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O Holy Night
Songs like
O Holy Night
by
Phyllis Curtin
Based on a tempo of (+/- 10%) and a similar genre
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Riccardo Muti
Verdi: Nabucco, Act 3: Coro di schiavi e...
104 bpm • C# Maj • 04:14 • -18.96db
7% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: I. Stabat Mater do...
104 bpm • A min • 03:40 • -23.75db
12% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: XII. Credo. Cru...
104 bpm • G# Maj • 03:58 • -24db
8% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: V. Elsk
104 bpm • C Maj • 02:57 • -13.62db
10% Popularity • 42% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Wagner
Akt I: Titurel, der fromme Held
104 bpm • G# min • 07:02 • -24.21db
14% Popularity • 32% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Alexander von Zemlinsky
Walzer-Gesänge, Op. 6: No. 5, Blaues St...
105 bpm • G Maj • 01:49 • -28.12db
5% Popularity • 34% Danceability • 2% Energy • 8% Liveness
23% Instrumentalness • 13% Positiveness
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César Franck
Die sieben Worte Christi am Kreuz für S...
105 bpm • D# Maj • 06:55 • -22.99db
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
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George Fenton
Gluck: O Malheureuse Iphigenie!
103 bpm • F# Maj • 04:30 • -22.5db
8% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Una Voce Poco Fa
105 bpm • B Maj • 03:15 • -11.21db
9% Popularity • 41% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: IV. Møte
105 bpm • F Maj • 03:48 • -13.81db
10% Popularity • 35% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Sogno d'or, SC 82 (Arr. for Voice & Orch...
103 bpm • A# Maj • 02:13 • -24.68db
17% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Christopher Robinson
Recognition Fanfares: The Recognition
102 bpm • A# Maj • 02:18 • -21.77db
7% Popularity • 62% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 3c. Obal,...
103 bpm • A# Maj • 01:18 • -14.93db
8% Popularity • 64% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Charles Koechlin
4 Poèmes d'Edmond Haraucourt, Op. 7: No...
102 bpm • F# Maj • 03:03 • -19.37db
9% Popularity • 29% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Petite messe solennelle: VII. Gloria. Do...
105 bpm • D Maj • 05:42 • -22db
9% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Missa solemnis, KV337: Gloria
106 bpm • C Maj • 03:56 • -9.72db
8% Popularity • 38% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 37% Positiveness
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Giacomo Puccini
Messa di Gloria: XV. Et vitam
102 bpm • C Maj • 01:13 • -16.44db
11% Popularity • 26% Danceability • 20% Energy • 7% Liveness
69% Instrumentalness • 35% Positiveness
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Bob Chilcott
Benedictus - SATB
106 bpm • C# Maj • 01:13 • -23.84db
15% Popularity • 63% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": I. ...
101 bpm • G min • 06:24 • -31.07db
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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George Frideric Handel
V'Adoro, Pupille From Giulio Cesare
101 bpm • F Maj • 05:06 • -25.88db
8% Popularity • 29% Danceability • 5% Energy • 7% Liveness
19% Instrumentalness • 8% Positiveness
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Leonard Bernstein
MASS: No. 3, Rensory. Alleluia
107 bpm • F Maj • 01:08 • -22.34db
9% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Sir Joseph's ba...
101 bpm • A Maj • 02:02 • -17.15db
11% Popularity • 53% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Clive Osgood
Magnificat: No. 6, Esurientes implevit
101 bpm • E Maj • 02:50 • -28.13db
15% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: Finale Act One
107 bpm • G Maj • 08:13 • -21.92db
8% Popularity • 38% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
107 bpm • A# Maj • 03:26 • -28.34db
10% Popularity • 18% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Matthäus-Passion, SWV 479: Introitus: "...
107 bpm • C Maj • 02:11 • -20.87db
10% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Moravské dvojzpěvy, 2. řada, Op. 29: ...
101 bpm • A min • 01:32 • -28.31db
10% Popularity • 42% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Hector Berlioz
The Damnation of Faust, Op. 24, H. 111, ...
108 bpm • A Maj • 05:04 • -26.77db
7% Popularity • 22% Danceability • 3% Energy • 65% Liveness
1% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: VI. Killingdans
108 bpm • G Maj • 01:44 • -10.49db
10% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part III, Moses...
100 bpm • F# Maj • 01:36 • -17.32db
12% Popularity • 31% Danceability • 13% Energy • 74% Liveness
0% Instrumentalness • 25% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
12% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Ernest John Moeran
Gaol song: Gaol Song
100 bpm • D min • 02:07 • -18.42db
9% Popularity • 60% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Olivier Calmel
Wood Music - Concerto pour quintette à ...
100 bpm • F# Maj • 06:40 • -15.69db
0% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Messa di Gloria: Qui tollis peccata mund...
