Songs like O Grande Kilapy by Diederik Wissels
Based on a tempo of (+/- 10%) and a similar genre
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Jacky Terrasson
First Child
132 bpm • A# min • 02:24 • -19.42db
15% Popularity • 41% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Charlie James-Walker
The days of wine and roses
132 bpm • D Maj • 03:03 • -21.1db
13% Popularity • 46% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
13% Popularity • 46% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Jacob Bredahl Djursaa
338
132 bpm • D# Maj • 04:03 • -13.72db
9% Popularity • 32% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
9% Popularity • 32% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Giovanni Di Carlo
Last Portrait
132 bpm • G min • 05:15 • -15.65db
0% Popularity • 45% Danceability • 17% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
0% Popularity • 45% Danceability • 17% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
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Roberto Cipelli
Practical Arrangement
132 bpm • A min • 03:42 • -14.92db
10% Popularity • 46% Danceability • 9% Energy • 12% Liveness
58% Instrumentalness • 25% Positiveness
10% Popularity • 46% Danceability • 9% Energy • 12% Liveness
58% Instrumentalness • 25% Positiveness
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David Linx
O grande Kilapy
132 bpm • D Maj • 03:48 • -15.55db
2% Popularity • 55% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
2% Popularity • 55% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Michel Bisceglia
Nunc Dimittis
133 bpm • C Maj • 02:27 • -26.09db
12% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
12% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Diederik Wissels
Not So Far
133 bpm • D min • 02:54 • -17.13db
5% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Owls
Walzer Der Tanzenden Pfauenfeder
131 bpm • C Maj • 05:33 • -16.31db
11% Popularity • 45% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 23% Positiveness
11% Popularity • 45% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 23% Positiveness
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Louis Landon
Evolving
133 bpm • A# Maj • 02:13 • -18.66db
16% Popularity • 40% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
16% Popularity • 40% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Wajdi Riahi
Agree, Hypocrite or Leave
133 bpm • C Maj • 03:38 • -24.73db
11% Popularity • 37% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
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David Linx
Solace
133 bpm • B Maj • 04:38 • -12.27db
1% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Paolo Fresu
Island of the Mind
134 bpm • A min • 05:30 • -13.66db
10% Popularity • 63% Danceability • 30% Energy • 10% Liveness
44% Instrumentalness • 23% Positiveness
10% Popularity • 63% Danceability • 30% Energy • 10% Liveness
44% Instrumentalness • 23% Positiveness
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Andrea Motis
Someone to Watch Over Me
130 bpm • G Maj • 05:08 • -14.13db
18% Popularity • 29% Danceability • 23% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
18% Popularity • 29% Danceability • 23% Energy • 9% Liveness
41% Instrumentalness • 7% Positiveness
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Berliner Luft Quartet
Carroll Street
130 bpm • B min • 04:43 • -14.5db
53% Popularity • 37% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
53% Popularity • 37% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Eric Vloeimans
Blote Bunzingbaby's
130 bpm • G min • 01:57 • -20.31db
8% Popularity • 48% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 40% Positiveness
8% Popularity • 48% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 40% Positiveness
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Denis Beganovic
Il Suo Ultimo Silenzio
130 bpm • C min • 03:12 • -16.67db
13% Popularity • 26% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
13% Popularity • 26% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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David Linx
Rock My Boat
130 bpm • C min • 05:00 • -7.16db
1% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
1% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Orchestre National De Porto
Follow the Songlines : Introduction
129 bpm • F Maj • 00:51 • -15.56db
0% Popularity • 51% Danceability • 28% Energy • 33% Liveness
64% Instrumentalness • 76% Positiveness
0% Popularity • 51% Danceability • 28% Energy • 33% Liveness
64% Instrumentalness • 76% Positiveness
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Jan Gerdes
Empty Waltz
129 bpm • G Maj • 04:07 • -20.45db
14% Popularity • 49% Danceability • 4% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
14% Popularity • 49% Danceability • 4% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
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Relaxing Jazz Music
Boogie Woogie for Edward
135 bpm • A# Maj • 03:02 • -25.48db
20% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
20% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Irina Zubareva
Scriabin
128 bpm • G# Maj • 07:52 • -14.6db
