Songs like O Come, All Ye Faithful by John Francis Wade
Based on a tempo of (+/- 10%) and a similar genre
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Clement Cotterill Scholefield
Nyt nousee aamuruskon alta (Siionin laul...
64 bpm • G Maj • 02:42 • -23.16db
15% Popularity • 25% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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H. Rogers
伴我同行
64 bpm • C Maj • 02:49 • -15.59db
0% Popularity • 17% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Alleluia laus et gloria, IOL 8
65 bpm • A# Maj • 00:56 • -23.01db
39% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
39% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Te Deum, Op. 103, B. 176: Tu rex gloriae...
65 bpm • B Maj • 04:45 • -25.79db
2% Popularity • 14% Danceability • 7% Energy • 16% Liveness
48% Instrumentalness • 4% Positiveness
2% Popularity • 14% Danceability • 7% Energy • 16% Liveness
48% Instrumentalness • 4% Positiveness
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Thomas Tallis
O nata lux
65 bpm • G min • 02:03 • -28.95db
13% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Patrick Cassidy
The Mass: Benedictus
65 bpm • D# Maj • 03:25 • -20.04db
18% Popularity • 6% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
18% Popularity • 6% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
31% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Domine Jesu Christe (Offertory)
63 bpm • C# min • 09:01 • -21.61db
6% Popularity • 16% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 3% Positiveness
6% Popularity • 16% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 3% Positiveness
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Catholic Central Concert Choir
In Remembrance
62 bpm • A# Maj • 04:05 • -26.64db
11% Popularity • 6% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
11% Popularity • 6% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618
62 bpm • D Maj • 03:34 • -17.33db
9% Popularity • 13% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
9% Popularity • 13% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Haec est dies
66 bpm • F Maj • 02:05 • -21.15db
19% Popularity • 20% Danceability • 15% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
19% Popularity • 20% Danceability • 15% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
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Orlande de Lassus
Ipsa Te Cogat
66 bpm • A min • 01:31 • -27.02db
16% Popularity • 26% Danceability • 8% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 8% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VI. Agnus Dei
62 bpm • G min • 03:48 • -24.33db
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Domine Deus, Rex coelestis
66 bpm • B Maj • 04:05 • -30db
30% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
30% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Barron Ryan
I Wonder as I Wander
62 bpm • D min • 04:46 • -26.55db
23% Popularity • 39% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
23% Popularity • 39% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Confirma hoc Deus
66 bpm • A Maj • 01:29 • -24.14db
40% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
40% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
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Tomás Luis de Victoria
Laudate Dominum omnes gentes
62 bpm • A# min • 03:40 • -20.89db
8% Popularity • 9% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
8% Popularity • 9% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
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Margaret Rizza
Adoramus Te, Domine Deus
67 bpm • F Maj • 04:47 • -18.95db
4% Popularity • 20% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
4% Popularity • 20% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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The Concordia Choir
Praise To The Lord
67 bpm • A Maj • 04:03 • -21.99db
24% Popularity • 21% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
24% Popularity • 21% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
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Giovanni Battista Bassani
Misa Mo Domingo: Sanctus
67 bpm • C# Maj • 01:37 • -13.74db
16% Popularity • 34% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 34% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Choir of the New Apostolic Church, Cape Town
Thou Leadest To Grace
67 bpm • E Maj • 03:19 • -23.29db
14% Popularity • 16% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Philip Stopford
Jesu, Lover of My Soul
67 bpm • C# Maj • 05:01 • -20.62db
9% Popularity • 18% Danceability • 10% Energy • 23% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 10% Energy • 23% Liveness
