Songs like O Je Mane Na Mana by Somlata Acharyya Chowdhury
Based on a tempo of (+/- 10%) and a similar genre
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Sudipto Chowdhury
Tor Sathe
146 bpm • C Maj • 04:00 • -7.32db
30% Popularity • 51% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 51% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Bappa Mazumder
Bhalobeshe Shokhi
146 bpm • D# Maj • 04:12 • -9.26db
38% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Lagnajita Chakraborty
O je mane na mana
146 bpm • A Maj • 01:29 • -7.4db
41% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Somlata Acharyya Chowdhury
O Je Mane Na Mana
146 bpm • A Maj • 04:54 • -16.38db
46% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Lopamudra Mitra
Bhalobashi Bhalobashi
145 bpm • C Maj • 02:30 • -6.5db
28% Popularity • 30% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 30% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Somlata And The Aces
Naina Morey
145 bpm • G# min • 05:04 • -8.09db
25% Popularity • 34% Danceability • 52% Energy • 10% Liveness
16% Instrumentalness • 31% Positiveness
25% Popularity • 34% Danceability • 52% Energy • 10% Liveness
16% Instrumentalness • 31% Positiveness
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Jayati Chakraborty
Phagun Haoyay Haoyay
147 bpm • C# Maj • 02:34 • -12.23db
24% Popularity • 64% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 64% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Shunno
Rajahin Rajjo
145 bpm • D Maj • 03:30 • -4.28db
42% Popularity • 50% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 50% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Tahsan
Chhuye Dile Mon - Duet
145 bpm • E min • 04:43 • -7.55db
33% Popularity • 43% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 43% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Taalpatar Shepai
Ogochhalo Mon
145 bpm • G Maj • 03:16 • -12.1db
41% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lopamudra Mitra
Chhata Dharo
147 bpm • B min • 04:09 • -9.25db
34% Popularity • 75% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 75% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Prashmita Paul
Majhe Majhe Tobo
144 bpm • C Maj • 07:07 • -6.56db
39% Popularity • 46% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 46% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Debraj Bhattacharya
Notun Premer Gaan
145 bpm • D Maj • 03:49 • -13.84db
37% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Sahana Bajpaie
O Je Mane Na Mana
144 bpm • A Maj • 04:18 • -11.06db
28% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Sajjad Ali
Lagaya Dil
144 bpm • C Maj • 04:18 • -9db
44% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Arindom
Megh Boleche Jabo Jabo
144 bpm • B min • 03:50 • -9.34db
36% Popularity • 61% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 61% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Shironamhin
Ei Obelay
148 bpm • D min • 05:41 • -8.3db
49% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Lagnajita Chakraborty
Megh Boleche Jabo Jabo
148 bpm • A Maj • 03:56 • -12.14db
25% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Tahsan
Chile Amar
144 bpm • G Maj • 04:22 • -9.39db
35% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 61% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Chanchal Chowdhury
Nisha Lagilo Re
144 bpm • G# min • 04:02 • -6.52db
25% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 67% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Nahid Hasan
Tomar Pichu Charbo Na
144 bpm • A Maj • 04:59 • -5db
46% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Dev Arijit
O Je Mane Na Mana
144 bpm • D Maj • 04:07 • -11.4db
35% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Ali Sethi
Gulon Main Rang
148 bpm • E Maj • 06:19 • -16.1db
45% Popularity • 39% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 39% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Tanjib Sarowar
Ga Chuye Bolo
144 bpm • E Maj • 03:40 • -7.29db
41% Popularity • 67% Danceability • 53% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 67% Danceability • 53% Energy • 58% Liveness
0% Instrumentalness • 50% Positiveness
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Lopamudra Mitra
Eki Labonye Purno Prano
144 bpm • G min • 04:58 • -8.4db
25% Popularity • 50% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 50% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Somlata Acharyya Chowdhury
Ogo Bideshini
144 bpm • B Maj • 03:57 • -8.87db
19% Popularity • 50% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 50% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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JOler gaan
Emon Jodi Hoto
144 bpm • E Maj • 04:29 • -10.93db
36% Popularity • 58% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 58% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Jeet Gannguli
Batashey Gungun
149 bpm • E min • 05:24 • -7db
38% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Debanjali Lily
Amar Bela Je Jai - Ektara
150 bpm • C# Maj • 03:03 • -10.34db
31% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Subhamita Banerjee
Bahu Manaratha
150 bpm • C Maj • 03:13 • -11.82db
36% Popularity • 50% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 50% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Rishi Panda
Amay Bhashaili Re
150 bpm • D Maj • 03:05 • -7.18db
42% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Rahul Dutta
Meera
150 bpm • A min • 03:58 • -8db
38% Popularity • 48% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 48% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Somlata Acharyya Chowdhury
Ure Jete Chaye (Reprise)
150 bpm • A min • 05:00 • -10.02db
13% Popularity • 40% Danceability • 43% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
13% Popularity • 40% Danceability • 43% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
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Raghab Chatterjee
Bose Bose Bhabi
150 bpm • E min • 05:00 • -13.07db
24% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Fakira
Paal Tule De
150 bpm • D min • 04:47 • -3.48db
33% Popularity • 62% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 62% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Borno Chakroborty
Tumi robe nirobe
150 bpm • C Maj • 04:33 • -9.68db
22% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Subhamita
Bol Mon Sukh
150 bpm • D# min • 04:34 • -5.04db
34% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Somlata And The Aces
Kaa Karoon Sajni
142 bpm • B min • 05:26 • -9.18db
24% Popularity • 43% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 28% Positiveness
24% Popularity • 43% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 28% Positiveness
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Rupankar Bagchi
Amar Hiyar Majhe Lukiye Chhile
150 bpm • A min • 05:27 • -13.28db
24% Popularity • 54% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 54% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Arnob
Ekla Cholo
150 bpm • F# Maj • 04:57 • -10.81db
39% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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James
Baba
142 bpm • D# Maj • 05:05 • -6.77db
34% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Sahana Bajpaie
Moloyo Batashe
142 bpm • C Maj • 05:32 • -10.44db
26% Popularity • 50% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 50% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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The Folk Diaryz
Bokul Ful
150 bpm • G Maj • 05:30 • -11.15db
34% Popularity • 77% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 81% Positiveness
34% Popularity • 77% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 81% Positiveness
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Borno Chakroborty
Ami chini go chini
150 bpm • D# Maj • 04:06 • -11.95db
18% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Somlata And The Aces
Ude Jete Chaye
150 bpm • B min • 04:20 • -16db
14% Popularity • 20% Danceability • 19% Energy • 16% Liveness
21% Instrumentalness • 16% Positiveness
14% Popularity • 20% Danceability • 19% Energy • 16% Liveness
21% Instrumentalness • 16% Positiveness
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Fossils
Khnoro Aamar Fossil
141 bpm • G# min • 05:32 • -6.79db
47% Popularity • 40% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 40% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Shamik Guha Roy
Amar Praner Manush - Ektara
141 bpm • G# Maj • 03:30 • -8.66db
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Anjan Dutt
Ogo Bideshini
141 bpm • A Maj • 03:57 • -14.99db
40% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Somlata
Sokhi Bhabona Kahare Bole
140 bpm • B Maj • 04:03 • -10.94db
32% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Lopamudra Mitra
Bhenge Mor Gharer Chabi
140 bpm • A Maj • 03:29 • -7.99db
24% Popularity • 63% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 63% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Khalid
Tumi Akasher Buke
140 bpm • F Maj • 05:12 • -8.54db
36% Popularity • 57% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 57% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Tahsan
Aalo
152 bpm • G# Maj • 04:34 • -7.92db
45% Popularity • 54% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 54% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Prithibi
Classroom
140 bpm • F# Maj • 05:53 • -5.57db
35% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Ishan Mitra
Bethar Shohor
140 bpm • G min • 02:33 • -10.54db
36% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Pamela Jain
Halaji Tar Hath Vakhanu
140 bpm • D Maj • 02:11 • -4.68db
45% Popularity • 62% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 62% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Ahmed Hasan Sunny
Amra Hoyto
140 bpm • E Maj • 03:33 • -8.5db
38% Popularity • 68% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 68% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Minar Rahman
Karone Okarone
140 bpm • G# Maj • 05:16 • -8db
51% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Lopamudra Mitra
Leelabali
140 bpm • G Maj • 04:26 • -8.83db
35% Popularity • 80% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 80% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Sahana Bajpaie
Moharajo
140 bpm • G Maj • 04:38 • -10.87db
29% Popularity • 49% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 49% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Neel Dutt
Aami Ashbo Phirey
140 bpm • E min • 05:03 • -10.16db
30% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Mika Singh
Tui Amar Hero
140 bpm • G min • 03:26 • -4.12db
39% Popularity • 58% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 58% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Timir Biswas
Noyono Tomare
140 bpm • D Maj • 05:26 • -11.48db
26% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Debolina Nandy
Tumi Robe Nirobe
140 bpm • C Maj • 04:20 • -6.57db
24% Popularity • 49% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 49% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
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Ikkshita Mukherjee
Esho Esho Amar Ghore Esho
140 bpm • G Maj • 04:17 • -14.08db
22% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Arnob
Majhe Majhe Tabo Dekha Pai
140 bpm • D# Maj • 06:04 • -8.81db
37% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sahana
Ekta Chhele