7% Popularity • 45% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 45% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Matthieu Chazarenc
Lagun
136 bpm • C min • 04:26 • -20.18db
10% Popularity • 54% Danceability • 16% Energy • 20% Liveness
89% Instrumentalness • 24% Positiveness
10% Popularity • 54% Danceability • 16% Energy • 20% Liveness
89% Instrumentalness • 24% Positiveness
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Paolo Fresu
Here Be Changes Made
136 bpm • A# Maj • 04:49 • -12.75db
1% Popularity • 40% Danceability • 21% Energy • 72% Liveness
43% Instrumentalness • 29% Positiveness
1% Popularity • 40% Danceability • 21% Energy • 72% Liveness
43% Instrumentalness • 29% Positiveness
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Christophe Walleme
Follow the Songlines
129 bpm • G min • 03:24 • -9.63db
0% Popularity • 34% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 34% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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David Enhco
Yesterdays
128 bpm • D min • 04:42 • -15.82db
5% Popularity • 39% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
5% Popularity • 39% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Arto Ikävalko
Wilson
128 bpm • D# min • 06:37 • -16.67db
14% Popularity • 51% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
14% Popularity • 51% Danceability • 30% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Diederik Wissels
Epilogue
128 bpm • B Maj • 03:20 • -13.39db
0% Popularity • 37% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
0% Popularity • 37% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Victoria Pohl Trio
All of Me
136 bpm • A min • 06:18 • -15.71db
8% Popularity • 65% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
8% Popularity • 65% Danceability • 27% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
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Louise Jallu
Mon boléro
128 bpm • F Maj • 07:30 • -9.8db
8% Popularity • 49% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 49% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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David Linx
Heartland
136 bpm • D min • 07:17 • -10.55db
2% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Roisel Suà rez
If I Were to lose you
128 bpm • G Maj • 05:17 • -11.95db
14% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
14% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Sonia Cugini
Melody 2
136 bpm • E Maj • 02:14 • -19.69db
11% Popularity • 50% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
11% Popularity • 50% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Diederik Wissels
Far and Wide
128 bpm • A# min • 04:22 • -16.39db
0% Popularity • 27% Danceability • 14% Energy • 6% Liveness
54% Instrumentalness • 15% Positiveness
0% Popularity • 27% Danceability • 14% Energy • 6% Liveness
54% Instrumentalness • 15% Positiveness
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Chivicke
Love Away
127 bpm • A# min • 05:12 • -13.46db
13% Popularity • 30% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Prism Quartet
Reflections: IV. Con La Primavera by Jos...
127 bpm • F min • 04:16 • -15.14db
8% Popularity • 40% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
8% Popularity • 40% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
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David Linx
Last Portrait
128 bpm • G# Maj • 01:37 • -25.64db
0% Popularity • 39% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
0% Popularity • 39% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Emil Brandqvist
Poem of the Sea
127 bpm • C Maj • 05:14 • -20.88db
10% Popularity • 55% Danceability • 24% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
10% Popularity • 55% Danceability • 24% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
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Markos Chaidemenos
Remains
127 bpm • F min • 04:31 • -15.53db
15% Popularity • 48% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
15% Popularity • 48% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Diederik Wissels
Goodmorning Midnight
137 bpm • D# Maj • 06:06 • -10.38db
0% Popularity • 55% Danceability • 42% Energy • 10% Liveness
38% Instrumentalness • 34% Positiveness
0% Popularity • 55% Danceability • 42% Energy • 10% Liveness
38% Instrumentalness • 34% Positiveness
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Kika Sprangers
Swims
127 bpm • F min • 05:27 • -19.6db
10% Popularity • 35% Danceability • 3% Energy • 11% Liveness
57% Instrumentalness • 11% Positiveness
10% Popularity • 35% Danceability • 3% Energy • 11% Liveness
57% Instrumentalness • 11% Positiveness
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Erlend Skomsvoll Trio
Rimfrost
138 bpm • A min • 08:02 • -21.66db
12% Popularity • 56% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
12% Popularity • 56% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Beto Paciello
Infância
126 bpm • C Maj • 07:46 • -16.08db
17% Popularity • 44% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
17% Popularity • 44% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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Giovanni Di Carlo
Chauncey St.
