Songs like Oboe Concerto: 1. Moderato by Bohuslav Martinů
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
32% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
32% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20
81 bpm • E min • 03:27 • -18.56db
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
27% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Bohuslav Martinů
Oboe Concerto: 1. Moderato
81 bpm • A# Maj • 04:57 • -19.5db
11% Popularity • 18% Danceability • 14% Energy • 14% Liveness
85% Instrumentalness • 12% Positiveness
11% Popularity • 18% Danceability • 14% Energy • 14% Liveness
85% Instrumentalness • 12% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: I. Al...
81 bpm • A min • 04:27 • -18db
33% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
81 bpm • A Maj • 03:34 • -20.09db
0% Popularity • 24% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
0% Popularity • 24% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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Frederick Delius
Delius: 2 Aquarelles: No. 1, Slow (Arr. ...
81 bpm • F Maj • 02:13 • -26db
24% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 1. Rondo ...
81 bpm • E min • 07:32 • -21.96db
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Moritz Moszkowski
Piano Concerto in E, Op. 59: III. Scherz...
81 bpm • E Maj • 06:25 • -20.32db
9% Popularity • 28% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
9% Popularity • 28% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Giuseppe Tartini
Tartini / Arr Thilde : Trumpet Concerto ...
82 bpm • A Maj • 03:06 • -20.45db
5% Popularity • 10% Danceability • 10% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
5% Popularity • 10% Danceability • 10% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
82 bpm • C Maj • 08:28 • -24db
29% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Serenade for Strings in E Minor, Op. 20:...
82 bpm • E min • 03:30 • -26.41db
16% Popularity • 25% Danceability • 2% Energy • 8% Liveness
39% Instrumentalness • 6% Positiveness
16% Popularity • 25% Danceability • 2% Energy • 8% Liveness
39% Instrumentalness • 6% Positiveness
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George Frideric Handel
Concerto grosso No. 12 in B Minor, Op. 6...
82 bpm • B min • 02:12 • -20.37db
26% Popularity • 20% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 14% Positiveness
26% Popularity • 20% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Mauro Giuliani
Guitar Concerto No. 1 in A, Op. 30: 2. A...
80 bpm • E min • 06:13 • -29db
2% Popularity • 36% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
2% Popularity • 36% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 2 in E-Flat Ma...
80 bpm • A# Maj • 03:29 • -27.09db
14% Popularity • 17% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 17% Positiveness
14% Popularity • 17% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 17% Positiveness
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Antonio Vivaldi
III. Allegro
82 bpm • F min • 03:16 • -19.67db
30% Popularity • 34% Danceability • 11% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
30% Popularity • 34% Danceability • 11% Energy • 8% Liveness
5% Instrumentalness • 18% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: III. Allegro
82 bpm • G Maj • 03:02 • -21db
15% Popularity • 30% Danceability • 22% Energy • 25% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 30% Danceability • 22% Energy • 25% Liveness
90% Instrumentalness • 29% Positiveness
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Carl Ditters von Dittersdorf
Concerto in E major for Double-bass and ...
82 bpm • A Maj • 06:16 • -30.04db
9% Popularity • 8% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Robert Schumann
Violin Concerto in D Minor, WoO 23: II. ...
80 bpm • A# Maj • 06:21 • -20.04db
8% Popularity • 12% Danceability • 18% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 18% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Symphony No. 34 in C Major, K. 3...
80 bpm • G Maj • 05:36 • -21.58db
11% Popularity • 40% Danceability • 25% Energy • 16% Liveness
86% Instrumentalness • 50% Positiveness
11% Popularity • 40% Danceability • 25% Energy • 16% Liveness
86% Instrumentalness • 50% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Peer Gynt's ...
82 bpm • F# min • 02:25 • -22.76db
15% Popularity • 30% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
15% Popularity • 30% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
82 bpm • C# Maj • 06:33 • -21.71db
22% Popularity • 15% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The 4 Seasons: Violin Concerto in E Majo...
