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Odds Are
Songs like
Odds Are
by
Barenaked Ladies
Based on a tempo of (+/- 10%) and a similar genre
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WALK THE MOON
Different Colors
96 bpm • C Maj • 03:42 • -4.6db
45% Popularity • 48% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Pat Monahan
Her Eyes
96 bpm • G min • 03:15 • -5db
30% Popularity • 60% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Arkells
Relentless
96 bpm • C min • 03:23 • -5.96db
41% Popularity • 68% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Parachute
Without You
96 bpm • E Maj • 03:48 • -5.12db
49% Popularity • 56% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Marianas Trench
This Means War
96 bpm • C Maj • 03:24 • -6db
39% Popularity • 66% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Colbie Caillat
Brighter Than The Sun
96 bpm • A Maj • 03:51 • -5.94db
60% Popularity • 63% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Barenaked Ladies
Odds Are
96 bpm • A# Maj • 03:04 • -5.59db
53% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Mowgli's
I'm Good
96 bpm • C Maj • 02:46 • -5.34db
54% Popularity • 61% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Carbon Leaf
The War Was In Color
96 bpm • D Maj • 06:14 • -7.23db
28% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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AWOLNATION
Kill Your Heroes
96 bpm • C Maj • 02:58 • -6.35db
54% Popularity • 58% Danceability • 95% Energy • 76% Liveness
0% Instrumentalness • 31% Positiveness
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Matchbox Twenty
Bent
95 bpm • F# min • 04:16 • -6.81db
55% Popularity • 52% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Nine Days
Absolutely (Story of a Girl) - Radio Mix
96 bpm • G Maj • 03:09 • -5.2db
65% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Tonic
If You Could Only See
95 bpm • A# min • 04:21 • -5.14db
68% Popularity • 43% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Ingrid Michaelson
Celebrate
97 bpm • B Maj • 03:17 • -6db
48% Popularity • 79% Danceability • 63% Energy • 80% Liveness
0% Instrumentalness • 71% Positiveness
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Carbon Leaf
What About Everything?
96 bpm • G# Maj • 03:44 • -7db
35% Popularity • 64% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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O.A.R.
Wonderful Day
97 bpm • C Maj • 03:17 • -4db
38% Popularity • 56% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
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Barenaked Ladies
Pinch Me
95 bpm • G Maj • 04:45 • -4db
56% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Connell Cruise
Into the Wild
97 bpm • B min • 03:13 • -6.77db
23% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Nine Days
Absolutely (Story of a Girl)
97 bpm • G Maj • 03:10 • -3.29db
52% Popularity • 50% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Train
Hey, Soul Sister
97 bpm • C# min • 03:36 • -4.44db
85% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Ben Folds
Rockin' the Suburbs
95 bpm • C Maj • 04:58 • -5db
40% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Eve 6
Here's to the Night
97 bpm • G Maj • 04:09 • -6.26db
52% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Barenaked Ladies
Bringing It Home
95 bpm • A# Maj • 03:04 • -6.09db
29% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Jason Mraz
The Remedy (I Won't Worry)
95 bpm • A# Maj • 04:16 • -4.52db
58% Popularity • 59% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Five For Fighting
Heaven Knows
98 bpm • A# Maj • 03:30 • -7.08db
52% Popularity • 60% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Train
If It's Love
95 bpm • F# Maj • 03:59 • -3db
48% Popularity • 63% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Fountains Of Wayne
Mexican Wine
98 bpm • C# Maj • 03:22 • -6db
41% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Carbon Leaf
Grey Sky Eyes
94 bpm • G Maj • 03:42 • -8.69db
26% Popularity • 57% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Barenaked Ladies
Odds Are - Acoustic
97 bpm • F min • 03:05 • -5.91db
12% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Andrew McMahon in the Wilderness
Halls
98 bpm • E Maj • 03:48 • -6.8db
32% Popularity • 63% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Goo Goo Dolls
Give a Little Bit
94 bpm • C Maj • 03:34 • -3db
48% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Alan Doyle
I Can’t Dance Without You
98 bpm • G Maj • 03:40 • -5.57db
23% Popularity • 56% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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The Summer Set
Figure Me Out
94 bpm • F Maj • 03:17 • -4db
40% Popularity • 56% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Train
Play That Song
99 bpm • C min • 04:03 • -2.07db
63% Popularity • 39% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Barenaked Ladies
What a Good Boy
97 bpm • G Maj • 03:54 • -11.84db
41% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Mowgli's
San Francisco
93 bpm • B Maj • 02:53 • -4.22db
54% Popularity • 31% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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LMNT
