Songs like O Sacred Head, Sore Wounded by Llandaff Cathedral Choir
Based on a tempo of (+/- 10%) and a similar genre
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Ronaldo Miranda
Suite Nordestina: II. Dendê trapiá
72 bpm • F Maj • 01:06 • -16.9db
8% Popularity • 46% Danceability • 22% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 46% Danceability • 22% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Tomkins
Burial Sentences: I. I Am The Resurrecti...
72 bpm • F min • 01:17 • -27.56db
13% Popularity • 20% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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György Orbán
Daemon Irrepit Callidus
72 bpm • G min • 01:30 • -28.15db
8% Popularity • 35% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 35% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Grayston Ives
Listen sweet Dove
72 bpm • D# Maj • 03:01 • -23db
8% Popularity • 9% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
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Claudio Dall'Albero
Missa ‘De Angelis’: II. Gloria
72 bpm • B min • 07:34 • -27.77db
8% Popularity • 8% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Yves Castagnet
Castagnet: J'ai vu l'eau vive
72 bpm • A Maj • 03:22 • -15.9db
8% Popularity • 22% Danceability • 26% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
8% Popularity • 22% Danceability • 26% Energy • 10% Liveness
50% Instrumentalness • 7% Positiveness
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Frank La Rocca
Mass of the Americas: I. El cantico del ...
72 bpm • A Maj • 02:51 • -21.74db
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
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Edmund Rubbra
Dormi Jesu, Op. 3
72 bpm • E min • 01:40 • -28.57db
9% Popularity • 18% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Caroline Charrière
Flowers
73 bpm • F Maj • 02:29 • -23.55db
9% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Laudate Mennonite Ensemble
Wildsbok
71 bpm • D# Maj • 02:10 • -30.15db
13% Popularity • 16% Danceability • 2% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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Jacobus Vaet
Musica Dei donum optimi - Live
73 bpm • G min • 04:32 • -17.96db
10% Popularity • 18% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 18% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Eric Whitacre
Animal Crackers: The Cow
71 bpm • D# min • 00:58 • -23.39db
11% Popularity • 27% Danceability • 3% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 3% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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Robert Ashfield
Psalm 10 "Why Standest Thou So Far Off, ...
73 bpm • F# min • 06:14 • -30.45db
9% Popularity • 11% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109, IJR 75 "C...
73 bpm • D# Maj • 01:47 • -20.79db
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
44% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
44% Instrumentalness • 4% Positiveness
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William Gardiner
Where cross the crowded ways of life
73 bpm • G# Maj • 01:37 • -28.91db
10% Popularity • 20% Danceability • 7% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
10% Popularity • 20% Danceability • 7% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
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GNAAS-KNUST Choir
Captain of Israel’s Host and Guide - L...
71 bpm • G Maj • 02:45 • -27.13db
13% Popularity • 9% Danceability • 5% Energy • 13% Liveness
98% Instrumentalness • 9% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 13% Liveness
98% Instrumentalness • 9% Positiveness
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MÃ¥rten Jansson
Missa Popularis: III. Credo
73 bpm • F Maj • 07:28 • -22.12db
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
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Matthew Harris
Shakespeare Songs, Book 1: I. Hark! hark...
73 bpm • F min • 01:25 • -25.88db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
For Lo! I Raise Up - Live
71 bpm • F Maj • 07:12 • -16.33db
11% Popularity • 10% Danceability • 31% Energy • 68% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 31% Energy • 68% Liveness
83% Instrumentalness • 4% Positiveness
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Daniel Walker
The Unicorn
73 bpm • A# Maj • 03:10 • -23.09db
10% Popularity • 29% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 15% Positiveness
10% Popularity • 29% Danceability • 6% Energy • 9% Liveness
66% Instrumentalness • 15% Positiveness
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Harvard University Choir
God, That Madest Earth and Heaven
73 bpm • G Maj • 01:53 • -22.04db
15% Popularity • 7% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
15% Popularity • 7% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245, Pt. 1 (Sung i...
73 bpm • G# Maj • 01:31 • -24.35db
8% Popularity • 10% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 10% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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John Tavener
Funeral Ikos
73 bpm • G# Maj • 08:27 • -24.37db
13% Popularity • 12% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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The Concordia Choir
Purge Me From My Sin
73 bpm • F# min • 01:56 • -26.78db
24% Popularity • 13% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 6% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Michael Joncas
St. Francis Evening Prayer (Lucernarium)...