93% Instrumentalness • 4% Positiveness
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Johannes Brahms
4 Gesange, Op. 17: Es tont ein voller Ha...
67 bpm • G min • 03:15 • -25.92db
15% Popularity • 20% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Jean Langlais
Regina cæli
67 bpm • D min • 01:10 • -25.35db
14% Popularity • 17% Danceability • 11% Energy • 11% Liveness
70% Instrumentalness • 7% Positiveness
14% Popularity • 17% Danceability • 11% Energy • 11% Liveness
70% Instrumentalness • 7% Positiveness
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GIA Singers
Ye Watchers and Ye Holy Ones
68 bpm • D# Maj • 03:25 • -20db
26% Popularity • 13% Danceability • 13% Energy • 17% Liveness
76% Instrumentalness • 9% Positiveness
26% Popularity • 13% Danceability • 13% Energy • 17% Liveness
76% Instrumentalness • 9% Positiveness
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Ola Gjeilo
Across The Vast, Eternal Sky
67 bpm • B Maj • 04:38 • -17.33db
28% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Amsterdam Staff Songsters of the Salvation Army
I Need Thee
68 bpm • G Maj • 07:12 • -28.41db
9% Popularity • 17% Danceability • 4% Energy • 28% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 28% Liveness
86% Instrumentalness • 4% Positiveness
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Kammerchor Wilhelmshaven
Abendlied
68 bpm • C Maj • 02:06 • -25.07db
11% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
68 bpm • B min • 08:10 • -22.17db
2% Popularity • 22% Danceability • 3% Energy • 14% Liveness
27% Instrumentalness • 16% Positiveness
2% Popularity • 22% Danceability • 3% Energy • 14% Liveness
27% Instrumentalness • 16% Positiveness
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Schulte & Gerth Studiochor
Wir wollen alle fröhlich sein
68 bpm • F Maj • 03:07 • -12db
15% Popularity • 20% Danceability • 25% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 20% Danceability • 25% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
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I TRAVEL LIGHT
Come All Ye Faithful
68 bpm • C Maj • 02:33 • -20.61db
0% Popularity • 44% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
0% Popularity • 44% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 17% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
69 bpm • E Maj • 01:06 • -26.13db
27% Popularity • 14% Danceability • 6% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
27% Popularity • 14% Danceability • 6% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
69 bpm • G Maj • 04:14 • -19.77db
10% Popularity • 7% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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César Franck
Panis Angelicus
60 bpm • G Maj • 03:55 • -23.9db
8% Popularity • 22% Danceability • 12% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 12% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
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Jack Lenz Music
O God, My God
69 bpm • E min • 04:51 • -22.68db
12% Popularity • 16% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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Max Reger
Nachtlied, Op. 138, No. 3
69 bpm • B min • 03:01 • -25.5db
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
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Andrey Jackson
The Lord's My Light
69 bpm • F# Maj • 01:42 • -32db
27% Popularity • 10% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
27% Popularity • 10% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
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Jacobus Gallus
Pueri concinite
69 bpm • G Maj • 01:53 • -22db
27% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
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Randall Thompson
The Last Words of David
69 bpm • G Maj • 03:48 • -28.26db
13% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Marco Frisina
Totus Tuus
69 bpm • E Maj • 02:52 • -9db
31% Popularity • 19% Danceability • 47% Energy • 66% Liveness
1% Instrumentalness • 20% Positiveness
31% Popularity • 19% Danceability • 47% Energy • 66% Liveness
1% Instrumentalness • 20% Positiveness
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Ward Swingle
It was a lover and his lass
69 bpm • E Maj • 02:48 • -31.29db
11% Popularity • 30% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 30% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Playing To Pitch In
Oh Come, All Ye Faithful
69 bpm • G# Maj • 01:41 • -18.48db
28% Popularity • 67% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 51% Positiveness
28% Popularity • 67% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 51% Positiveness
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Zoltán Kodály
Esti dal (Evening Song)
69 bpm • A# Maj • 03:25 • -34.94db
8% Popularity • 19% Danceability • 0% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 0% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Lux aeterna: IV. Veni, sancte spiritus
69 bpm • A Maj • 02:28 • -18.69db
15% Popularity • 22% Danceability • 12% Energy • 20% Liveness
7% Instrumentalness • 10% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 20% Liveness
7% Instrumentalness • 10% Positiveness
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Église Nouvelle Vie
C'est Le Plus Beau Des Moments De L'ann�...
69 bpm • G Maj • 02:57 • -7.93db
11% Popularity • 44% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 44% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Choir of the New Apostolic Church, Cape Town
Lord, Grant Me Mercy
69 bpm • D Maj • 02:49 • -27.02db
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
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St. Albans Cathedral Choir
Brahms: Geistliches lied Op. 30
70 bpm • D# Maj • 05:49 • -25db
9% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
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Cincinnati Choral Society
Cor Mundum Crea in Me Deus
69 bpm • A# Maj • 02:51 • -25.44db
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Hubert Parry
Crossing the Bar
70 bpm • D Maj • 02:40 • -27.74db
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
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The Cecilian Singers direc...
