Songs like O Domine Jesu Christe by Mignarda
Based on a tempo of (+/- 10%) and a similar genre
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Mignarda
Entrée De Luth - Lute Solo
83 bpm • C min • 01:02 • -32.94db
1% Popularity • 34% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 33% Positiveness
1% Popularity • 34% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 33% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Dominican House of Studies
O sacrum convivium
83 bpm • E min • 02:49 • -19.79db
19% Popularity • 15% Danceability • 14% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 14% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Holy God, We Praise Thy Name
83 bpm • F Maj • 03:55 • -17.59db
12% Popularity • 11% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
12% Popularity • 11% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Anima Christi
83 bpm • F# Maj • 01:51 • -27db
40% Popularity • 26% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
40% Popularity • 26% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Choir of the Monks of Chevetogne
Akathistos Hymn: Kontakion
83 bpm • B Maj • 06:17 • -22.34db
20% Popularity • 15% Danceability • 11% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 11% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Mignarda
O Domine Jesu Christe
83 bpm • F# min • 03:24 • -25.16db
1% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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St. Tikhon's Seminary & Monastery Choirs
Beatitudes - Ancient Chant, Arr. P. Kapp...
84 bpm • C# Maj • 02:47 • -27.43db
23% Popularity • 17% Danceability • 7% Energy • 16% Liveness
11% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 7% Energy • 16% Liveness
11% Instrumentalness • 4% Positiveness
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Bell Canto
Kyrie Eleison
82 bpm • C Maj • 02:04 • -12.26db
23% Popularity • 10% Danceability • 38% Energy • 14% Liveness
87% Instrumentalness • 29% Positiveness
23% Popularity • 10% Danceability • 38% Energy • 14% Liveness
87% Instrumentalness • 29% Positiveness
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William Ferris Chorale (J. Michael Thompson)
Exsultet
82 bpm • G min • 08:52 • -13.17db
18% Popularity • 31% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 31% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Concordia Choir
Create in Me a Clean Heart
84 bpm • E Maj • 01:43 • -37db
38% Popularity • 19% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 1% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Sexteto Cantábile
Notre Père (Maurice Duruflé)
84 bpm • F# Maj • 01:24 • -25.58db
35% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
35% Popularity • 20% Danceability • 6% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Mignarda
Benedictus Isaac
83 bpm • C# min • 02:59 • -34.3db
1% Popularity • 27% Danceability • 2% Energy • 17% Liveness
85% Instrumentalness • 34% Positiveness
1% Popularity • 27% Danceability • 2% Energy • 17% Liveness
85% Instrumentalness • 34% Positiveness
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Dominican House of Studies
The Dream of Saint Joseph
82 bpm • C Maj • 01:58 • -19.24db
21% Popularity • 18% Danceability • 21% Energy • 10% Liveness
48% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 21% Energy • 10% Liveness
48% Instrumentalness • 12% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
84 bpm • F Maj • 02:01 • -20.44db
43% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Cor meum conturbatum est, IOL 58
82 bpm • D min • 01:48 • -23.29db
24% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Hieronymos Tragodistes of Cyprus
O Great and Most Sacred Pascha
82 bpm • G min • 01:36 • -18.33db
27% Popularity • 19% Danceability • 21% Energy • 13% Liveness
35% Instrumentalness • 5% Positiveness
27% Popularity • 19% Danceability • 21% Energy • 13% Liveness
35% Instrumentalness • 5% Positiveness
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Lucien Deiss, CSSp
Ave Maris Stella
84 bpm • E min • 02:19 • -25db
32% Popularity • 18% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
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Mignarda
The Christ Child Lullaby
84 bpm • F Maj • 02:25 • -20.16db
0% Popularity • 48% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 48% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Antoine Busnois
Seule à part moy
82 bpm • C# min • 07:17 • -25.82db
0% Popularity • 36% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
0% Popularity • 36% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Dominican House of Studies
Anima Christi
84 bpm • F Maj • 02:59 • -18.03db
29% Popularity • 18% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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Coro Solemnis
Rorate Caeli Desuper
84 bpm • F Maj • 05:32 • -24.04db
23% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Adrian Le Roy
Psalm 50: Le Dieu le fort
82 bpm • G min • 03:56 • -16.25db
0% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Ojcze Nasz
82 bpm • F Maj • 01:15 • -21.55db
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
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Mignarda
Ne Timeas, Maria
84 bpm • F# Maj • 03:28 • -18.23db
0% Popularity • 37% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
0% Popularity • 37% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Anonymous
Robin is to the greenwood gone - Arr. fo...