82 bpm • C# min • 02:45 • -30.45db
8% Popularity • 10% Danceability • 4% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
8% Popularity • 10% Danceability • 4% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 2. Larghetto
80 bpm • D Maj • 07:10 • -27.08db
13% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
82 bpm • A min • 05:28 • -17.18db
25% Popularity • 34% Danceability • 17% Energy • 7% Liveness
79% Instrumentalness • 37% Positiveness
25% Popularity • 34% Danceability • 17% Energy • 7% Liveness
79% Instrumentalness • 37% Positiveness
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Academy of St. Martin in the Fields
Holberg Suite, opus 40:Gavotte (Allegret...
80 bpm • G Maj • 03:25 • -19.13db
13% Popularity • 28% Danceability • 3% Energy • 14% Liveness
77% Instrumentalness • 23% Positiveness
13% Popularity • 28% Danceability • 3% Energy • 14% Liveness
77% Instrumentalness • 23% Positiveness
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Felix Mendelssohn
Octet In E Flat, Op. 20, MWV R20: 2. And...
80 bpm • G# Maj • 07:22 • -29db
14% Popularity • 13% Danceability • 3% Energy • 7% Liveness
38% Instrumentalness • 7% Positiveness
14% Popularity • 13% Danceability • 3% Energy • 7% Liveness
38% Instrumentalness • 7% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: 6. Mattachins (Sword Danc...
82 bpm • F Maj • 00:59 • -16.82db
27% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
27% Popularity • 66% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 57% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: Sentimental Sara...
80 bpm • G min • 06:32 • -27.64db
10% Popularity • 10% Danceability • 2% Energy • 24% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 2% Energy • 24% Liveness
84% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D: 3. Notturno
80 bpm • A Maj • 07:01 • -27db
16% Popularity • 17% Danceability • 6% Energy • 6% Liveness
43% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 6% Energy • 6% Liveness
43% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Sinfonia concertante for Violin ...
82 bpm • D# Maj • 06:09 • -19.17db
13% Popularity • 50% Danceability • 14% Energy • 20% Liveness
76% Instrumentalness • 54% Positiveness
13% Popularity • 50% Danceability • 14% Energy • 20% Liveness
76% Instrumentalness • 54% Positiveness
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Johann Sebastian Bach
Bach, JS: Orchestral Suite No. 3 in D Ma...
79 bpm • D Maj • 04:19 • -15.06db
10% Popularity • 58% Danceability • 21% Energy • 17% Liveness
97% Instrumentalness • 64% Positiveness
10% Popularity • 58% Danceability • 21% Energy • 17% Liveness
97% Instrumentalness • 64% Positiveness
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Frederick Delius
Delius: 2 Aquarelles: No. 2, Gaily, But ...
83 bpm • D Maj • 02:04 • -20.06db
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
21% Popularity • 17% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
40% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 2 In D, Op. 73: 3. Allegret...
83 bpm • C Maj • 05:21 • -28db
27% Popularity • 20% Danceability • 4% Energy • 16% Liveness
52% Instrumentalness • 31% Positiveness
27% Popularity • 20% Danceability • 4% Energy • 16% Liveness
52% Instrumentalness • 31% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
46% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
46% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Basta, vincesti… Ah, non lasci...
83 bpm • D# Maj • 07:28 • -22.93db
14% Popularity • 24% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D minor: 2. Adagio
79 bpm • D min • 04:23 • -19.56db
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Giovanni Punto
Punto: Horn Concerto No. 5 in F Major: I...
83 bpm • F min • 05:20 • -24.02db
2% Popularity • 18% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
2% Popularity • 18% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
36% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Violin Concerto in E Minor, Op. 64, MWV ...
83 bpm • E Maj • 06:04 • -20.36db
10% Popularity • 44% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 38% Positiveness
10% Popularity • 44% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 38% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Academy of St. Martin in the Fields
Symphony No. 35 KV385 in DMajor "Haffner...
79 bpm • D Maj • 05:21 • -17db
6% Popularity • 33% Danceability • 15% Energy • 6% Liveness
42% Instrumentalness • 17% Positiveness
6% Popularity • 33% Danceability • 15% Energy • 6% Liveness
42% Instrumentalness • 17% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: IXb. ...
83 bpm • A Maj • 01:21 • -28db
36% Popularity • 27% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 22% Positiveness
36% Popularity • 27% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 22% Positiveness
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Niccolò Paganini
Violin Concerto No. 1 in D Major, Op. 6:...