126 bpm • F Maj • 04:35 • -13.67db
0% Popularity • 56% Danceability • 34% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
0% Popularity • 56% Danceability • 34% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
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Karl Wallmyr
Percy
126 bpm • G Maj • 02:53 • -15.75db
10% Popularity • 36% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
10% Popularity • 36% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Diederik Wissels
Sleepless
138 bpm • D# min • 04:18 • -16.38db
0% Popularity • 34% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Stringspace
Have A Little Faith In Me (instrumental)
126 bpm • G Maj • 03:59 • -17.09db
13% Popularity • 67% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
13% Popularity • 67% Danceability • 14% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
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Rafael Karlen
Daily List
138 bpm • B min • 07:02 • -14.02db
10% Popularity • 36% Danceability • 14% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
10% Popularity • 36% Danceability • 14% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
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Roelofs
Beautiful Detour, The Long Way Home
138 bpm • C Maj • 06:55 • -15.88db
1% Popularity • 58% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
1% Popularity • 58% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Daniel Karlsson Trio
Last minute
138 bpm • G# Maj • 02:42 • -19.39db
21% Popularity • 50% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
21% Popularity • 50% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
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Jon Lloyd Quartet
Flux
126 bpm • C min • 06:09 • -16.97db
9% Popularity • 44% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
9% Popularity • 44% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 33% Positiveness
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Christophe Walleme
Joao Song
138 bpm • G Maj • 04:11 • -10.7db
0% Popularity • 44% Danceability • 61% Energy • 9% Liveness
15% Instrumentalness • 50% Positiveness
0% Popularity • 44% Danceability • 61% Energy • 9% Liveness
15% Instrumentalness • 50% Positiveness
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David Linx
Contradiction Takes Its Place, Pt. 1
138 bpm • G# min • 02:11 • -24.9db
3% Popularity • 46% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
3% Popularity • 46% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Diederik Wissels
Within
138 bpm • G Maj • 03:27 • -18.73db
0% Popularity • 33% Danceability • 4% Energy • 7% Liveness
74% Instrumentalness • 32% Positiveness
0% Popularity • 33% Danceability • 4% Energy • 7% Liveness
74% Instrumentalness • 32% Positiveness
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Pasquale Stafano
Mirror of Soul
138 bpm • B min • 06:21 • -19.16db
8% Popularity • 39% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
8% Popularity • 39% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Thomas Leleu
Nostalgic song
126 bpm • G min • 02:57 • -12.25db
11% Popularity • 59% Danceability • 37% Energy • 17% Liveness
98% Instrumentalness • 31% Positiveness
11% Popularity • 59% Danceability • 37% Energy • 17% Liveness
98% Instrumentalness • 31% Positiveness
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Christian Spering
Pied à Terre
125 bpm • C min • 06:40 • -15.75db
18% Popularity • 44% Danceability • 26% Energy • 11% Liveness
68% Instrumentalness • 31% Positiveness
18% Popularity • 44% Danceability • 26% Energy • 11% Liveness
68% Instrumentalness • 31% Positiveness
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Christophe Walleme
Mati Mati
126 bpm • A# min • 04:14 • -12.5db
0% Popularity • 42% Danceability • 45% Energy • 33% Liveness
35% Instrumentalness • 50% Positiveness
0% Popularity • 42% Danceability • 45% Energy • 33% Liveness
35% Instrumentalness • 50% Positiveness
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Äktaro
Mellan Branta Stränder
139 bpm • F# min • 02:24 • -22.6db
12% Popularity • 37% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
12% Popularity • 37% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
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Diederik Wissels
Lonely Painter - For Joni Mitchell
126 bpm • F# min • 04:02 • -10.16db
0% Popularity • 48% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 20% Positiveness
0% Popularity • 48% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 20% Positiveness
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Andreas Schaerer
Piercing Love
139 bpm • C Maj • 04:02 • -14.24db
7% Popularity • 57% Danceability • 13% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
7% Popularity • 57% Danceability • 13% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
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Avishai Darash
Mohamed's Blues
125 bpm • A# Maj • 02:27 • -15.09db
13% Popularity • 49% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Elena Maque
Weightless
139 bpm • A# min • 03:41 • -11.65db
18% Popularity • 36% Danceability • 30% Energy • 19% Liveness
10% Instrumentalness • 36% Positiveness
18% Popularity • 36% Danceability • 30% Energy • 19% Liveness
10% Instrumentalness • 36% Positiveness
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Doctor 3
Mi ritorni in mente
139 bpm • A min • 05:05 • -20.88db
11% Popularity • 41% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 9% Positiveness
11% Popularity • 41% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 9% Positiveness
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Domas Žeromskas
Courage That Won't Break
140 bpm • A Maj • 06:40 • -15.42db
7% Popularity • 37% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 24% Positiveness
7% Popularity • 37% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 24% Positiveness
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Diederik Wissels
Like standing on a cliff
139 bpm • B min • 02:37 • -15.77db
0% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Jo-Yu Chen
Wolfgang Amadeus Mozart: Twinkle Twinkle...