Juliet - Single Edit
99 bpm • A Maj • 03:39 • -1.58db
48% Popularity • 60% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Michael Franti & Spearhead
Say Hey (I Love You)
93 bpm • F min • 03:55 • -4.37db
64% Popularity • 74% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Five For Fighting
Stand Up
99 bpm • G Maj • 02:51 • -6db
34% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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OK Go
Upside Down & Inside Out
93 bpm • C Maj • 03:07 • -4.95db
47% Popularity • 56% Danceability • 82% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
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Barenaked Ladies
For You
94 bpm • G Maj • 03:27 • -10db
27% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Mowgli's
Whatever Forever
99 bpm • D# Maj • 03:13 • -5db
36% Popularity • 65% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Fitz and The Tantrums
I Just Wanna Shine
93 bpm • F# min • 03:27 • -2.77db
60% Popularity • 70% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Everclear
AM Radio
93 bpm • C# Maj • 03:56 • -4db
43% Popularity • 62% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Sugar Ray
Fly
100 bpm • C# Maj • 04:04 • -8.15db
67% Popularity • 84% Danceability • 65% Energy • 31% Liveness
22% Instrumentalness • 67% Positiveness
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Matt Nathanson
Used To Be
92 bpm • G Maj • 03:10 • -5db
43% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Barenaked Ladies
Did I Say That Out Loud?
94 bpm • A Maj • 02:30 • -6db
36% Popularity • 65% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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fun.
The Gambler
100 bpm • A# Maj • 04:11 • -7.57db
47% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Fitz and The Tantrums
Roll Up
93 bpm • C Maj • 03:38 • -3db
32% Popularity • 69% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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WALK THE MOON
Aquaman
100 bpm • C# Maj • 04:00 • -6.99db
40% Popularity • 63% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Sugar Ray
When It's Over - David Kahne Main
100 bpm • E Maj • 03:37 • -5.77db
57% Popularity • 68% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Hot Chelle Rae
Tonight Tonight
100 bpm • E Maj • 03:20 • -4.98db
70% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Andy Grammer
Back Home
100 bpm • B Maj • 03:19 • -6.5db
40% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Patent Pending
Hey Mario
100 bpm • A Maj • 03:01 • -5.98db
43% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Hootie & The Blowfish
Get out of My Mind
92 bpm • D Maj • 02:58 • -2.05db
52% Popularity • 57% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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WALK THE MOON
One Foot
100 bpm • C Maj • 04:21 • -4.86db
59% Popularity • 58% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
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The Goo Goo Dolls
Come to Me
92 bpm • C Maj • 03:45 • -5db
53% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Matchbox Twenty
Radio
100 bpm • A Maj • 03:01 • -4.27db
29% Popularity • 60% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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fun.
Sight of the Sun - Single Version
92 bpm • B Maj • 03:30 • -5.25db
46% Popularity • 63% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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SafetySuit
Looking Up
92 bpm • C Maj • 03:14 • -4.42db
34% Popularity • 61% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Nathanson
Come On Get Higher
92 bpm • A Maj • 03:35 • -5.7db
66% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Carbon Leaf
One Prarie Outpost
100 bpm • F Maj • 03:19 • -9.75db
28% Popularity • 66% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Ben Folds
Zak and Sara
92 bpm • F Maj • 03:11 • -3.47db
26% Popularity • 50% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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Plain White T's
Should've Gone to Bed
92 bpm • C min • 03:23 • -10.24db
37% Popularity • 68% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Semisonic
Closing Time
92 bpm • G Maj • 04:34 • -5.45db
74% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Everclear
Santa Monica
100 bpm • G Maj • 03:11 • -5.33db
68% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Counting Crows
Hanginaround
91 bpm • C Maj • 04:07 • -7db
58% Popularity • 50% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
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Third Eye Blind
Jumper - 1998 Edit
91 bpm • C Maj • 04:32 • -9.23db
66% Popularity • 60% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Barenaked Ladies
Matter Of Time
91 bpm • E Maj • 03:36 • -8.03db
14% Popularity • 63% Danceability • 64% Energy • 31% Liveness
22% Instrumentalness • 68% Positiveness
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Patent Pending
The Whiskey, the Liar, the Thief
101 bpm • C Maj • 02:25 • -5.92db
35% Popularity • 42% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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"Weird Al" Yankovic
Ebay (Parody of "I Want It That Way" by ...
