Songs like Oberon: Overture by Carl Maria von Weber
Based on a tempo of (+/- 10%) and a similar genre
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Janos Sebestyen
Prelude In D Major, BWV 925 : Prelude In...
139 bpm • D Maj • 01:08 • -22db
61% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
61% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Johann Nepomuk Hummel
Recollections of Paganini, WoO 8, S190: ...
138 bpm • A min • 01:41 • -20.9db
35% Popularity • 43% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
35% Popularity • 43% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
60% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
60% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
138 bpm • A Maj • 02:45 • -20db
38% Popularity • 42% Danceability • 14% Energy • 8% Liveness
50% Instrumentalness • 39% Positiveness
38% Popularity • 42% Danceability • 14% Energy • 8% Liveness
50% Instrumentalness • 39% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
34% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
34% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
54% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
54% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Janos Sebestyen
Prelude In F Major, BWV 928 : Prelude In...
140 bpm • F Maj • 01:26 • -23.98db
56% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
56% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Aufforderung zum Tanze (Invitation to th...
142 bpm • G# Maj • 08:47 • -24db
9% Popularity • 33% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
9% Popularity • 33% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
136 bpm • G Maj • 08:10 • -22db
1% Popularity • 32% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 32% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
53% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
53% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
44% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
44% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
44% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
44% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 4. Minuetto
132 bpm • G Maj • 03:26 • -28.5db
38% Popularity • 42% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
38% Popularity • 42% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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Carl Maria von Weber
Clarinet Quintet in B-Flat Major, Op. 34...
133 bpm • A# Maj • 06:12 • -12.9db
6% Popularity • 40% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
6% Popularity • 40% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Spanish Romance, Op. 74: The Smuggler (T...
147 bpm • G min • 02:00 • -26db
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
132 bpm • A# Maj • 01:30 • -28.05db
52% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
52% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Tekla BÄ…darzewska-Baranowska
Douce rêverie in G Minor
131 bpm • G min • 01:57 • -22.15db
35% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
35% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Savior of the Nations, Come, BWV 659 (Ar...
131 bpm • G min • 04:39 • -23db
44% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
44% Popularity • 19% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 5% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
131 bpm • D min • 05:04 • -24db
42% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
42% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Lang Lang
Lyric Pieces, Op. 43: No. 6, To Spring
130 bpm • F# Maj • 03:59 • -21.84db
30% Popularity • 34% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 34% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
149 bpm • D Maj • 01:22 • -32.86db
0% Popularity • 61% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 61% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
53% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
► Preview
Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
60% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
60% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Romance in F Minor, Op. 5: Andante canta...
128 bpm • F min • 06:08 • -26db
33% Popularity • 42% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 42% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
128 bpm • C Maj • 09:22 • -25.41db
7% Popularity • 30% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
7% Popularity • 30% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
42% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
128 bpm • F min • 08:11 • -21db
11% Popularity • 28% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 10% Positiveness
11% Popularity • 28% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 10% Positiveness
► Preview
Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
► Preview
Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
126 bpm • B min • 03:02 • -29db
40% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
40% Popularity • 47% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Janos Sebestyen
Trio In G Minor, BWV 929
126 bpm • G min • 00:48 • -26db
57% Popularity • 48% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 72% Positiveness
57% Popularity • 48% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 72% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
127 bpm • F Maj • 06:20 • -21.52db
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 4, Prest...
126 bpm • E min • 03:09 • -21db
34% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
34% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
66% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
124 bpm • D min • 02:17 • -32.8db
0% Popularity • 51% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 51% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Benjamin Frith
Fantasiestucke, Op. 12: Des Abends
123 bpm • C# Maj • 03:25 • -40.66db
26% Popularity • 29% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 11% Positiveness
26% Popularity • 29% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 11% Positiveness
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Carl Maria von Weber
Piano Sonata No. 1 in C Major, Op. 24, J...
124 bpm • C Maj • 08:31 • -26db
18% Popularity • 44% Danceability • 8% Energy • 14% Liveness
87% Instrumentalness • 21% Positiveness
18% Popularity • 44% Danceability • 8% Energy • 14% Liveness
87% Instrumentalness • 21% Positiveness
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Fritz Kreisler
Tambourin chinois, Op. 3 (Arr. for Violi...
157 bpm • G min • 03:45 • -24.82db
30% Popularity • 40% Danceability • 14% Energy • 7% Liveness
33% Instrumentalness • 15% Positiveness
30% Popularity • 40% Danceability • 14% Energy • 7% Liveness
33% Instrumentalness • 15% Positiveness
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Janos Sebestyen
2 Part Invention In F Major, BWV 779: Tw...
123 bpm • F Maj • 00:52 • -20db
54% Popularity • 49% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
54% Popularity • 49% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
31% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
31% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Bassoon Concerto in F Major, Op. 75, J. ...
123 bpm • F Maj • 08:21 • -16.59db
18% Popularity • 35% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