125 bpm • C Maj • 04:12 • -15.57db
30% Popularity • 69% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 40% Positiveness
30% Popularity • 69% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 40% Positiveness
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Tobin Mueller
Waltzing Night into Day
139 bpm • C# Maj • 07:19 • -14.08db
31% Popularity • 30% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
31% Popularity • 30% Danceability • 16% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
► Preview
Sweet Milk Anderson
Into the Mist
125 bpm • G min • 05:43 • -19.01db
20% Popularity • 44% Danceability • 4% Energy • 8% Liveness
8% Instrumentalness • 17% Positiveness
20% Popularity • 44% Danceability • 4% Energy • 8% Liveness
8% Instrumentalness • 17% Positiveness
► Preview
Adrien Varachaud Quartet
Everyone in Unison
140 bpm • A min • 05:38 • -16.73db
8% Popularity • 49% Danceability • 22% Energy • 12% Liveness
12% Instrumentalness • 13% Positiveness
8% Popularity • 49% Danceability • 22% Energy • 12% Liveness
12% Instrumentalness • 13% Positiveness
► Preview
Fabrizio Savino
Her Fears
125 bpm • G# Maj • 07:15 • -20.63db
12% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
12% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Diederik Wissels
Kaos, Chapter 2
140 bpm • F min • 02:48 • -20.72db
0% Popularity • 36% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
0% Popularity • 36% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
► Preview
Olivia Trummer
Watching the Moon - Intro
140 bpm • A Maj • 01:13 • -28.26db
18% Popularity • 50% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 15% Positiveness
18% Popularity • 50% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 15% Positiveness
► Preview
Amanda Whiting
Waiting to Go
124 bpm • A# min • 05:57 • -18.44db
27% Popularity • 52% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
27% Popularity • 52% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
► Preview
David Linx
Eavesdropping
140 bpm • G# min • 06:13 • -14.7db
0% Popularity • 38% Danceability • 29% Energy • 24% Liveness
9% Instrumentalness • 12% Positiveness
0% Popularity • 38% Danceability • 29% Energy • 24% Liveness
9% Instrumentalness • 12% Positiveness
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Giovanni Di Carlo
Ludivine
124 bpm • G min • 05:42 • -9.64db
0% Popularity • 38% Danceability • 38% Energy • 12% Liveness
22% Instrumentalness • 7% Positiveness
0% Popularity • 38% Danceability • 38% Energy • 12% Liveness
22% Instrumentalness • 7% Positiveness
► Preview
Danae Olano
Ausencia
142 bpm • A# min • 05:56 • -17.79db
12% Popularity • 46% Danceability • 21% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
12% Popularity • 46% Danceability • 21% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Diederik Wissels
Silent Song
124 bpm • D# Maj • 06:57 • -10.12db
0% Popularity • 48% Danceability • 28% Energy • 11% Liveness
58% Instrumentalness • 7% Positiveness
0% Popularity • 48% Danceability • 28% Energy • 11% Liveness
58% Instrumentalness • 7% Positiveness
► Preview
Arkadia Jazz All-Stars
Você - Radio 2
123 bpm • G min • 03:50 • -15.75db
7% Popularity • 63% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 63% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Stéphan Oliva
Song of Nowhere
123 bpm • A# Maj • 03:10 • -23.24db
12% Popularity • 52% Danceability • 24% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
12% Popularity • 52% Danceability • 24% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
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Dhristian Eigueroa
Urgent Need
123 bpm • G Maj • 05:14 • -26.65db
28% Popularity • 52% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
28% Popularity • 52% Danceability • 2% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Petra Haller
Thicker Than Blood
123 bpm • D Maj • 05:37 • -14.59db
9% Popularity • 48% Danceability • 74% Energy • 15% Liveness
92% Instrumentalness • 53% Positiveness
9% Popularity • 48% Danceability • 74% Energy • 15% Liveness
