Songs like Ode To The Hole In Willie's Guitar by Johnny Bush
Based on a tempo of (+/- 10%) and a similar genre
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Cal Smith
Together Alone
77 bpm • G Maj • 03:12 • -15.75db
12% Popularity • 62% Danceability • 25% Energy • 17% Liveness
2% Instrumentalness • 61% Positiveness
12% Popularity • 62% Danceability • 25% Energy • 17% Liveness
2% Instrumentalness • 61% Positiveness
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Johnny Bush
You Ought To Hear Me Cry
77 bpm • D Maj • 02:18 • -8.4db
7% Popularity • 31% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 31% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmy Martin
Widow Maker - Original Federal Recording...
76 bpm • D# Maj • 02:38 • -9db
23% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Vern Gosdin
If You're Gonna Do Me Wrong, Do It Right
76 bpm • A# Maj • 03:23 • -15.69db
35% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 55% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Webb Pierce
Cowtown
78 bpm • E Maj • 02:20 • -9.07db
12% Popularity • 51% Danceability • 62% Energy • 62% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 51% Danceability • 62% Energy • 62% Liveness
0% Instrumentalness • 84% Positiveness
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Jake Penrod
Tomorrow Night
75 bpm • C Maj • 02:07 • -5.01db
11% Popularity • 54% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 54% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Don Rich And The Buckaroos
I'm Layin' It on the Line
79 bpm • G# Maj • 02:26 • -7.37db
26% Popularity • 65% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 65% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Mel McDaniel
I Call It Love
79 bpm • F# Maj • 03:12 • -8db
39% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 60% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bill Anderson
Po' Folks
75 bpm • G Maj • 02:49 • -12.37db
23% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 69% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Bush
Lonely Street
75 bpm • C Maj • 02:17 • -9.56db
2% Popularity • 55% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 55% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Cal Smith
The North Won The War Again Last Night
79 bpm • E Maj • 03:10 • -15db
10% Popularity • 61% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 61% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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MEL STREET
Who'll Turn Out The Lights (In Your Worl...
80 bpm • D# Maj • 02:50 • -10.71db
18% Popularity • 52% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
18% Popularity • 52% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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Jessi Colter
It's Not Easy
80 bpm • A Maj • 03:04 • -13.64db
18% Popularity • 51% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 51% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Waylon Jennings and the Waylors
Only Daddy That Will Walk the Line
80 bpm • G# Maj • 02:35 • -11.03db
17% Popularity • 63% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 63% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Malpass Brothers
Memory That Bad
81 bpm • G Maj • 03:03 • -7.2db
9% Popularity • 62% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 62% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Johnny Bush
Blackjack County Chain
80 bpm • A min • 02:24 • -11.76db
4% Popularity • 67% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 67% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Mel McDaniel
My Ship's Comin' In
80 bpm • B Maj • 03:02 • -10.91db
19% Popularity • 64% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 64% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Frankie Miller
Truck Driving Buddy
81 bpm • E min • 01:43 • -7.11db
20% Popularity • 70% Danceability • 58% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
20% Popularity • 70% Danceability • 58% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
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Little Jimmy Dickens
Life Turned Her That Way
81 bpm • B Maj • 02:49 • -10.77db
19% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Henson Cargill
All-American Cowboy
82 bpm • D Maj • 02:53 • -14.06db
8% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Silverada
Say It Simply
72 bpm • C Maj • 03:07 • -6.91db
25% Popularity • 45% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 45% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Johnny Bush
Life Turned Her That Way
80 bpm • D Maj • 02:41 • -9.83db
3% Popularity • 40% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 40% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Nat Stuckey
Cut Across Shorty
82 bpm • C Maj • 02:26 • -9.94db
9% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Bobby Flores
Make the World Go Away
72 bpm • C Maj • 03:40 • -7.43db
9% Popularity • 41% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 41% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Vern Gosdin
This Ain't My First Rodeo
83 bpm • A# Maj • 03:04 • -13.32db
43% Popularity • 75% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 75% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Malpass Brothers
I Just Don't Like Lovin' You
83 bpm • A Maj • 04:20 • -7.5db
13% Popularity • 54% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 54% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jake Hooker
I'm Gonna Act Right
83 bpm • F Maj • 01:53 • -10.51db
11% Popularity • 63% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 63% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Jake Penrod
Out of Control
70 bpm • G Maj • 03:13 • -8.67db
16% Popularity • 53% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 53% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Moe Bandy & Joe Stampley
Hank Williams, You Wrote My Life
70 bpm • D Maj • 03:10 • -11.5db
27% Popularity • 57% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 57% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Mel McDaniel
If I Keep On Going Crazy
86 bpm • F Maj • 02:38 • -7.35db
47% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Vern Gosdin
Right In the Wrong Direction
84 bpm • C# Maj • 02:14 • -11db
37% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Roberts
Everybody's Somebody in Luckenbach
69 bpm • D Maj • 02:47 • -7.62db
13% Popularity • 50% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 50% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Red Sovine
Freightliner Fever
87 bpm • D Maj • 02:44 • -9.74db
37% Popularity • 60% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 60% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Russell
Red Necks, White Socks and Blue Ribbon B...
