Songs like O sacrum convivium by Vytautas Miskinis
Based on a tempo of (+/- 10%) and a similar genre
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
15% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: VIII. Praise th...
138 bpm • G# Maj • 02:48 • -21.61db
7% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: II....
138 bpm • A min • 05:52 • -27db
12% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Gregorian Chants
Dominus Dixit
138 bpm • G min • 05:07 • -25.17db
14% Popularity • 20% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
14% Popularity • 20% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
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Gustav Mahler
Urlicht
138 bpm • C# Maj • 05:12 • -30.98db
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 1, Alleluia
138 bpm • A# Maj • 03:18 • -32.53db
13% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Wings (Version for Mixed Choir)
138 bpm • A Maj • 02:34 • -29.96db
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
Psalm 23
138 bpm • A Maj • 02:31 • -18.5db
11% Popularity • 19% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Hope Singers
God of Mercy
138 bpm • D Maj • 02:21 • -18.96db
12% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
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MÃ¥rten Jansson
Missa Popularis: V. Agnus Dei
139 bpm • B min • 06:28 • -22.1db
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Zero8
Sonnet 18: Shall I Compare Thee to a Sum...
139 bpm • E Maj • 04:00 • -14.98db
11% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
14% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
9% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
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Vytautas Miskinis
Missa Brevis Es-dur: Gloria
139 bpm • F Maj • 03:57 • -21.09db
0% Popularity • 22% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Wood
O Most Merciful
139 bpm • G min • 01:28 • -28db
11% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
23% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: VI. Agnus ...
136 bpm • E min • 04:46 • -25.57db
9% Popularity • 16% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Bob Chilcott
St. John Passion, Part III: Hymn: There ...
140 bpm • C Maj • 02:36 • -17.05db
7% Popularity • 19% Danceability • 23% Energy • 8% Liveness
31% Instrumentalness • 9% Positiveness
7% Popularity • 19% Danceability • 23% Energy • 8% Liveness
31% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Holy, Holy, Holy Is God...
140 bpm • C Maj • 03:27 • -19.46db
8% Popularity • 16% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Vytautas Miskinis
Alma Dei creatoris
136 bpm • D min • 02:54 • -31.99db
0% Popularity • 18% Danceability • 4% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 4% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Selig sind die Toten, SWV 281
140 bpm • F# Maj • 03:59 • -24db
7% Popularity • 14% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86, B. 153: IV. San...
140 bpm • D Maj • 02:05 • -20.38db
18% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 21% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Torbjørn Dyrud
Das Blümelein so kleine
140 bpm • G min • 01:45 • -30db
9% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Andrea Ramsey
That Which Remains
135 bpm • E Maj • 03:23 • -21.95db
8% Popularity • 18% Danceability • 11% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Vytautas Miskinis
Angelis suis Deus
135 bpm • G min • 04:27 • -27.71db
0% Popularity • 16% Danceability • 4% Energy • 8% Liveness
50% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 4% Energy • 8% Liveness
50% Instrumentalness • 3% Positiveness
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Veljo Tormis
Looduspildid No. 3 "Sügismaastikud": Lo...
135 bpm • E min • 01:36 • -30.68db
11% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Friedrich Cerha
4 Hölderlin-Fragmente: No. 4, Ihr wande...
141 bpm • F# min • 03:36 • -29.88db
9% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Canticles & Prayers, Having Beheld a Str...
135 bpm • B Maj • 01:12 • -18.17db
10% Popularity • 20% Danceability • 25% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 20% Danceability • 25% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
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Gunnar Eriksson
Music for a While
141 bpm • A min • 04:04 • -23.9db
8% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
Nunc Dimittis in B-Flat
135 bpm • A# Maj • 03:21 • -29db
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
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Johannes Brahms
Drei geistliche Chöre, Op. 37 No. 1: O ...
135 bpm • G min • 01:16 • -26.26db
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Hector Berlioz
Requiem, Op. 5, H 75: V. Quaerens me
141 bpm • A Maj • 04:49 • -39.02db
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Hugo Wolf
Six sacred Songs after Poems of Joseph v...
135 bpm • E Maj • 01:04 • -22.61db
29% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
29% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
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Henryk Górecki
Pie Jesu, pastor alme
141 bpm • C Maj • 04:18 • -25.79db
12% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
9% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
134 bpm • B min • 01:46 • -29.48db
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Philippe Rogier
Regina caeli
142 bpm • G Maj • 02:53 • -18.62db
7% Popularity • 19% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 11% Positiveness
7% Popularity • 19% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 11% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Athesinus Consort Berlin
Ich liege und schlafe
134 bpm • D Maj • 01:59 • -25.35db
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Basilica of the National Shrine of the Immaculate Conception Choir
Christus vincit
133 bpm • G Maj • 03:47 • -20.07db
17% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
17% Popularity • 22% Danceability • 19% Energy • 8% Liveness
55% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Emil RÃ¥berg
The Tyger
143 bpm • F min • 03:28 • -29.28db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25: Lift Thine Eye...
133 bpm • D Maj • 01:52 • -36.94db
9% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
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Frank La Rocca
Mass of the Americas: IV. Offertory "Ave...
133 bpm • C# min • 05:27 • -20.93db
4% Popularity • 21% Danceability • 20% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 20% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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William Croft
Burial Sentences: II. I Know That My Red...
144 bpm • C min • 01:10 • -23.05db
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
132 bpm • C min • 01:31 • -23.86db
14% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
132 bpm • A# Maj • 02:13 • -17.07db
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
132 bpm • G Maj • 02:36 • -27.21db
8% Popularity • 16% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Eg...