81 bpm • F min • 03:08 • -23.56db
5% Popularity • 45% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
5% Popularity • 45% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Marian Grace
Doxology
85 bpm • C Maj • 01:03 • -12.04db
32% Popularity • 34% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 34% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Claudia F. Hernaman
Lord, Who Throughout These Forty Days
85 bpm • F Maj • 02:38 • -15.08db
21% Popularity • 16% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 16% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Popular
Introitus: Ad Te Levavi, Modo VII
81 bpm • E Maj • 03:24 • -24.02db
26% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
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Canto Católico
Ave Maria
81 bpm • F Maj • 02:24 • -14.09db
27% Popularity • 9% Danceability • 20% Energy • 9% Liveness
23% Instrumentalness • 15% Positiveness
27% Popularity • 9% Danceability • 20% Energy • 9% Liveness
23% Instrumentalness • 15% Positiveness
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Mignarda
Oculi mei
85 bpm • F# min • 02:02 • -26.25db
1% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Roman Hurko
3rd Antiphon - The Beatitudes
81 bpm • D# min • 01:51 • -19db
38% Popularity • 21% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Aramis Quartet
The Lord Bless You and Keep You
85 bpm • C Maj • 01:29 • -27.02db
38% Popularity • 20% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 20% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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Stephen Petrunak
Sing of Mary - Salve Regina
81 bpm • D Maj • 04:17 • -14.9db
23% Popularity • 48% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
23% Popularity • 48% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Hortus Musicus
Veni creator spiritus
85 bpm • A# Maj • 03:05 • -14.81db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Prima Luce
Ave Regina Cælorum
81 bpm • G# Maj • 00:52 • -28db
19% Popularity • 27% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 27% Danceability • 4% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Mignarda
Let all Mortal Flesh Keep Silence
81 bpm • B min • 02:57 • -18.27db
1% Popularity • 44% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 44% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Antoine Busnois
Je ne fay plus
85 bpm • A min • 05:13 • -24.72db
1% Popularity • 27% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 30% Positiveness
1% Popularity • 27% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 30% Positiveness
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Steven Houser
On This Day, O Beautiful Mother
81 bpm • D Maj • 04:53 • -21db
25% Popularity • 11% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 17% Positiveness
25% Popularity • 11% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 17% Positiveness
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Roman Hurko
1st Antiphon & Small Litany
85 bpm • A# min • 02:25 • -23.81db
30% Popularity • 15% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Hortus Musicus
Cunctipotens Genitor Deus
81 bpm • D min • 01:47 • -11.92db
18% Popularity • 27% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 27% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Dan Gibson's Solitudes
Credo III
81 bpm • D Maj • 06:43 • -21.38db
43% Popularity • 8% Danceability • 18% Energy • 36% Liveness
53% Instrumentalness • 7% Positiveness
43% Popularity • 8% Danceability • 18% Energy • 36% Liveness
53% Instrumentalness • 7% Positiveness
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Choir of Beirut
Angelus Mass, Sanctus
80 bpm • F Maj • 02:05 • -26.38db
39% Popularity • 17% Danceability • 6% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
39% Popularity • 17% Danceability • 6% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Coro de la Cruz del Amor sin lÃmites
Velaré Contigo - Spanish Version
80 bpm • D min • 05:39 • -11.65db
19% Popularity • 9% Danceability • 19% Energy • 12% Liveness
17% Instrumentalness • 8% Positiveness
19% Popularity • 9% Danceability • 19% Energy • 12% Liveness
17% Instrumentalness • 8% Positiveness
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Folger ms.