108 bpm • F Maj • 04:03 • -22.83db
10% Popularity • 19% Danceability • 9% Energy • 30% Liveness
65% Instrumentalness • 9% Positiveness
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Reynaldo Hahn
R. Hahn - Le ruban dénoué - 12 valses ...
100 bpm • C# min • 04:10 • -19.77db
7% Popularity • 31% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Luciano Berio
Folk Songs: No. 2, I Wonder as I Wander
108 bpm • G min • 02:00 • -24.53db
17% Popularity • 37% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 4. Th...
109 bpm • G# min • 01:15 • -16.68db
8% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Stanisław Moniuszko
Ach! Pani Marto, mówcie szczerze (Chór...
109 bpm • C Maj • 01:56 • -19db
7% Popularity • 43% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Théodore Dubois
3 extraits de la Messe des Morts: Agnus ...
109 bpm • F min • 03:53 • -30.02db
13% Popularity • 17% Danceability • 2% Energy • 13% Liveness
27% Instrumentalness • 6% Positiveness
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Giacomo Puccini
A te
99 bpm • D Maj • 04:10 • -23.3db
8% Popularity • 33% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Heitor Villa-Lobos
Chansons Typiques Bresiliennes
99 bpm • C Maj • 01:21 • -13.72db
0% Popularity • 67% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
110 bpm • C# min • 08:02 • -21.09db
9% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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Henry Walford Davies
Confortare (Arr. Rutter)
110 bpm • D Maj • 01:25 • -23.75db
11% Popularity • 31% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 6% Positiveness
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John Bradford
Sons of Our Empire
110 bpm • G Maj • 03:38 • -19.2db
11% Popularity • 48% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Kun Jeesus Oli Ruokkinut
110 bpm • D# Maj • 05:03 • -17.1db
13% Popularity • 27% Danceability • 21% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Avanti, Urania!
109 bpm • D Maj • 01:33 • -19.08db
7% Popularity • 43% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Viens, Mallika"...
111 bpm • B Maj • 05:13 • -24.91db
9% Popularity • 29% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 3b. Ound'...
98 bpm • A Maj • 02:34 • -18.37db
9% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Charles Villiers Stanford
Magnificat in C
98 bpm • C Maj • 04:34 • -20.6db
7% Popularity • 14% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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Johannes Brahms
Schicksalslied, Op. 54: Orchestral Postl...
98 bpm • C Maj • 02:43 • -32.63db
18% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67: XII. The Bir...
111 bpm • C Maj • 01:32 • -25.85db
12% Popularity • 50% Danceability • 6% Energy • 30% Liveness
2% Instrumentalness • 26% Positiveness
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Giacomo Puccini
Messa di Gloria: I. Kyrie
111 bpm • G# Maj • 05:10 • -27.33db
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Alberto Ginastera
Milena, Op. 37: VI. Del Infinito
111 bpm • C# Maj • 04:42 • -29.06db
0% Popularity • 32% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
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Jayme Ovalle
Berimbau, Op. 4
111 bpm • A# min • 03:53 • -17.31db
0% Popularity • 33% Danceability • 13% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Bernardo Ramírez Ponce
A bird came down the walk
98 bpm • C Maj • 02:06 • -21.62db
19% Popularity • 43% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: XII. Quando corpus
97 bpm • G# min • 04:05 • -18.09db
8% Popularity • 14% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Erich Kunzel
Mono Chant
112 bpm • E min • 00:59 • -41.31db
7% Popularity • 38% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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César Cui
25 Poems by Pushkin, Op. 57: No. 17, The...
96 bpm • C# Maj • 01:04 • -14db
12% Popularity • 35% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: XI. Sanc...
96 bpm • G min • 02:28 • -15.34db
8% Popularity • 22% Danceability • 23% Energy • 16% Liveness
50% Instrumentalness • 6% Positiveness
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David Ward-Steinman
Fragments from Sappho: II. Prayer to my ...
112 bpm • C Maj • 03:01 • -19.35db
0% Popularity • 48% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alberto Ginastera
Cinco conciones populares Argentinas
96 bpm • G min • 01:06 • -16.56db
0% Popularity • 44% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Bob Chilcott
Circlesong: Part III, Lover: Chinook Son...
96 bpm • D# min • 01:20 • -19.96db
7% Popularity • 52% Danceability • 27% Energy • 21% Liveness
7% Instrumentalness • 48% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: VI. Vidit suum
113 bpm • G Maj • 03:13 • -22.92db
10% Popularity • 25% Danceability • 9% Energy • 14% Liveness
45% Instrumentalness • 3% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Finale: Bruderle...
113 bpm • F Maj • 04:03 • -20db
10% Popularity • 27% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen: Prologue: Aus de...