Our Lady of Lourdes
70 bpm • A Maj • 02:23 • -30db
14% Popularity • 16% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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John Francis Wade
Oh, Come, All Ye Faithful
58 bpm • G# Maj • 01:35 • -14.7db
0% Popularity • 16% Danceability • 9% Energy • 35% Liveness
70% Instrumentalness • 28% Positiveness
0% Popularity • 16% Danceability • 9% Energy • 35% Liveness
70% Instrumentalness • 28% Positiveness
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English Traditional
Drink to me only
70 bpm • F Maj • 03:11 • -21.61db
1% Popularity • 10% Danceability • 19% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 19% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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Johann Abraham Peter Schulz
Her kjem me, dine arme smaa (Arr. Idunn ...
70 bpm • A Maj • 03:47 • -23db
10% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Harold Darke
Communion Service in E Major "Collegium ...
70 bpm • E min • 01:59 • -31db
4% Popularity • 11% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
4% Popularity • 11% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Daughters of Mary
O Lord, I Am Not Worthy
71 bpm • B Maj • 03:01 • -17.51db
8% Popularity • 12% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 8% Positiveness
8% Popularity • 12% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 8% Positiveness
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Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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Nikolaus Selnecker
Nun lasst uns Gott, dem Herren
71 bpm • A Maj • 01:48 • -19.9db
13% Popularity • 14% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
13% Popularity • 14% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Arvo Pärt
Pärt: 7 Magnificat-Antiphonen: No. 7, O...
71 bpm • D Maj • 03:13 • -26.48db
0% Popularity • 18% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 18% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Karl Jenkins
The Peacemakers: Healing Light
71 bpm • E min • 03:04 • -31db
26% Popularity • 30% Danceability • 2% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
26% Popularity • 30% Danceability • 2% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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Gerald Finzi
7 Partsongs, Op. 17: No. 3, My Spirit Sa...
71 bpm • G min • 01:49 • -15.92db
8% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
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Ad Maiorem
Nad Betlejem W Ciemną Noc
72 bpm • D# Maj • 01:55 • -13db
12% Popularity • 29% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 29% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Frank La Rocca
Mass of the Americas: I. El cantico del ...
72 bpm • A Maj • 02:51 • -21.74db
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
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Andrey Jackson
The Lord's My Shepherd
72 bpm • E Maj • 02:01 • -27.3db
16% Popularity • 19% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 46% Positiveness
16% Popularity • 19% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 46% Positiveness
► Preview
![I Will Be a Child of Peace (After Gilman) [Version for Treble Choir & Piano] cover art](https://i.scdn.co/image/ab67616d00001e0260c3f97e525f3aa1d2bd714f)
Elaine Hagenberg
I Will Be a Child of Peace (After Gilman...
72 bpm • D# Maj • 03:38 • -21.86db
9% Popularity • 29% Danceability • 4% Energy • 18% Liveness
96% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 18% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Arvo Pärt
Pärt: 7 Magnificat-Antiphonen: No. 5, O...
72 bpm • G# min • 01:54 • -40.7db
0% Popularity • 14% Danceability • 1% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
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Ronaldo Miranda
Suite Nordestina: II. Dendê trapiá
72 bpm • F Maj • 01:06 • -16.9db
8% Popularity • 46% Danceability • 22% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 46% Danceability • 22% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
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John Francis Wade
Adeste fideles (Improvisation by R. Lutz...
72 bpm • G Maj • 07:30 • -21.46db
0% Popularity • 14% Danceability • 9% Energy • 14% Liveness
85% Instrumentalness • 25% Positiveness
0% Popularity • 14% Danceability • 9% Energy • 14% Liveness
85% Instrumentalness • 25% Positiveness
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Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Andrey Jackson
Abide With Me! Fast Falls the Eventide
72 bpm • D Maj • 03:03 • -30.08db
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Elektra Women's Choir
Away From The Roll Of The Sea
72 bpm • E Maj • 04:13 • -22.07db
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
Malcolm Archer
Good Christians All, Rejoice and Sing
72 bpm • D Maj • 02:02 • -13db
7% Popularity • 22% Danceability • 29% Energy • 16% Liveness
28% Instrumentalness • 25% Positiveness
7% Popularity • 22% Danceability • 29% Energy • 16% Liveness
28% Instrumentalness • 25% Positiveness
► Preview
Mårten Jansson
Missa Popularis: III. Credo
73 bpm • F Maj • 07:28 • -22.12db
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
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Nigel Hess
A Christmas Overture
73 bpm • G Maj • 07:32 • -13db
15% Popularity • 21% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 9% Positiveness
15% Popularity • 21% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 9% Positiveness
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Choir of the New Apostolic Church, Cape Town
Shall I Meet You At The Fountain?
