Songs like Och wat wor dat fröher schön doch en Colonia by Willi Ostermann
Based on a tempo of (+/- 10%) and a similar genre
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Shanty Chor Frische Brise
Eine frische Brise und 'ne Buddel Rum
78 bpm • C Maj • 02:40 • -5db
11% Popularity • 58% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 58% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Heinz Rühmann
Die Ballade vom semmelblonden Emil
78 bpm • F Maj • 02:53 • -12.55db
7% Popularity • 80% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 80% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Ernst Neger
Heile, heile Gänsje
78 bpm • D# Maj • 03:47 • -4.95db
15% Popularity • 42% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 42% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Räuber
Ich dun et nit mih
78 bpm • C Maj • 04:03 • -10db
9% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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AG Arsch Huh
Su läuf dat he - Radio Edit
78 bpm • G Maj • 04:31 • -6.03db
18% Popularity • 47% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 47% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Werner Veidt
I möcht' amol wieder a Lausbua sei
77 bpm • D# Maj • 03:49 • -20db
12% Popularity • 48% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 48% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Lys Assia
Mamatschi (Schenk mir ein Pferdchen)
79 bpm • F Maj • 03:29 • -8.76db
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Hans Moser
Die Reblaus
79 bpm • D# Maj • 03:06 • -18.2db
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
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Willi Ostermann
Kut erop! Kut erop! Kut erop!
77 bpm • G# Maj • 03:08 • -14.84db
0% Popularity • 80% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 80% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Wum's Gesang
Ich wünsch' mir 'ne kleine Miezekatze
80 bpm • G Maj • 02:44 • -10db
12% Popularity • 82% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 82% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Katja Ebstein
Ein Indio-Junge aus Peru
80 bpm • C min • 03:10 • -6.44db
24% Popularity • 33% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 33% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Paul Hörbiger
Stell Dir Vor, Es Geht Das Licht Aus
75 bpm • A# Maj • 02:42 • -10db
17% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Heinz Erhardt
Ach, Wenn Ich Doch Im Lotto
75 bpm • G Maj • 02:12 • -11db
17% Popularity • 49% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 49% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Udo Jürgens
Rhodos im Regen
81 bpm • D Maj • 03:05 • -13.18db
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Willi Ostermann
Drum rat’ ich Dir, zieh’ an den Rhei...
79 bpm • A# Maj • 03:13 • -8.64db
0% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 55% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Paveier
Sadomaso im Westerwald
75 bpm • D Maj • 03:55 • -7.35db
7% Popularity • 79% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 79% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Biermösl Blosn
Wellcome to Bavaria
81 bpm • G Maj • 02:48 • -11db
15% Popularity • 58% Danceability • 24% Energy • 81% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 58% Danceability • 24% Energy • 81% Liveness
0% Instrumentalness • 94% Positiveness
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Pirron und Knapp
Im Tröpferlbad
75 bpm • B min • 02:15 • -15db
22% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Hans Moser
I marschier mit mein Duli-Dulieh
82 bpm • G Maj • 02:34 • -10db
11% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Rote Gitarren
Weißes Boot
82 bpm • D Maj • 03:02 • -7.45db
29% Popularity • 41% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 41% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Willi Ostermann
Kut erop! Kut erop! Kut erop! Bei Palm's...
77 bpm • G# Maj • 03:10 • -10.36db
9% Popularity • 80% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 80% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Hans Süper
Ich ben ene Kölsche Jung
75 bpm • D min • 04:23 • -10.82db
20% Popularity • 45% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 45% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Udo Jürgens
Der Teufel hat den Schnaps gemacht
82 bpm • E Maj • 02:46 • -15.7db
36% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Mainzer Hofsänger
Mainz (Radio Mix)
73 bpm • G Maj • 03:53 • -10.3db
12% Popularity • 40% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 40% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Heinz Rühmann
O Bello
84 bpm • C Maj • 02:25 • -8db
18% Popularity • 71% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 71% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Willi Ostermann
Drum rat' ich Dir - Zieh' an den Rhein!