73 bpm • D# Maj • 02:05 • -22.9db
15% Popularity • 20% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 20% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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John Bell
Come and Let Us Worship God
73 bpm • D Maj • 02:15 • -18.37db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Libera me
70 bpm • D Maj • 05:14 • -20.69db
8% Popularity • 10% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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John Stainer
The Crucifixion: IX. Chorus – God so l...
74 bpm • D Maj • 03:49 • -24.2db
9% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: V. Let My Prayer B...
70 bpm • F# Maj • 07:11 • -26.58db
7% Popularity • 8% Danceability • 9% Energy • 8% Liveness
9% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 9% Energy • 8% Liveness
9% Instrumentalness • 4% Positiveness
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Vestre Aker kammerkor
Herre Jesus gi meg nåde
74 bpm • F# min • 03:21 • -29.89db
8% Popularity • 27% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 11% Positiveness
8% Popularity • 27% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 11% Positiveness
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Michael Joncas
At Jesus' Name
74 bpm • A min • 04:25 • -13.96db
10% Popularity • 20% Danceability • 22% Energy • 13% Liveness
22% Instrumentalness • 17% Positiveness
10% Popularity • 20% Danceability • 22% Energy • 13% Liveness
22% Instrumentalness • 17% Positiveness
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Benedict Sheehan
Vespers: No. 1, The Opening Psalm
74 bpm • A min • 09:08 • -19.01db
10% Popularity • 12% Danceability • 21% Energy • 26% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 21% Energy • 26% Liveness
87% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Quatre Motets sur des thèmes grégorien...
74 bpm • G Maj • 00:54 • -26.04db
0% Popularity • 25% Danceability • 27% Energy • 13% Liveness
25% Instrumentalness • 23% Positiveness
0% Popularity • 25% Danceability • 27% Energy • 13% Liveness
25% Instrumentalness • 23% Positiveness
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John Stainer
The Mystery Of Intercession
74 bpm • C# Maj • 04:34 • -22.36db
11% Popularity • 11% Danceability • 16% Energy • 11% Liveness
10% Instrumentalness • 19% Positiveness
11% Popularity • 11% Danceability • 16% Energy • 11% Liveness
10% Instrumentalness • 19% Positiveness
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Laestadian Lutheran Church
The Lord's My Shepherd SHZ 371b
74 bpm • F Maj • 03:42 • -14.19db
15% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
15% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
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Laudate Mennonite Ensemble
Praise to the Lord
70 bpm • G# Maj • 03:35 • -19.43db
18% Popularity • 26% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
18% Popularity • 26% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245, Pt. 2 (Sung i...
74 bpm • G# Maj • 01:01 • -21.25db
8% Popularity • 23% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 23% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Clive Osgood
Three Shakespeare Songs: No. 2, Under th...
70 bpm • D Maj • 04:15 • -20.85db
20% Popularity • 16% Danceability • 16% Energy • 12% Liveness
40% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 16% Energy • 12% Liveness
40% Instrumentalness • 3% Positiveness
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Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
10% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
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John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
O Love
74 bpm • G Maj • 04:56 • -18.89db
7% Popularity • 9% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
7% Popularity • 9% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): III. K...
74 bpm • D min • 08:43 • -25.47db
15% Popularity • 7% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Jørgen Sørensen
Da solen påskemorgen kom
74 bpm • F Maj • 03:05 • -22db
11% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
11% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Communion (Lux aeterna)
70 bpm • A# Maj • 03:48 • -28.85db
8% Popularity • 15% Danceability • 2% Energy • 13% Liveness
35% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 2% Energy • 13% Liveness
35% Instrumentalness • 4% Positiveness
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Cincinnati Choral Society
Cor Mundum Crea in Me Deus
69 bpm • A# Maj • 02:51 • -25.44db
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Choir of the New Apostolic Church, Cape Town
Lord, Grant Me Mercy
69 bpm • D Maj • 02:49 • -27.02db
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Kyrie: Ic. Kyr...
75 bpm • D Maj • 01:34 • -21.14db
12% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Herv. Jeugdkoor
Jezus Stierf Alleen
69 bpm • F Maj • 04:32 • -24.79db
8% Popularity • 13% Danceability • 17% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 17% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: And Can It Be That I Should Gain...
