • 01:43 • -22.43db
23% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Arild Sandvold
Fem Latinske Kirkekor: 1. Jubilate Deo O...
94 bpm • G# Maj • 02:01 • -23.7db
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Linköping domkyrkokör
Kommer Vel Lyset Inn
121 bpm • G min • 02:22 • -25.78db
0% Popularity • 28% Danceability • 4% Energy • 18% Liveness
2% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 4% Energy • 18% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
James Whitbourn
A Prayer of Desmond Tutu
92 bpm • D Maj • 01:37 • -21.35db
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
26% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Gustav Mahler
Ich bin der Welt abhanden gekommen
92 bpm • D# Maj • 05:36 • -26.94db
8% Popularity • 15% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Knut Nystedt
Kärlekens lov: III.
122 bpm • C Maj • 01:14 • -20.03db
3% Popularity • 66% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
3% Popularity • 66% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
► Preview
Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
► Preview
Frank Martin
Mass for Double Choir: IV. Sanctus - Ben...
122 bpm • D Maj • 04:13 • -21.14db
14% Popularity • 21% Danceability • 15% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 15% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: O Holy God
92 bpm • C# Maj • 03:21 • -30.97db
15% Popularity • 11% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 3% Positiveness
► Preview
Jaakko Mäntyjärvi
Double, Double Toil and Trouble
91 bpm • F# Maj • 03:01 • -23db
13% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Margaret Bonds
Joy: Joy
123 bpm • F Maj • 02:13 • -13.42db
13% Popularity • 27% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 35% Positiveness
13% Popularity • 27% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 35% Positiveness
► Preview
Knut Nystedt
Immortal Bach, Op. 153 (Arr. for String ...
93 bpm • F Maj • 03:32 • -34.98db
4% Popularity • 12% Danceability • 1% Energy • 33% Liveness
24% Instrumentalness • 3% Positiveness
4% Popularity • 12% Danceability • 1% Energy • 33% Liveness
24% Instrumentalness • 3% Positiveness
► Preview
Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Owain Park
O Send Out Thy Light
91 bpm • B Maj • 02:33 • -24.18db
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
31% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
Matona Mia Cara
91 bpm • B min • 02:46 • -24db
9% Popularity • 40% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 40% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Ralph Vaughan Williams
Three Elizabethan Partsongs: I. Sweet Da...
91 bpm • E min • 02:01 • -30db
10% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Knut Nystedt
Missa Brevis, Op. 102: IV. Sanctus – B...
122 bpm • B Maj • 01:47 • -21.38db
2% Popularity • 19% Danceability • 8% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 8% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
Te Deum in B-Flat
91 bpm • A# Maj • 06:11 • -20.35db
8% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 11% Liveness
22% Instrumentalness • 7% Positiveness
► Preview
Healey Willan
Rise Up My Love
124 bpm • C# Maj • 01:53 • -28.97db
11% Popularity • 18% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Ola Gjeilo
Sunrise Mass: II. Sunrise
90 bpm • D Maj • 10:02 • -21.04db
24% Popularity • 12% Danceability • 18% Energy • 35% Liveness
76% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 18% Energy • 35% Liveness
76% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Agnus Dei
125 bpm • E min • 05:05 • -26.37db
11% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Cyrillus Kreek
Taaveti laulud (Psalms of David): Onnis ...
125 bpm • A min • 03:25 • -24.74db
12% Popularity • 20% Danceability • 8% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 8% Energy • 15% Liveness
17% Instrumentalness • 4% Positiveness
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Knut Nystedt
Pål Sine Hønur (Arr. For Male Choir By...
90 bpm • A Maj • 02:06 • -25.19db
3% Popularity • 43% Danceability • 15% Energy • 15% Liveness
3% Instrumentalness • 64% Positiveness
3% Popularity • 43% Danceability • 15% Energy • 15% Liveness
3% Instrumentalness • 64% Positiveness
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Kevin Siegfried
Shaker Songs: IV. Lay Me Low
125 bpm • G Maj • 04:01 • -35.93db
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
12% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: V. Agnus dei
126 bpm • E min • 05:11 • -23.31db
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
126 bpm • A Maj • 05:14 • -24.12db
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Knut Nystedt
O Crux
125 bpm • B min • 06:26 • -21.86db
3% Popularity • 19% Danceability • 5% Energy • 7% Liveness
69% Instrumentalness • 3% Positiveness
3% Popularity • 19% Danceability • 5% Energy • 7% Liveness
69% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Jakob van Berchem
O Jesu Christe
127 bpm • D Maj • 03:16 • -28db
9% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: I. Full Fathom ...
127 bpm • C Maj • 03:29 • -38db
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Knut Nystedt
Mary's Song
125 bpm • G# Maj • 07:03 • -29.4db
0% Popularity • 20% Danceability • 1% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 1% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
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John Bennet
Weep, O mine eyes
127 bpm • G# min • 02:44 • -25.16db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
18% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Wilhelm Peterson-Berger
Stemning
129 bpm • C min • 02:42 • -26db
14% Popularity • 18% Danceability • 5% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