114 bpm • F Maj • 01:27 • -17.02db
12% Popularity • 42% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 18% Positiveness
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Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
114 bpm • A Maj • 01:34 • -19.12db
8% Popularity • 32% Danceability • 16% Energy • 33% Liveness
14% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
114 bpm • B min • 03:53 • -10.73db
8% Popularity • 38% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: XI. Fiat m...
95 bpm • D Maj • 01:39 • -22.72db
11% Popularity • 41% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Pansol Choir
Ang Pabasa (Pt. 2)
114 bpm • A min • 06:08 • -11.67db
15% Popularity • 25% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 7% Positiveness
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Xavier Benguerel
Requiem: Mors stupebit
95 bpm • C# Maj • 01:00 • -21.22db
8% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • C Maj • 01:03 • -26.08db
10% Popularity • 44% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Claudio Monteverdi
Monteverdi: Ohimé ch’io cado, SV 316 ...
114 bpm • C Maj • 02:38 • -18.65db
12% Popularity • 40% Danceability • 16% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "Les fleurs me p...
95 bpm • E min • 04:07 • -23.02db
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ned Rorem
Some Trees: The Grapevine
94 bpm • C Maj • 02:08 • -31.79db
0% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Anonymous
Belle rose du printemps (Arr. for Sopran...
114 bpm • G Maj • 01:55 • -19.78db
13% Popularity • 62% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Francis Poulenc
La courte paille, FP 178: No. 7, Lune d�...
115 bpm • C min • 03:08 • -26.01db
1% Popularity • 25% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 6 Lieder, Op. 17: No. 2, St�...
94 bpm • F# Maj • 02:34 • -21.09db
12% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Petite messe solennelle: IX. Gloria. Quo...
115 bpm • E Maj • 07:51 • -24.18db
7% Popularity • 34% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Bob Chilcott
St. John Passion, Part III: Jesus is Cru...
115 bpm • C min • 05:45 • -19.58db
8% Popularity • 30% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Valdo Sciammerella
Cantigas de amigo
94 bpm • C Maj • 06:39 • -13.06db
0% Popularity • 25% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: Sanctus
116 bpm • D Maj • 01:18 • -20.76db
15% Popularity • 24% Danceability • 8% Energy • 17% Liveness
78% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Piccolominimesse, KV 258: IV. Sanctus
93 bpm • C Maj • 01:09 • -7.55db
10% Popularity • 24% Danceability • 73% Energy • 10% Liveness
44% Instrumentalness • 37% Positiveness
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Pedro Figueredo
キューバ共和国 バヤモの歌
116 bpm • G Maj • 00:58 • -11.63db
9% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Franz Ries
6 Lieder, Op. 31: No. 6, Abschied
93 bpm • F Maj • 01:41 • -15.67db
32% Popularity • 25% Danceability • 23% Energy • 13% Liveness
13% Instrumentalness • 8% Positiveness
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Óscar Fernández
Samaritana da floresta
94 bpm • A min • 01:39 • -15.76db
0% Popularity • 37% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Ruggero Leoncavallo
Pagliacci: La Commedia: Paliaccio, mio m...
93 bpm • C Maj • 01:44 • -20.65db
12% Popularity • 46% Danceability • 5% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
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Giuseppe Sarti
Miserere in F Minor: Asperges me hyssopo...
117 bpm • C Maj • 01:15 • -24.83db
18% Popularity • 29% Danceability • 6% Energy • 20% Liveness
6% Instrumentalness • 8% Positiveness
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Arthur Sullivan
‘Neath My Lattice Through the Night (T...
117 bpm • B Maj • 03:06 • -13.86db
11% Popularity • 52% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
92 bpm • C Maj • 03:13 • -27.69db
11% Popularity • 16% Danceability • 1% Energy • 15% Liveness
63% Instrumentalness • 4% Positiveness
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Patricia Cameron
The Pirates of Penzance: Climbing Over R...
117 bpm • A# Maj • 03:38 • -22.39db
8% Popularity • 48% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: VIII. Cr...
92 bpm • C min • 01:11 • -15.91db
12% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
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Alfrēds Kalniņš
Kalniņš, Aijaija
92 bpm • D# Maj • 02:27 • -20.11db
14% Popularity • 35% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Karl Jenkins
The Golden Age Begins Anew: I. Renewal
92 bpm • G Maj • 03:03 • -15.94db
9% Popularity • 22% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: III. Blåbaer-li
92 bpm • F Maj • 03:46 • -11db
10% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Joaquin Nin
Nin: 20 Cantos populares españoles: No....
118 bpm • D Maj • 01:42 • -17.57db
8% Popularity • 45% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 66% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
92 bpm • A Maj • 04:32 • -15.67db
10% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Joshua, HWV 64, Pt. 3: No. 65, Oh, had I...
118 bpm • A Maj • 02:32 • -24.72db
7% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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O Holy Night