56 bpm • C Maj • 04:47 • -22.04db
13% Popularity • 26% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
13% Popularity • 26% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Chorale De Valgrisenche
Il tamburino
73 bpm • G# Maj • 02:35 • -21.36db
8% Popularity • 32% Danceability • 6% Energy • 14% Liveness
33% Instrumentalness • 7% Positiveness
8% Popularity • 32% Danceability • 6% Energy • 14% Liveness
33% Instrumentalness • 7% Positiveness
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Kim André Arnesen
Magnificat anima mea
73 bpm • E min • 06:24 • -21.85db
12% Popularity • 7% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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The Cambridge Singers
Christ Our Emmanuel
73 bpm • D min • 04:41 • -27.47db
22% Popularity • 18% Danceability • 4% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
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Giovanni Pierluigi da Palestrina
Sicut cervus
73 bpm • G# Maj • 03:42 • -23.94db
9% Popularity • 8% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Joncas
At Jesus' Name
74 bpm • A min • 04:25 • -13.96db
10% Popularity • 20% Danceability • 22% Energy • 13% Liveness
22% Instrumentalness • 17% Positiveness
10% Popularity • 20% Danceability • 22% Energy • 13% Liveness
22% Instrumentalness • 17% Positiveness
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Andrey Jackson
Set Thou Thy Trust Upon the Lord
74 bpm • F# Maj • 01:58 • -31db
22% Popularity • 13% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
22% Popularity • 13% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Ricky Manalo
Easter Sequence & Alleluia
74 bpm • G min • 03:19 • -11.46db
13% Popularity • 24% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
26% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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Michael John Trotta
Requiem: V. Pie Jesu
74 bpm • A# min • 03:25 • -32.96db
22% Popularity • 12% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
O Little Town of Bethlehem
74 bpm • F Maj • 03:13 • -25.45db
9% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Laestadian Lutheran Church
The Lord's My Shepherd SHZ 371b
74 bpm • F Maj • 03:42 • -14.19db
15% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
15% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
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John Goss
Praise, My Soul, the King Of Heaven
74 bpm • D Maj • 02:55 • -19db
15% Popularity • 9% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
15% Popularity • 9% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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Jessie Seymour Irvine
The Lord's my shepherd (Crimond)
74 bpm • F Maj • 03:01 • -19db
11% Popularity • 11% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 11% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Kim André Arnesen
Quis est homo
74 bpm • A min • 06:43 • -25.19db
10% Popularity • 9% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 5% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Christoph Ernst Friedrich Weyse
Nu titte til hinanden
74 bpm • D# Maj • 02:16 • -18db
11% Popularity • 13% Danceability • 18% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 13% Danceability • 18% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
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Jørgen Sørensen
Da solen påskemorgen kom
74 bpm • F Maj • 03:05 • -22db
11% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
11% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
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Stacey V. Gibbs
Didn't My Lord Deliver Daniel
75 bpm • F# min • 04:07 • -12.56db
8% Popularity • 13% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Eric Whitacre
Sing Gently
75 bpm • G Maj • 03:25 • -18.97db
28% Popularity • 22% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Adam de la Halle
Madrigal (Kom, du ljuva hjartevan) (arr....
75 bpm • C# Maj • 02:01 • -34.83db
19% Popularity • 22% Danceability • 2% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
19% Popularity • 22% Danceability • 2% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
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Engelbert Humperdinck
Abends, wenn ich schlafen geh
75 bpm • E min • 01:31 • -22db
15% Popularity • 24% Danceability • 16% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 16% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ic. Kyr...
75 bpm • D Maj • 01:34 • -21.14db
12% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness