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O Magnum Mysterium
Songs like
O Magnum Mysterium
by
Morten Lauridsen
Based on a tempo of (+/- 10%) and a similar genre
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
31% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
8% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: VI. Bogoroditse Devo
134 bpm • E Maj • 03:07 • -26.88db
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Morten Lauridsen
O Magnum Mysterium
134 bpm • D Maj • 06:33 • -25.92db
14% Popularity • 16% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
10% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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René Clausen
Barter
135 bpm • G Maj • 05:13 • -23.43db
1% Popularity • 24% Danceability • 10% Energy • 68% Liveness
92% Instrumentalness • 4% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
9% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Morten Lauridsen
Lux aeterna: Introitus
133 bpm • D Maj • 07:38 • -26.25db
16% Popularity • 16% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Aaron Copland
The Promise of Living from The Tender La...
135 bpm • F Maj • 05:39 • -24.25db
7% Popularity • 16% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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Morten Lauridsen
Agnus Dei
133 bpm • D Maj • 04:13 • -24.74db
8% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Will Todd
Softly
133 bpm • D# Maj • 03:30 • -29.39db
19% Popularity • 17% Danceability • 1% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
16% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
20% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Les Chansons des roses: No. 1. En une se...
133 bpm • C# Maj • 02:57 • -37.44db
7% Popularity • 19% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Josef Rheinberger
J. G. Rheinberger: Abendlied
135 bpm • F Maj • 03:23 • -30db
18% Popularity • 16% Danceability • 3% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
28% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Morten Lauridsen
Les Chansons des Roses: I. En une seule ...
133 bpm • C# Maj • 02:40 • -27.13db
11% Popularity • 30% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Josquin des Prez
Ave Maria
136 bpm • C Maj • 06:07 • -25.7db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
11% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
16% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
19% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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The Concordia Choir
Pilgrim's Chorus
137 bpm • A Maj • 04:03 • -27.64db
16% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
37% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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David Dickau
If Music Be the Food of Love
137 bpm • G# Maj • 04:58 • -26.2db
8% Popularity • 21% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
13% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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Henry Lawes
Psalm 8: Psalm VIII
137 bpm • A# Maj • 02:43 • -27.25db
24% Popularity • 20% Danceability • 8% Energy • 24% Liveness
61% Instrumentalness • 6% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
25% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Morten Lauridsen
Lauridsen: O magnum mysterium
137 bpm • D Maj • 06:34 • -26db
7% Popularity • 15% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Paul Mealor
Locus Iste
137 bpm • D# Maj • 06:28 • -23.9db
19% Popularity • 15% Danceability • 4% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
All That Hath Life And Breath Praise Ye ...
131 bpm • G min • 02:47 • -18.42db
8% Popularity • 29% Danceability • 24% Energy • 34% Liveness
19% Instrumentalness • 13% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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John Sanders
The Reproaches
138 bpm • G min • 11:11 • -27.28db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 3% Positiveness
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Morten Lauridsen
Lux aeterna: III. O nata lux
130 bpm • D Maj • 04:11 • -31.31db
21% Popularity • 16% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Margaret Rizza
Exaudi Nos, Domine
130 bpm • B min • 02:51 • -24db
19% Popularity • 21% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Madrigali: No. 2. Quando son piu lontan
129 bpm • F# min • 05:37 • -34.9db
6% Popularity • 17% Danceability • 2% Energy • 10% Liveness
43% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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David Buckley
Strengthen ye the weak hands
129 bpm • G Maj • 02:18 • -27.58db
16% Popularity • 17% Danceability • 8% Energy • 7% Liveness
22% Instrumentalness • 3% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
13% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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The University Of Utah Singers
My Spirit Sang All Day
139 bpm • G Maj • 01:30 • -17.25db
11% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Morten Lauridsen
Madrigali: No. 4. Io piango, che 'l dolo...
129 bpm • C# Maj • 03:20 • -29.64db
6% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
9% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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The University Of Utah Singers
Alleluia
140 bpm • D# Maj • 03:45 • -14.47db
11% Popularity • 16% Danceability • 32% Energy • 18% Liveness
58% Instrumentalness • 5% Positiveness
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Samuel Barber
Agnus Dei
128 bpm • A# min • 08:38 • -25.02db
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Kim André Arnesen
O Sacrum Convivium
140 bpm • C Maj • 05:55 • -28db
12% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Morten Lauridsen
Morten Lauridsen: O nata lux
140 bpm • D Maj • 04:09 • -25db
8% Popularity • 18% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Sunrise
128 bpm • D Maj • 10:23 • -22db
13% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
26% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
31% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Morten Lauridsen
Les Chansons des Roses: V. Dirait-on
141 bpm • C# Maj • 05:16 • -27.01db
20% Popularity • 18% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 6% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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The Concordia Choir
Softly and Tenderly
127 bpm • G Maj • 02:30 • -37.64db
33% Popularity • 17% Danceability • 1% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
18% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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René Clausen
All That Hath Life and Breath, Praise Ye...
127 bpm • G Maj • 03:52 • -21.21db
2% Popularity • 19% Danceability • 18% Energy • 13% Liveness
31% Instrumentalness • 7% Positiveness
► Preview
Paul Mealor
Locus Iste
127 bpm • D# Maj • 04:19 • -25db
26% Popularity • 17% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
► Preview
Morten Lauridsen
Mid-Winter Songs: No. 1. Lament for Pasi...
127 bpm • D# Maj • 05:21 • -26.19db
3% Popularity • 24% Danceability • 3% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
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O Magnum Mysterium