80 bpm • A# Maj • 03:13 • -16.01db
0% Popularity • 78% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 78% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Höhner
Wann jeiht d'r Himmel widder op
84 bpm • C Maj • 03:51 • -9.28db
24% Popularity • 54% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 54% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
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Jürgen von Manger
Dat bisken Frühschicht
85 bpm • F# Maj • 03:10 • -10.62db
9% Popularity • 59% Danceability • 56% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 59% Danceability • 56% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
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Mainzer Hofsänger
So Ein Tag, So Wunderschön Wie Heute - ...
85 bpm • F Maj • 02:47 • -5.75db
13% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 27% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tommy Engel
En unserem Veedel
85 bpm • D Maj • 03:35 • -9db
11% Popularity • 51% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 51% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Willy Millowitsch
Kölsche Jung
86 bpm • F Maj • 03:48 • -9.63db
25% Popularity • 59% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 59% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Willi Ostermann
Och wat wor dat fröher schön doch en C...
79 bpm • G# Maj • 03:23 • -9.85db
3% Popularity • 46% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 46% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Hans Moser
Mei Naserl ist so rot, weil ich so blau ...
87 bpm • D# Maj • 02:56 • -11.56db
13% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Rex Gildo
Wenn es sein muss, kann ich treu sein (I...
88 bpm • G# Maj • 02:07 • -15.05db
31% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Rudi Schuricke
Wenn der weisse Flieder wieder blüht
69 bpm • C min • 02:59 • -12db
22% Popularity • 27% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 27% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Biermösl Blosn
Der Wildschütz Jennerwein
89 bpm • B Maj • 04:08 • -17.82db
15% Popularity • 68% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 68% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Willy Millowitsch
Mir schenke der ahl e paar Blömcher
88 bpm • C# Maj • 03:11 • -9.34db
22% Popularity • 45% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 45% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Ernst Neger
Heile, heile Gänsje
68 bpm • D Maj • 03:55 • -7.28db
13% Popularity • 36% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 36% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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![Ostermänner - Teil 2 (Potpourri: Kölsche Mädcher künne bütze; Wat summb dat, wat brummb dat; Wenn du [Noch] eine Schwiegermutter hast; Dä Klein dä muß ene Nüggel hann) cover art](https://i.scdn.co/image/ab67616d00001e025411752e518a5492a603e23c)
Willi Ostermann
Ostermänner - Teil 2 (Potpourri: Kölsc...
82 bpm • B Maj • 03:10 • -6.87db
0% Popularity • 46% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 46% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Roberto Blanco
Der Puppenspieler von Mexico (The Young ...
89 bpm • C# Maj • 03:28 • -12.42db
36% Popularity • 60% Danceability • 54% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
36% Popularity • 60% Danceability • 54% Energy • 64% Liveness
0% Instrumentalness • 95% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
14% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Scharmöör
Ming Stadt
90 bpm • G Maj • 03:29 • -6db
17% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Otto Berco
In meiner Badewanne bin ich Kapitan
92 bpm • G Maj • 02:39 • -18.37db
27% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Willi Ostermann
Heimweh nach Köln
73 bpm • A# Maj • 02:46 • -16.78db
3% Popularity • 46% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 46% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Höhner
Kumm' Loss Mer Fiere - Live From The Kö...
93 bpm • D Maj • 03:00 • -10.11db
20% Popularity • 46% Danceability • 78% Energy • 97% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 46% Danceability • 78% Energy • 97% Liveness
0% Instrumentalness • 54% Positiveness
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Lonny Kellner
Bum-Budi-Bum, das kann gefährlich sein
93 bpm • G Maj • 03:01 • -11db
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Dorthe
Sind Sie der Graf von Luxemburg?