75 bpm • G Maj • 00:58 • -27.48db
16% Popularity • 20% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 20% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Massa
All Flesh is Grass
75 bpm • A Maj • 04:35 • -31.22db
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
75 bpm • F Maj • 01:54 • -28.71db
10% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Alejandro D. Consolacion II
Ama Namin
75 bpm • A# Maj • 03:07 • -17.43db
8% Popularity • 7% Danceability • 14% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 14% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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Joanna Marsh
Evening Prayer
69 bpm • A# min • 03:42 • -21.71db
22% Popularity • 19% Danceability • 14% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 14% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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Anton Bruckner
4 Tantum ergo, WAB 41: No. 4 in C Major ...
69 bpm • C Maj • 02:19 • -26.29db
19% Popularity • 17% Danceability • 7% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 7% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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Charles Lockhart
For All Thy Saints, O Lord
75 bpm • D# Maj • 02:22 • -31.24db
16% Popularity • 18% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Francis Poulenc
Quatre motets pour un temps de pénitenc...
69 bpm • E Maj • 03:56 • -22.85db
17% Popularity • 9% Danceability • 16% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 16% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Grace-Evangeline Mason
A Winter Carol (SATB)
75 bpm • G# Maj • 02:52 • -28.38db
9% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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William Henry Monk
The Strife Is O'er, the Battle Done (Aft...
69 bpm • D Maj • 07:55 • -17.49db
1% Popularity • 7% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 7% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Psalm 100: "Jauchzet dem Herrn, alle Wel...
75 bpm • F Maj • 04:21 • -26.56db
8% Popularity • 10% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Herbert Sumsion
Nunc dimittis in A Major
69 bpm • F# min • 03:05 • -24.02db
7% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
J H Maunder
Chorus - When o'er the steep of Olivet
69 bpm • A Maj • 04:15 • -14.65db
9% Popularity • 16% Danceability • 23% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 23% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
► Preview
Jack Lenz Music
O God, My God
69 bpm • E min • 04:51 • -22.68db
12% Popularity • 16% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Christopher Walker
Lord, Let Me Love You More and More
75 bpm • F# min • 03:08 • -20.5db
10% Popularity • 19% Danceability • 15% Energy • 15% Liveness
12% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 15% Energy • 15% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Laestadian Lutheran Church
O Shepherd of the Sheep SHZ 269
75 bpm • G min • 05:44 • -22db
8% Popularity • 15% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
8% Popularity • 15% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: V. G...
69 bpm • C Maj • 08:02 • -18.35db
11% Popularity • 7% Danceability • 22% Energy • 31% Liveness
97% Instrumentalness • 7% Positiveness
11% Popularity • 7% Danceability • 22% Energy • 31% Liveness
97% Instrumentalness • 7% Positiveness
► Preview
Maurice Duruflé
Quatre Motets sur des thèmes grégorien...
75 bpm • G min • 01:55 • -30.73db
0% Popularity • 26% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
0% Popularity • 26% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
► Preview
Johannes Brahms
Sieben Lieder, Op. 62: No. 3, Waldesnach...
76 bpm • D Maj • 02:27 • -25.98db
3% Popularity • 16% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 3% Positiveness
3% Popularity • 16% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 3% Positiveness
► Preview
John Ireland
Communion Service in C Major: Pater nost...
75 bpm • F Maj • 01:31 • -27.78db
17% Popularity • 28% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 28% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
John Keys
Our Father (Pater Noster) - Instrumental...
69 bpm • F Maj • 01:16 • -31.17db
9% Popularity • 23% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 41% Positiveness
9% Popularity • 23% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 41% Positiveness
► Preview
Methodist Central Hall Choir, Westminster
Wesley: And Can It Be That I Should Gain...
69 bpm • G Maj • 01:00 • -17.36db
25% Popularity • 24% Danceability • 25% Energy • 38% Liveness
5% Instrumentalness • 29% Positiveness
25% Popularity • 24% Danceability • 25% Energy • 38% Liveness
5% Instrumentalness • 29% Positiveness
► Preview
Steven C. Warner
Alleluia, Alleluia, Praise the Risen Son...
76 bpm • A# Maj • 02:20 • -15.55db
12% Popularity • 31% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
12% Popularity • 31% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
► Preview
Cantio Laudis -kuoro
Arioso, Oi Herra, Sinun Jäljissäsi Kul...