101 bpm • F# min • 03:36 • -9.54db
45% Popularity • 76% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Plain White T's
1, 2, 3, 4
91 bpm • D Maj • 03:18 • -7.09db
57% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Mighty Mighty Bosstones
The Impression That I Get
91 bpm • E Maj • 03:15 • -17.18db
66% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Avett Brothers
Ain't No Man
91 bpm • B Maj • 03:32 • -5.62db
56% Popularity • 79% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Matt Hires
A to B - EP Version
90 bpm • A# min • 03:17 • -6.5db
22% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Third Eye Blind
Semi-Charmed Life
102 bpm • G Maj • 04:28 • -6.58db
76% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Echosmith
Bright
90 bpm • F# Maj • 03:40 • -8.52db
58% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Train
Meet Virginia
90 bpm • G Maj • 03:59 • -7.78db
61% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Blues Traveler
Blow Up the Moon
102 bpm • F# min • 04:30 • -5.3db
20% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Matt Nathanson
Headphones
90 bpm • G# Maj • 03:28 • -4db
33% Popularity • 57% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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O.A.R.
Knocking at Your Door
90 bpm • F# min • 03:36 • -5.67db
40% Popularity • 70% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Eric Hutchinson
Dear Me (Less Is More Mix)
90 bpm • A Maj • 03:52 • -5.77db
37% Popularity • 66% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ingram Hill
Solsbury Hill
102 bpm • B Maj • 04:16 • -6.16db
12% Popularity • 53% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Train
Bruises
103 bpm • D Maj • 03:51 • -4.5db
53% Popularity • 63% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Barenaked Ladies
Boomerang
103 bpm • E Maj • 02:36 • -6.47db
20% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tom Cochrane
Life Is A Highway
103 bpm • F Maj • 04:26 • -3.46db
63% Popularity • 68% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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O.A.R.
I Go Through
103 bpm • A# Maj • 04:00 • -5.98db
44% Popularity • 50% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Hootie & The Blowfish
Only Wanna Be With You
103 bpm • F# Maj • 03:49 • -5.86db
69% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Ingrid Michaelson
The Lotto
89 bpm • D# Maj • 03:13 • -4.54db
55% Popularity • 69% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Lit
My Own Worst Enemy
103 bpm • E Maj • 02:49 • -2.76db
74% Popularity • 49% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Marianas Trench
Rhythm of Your Heart
104 bpm • A Maj • 03:34 • -3.34db
38% Popularity • 66% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Train
Mermaid
104 bpm • G# Maj • 03:16 • -3db
49% Popularity • 72% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Alan Doyle
Take Us Home
104 bpm • A# Maj • 03:25 • -6db
34% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Matchbox Twenty
Long Day
104 bpm • G# min • 03:45 • -6.61db
58% Popularity • 46% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Counting Crows
Big Yellow Taxi
88 bpm • C# Maj • 03:46 • -4.33db
61% Popularity • 67% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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The Goo Goo Dolls
Black Balloon
105 bpm • C# Maj • 04:09 • -8.57db
61% Popularity • 34% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Barenaked Ladies
Get Back Up
88 bpm • C Maj • 03:02 • -7.21db
16% Popularity • 77% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Train
Bulletproof Picasso
88 bpm • G Maj • 03:53 • -4.31db
41% Popularity • 53% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Guster
What You Wish For
105 bpm • E Maj • 03:51 • -7.29db
37% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Marianas Trench
Stutter
105 bpm • F# min • 03:21 • -3.73db
55% Popularity • 74% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Odds Are