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Obsessed
Songs like
Obsessed
by
Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
61% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Dan + Shay
Obsessed
172 bpm • F min • 05:02 • -6.35db
48% Popularity • 56% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Michael Ray
I'm Gonna Miss You
172 bpm • G# Maj • 02:44 • -3.85db
30% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Sugarland
Babe
172 bpm • E Maj • 03:35 • -3.29db
56% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Dallas Smith
Autograph
174 bpm • G Maj • 02:55 • -6.26db
33% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Jackie Lee
Getting Over You
170 bpm • D Maj • 02:52 • -5.06db
42% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Brooke Eden
Act Like You Don't
170 bpm • B Maj • 03:52 • -4.4db
34% Popularity • 55% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Dan + Shay
Tequila - Acoustic
172 bpm • B Maj • 03:15 • -5.75db
35% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Charlie Puth
That’s Not How This Works
170 bpm • A Maj • 02:45 • -4.56db
67% Popularity • 58% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Brett Young
Lady
170 bpm • G Maj • 03:14 • -7.98db
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Scotty McCreery
See You Tonight
170 bpm • A Maj • 03:46 • -6db
53% Popularity • 50% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Noah Schnacky
Maybe We Will
170 bpm • E Maj • 03:09 • -8.02db
45% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Doleac
Neon Fools
170 bpm • G Maj • 03:15 • -8db
35% Popularity • 56% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Dan + Shay
Stupid Love
170 bpm • C Maj • 03:14 • -4db
43% Popularity • 69% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Eli Young Band
Skin & Bones
176 bpm • F Maj • 03:59 • -7.42db
42% Popularity • 49% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Florida Georgia Line
God, Your Mama, And Me
168 bpm • G Maj • 03:03 • -3.73db
60% Popularity • 44% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Morgan Evans
I Do
176 bpm • G min • 03:30 • -5.95db
39% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Ray
Get to You
168 bpm • D# Maj • 03:11 • -5.66db
50% Popularity • 48% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Billy Currington
Must Be Doin' Somethin' Right
168 bpm • A Maj • 04:29 • -3.42db
64% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Dan + Shay
You
170 bpm • C Maj • 03:16 • -6.21db
61% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Jana Kramer
Why Ya Wanna
167 bpm • E Maj • 03:41 • -3db
48% Popularity • 30% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mickey Guyton
Caught Up In Your Storm
167 bpm • A# min • 03:49 • -8.65db
34% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Chase Rice
Three Chords & The Truth
166 bpm • G# Maj • 03:54 • -4.72db
42% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
60% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Filmore
Other Girl
166 bpm • C Maj • 03:15 • -5.84db
25% Popularity • 44% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Dan + Shay
Show You Off - Acoustic; Live
168 bpm • F Maj • 03:03 • -7.52db
30% Popularity • 41% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Spencer Crandall
My Person
166 bpm • G Maj • 02:57 • -5.29db
58% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmie Allen
Make Me Want To
180 bpm • D Maj • 02:52 • -3.21db
56% Popularity • 52% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Jordan Davis
Almost Maybes
180 bpm • B Maj • 02:59 • -4.03db
67% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Old Dominion
Make It Sweet
180 bpm • G Maj • 03:07 • -4.45db
60% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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David Nail
Night's On Fire
164 bpm • E Maj • 03:09 • -4.16db
54% Popularity • 54% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Dan + Shay
Steal My Love
180 bpm • D Maj • 02:42 • -5.45db
55% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Dylan Schneider
No Problem
164 bpm • F Maj • 03:03 • -4.38db
39% Popularity • 48% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Jake Scott
Tuesdays
164 bpm • E Maj • 03:36 • -10.74db
51% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Blake Shelton
A Guy with a Girl
164 bpm • C Maj • 03:09 • -4.59db
60% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Filmore
Love That About You
182 bpm • A Maj • 02:37 • -6.59db
42% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Dan + Shay
Alone Together
180 bpm • C# Maj • 02:51 • -5db
54% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Dustin Lynch
Mind Reader
162 bpm • E min • 03:05 • -4.17db
54% Popularity • 39% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Smithfield
When You're Gone
162 bpm • G# Maj • 03:24 • -5db
27% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Jana Kramer
Circles
162 bpm • F# Maj • 03:59 • -5db
36% Popularity • 52% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Dan + Shay
When I Pray for You
164 bpm • D Maj • 03:29 • -4.24db
49% Popularity • 38% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
49% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Maggie Rose
Body on Fire
160 bpm • C# Maj • 03:40 • -4.3db
32% Popularity • 53% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
49% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Logan Mize
Ain't Always Pretty
160 bpm • C# Maj • 03:30 • -4.56db
40% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot - Acoustic
160 bpm • G Maj • 02:58 • -7.14db
40% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Dan + Shay
Road Trippin'
161 bpm • F Maj • 03:32 • -4.65db
46% Popularity • 55% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Teddy Swims
Bed on Fire
160 bpm • C min • 03:48 • -6.91db
57% Popularity • 56% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Parmalee
Carolina
160 bpm • A# Maj • 03:21 • -3.53db
53% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Miranda Lambert
Over You
158 bpm • F# Maj • 04:13 • -6.97db
54% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • G# Maj • 03:22 • -8.9db
29% Popularity • 58% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
57% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Seaforth
Taken Your Picture
158 bpm • E Maj • 03:32 • -7.5db
29% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Morgan Evans
Diamonds
158 bpm • D Maj • 02:52 • -5db
44% Popularity • 63% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmie Allen
Best Shot (Acoustic)
156 bpm • E Maj • 03:13 • -9.21db
39% Popularity • 67% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Miranda Lambert
Holding On to You
189 bpm • C Maj • 04:32 • -9.86db
49% Popularity • 49% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Bandi
Man Enough Now
156 bpm • D Maj • 03:05 • -6.11db
46% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Dan + Shay
Sway
158 bpm • A Maj • 03:09 • -4.18db
41% Popularity • 45% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Maggie Rose
Love Me More
156 bpm • C Maj • 03:35 • -8.26db
25% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Blake Shelton
Every Time I Hear That Song
156 bpm • D Maj • 03:34 • -5.45db
51% Popularity • 52% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Florida Georgia Line
Meant To Be - Acoustic
154 bpm • A# Maj • 02:44 • -6.24db
36% Popularity • 68% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Bebe Rexha
Meant to Be
154 bpm • A# Maj • 02:44 • -6.61db
72% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Big & Rich
Lovin' Lately
154 bpm • E Maj • 03:38 • -5.54db
42% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
39% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ashley Cooke
Never Til Now
154 bpm • A# Maj • 02:53 • -7db
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Sir Rosevelt
Something 'Bout You
153 bpm • D Maj • 02:40 • -6.07db
43% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Devin Dawson
Dark Horse
152 bpm • F# min • 03:31 • -4.56db
38% Popularity • 54% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
46% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Doleac
Bigger Than Us
152 bpm • C# Maj • 03:21 • -3.46db
35% Popularity • 48% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tim McGraw
Speak to a Girl
152 bpm • C# Maj • 03:52 • -7db
44% Popularity • 47% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Cam
Mayday
152 bpm • C# min • 03:36 • -5.92db
39% Popularity • 52% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eli Young Band
Crazy Girl - Acoustic
151 bpm • E Maj • 03:07 • -4.64db
35% Popularity • 27% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Brett Young
Don’t Wanna Write This Song
150 bpm • D Maj • 03:48 • -8db
47% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Noah Schnacky
Meet The Man
150 bpm • A Maj • 03:50 • -5.91db
28% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Spencer Crandall
Ain't Working for Me
150 bpm • F# Maj • 02:52 • -5.37db
31% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Dan + Shay
19 You + Me - Acoustic; Live
151 bpm • F# Maj • 03:41 • -8db
32% Popularity • 42% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Jana Kramer
I Got the Boy
150 bpm • C Maj • 03:21 • -5.95db
55% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Adam Doleac
Another - Wedding Version
150 bpm • G Maj • 02:51 • -6.74db
38% Popularity • 52% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Blake Shelton
She's Got a Way with Words
149 bpm • D# Maj • 03:10 • -6db
49% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Brett Young
You Ain't Here To Kiss Me
148 bpm • C Maj • 03:37 • -7db
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Davis
Singles You Up
200 bpm • G Maj • 03:02 • -3.59db
69% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Sara Evans
A Little Bit Stronger
148 bpm • D Maj • 05:01 • -5.6db
60% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ryan Griffin
Woulda Left Me Too
148 bpm • E Maj • 03:43 • -9db
35% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Brett Young
In Case You Didn't Know
148 bpm • A# Maj • 03:44 • -7.31db
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Dan + Shay
My Side of the Fence
148 bpm • A# Maj • 03:39 • -5.59db
53% Popularity • 50% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Obsessed