83 bpm • B min • 05:40 • -25.26db
11% Popularity • 18% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 4:...
83 bpm • C Maj • 03:14 • -35db
27% Popularity • 14% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 14% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Magnificat, H. 74: I. Sinfo...
83 bpm • D min • 01:05 • -23.81db
15% Popularity • 40% Danceability • 8% Energy • 27% Liveness
91% Instrumentalness • 42% Positiveness
15% Popularity • 40% Danceability • 8% Energy • 27% Liveness
91% Instrumentalness • 42% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
► Preview
Georg Philipp Telemann
Concerto No. 1 for Trumpet, 2 Oboes, Str...
79 bpm • B min • 00:59 • -26.14db
29% Popularity • 12% Danceability • 7% Energy • 16% Liveness
76% Instrumentalness • 17% Positiveness
29% Popularity • 12% Danceability • 7% Energy • 16% Liveness
76% Instrumentalness • 17% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: 3. Gavotte (Alleg...
79 bpm • G Maj • 03:29 • -13.56db
4% Popularity • 31% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
4% Popularity • 31% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
► Preview
Adolphe Adam
Giselle: Act II: Apparition de Myrthe et...
84 bpm • D# Maj • 11:42 • -24.82db
9% Popularity • 19% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 3% Energy • 12% Liveness
54% Instrumentalness • 9% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
84 bpm • C min • 08:44 • -18.43db
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 13% Liveness
43% Instrumentalness • 7% Positiveness
► Preview
Bedřich Smetana
String Quartet No. 1 in E Minor, JB 1:10...
84 bpm • E min • 07:43 • -19.05db
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Alexander Glazunov
Scènes de ballet, Op. 52: VI. Danse Ori...
78 bpm • G# Maj • 02:40 • -29.43db
16% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
16% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
► Preview
Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 1: No. 2, ...
84 bpm • E Maj • 03:11 • -19.19db
9% Popularity • 32% Danceability • 13% Energy • 8% Liveness
53% Instrumentalness • 12% Positiveness
9% Popularity • 32% Danceability • 13% Energy • 8% Liveness
53% Instrumentalness • 12% Positiveness
► Preview
Johann Sebastian Bach
Concerto for Harpsichord, Strings, and C...
84 bpm • G min • 03:11 • -24.39db
4% Popularity • 24% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
4% Popularity • 24% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Domenico Cimarosa
Oboe Concerto in C: 3. Siciliana
84 bpm • A min • 02:59 • -22.76db
28% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
28% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
► Preview
Franz von Suppé
Suppé: Dichter und Bauer: Overture
78 bpm • A# Maj • 05:25 • -17.4db
3% Popularity • 27% Danceability • 24% Energy • 29% Liveness
77% Instrumentalness • 24% Positiveness
3% Popularity • 27% Danceability • 24% Energy • 29% Liveness
77% Instrumentalness • 24% Positiveness
► Preview
Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
64% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
31% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Ent...
78 bpm • A# Maj • 06:53 • -21.28db
33% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Tchaikovsky: Variations on ...
78 bpm • A Maj • 02:07 • -18.82db
23% Popularity • 39% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
23% Popularity • 39% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 50% Positiveness
► Preview
Gabriel Fauré
Shylock, Op. 57: V. Nocturne
84 bpm • G Maj • 02:50 • -36db
24% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Edvard Grieg
Grieg: 2 Elegiac Melodies, Op. 34: No. 2...
84 bpm • G Maj • 04:59 • -21.81db
11% Popularity • 8% Danceability • 9% Energy • 38% Liveness
81% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 9% Energy • 38% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Johann Nepomuk Hummel
Grand Concerto for Bassoon and Orchestra...
84 bpm • A# Maj • 05:52 • -26db
14% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
14% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 11% Positiveness
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William Boyce
Symphony in B-Flat Major, Op. 2 No. 1: I...
84 bpm • G min • 02:24 • -25db
34% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
34% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
25% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
III. Danza pastorale. Allegro
78 bpm • E Maj • 04:06 • -16.94db
32% Popularity • 34% Danceability • 14% Energy • 62% Liveness
8% Instrumentalness • 15% Positiveness
32% Popularity • 34% Danceability • 14% Energy • 62% Liveness
8% Instrumentalness • 15% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: III. Allegr...