Go From My Window
80 bpm • E Maj • 02:24 • -26.33db
0% Popularity • 42% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
0% Popularity • 42% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Phos Hilaron
86 bpm • C min • 01:48 • -22.54db
25% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
25% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
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Hortus Musicus
Pater Noster
80 bpm • C Maj • 01:18 • -14.99db
25% Popularity • 23% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 23% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Lucien Deiss, CSSp
Instrumental Interlude, My soul is longi...
80 bpm • F Maj • 02:44 • -25.52db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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Abadia da Ressurreição
Tantum Ergo
86 bpm • G min • 01:27 • -22.24db
29% Popularity • 22% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 22% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Agnus Dei
80 bpm • F Maj • 01:33 • -21db
41% Popularity • 22% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
41% Popularity • 22% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Gregory the Great
The Glory of These Forty Days
80 bpm • E min • 02:30 • -13.3db
27% Popularity • 22% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 22% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Monjes Del Monasterio De San Pedro
Comunión Espiritual
86 bpm • F# min • 03:04 • -14.47db
18% Popularity • 24% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
18% Popularity • 24% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Thomas Morley
Sleep Slumbering Eyes - Arr. for Lute an...
86 bpm • C min • 04:08 • -18.81db
1% Popularity • 39% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 39% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Hosanna Filio David
86 bpm • C Maj • 01:18 • -27.06db
39% Popularity • 20% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
39% Popularity • 20% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Praise To The Lord, The Almighty
80 bpm • F Maj • 03:12 • -18.29db
17% Popularity • 17% Danceability • 12% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
17% Popularity • 17% Danceability • 12% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa: Pater Noster
86 bpm • G Maj • 01:22 • -23.09db
40% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Robert Hales
O Eyes, Leave Off Your Weeping
86 bpm • F# min • 03:15 • -21.93db
0% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ars Veritas
Ave maris stella
86 bpm • C# min • 05:24 • -17.48db
21% Popularity • 13% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Boësset
N'espérez plus mes yeux
80 bpm • F min • 04:33 • -14.97db
0% Popularity • 38% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 38% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Levente Gyöngyösi
Beatus vir
86 bpm • G Maj • 03:25 • -23.87db
17% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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The Paul Leddington Wright Singers
Nada Te Turbe
86 bpm • A min • 04:20 • -19.58db
21% Popularity • 16% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Cantarte Regensburg
Antiphon: Salve Regina
80 bpm • E min • 01:59 • -17.88db
38% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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The Benedictine Monks of Worth Abbey
Morning Prayer: III. Psalm 1
87 bpm • D# Maj • 02:00 • -31.78db
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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British Museum Add. ms. 15117
Willow Song
87 bpm • C# min • 04:05 • -22.32db
0% Popularity • 32% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 32% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Gregory the Great
Again We Keep This Solemn Fast
79 bpm • E min • 01:47 • -12.28db
25% Popularity • 22% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 22% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Paul Leddington Wright Singers
Magnificat (Choral)
80 bpm • F Maj • 04:24 • -18.37db
11% Popularity • 31% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 31% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Anonymous
Have I Caught My Heavenly Jewel? - Arr. ...
