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O clap your hands
Songs like
O clap your hands
by
Orlando Gibbons
Based on a tempo of (+/- 10%) and a similar genre
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PÄ“teris Vasks
The Fruits Of Silence
79 bpm • D# Maj • 05:33 • -30db
23% Popularity • 14% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: A New Commandment
79 bpm • C# min • 02:42 • -29db
29% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: I Heard a Voice from Heaven
79 bpm • D Maj • 04:01 • -29db
8% Popularity • 15% Danceability • 5% Energy • 9% Liveness
19% Instrumentalness • 3% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Henry Purcell
O God, Thou Art my God
79 bpm • B Maj • 03:51 • -22.34db
10% Popularity • 23% Danceability • 10% Energy • 14% Liveness
36% Instrumentalness • 6% Positiveness
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Thomas Tallis
God Grant with Grace
79 bpm • A# min • 01:23 • -31.02db
18% Popularity • 16% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Crecquillon
Crecquillon: Pater peccavi - 1. Pater pe...
79 bpm • G Maj • 04:24 • -20db
11% Popularity • 13% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
14% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Orlando Gibbons
O clap your hands
79 bpm • G# Maj • 03:55 • -20.84db
10% Popularity • 23% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Philip Stopford
Ave Maris Stella
80 bpm • A# Maj • 03:49 • -23.58db
21% Popularity • 12% Danceability • 8% Energy • 24% Liveness
31% Instrumentalness • 4% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Jake Runestad
Let my Love be heard
78 bpm • C# min • 04:47 • -23.01db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
9% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem aeternam (1)
78 bpm • E min • 02:53 • -32.84db
25% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: O Lord, Give Thy Holy Spirit
80 bpm • A# min • 02:17 • -26.94db
29% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Adrian Willaert
Missa super Benedicta es: Agnus Dei
78 bpm • C Maj • 04:04 • -21db
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Jean Sibelius
This Is My Song (Finlandia) (Arr. Morgan...
78 bpm • G# Maj • 04:21 • -18db
24% Popularity • 21% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 08. Hosa...
80 bpm • D# Maj • 01:35 • -18db
22% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
17% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Bernard Rose
Versicles and Responses I
78 bpm • A Maj • 01:21 • -29db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Calmus Ensemble
Abendlied Op. 693
80 bpm • D# Maj • 02:32 • -20db
15% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
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Arvo Pärt
Magnificat
78 bpm • C# Maj • 05:34 • -27.95db
12% Popularity • 8% Danceability • 3% Energy • 6% Liveness
52% Instrumentalness • 3% Positiveness
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Christopher Tin
A Hundred Thousand Birds
78 bpm • F# min • 02:48 • -16db
29% Popularity • 12% Danceability • 27% Energy • 8% Liveness
30% Instrumentalness • 16% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
23% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Patrick Hawes
Prayer To A Guardian Angel
77 bpm • D Maj • 02:57 • -20db
21% Popularity • 11% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Samuel Barber
Agnus Dei
77 bpm • A# min • 07:41 • -19.65db
46% Popularity • 11% Danceability • 13% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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William Byrd
Kyrie
77 bpm • F min • 02:18 • -25.12db
11% Popularity • 17% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Þorkell Sigurbjörnsson
Heyr himna smiður
81 bpm • A min • 03:37 • -21.93db
32% Popularity • 12% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Quel Augellin Che Canta
77 bpm • G# min • 01:54 • -28.58db
14% Popularity • 17% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Christopher Tin
There Will Come Soft Rains
81 bpm • E min • 05:25 • -18.26db
24% Popularity • 12% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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James MacMillan
MacMillan: Who Shall Separate Us?
81 bpm • E Maj • 03:08 • -21.54db
4% Popularity • 10% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Dougie MacLean
Caledonia (Arr. Morgan)
77 bpm • A Maj • 05:24 • -20db
33% Popularity • 11% Danceability • 13% Energy • 9% Liveness
40% Instrumentalness • 6% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
81 bpm • G# Maj • 04:49 • -28db
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
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Giovanni Gabrieli
Surrexit Christus a 11 (C66)
81 bpm • F Maj • 03:27 • -21db
24% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
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Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
35% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
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Ola Gjeilo
Shimmering - Ace generosa
82 bpm • B min • 05:13 • -22db
25% Popularity • 11% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Song 1 "Eternal Ruler of the Ceaseless R...
82 bpm • F Maj • 03:51 • -24.68db
12% Popularity • 19% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Gregorio Allegri
Miserere Mei
81 bpm • G min • 07:06 • -25db
31% Popularity • 16% Danceability • 5% Energy • 11% Liveness
43% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Dum transisset Sabbatum 1 - 3....
76 bpm • F min • 01:11 • -16.97db
22% Popularity • 16% Danceability • 11% Energy • 5% Liveness
28% Instrumentalness • 8% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 2. C...
82 bpm • A# Maj • 02:10 • -25.92db
7% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
33% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Jean Mouton
Mouton: Ave Maria, Virgo Serena - 1. Ave...
82 bpm • G Maj • 04:49 • -24db
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Adoramus te Christe
82 bpm • G Maj • 03:39 • -20.56db
13% Popularity • 15% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ramin Djawadi
The Rains of Castamere (Arr. Lawson)
82 bpm • G min • 03:07 • -21.35db
30% Popularity • 20% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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John Taverner
Quemadmodum
76 bpm • C min • 06:30 • -24db
9% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Mouton: Nesciens Mater
82 bpm • F Maj • 04:52 • -18.67db
16% Popularity • 8% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
13% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Antoine Brumel
Du tout plongiet/Fors seulement
82 bpm • C min • 12:28 • -26.43db
25% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
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VOCES8
Nothing Else Matters (Arr. for Vocal Ens...
82 bpm • E min • 04:58 • -20.47db
32% Popularity • 9% Danceability • 13% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della beata Vergine (1610): Conce...
82 bpm • G min • 04:53 • -22.01db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Jacob Clemens non Papa
Clemens: Ego flos campi
82 bpm • G# Maj • 04:14 • -22.32db
8% Popularity • 13% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Edith Franklin Wyatt
My Companion - SATB
82 bpm • E Maj • 05:00 • -22.73db
17% Popularity • 13% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Christopher Tin
Wild Swans
76 bpm • A Maj • 04:10 • -18.72db
26% Popularity • 9% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Paul Hindemith
6 Chansons: No. 2. Un cygne
82 bpm • E min • 02:04 • -26db
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Hear the Voice and Prayer
82 bpm • F# min • 03:02 • -27.52db
29% Popularity • 13% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben
76 bpm • D min • 08:17 • -23.87db
13% Popularity • 15% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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George Dyson
Nunc Dimittis in F Major (1)
82 bpm • F Maj • 02:19 • -35.79db
12% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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John Sheppard
Libera Nos 1
76 bpm • A# Maj • 02:52 • -21.22db
15% Popularity • 18% Danceability • 12% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
82 bpm • C Maj • 04:14 • -29db
15% Popularity • 13% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Hilliard Ensemble
de Missa "Mille Regretz": Agnus Dei III ...
83 bpm • G# min • 02:13 • -23.33db
8% Popularity • 16% Danceability • 15% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
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O clap your hands