140 bpm • G Maj • 03:37 • -9.41db
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Anupam Roy
Ekbar Bol
140 bpm • A Maj • 04:58 • -10.11db
44% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lagnajita Chakraborty
Behaya
140 bpm • C Maj • 03:30 • -12.67db
46% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Rishi Panda
Majhe Majhe Tobo
140 bpm • E Maj • 04:11 • -9.8db
33% Popularity • 36% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Iman Chakraborty
Era Sukher Lagi
140 bpm • A Maj • 03:49 • -4.83db
43% Popularity • 44% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 44% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Arnob
Bhalobasha Tarpor
140 bpm • C Maj • 04:39 • -7.11db
41% Popularity • 61% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 61% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Shreya Ghoshal
Chawl Raastaye
153 bpm • E Maj • 04:17 • -9.12db
37% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Anupam Roy
Gobhire Jao (Male Version)
140 bpm • F# Maj • 04:55 • -9.98db
36% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Piu Mukherjee
Tomake Bhalobeshe
140 bpm • F Maj • 04:44 • -7.87db
25% Popularity • 46% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 46% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Pijush Das
Take Bole Diyo
139 bpm • E Maj • 05:02 • -9.81db
31% Popularity • 43% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 43% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Crosswinds
Prithibi Ta Naki Chhoto Hote Hote
153 bpm • C Maj • 06:04 • -14.39db
44% Popularity • 38% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 38% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Ishan Mitra
Bera Jaal
154 bpm • G# min • 02:44 • -10.56db
37% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 53% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Lagnajita Chakraborty
Amar Onge Onge
154 bpm • A# Maj • 02:37 • -7.63db
43% Popularity • 25% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
43% Popularity • 25% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
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Rupam Islam
Ekla Ghor
138 bpm • A min • 06:27 • -10.85db
47% Popularity • 66% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 66% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Nakash Aziz
Ebar Jeno Onno Rokom Pujo
138 bpm • D Maj • 03:32 • -3.23db
31% Popularity • 59% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 59% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Chanchal Chowdhury
Shorboto Mongolo Radhe
138 bpm • F min • 03:38 • -9.51db
30% Popularity • 80% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 80% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Chakropani Dev
Raikamal
138 bpm • C Maj • 03:27 • -8.09db
34% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Ashes Bangladesh
Shey Amare
138 bpm • B Maj • 06:01 • -9.84db
32% Popularity • 65% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 65% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Lopamudra Mitra
Phagun Hawaye Hawaye - Ananda - The Ecst...
138 bpm • A# Maj • 06:56 • -4.87db
25% Popularity • 75% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 75% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Jayati Chakraborty
Bhalobese Sokhi
155 bpm • C Maj • 04:32 • -9.06db
36% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Rupam Islam
Aaro Ekbar
137 bpm • G# Maj • 06:44 • -12.25db
49% Popularity • 39% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 39% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
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Taalpatar Shepai
O Doyal Bichar Koro
137 bpm • D Maj • 03:32 • -14.74db
33% Popularity • 78% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 78% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Somlata Acharyya Chowdhury
Balika
156 bpm • F Maj • 02:46 • -10.35db
11% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Abanti Sithi
Rupkothar Jogote
156 bpm • A Maj • 05:10 • -8.88db
37% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Lopamudra Mitra
Hridmajhare Rakhbo
138 bpm • D min • 05:25 • -10.67db
39% Popularity • 73% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 73% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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George Lincoln D'Costa
Ei Brishti Bheja Raate
156 bpm • G# min • 05:46 • -10.75db
37% Popularity • 60% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 60% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 47% Positiveness
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Rupam Islam
Bishakto Manush
137 bpm • F min • 04:27 • -10.67db
45% Popularity • 39% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 39% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Anirban Bhattacharya
Bibagi Phone
136 bpm • D Maj • 03:45 • -11.58db
33% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Rupak Tiary
Tor Adorer Tane
136 bpm • C# Maj • 02:52 • -9.16db
38% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Pousali Banerjee
Bhalobese Sokhi
136 bpm • C# min • 04:49 • -7.21db
25% Popularity • 49% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 49% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sanjeeb Chaudhury
Bayoshkop
157 bpm • D# Maj • 02:42 • -11db
24% Popularity • 77% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 77% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Borno Chakroborty
Tomar Ghore Boshot Kore Koy Jona
158 bpm • D# Maj • 04:16 • -7.47db
35% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Somlata Acharyya Chowdhury
Dehadhin
135 bpm • D Maj • 04:40 • -5.48db
0% Popularity • 25% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 25% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