79 bpm • G Maj • 02:16 • -20.36db
0% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Monks Of The Benedictine Abbey
Vidi Aquam
79 bpm • F# Maj • 03:37 • -22db
22% Popularity • 16% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 16% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Coro de la Cruz del Amor sin lÃmites
Nada Te Turbe
79 bpm • A min • 05:28 • -11.36db
29% Popularity • 20% Danceability • 26% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
29% Popularity • 20% Danceability • 26% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
► Preview
Dominican House of Studies
Beati mortui
87 bpm • C# Maj • 03:01 • -20.76db
18% Popularity • 9% Danceability • 19% Energy • 15% Liveness
28% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 19% Energy • 15% Liveness
28% Instrumentalness • 4% Positiveness
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Coro De La AbadÃa De San Florián Y La Iglesia De Santa Rita
Aleluya
79 bpm • F# Maj • 01:48 • -19.36db
26% Popularity • 20% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 20% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Maurice Duruflé
Maurice Duruflé: Ubi caritas
87 bpm • D# Maj • 02:26 • -29db
29% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Ars Veritas
Messe cum jubilo: Sanctus IX
79 bpm • A Maj • 01:34 • -13db
23% Popularity • 26% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 26% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
The Choir Of Christ Church St Laurence
Flos Carmeli
79 bpm • A# min • 02:03 • -29db
18% Popularity • 26% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 26% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Sabrina Cortese & Michele Biki Panitti
Ave Maria, No. 7, Op. 13
87 bpm • G Maj • 02:54 • -20.14db
18% Popularity • 25% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
18% Popularity • 25% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa. Agnus Dei: 11
79 bpm • G# Maj • 01:01 • -23.76db
37% Popularity • 16% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 16% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Baptiste Besard
C'est malheur
87 bpm • E min • 03:52 • -16.42db
0% Popularity • 34% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 34% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Nicene Creed
79 bpm • F min • 04:08 • -24db
31% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
31% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
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The Choir from Our Lady of Medjugorje
Spirito Santo
88 bpm • C Maj • 02:51 • -6.37db
28% Popularity • 19% Danceability • 48% Energy • 10% Liveness
10% Instrumentalness • 15% Positiveness
28% Popularity • 19% Danceability • 48% Energy • 10% Liveness
10% Instrumentalness • 15% Positiveness
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Bonaventura Somma
Somma: Ave Maria
79 bpm • F Maj • 03:43 • -24.8db
12% Popularity • 7% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Josquin des Prez
Comment peult avoir joye
88 bpm • E Maj • 02:50 • -28.13db
0% Popularity • 35% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
0% Popularity • 35% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Sanctus iii
88 bpm • D min • 01:33 • -30db
40% Popularity • 17% Danceability • 3% Energy • 25% Liveness
41% Instrumentalness • 9% Positiveness
40% Popularity • 17% Danceability • 3% Energy • 25% Liveness
41% Instrumentalness • 9% Positiveness
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Dominican House of Studies
Protect Thy People, O Lord
88 bpm • E min • 01:02 • -22db
35% Popularity • 19% Danceability • 16% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 16% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
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Mignarda
Sleepe Slumbringe Eyes
78 bpm • C# min • 04:29 • -16.36db
0% Popularity • 38% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 38% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Credo V
78 bpm • G# Maj • 04:59 • -26db
33% Popularity • 13% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 13% Positiveness
33% Popularity • 13% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 13% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Ego Sum Panis Vivus
78 bpm • C min • 02:19 • -23.98db
35% Popularity • 17% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 17% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Lucien Deiss, CSSp
Virgo Dei Genitrix
78 bpm • F# Maj • 01:27 • -28db
32% Popularity • 18% Danceability • 2% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
32% Popularity • 18% Danceability • 2% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
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Choir Queen of Peace Medjugorje
Jesus I belive in You
88 bpm • E min • 06:12 • -8.85db
22% Popularity • 39% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 39% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Bernadette Farrell
God, Beyond All Names
88 bpm • G min • 03:48 • -22db
16% Popularity • 31% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 31% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Monks And Choirboys Of Downside Abbey
Ave Verum Corpus
78 bpm • D Maj • 02:52 • -22.55db
11% Popularity • 17% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Graduale...
78 bpm • F min • 02:37 • -20.37db
26% Popularity • 21% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Miserere Mei
78 bpm • A# min • 02:10 • -25db
37% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Agnus Dei
78 bpm • F Maj • 01:34 • -23db
43% Popularity • 23% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Répons bref "De ore leonis"
78 bpm • A Maj • 01:51 • -24db
39% Popularity • 18% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Mignarda
Dominus meus
89 bpm • F# min • 03:03 • -28.76db
1% Popularity • 29% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 29% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Kyrie
89 bpm • A# Maj • 01:41 • -20.64db
42% Popularity • 17% Danceability • 14% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 14% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
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Hayne van Ghizeghem (c.1445-1497)
Amours, amours
77 bpm • C# min • 07:25 • -25.99db
0% Popularity • 32% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 32% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