132 bpm • D Maj • 04:40 • -38db
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
► Preview
Pavel Chesnokov
All-night Vigil, Op. 44: Blagoslovi, dus...
132 bpm • G Maj • 02:51 • -25.55db
8% Popularity • 18% Danceability • 7% Energy • 9% Liveness
56% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 7% Energy • 9% Liveness
56% Instrumentalness • 6% Positiveness
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Edvard Grieg
Hvad Est Du Dog Skjøn
132 bpm • A min • 04:44 • -30.14db
7% Popularity • 19% Danceability • 2% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 2% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Harry Bramma
People, Look East
132 bpm • D# Maj • 02:04 • -23.14db
8% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Heidi en BerlÃn
Premium Sunsets.
131 bpm • D Maj • 03:55 • -19.4db
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
7% Popularity • 24% Danceability • 8% Energy • 9% Liveness
74% Instrumentalness • 6% Positiveness
► Preview
Vytautas Miskinis
Tenebrae factae sunt
131 bpm • A Maj • 02:28 • -27.96db
0% Popularity • 20% Danceability • 3% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 3% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
14% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
4 Quartets, Op. 92: II. Spätherbst
145 bpm • E min • 01:55 • -25.54db
8% Popularity • 16% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Patrick Vu
On the Hillside
131 bpm • C# Maj • 05:22 • -31.2db
10% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Pärt Uusberg
Muusika
131 bpm • F Maj • 02:55 • -27db
7% Popularity • 19% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Sara Wennerberg-Reuter
Motett, "Stilla komme och välkomna vare...
131 bpm • C# Maj • 02:07 • -31.16db
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Vytautas Miskinis
Veni Sancte Spiritus
131 bpm • F Maj • 07:53 • -28.98db
0% Popularity • 16% Danceability • 2% Energy • 6% Liveness
12% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 2% Energy • 6% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Alexander Dmitriyevich Kastalsky
Znamenny Chant: Today the Virgin, Op. 7b
131 bpm • A# Maj • 01:53 • -24.06db
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
► Preview
Jonathan Seers
Look Down, O Lord
131 bpm • D Maj • 02:23 • -23.88db
8% Popularity • 19% Danceability • 4% Energy • 12% Liveness
46% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 4% Energy • 12% Liveness
46% Instrumentalness • 3% Positiveness
► Preview
Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Archangel Voices
Eis polla ~ Priest Georgi Izvekov
130 bpm • A# Maj • 01:24 • -23.19db
10% Popularity • 20% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
Frank Martin
Mass for unaccompanied double choir: I. ...
130 bpm • E min • 05:52 • -27db
13% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Heinrich Poos
Auferstehn
146 bpm • A# Maj • 03:56 • -29.09db
7% Popularity • 15% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Klaus-Martin Bresgott
Esti dal - Nachtlied
130 bpm • F Maj • 02:41 • -23.92db
15% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
31% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Vytautas Miskinis
Lucis Creator Optime
130 bpm • A min • 05:24 • -27.68db
0% Popularity • 20% Danceability • 6% Energy • 78% Liveness
7% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 78% Liveness
7% Instrumentalness • 4% Positiveness
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Christopher H. Harris
Bring me all your dreams - SATB
147 bpm • E Maj • 04:06 • -32.9db
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: In paradisum
130 bpm • F# Maj • 02:39 • -28db
7% Popularity • 16% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 5, A...
129 bpm • C# Maj • 03:31 • -21.8db
8% Popularity • 19% Danceability • 18% Energy • 8% Liveness
63% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 18% Energy • 8% Liveness
63% Instrumentalness • 3% Positiveness
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Johann Kuhnau
Tristis est anima mea
129 bpm • F min • 04:14 • -23.97db
3% Popularity • 20% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
3% Popularity • 20% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
129 bpm • E min • 02:40 • -30db
13% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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Vytautas Miskinis
Missa Brevis Es-dur : Credo
129 bpm • C min • 07:59 • -24.51db
0% Popularity • 21% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 21% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
12% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Howard Skempton
And There Was War in Heaven
128 bpm • F Maj • 04:34 • -24.58db
10% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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St. Tikhon's Seminary & Monastery Choirs
Communion Hymn of Pascha - S. Trubachev
129 bpm • B min • 01:18 • -31.6db
21% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Mykola Dmytrovych Leontovych
In Thy Kingdom (Matthew 5:3-12)
128 bpm • D Maj • 03:13 • -24.71db
7% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 22% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Lumen Valo
Johann von Gardner, arr: Joulun valovirr...
128 bpm • E Maj • 02:14 • -22db
16% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: IX. Blessed art...
128 bpm • A Maj • 07:30 • -24.36db
7% Popularity • 17% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Joanna Marsh
I Take Thee
128 bpm • C min • 03:55 • -21.57db
8% Popularity • 17% Danceability • 14% Energy • 17% Liveness
72% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 14% Energy • 17% Liveness
72% Instrumentalness • 4% Positiveness
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Vytautas Miskinis
Tu es
128 bpm • E min • 04:41 • -27.56db
0% Popularity • 17% Danceability • 3% Energy • 9% Liveness
25% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 3% Energy • 9% Liveness
25% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Messe in Es, Op. 109 "Cantus Missae": Ky...
127 bpm • D# Maj • 04:32 • -25.66db
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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James MacMillan
The Gallant Weaver
127 bpm • F# min • 06:10 • -30db
7% Popularity • 19% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 4% Positiveness