78 bpm • G Maj • 03:11 • -25.2db
16% Popularity • 10% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 6% Positiveness
16% Popularity • 10% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 5. Rigaudon (Alle...
78 bpm • G Maj • 03:42 • -16db
4% Popularity • 27% Danceability • 21% Energy • 21% Liveness
94% Instrumentalness • 40% Positiveness
4% Popularity • 27% Danceability • 21% Energy • 21% Liveness
94% Instrumentalness • 40% Positiveness
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Georges Bizet
Bizet: Suite No. 1 de L'Arlésienne, Op....
78 bpm • F Maj • 03:00 • -36db
21% Popularity • 7% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 7% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Barcarolle in F Major, Op. 108
85 bpm • F Maj • 09:08 • -22db
19% Popularity • 20% Danceability • 8% Energy • 9% Liveness
47% Instrumentalness • 7% Positiveness
19% Popularity • 20% Danceability • 8% Energy • 9% Liveness
47% Instrumentalness • 7% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
II. Adagio molto
77 bpm • D Maj • 02:05 • -36.11db
29% Popularity • 9% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70 TH 118: I. ...
77 bpm • A Maj • 10:22 • -16.65db
10% Popularity • 21% Danceability • 21% Energy • 17% Liveness
87% Instrumentalness • 23% Positiveness
10% Popularity • 21% Danceability • 21% Energy • 17% Liveness
87% Instrumentalness • 23% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
19% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Georges Bizet
Bizet / Arr. Guiraud: Suite No. 2 de L'A...
77 bpm • D Maj • 03:43 • -14.74db
2% Popularity • 52% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 53% Positiveness
2% Popularity • 52% Danceability • 46% Energy • 9% Liveness
87% Instrumentalness • 53% Positiveness
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Adolphe Adam
Giselle: Act I: Variation de Giselle
85 bpm • E Maj • 02:14 • -20db
39% Popularity • 26% Danceability • 8% Energy • 39% Liveness
82% Instrumentalness • 7% Positiveness
39% Popularity • 26% Danceability • 8% Energy • 39% Liveness
82% Instrumentalness • 7% Positiveness
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Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
52% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
52% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
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Felix Mendelssohn
Violin Concerto in E Minor, Op. 64, MWV ...
85 bpm • E Maj • 06:30 • -18.99db
25% Popularity • 36% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 28% Positiveness
25% Popularity • 36% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 28% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Oboe Sonata in D Major, Op. 166: I. Anda...
77 bpm • D Maj • 03:52 • -23.93db
22% Popularity • 26% Danceability • 5% Energy • 5% Liveness
90% Instrumentalness • 16% Positiveness
22% Popularity • 26% Danceability • 5% Energy • 5% Liveness
90% Instrumentalness • 16% Positiveness
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Gustav Holst
Holst: St. Paul's Suite, Op. 29 No. 2: I...
77 bpm • C Maj • 03:25 • -14.79db
20% Popularity • 32% Danceability • 27% Energy • 26% Liveness
90% Instrumentalness • 46% Positiveness
20% Popularity • 32% Danceability • 27% Energy • 26% Liveness
90% Instrumentalness • 46% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
86 bpm • C Maj • 09:10 • -23.86db
11% Popularity • 12% Danceability • 7% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 7% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Victor Herbert
Cello Concerto No. 2 in E Minor, Op. 30:...
86 bpm • B Maj • 08:20 • -33.35db
8% Popularity • 9% Danceability • 1% Energy • 13% Liveness
23% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 13% Liveness
23% Instrumentalness • 4% Positiveness
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Joseph Haydn
Horn Concerto No. 2 in D, H.VIID No. 4: ...
86 bpm • B min • 06:51 • -22.44db
10% Popularity • 12% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
10% Popularity • 12% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: 4. Air (Andante r...
76 bpm • G min • 06:03 • -14.51db
4% Popularity • 10% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
4% Popularity • 10% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Berenice, regina d'Egitto, HWV 3...
76 bpm • D# Maj • 03:51 • -22db
29% Popularity • 9% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
29% Popularity • 9% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