94 bpm • F min • 02:51 • -11db
37% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Ernst Neger
So ein Tag so wunderschön wie heute
94 bpm • G# Maj • 02:27 • -11.96db
28% Popularity • 56% Danceability • 29% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 56% Danceability • 29% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Cat Ballou
He nit weg
94 bpm • A# Maj • 05:09 • -7.78db
22% Popularity • 58% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 58% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Willi Ostermann
Och wat wor dat fröher schön doch en C...
84 bpm • G# Maj • 03:21 • -10db
8% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Heidi Kabel
In Hamburg sagt man „tschüss“
94 bpm • A# Maj • 02:40 • -9.17db
25% Popularity • 45% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 45% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Horst Chmela
Ana hat immer das Bummerl
94 bpm • F Maj • 03:47 • -15db
15% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Bata Illic
Ich hab' noch Sand in den Schuhen aus Ha...
95 bpm • F# Maj • 03:08 • -15db
34% Popularity • 59% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 59% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Lolita
Weisser Holunder
95 bpm • F Maj • 02:49 • -11.19db
18% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Raphael und die Party-Singers
Schunkel-Walzer :: Wir kommen alle in de...
95 bpm • C Maj • 02:59 • -15.04db
11% Popularity • 55% Danceability • 44% Energy • 88% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 55% Danceability • 44% Energy • 88% Liveness
0% Instrumentalness • 76% Positiveness
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Willi Ostermann
Summ- un Brumm-Leed
85 bpm • G# Maj • 03:21 • -9.18db
0% Popularity • 44% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 44% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Höhner
Blootwoosch, Kölsch un e lecker Mädche...
95 bpm • D Maj • 03:15 • -12.87db
20% Popularity • 52% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 52% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Heinz Schenk
Es Ist Alles Nur Geliehen
95 bpm • F Maj • 02:32 • -10db
21% Popularity • 43% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 43% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Helga Hahnemann
100 mal Berlin
95 bpm • A Maj • 04:46 • -9db
17% Popularity • 53% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 53% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Blötschkopp Marc Metzger
Der doofe Dom
96 bpm • A# Maj • 03:34 • -4db
12% Popularity • 71% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 71% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Die Stimmungsmacher mit dem großen Partyorchester
Gehn wir mal rüber
96 bpm • D Maj • 02:52 • -11db
11% Popularity • 57% Danceability • 49% Energy • 91% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 57% Danceability • 49% Energy • 91% Liveness
0% Instrumentalness • 88% Positiveness
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Willi Ostermann
Dam Schmitz sing Frau ess durchgebrannt!
90 bpm • G# Maj • 03:03 • -12.4db
0% Popularity • 84% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 84% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Höhner
Dicke Mädchen haben schöne Namen
95 bpm • A# Maj • 03:23 • -4.52db
26% Popularity • 64% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 64% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Bata Illic
Ich Hab' Noch Sand in Den Schuhen Von Ha...
96 bpm • F# Maj • 03:07 • -11.17db
42% Popularity • 67% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 67% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Cöllner
Angelina
96 bpm • G Maj • 03:15 • -5db
19% Popularity • 65% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 65% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Heinz Schenk
Es ist alles nur geliehen
96 bpm • F Maj • 02:35 • -8db
9% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Brock-Terzett & Christine Röder
Auf em Wasa grasat d' Hasa
96 bpm • D Maj • 02:11 • -10.68db
10% Popularity • 62% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 62% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Willi Ostermann
Mädel, Mädel komm mit mir den Rhein en...
94 bpm • D# Maj • 03:12 • -13.17db
0% Popularity • 66% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 66% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Biermösl Blosn
Da Boarisch Hiasl
97 bpm • G Maj • 03:18 • -11.46db
21% Popularity • 67% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 67% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Jupp Schmitz
Wer soll das bezahlen
97 bpm • C Maj • 02:50 • -4.67db
9% Popularity • 57% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 57% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Kurt-Adolf Thelen
Oh Mosella
97 bpm • C Maj • 02:11 • -11db
10% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Henry Valentino
Ich hab dein Knie gesehen
97 bpm • D Maj • 02:19 • -6db
28% Popularity • 70% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 70% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Monika Hauff & Klaus-Dieter Henkler
Das war ein Meisterschuß
97 bpm • E Maj • 03:44 • -9.42db
9% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Juliane Werding
Man muß das Leben eben nehmen wie das L...