92% Instrumentalness • 53% Positiveness
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Trio Del Norte
Forever Home
142 bpm • F# Maj • 04:17 • -20.65db
8% Popularity • 49% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
8% Popularity • 49% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
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Mark Priore Trio
Consolation
143 bpm • C Maj • 05:11 • -19.13db
7% Popularity • 34% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
7% Popularity • 34% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Nikolaj Hess
Iboja's Theme
122 bpm • G min • 04:51 • -25.92db
7% Popularity • 39% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
7% Popularity • 39% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 8% Positiveness
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David Linx
The Whistleblowers
122 bpm • D# min • 04:07 • -10.36db
2% Popularity • 80% Danceability • 59% Energy • 9% Liveness
20% Instrumentalness • 38% Positiveness
2% Popularity • 80% Danceability • 59% Energy • 9% Liveness
20% Instrumentalness • 38% Positiveness
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Diederik Wissels
Kaos, Chapter 6
122 bpm • C# Maj • 07:10 • -21.2db
0% Popularity • 56% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 56% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Erlend Skomsvoll Trio
Post Decision Blues
143 bpm • F min • 06:46 • -19.7db
11% Popularity • 54% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Eric Vloeimans
Krakers in De Haven
122 bpm • G Maj • 01:38 • -20.94db
8% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
8% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Giovanni Di Carlo
Unique Gang
121 bpm • E Maj • 03:12 • -11.56db
0% Popularity • 59% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
0% Popularity • 59% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Parry Ray
Alone and Forsaken
144 bpm • A min • 03:57 • -12.76db
22% Popularity • 54% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 54% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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David Linx
Shake up Your Trust - For Kenny Wheeler
122 bpm • A# Maj • 05:14 • -17.28db
2% Popularity • 55% Danceability • 17% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
2% Popularity • 55% Danceability • 17% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Fabrizio Savino
April in Paris
121 bpm • C Maj • 05:28 • -18.55db
12% Popularity • 57% Danceability • 24% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
12% Popularity • 57% Danceability • 24% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Lisa Hilton
West Coast
121 bpm • F# min • 03:11 • -20.41db
7% Popularity • 37% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
7% Popularity • 37% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
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Bendik Hofseth
All the Pretty Blossom
144 bpm • F min • 02:44 • -17.24db
9% Popularity • 43% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
9% Popularity • 43% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Colijn Buis
Song in D
121 bpm • A# Maj • 05:55 • -13.58db
10% Popularity • 41% Danceability • 20% Energy • 7% Liveness
73% Instrumentalness • 13% Positiveness
10% Popularity • 41% Danceability • 20% Energy • 7% Liveness
73% Instrumentalness • 13% Positiveness
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Salvatore Bonafede
Ask The Dust - To John Fante
121 bpm • F min • 04:35 • -12.87db
9% Popularity • 35% Danceability • 45% Energy • 22% Liveness
82% Instrumentalness • 16% Positiveness
9% Popularity • 35% Danceability • 45% Energy • 22% Liveness
82% Instrumentalness • 16% Positiveness
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David Linx
Lord of the Groundless
121 bpm • A# min • 04:50 • -18.56db
0% Popularity • 60% Danceability • 17% Energy • 7% Liveness
8% Instrumentalness • 31% Positiveness
0% Popularity • 60% Danceability • 17% Energy • 7% Liveness
8% Instrumentalness • 31% Positiveness