76 bpm • C min • 07:54 • -22.09db
8% Popularity • 14% Danceability • 11% Energy • 14% Liveness
84% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 11% Energy • 14% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Laestadian Lutheran Church
Jesus, Lord and Precious Savior SHZ 498
68 bpm • D# Maj • 02:36 • -21.23db
16% Popularity • 19% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
16% Popularity • 19% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
► Preview
Ronaldo Miranda
Suite Nordestina: III. Bumba chora
76 bpm • A# min • 02:18 • -18.69db
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
15% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
15% Instrumentalness • 7% Positiveness
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Amsterdam Staff Songsters of the Salvation Army
I Need Thee
68 bpm • G Maj • 07:12 • -28.41db
9% Popularity • 17% Danceability • 4% Energy • 28% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 28% Liveness
86% Instrumentalness • 4% Positiveness
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Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
10% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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John Robinson
The Earth Is the Lord's (Psalm 24)
76 bpm • E Maj • 02:49 • -22.23db
10% Popularity • 17% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 17% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Karl-Erik Welin
VÃ¥rmorgonen
76 bpm • E min • 02:20 • -33.07db
10% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Sexteto Cantábile
Exultate Deo (Alessandro Scarlatti)
76 bpm • B Maj • 01:45 • -18.18db
25% Popularity • 23% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Trad
Welsh National Anthem: Hen wlad fy nhada...
77 bpm • D# Maj • 01:14 • -22.86db
3% Popularity • 25% Danceability • 13% Energy • 20% Liveness
80% Instrumentalness • 12% Positiveness
3% Popularity • 25% Danceability • 13% Energy • 20% Liveness
80% Instrumentalness • 12% Positiveness
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Patrick Vu
On the Hillside - Live
77 bpm • C# Maj • 05:28 • -25.38db
9% Popularity • 12% Danceability • 4% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 4% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
O Jesus, Dearest Friend to Me SHZ 320
77 bpm • E min • 04:02 • -17.52db
12% Popularity • 14% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
12% Popularity • 14% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Matthew Harris
Shakespeare Songs, Book 3: I. It was a l...
67 bpm • G# Maj • 02:21 • -27.69db
9% Popularity • 28% Danceability • 5% Energy • 12% Liveness
24% Instrumentalness • 20% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 12% Liveness
24% Instrumentalness • 20% Positiveness
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Laudate Mennonite Ensemble
Ain't Got Time to Die
77 bpm • D Maj • 02:36 • -16.69db
14% Popularity • 27% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 27% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Quire of Voyces
There Will Be Rest
67 bpm • D# Maj • 06:27 • -28.1db
8% Popularity • 7% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 3% Positiveness
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Alejandro D. Consolacion II
Panginoon, Maawa Ka
77 bpm • C min • 03:00 • -32.08db
8% Popularity • 9% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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VocalEssence Chorale
Ghana National Anthem (All 3 Stanzas)
77 bpm • G Maj • 03:12 • -11.59db
9% Popularity • 20% Danceability • 43% Energy • 15% Liveness
10% Instrumentalness • 43% Positiveness
9% Popularity • 20% Danceability • 43% Energy • 15% Liveness
10% Instrumentalness • 43% Positiveness
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Marc' Antonio Ingegneri
In monte Oliveti I
67 bpm • G# Maj • 02:58 • -29.23db
8% Popularity • 25% Danceability • 5% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 5% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Patrick Vu
Will There Really Be a "Morning"?
77 bpm • E Maj • 02:51 • -23.4db
9% Popularity • 16% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Henrik Rung
I al sin glans nu stråler solen
77 bpm • G Maj • 04:48 • -19db
12% Popularity • 23% Danceability • 11% Energy • 26% Liveness
20% Instrumentalness • 14% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 26% Liveness
20% Instrumentalness • 14% Positiveness
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Sumphonia
Seraphim
77 bpm • C min • 02:13 • -21.23db
13% Popularity • 11% Danceability • 17% Energy • 13% Liveness
57% Instrumentalness • 7% Positiveness
13% Popularity • 11% Danceability • 17% Energy • 13% Liveness
57% Instrumentalness • 7% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: VII. Agnus D...
77 bpm • G# min • 02:46 • -18.28db
8% Popularity • 9% Danceability • 19% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 19% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
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John Stainer
When Jesus Therefore Saw His Mother
67 bpm • G Maj • 02:52 • -23.23db
10% Popularity • 14% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Patrick Cassidy
The Mass: Laudamus Te
77 bpm • D min • 03:13 • -23db
25% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