97 bpm • C Maj • 03:22 • -7db
36% Popularity • 71% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 71% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Willy Hagara
Eine Kutsche voller Mädels
98 bpm • F Maj • 02:27 • -10db
11% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Jupp Schmitz
Am Aschermittwoch ist alles vorbei
97 bpm • C Maj • 02:39 • -4.91db
18% Popularity • 50% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
18% Popularity • 50% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
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Will Brandes
Marina
98 bpm • E Maj • 02:47 • -7.68db
16% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Guildo Horn & Die Orthopädischen Strümpfe
Ich find' Schlager toll (I Love Rock'N'R...
98 bpm • F min • 02:49 • -6.83db
28% Popularity • 67% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 67% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Höhner
Ich ben ne Räuber
98 bpm • G Maj • 03:25 • -10.35db
20% Popularity • 61% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 61% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Willi Ostermann
Ich weiß was von Dir!
98 bpm • D# Maj • 02:40 • -14.39db
0% Popularity • 81% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 81% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Oscar Müller & Rainer Nitschke
s' war immer so
99 bpm • D# Maj • 03:29 • -21db
10% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Räuber
He am Rhing
99 bpm • C Maj • 02:42 • -4.46db
17% Popularity • 68% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 68% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Rostocker Shanty Chor Luv un Lee
Pommernlied, wenn in stiller Stunde - He...
99 bpm • A# Maj • 02:49 • -9db
13% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 50% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Bernd Stelter
Köln ist prima
99 bpm • C Maj • 03:32 • -6.09db
17% Popularity • 52% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 52% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Andreas Gabalier
Mein Bergkamerad
100 bpm • C Maj • 04:19 • -7.55db
18% Popularity • 51% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 51% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Willi Ostermann
Na - ich mag Dich nit mie
99 bpm • E Maj • 03:12 • -13.68db
1% Popularity • 71% Danceability • 22% Energy • 42% Liveness
2% Instrumentalness • 76% Positiveness
1% Popularity • 71% Danceability • 22% Energy • 42% Liveness
2% Instrumentalness • 76% Positiveness
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Edith Prock
Auf einem Baum ein Kuckuck saß
100 bpm • G Maj • 02:53 • -6db
9% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Daliah Lavi
Du bist mein Problem
101 bpm • E min • 02:20 • -10.31db
31% Popularity • 58% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 58% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Cat Ballou
Immer immer widder
102 bpm • A Maj • 03:53 • -4db
38% Popularity • 77% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 77% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Howland
Hämmerchen-Polka (Das Sparschwein)
102 bpm • C Maj • 03:02 • -8db
20% Popularity • 69% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 69% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Knittler
Kölle ich vermiss dich
102 bpm • D Maj • 04:24 • -4.45db
8% Popularity • 52% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 52% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Räuber
Titicacasee
103 bpm • C Maj • 03:45 • -5.11db
22% Popularity • 59% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 59% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Rudi Carrell
Liebling, die Deutschen sterben aus
103 bpm • C min • 02:25 • -10.59db
12% Popularity • 64% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 64% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Kurt Dehn
Tri Tra Tröppelche
103 bpm • D# Maj • 02:51 • -9.42db
11% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Willi Ostermann
Rotsch mer jet, Angenies
104 bpm • A# Maj • 03:09 • -11.34db
0% Popularity • 58% Danceability • 25% Energy • 67% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 58% Danceability • 25% Energy • 67% Liveness
0% Instrumentalness • 55% Positiveness
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Höhner
Die Karawane zieht weiter... dä Sultan ...
104 bpm • A# Maj • 03:14 • -4.9db
35% Popularity • 49% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 49% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