87 bpm • E Maj • 02:33 • -5.87db
17% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Claude King
Beer Drops & Tear Drops
87 bpm • E Maj • 03:30 • -8.76db
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Bush
When Did You Stop Lovin' Me
87 bpm • C Maj • 04:10 • -8.02db
5% Popularity • 52% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 52% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Penrod
A Bright-Red Indian Paintbrush
88 bpm • E Maj • 02:17 • -5.74db
14% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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MEL STREET
The Town Where You Live
87 bpm • D# Maj • 02:47 • -8.25db
15% Popularity • 39% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 39% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Porter Wagoner
Black Jack's Bar
88 bpm • D Maj • 02:18 • -10.47db
12% Popularity • 69% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 69% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Russell
Red Necks, White Socks, And Blue Ribbon ...
87 bpm • E Maj • 02:32 • -8.53db
37% Popularity • 67% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 67% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Cal Smith
You Should See Me Now
88 bpm • A Maj • 02:46 • -14.42db
18% Popularity • 65% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 65% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Mel McDaniel
Who's Been Sleeping In My Bed
89 bpm • A Maj • 03:12 • -8.61db
17% Popularity • 61% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 61% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Johnny Bush
Did We Have To Come This Far To Say Good...
90 bpm • E Maj • 03:34 • -8.43db
6% Popularity • 62% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
6% Popularity • 62% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Tom T. Hall
The Hitchhiker
91 bpm • D Maj • 03:10 • -14.3db
24% Popularity • 64% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 64% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Warner Mack
Sittin' In An All Night Café
90 bpm • F Maj • 02:19 • -11.94db
17% Popularity • 61% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 61% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Ernest Tubb
There's A Little Bit Of Everything In Te...
92 bpm • G Maj • 02:43 • -11.42db
17% Popularity • 69% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 69% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Cal Smith
The Lord Knows I'm Drinking
89 bpm • A Maj • 03:31 • -9.49db
36% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
36% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
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Billy Joe Shaver
How Many Hearts Must You Break
92 bpm • E Maj • 04:05 • -13.87db
14% Popularity • 69% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 69% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Johnny Bush
Tonight Her Memory's Raisin' Hell
91 bpm • G Maj • 03:44 • -7.25db
6% Popularity • 54% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 54% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Ian Tyson
Rockies Turn Rose
92 bpm • A# Maj • 03:08 • -18.38db
15% Popularity • 65% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 65% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Vern Gosdin
I'm Still Crazy
94 bpm • G Maj • 02:46 • -12.94db
35% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 70% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Ernest Tubb
Half My Hearts In Texas
93 bpm • D Maj • 02:12 • -15.3db
26% Popularity • 74% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 74% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Porter Wagoner
The Carroll County Accident
93 bpm • G Maj • 02:48 • -13db
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Cal Smith
Wrong Road Again
92 bpm • G Maj • 02:06 • -11.42db
19% Popularity • 68% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 68% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Bush
Today I Started Loving You Again
94 bpm • G Maj • 03:12 • -6.44db
10% Popularity • 54% Danceability • 48% Energy • 53% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 54% Danceability • 48% Energy • 53% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Hooker
Night Coach Out of Dallas
95 bpm • D Maj • 02:43 • -9.4db
12% Popularity • 61% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 61% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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James Hand
When You Stopped Loving Me, So Did I
95 bpm • C Maj • 03:12 • -11.11db
11% Popularity • 60% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 60% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Nat Stuckey
Sweet Thang and Cisco
95 bpm • E Maj • 02:31 • -12.38db
14% Popularity • 63% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 63% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Porter Wagoner
Highway Headin' South
95 bpm • G# Maj • 02:05 • -9.75db
8% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Ernest Tubb
Mr. Jukebox
95 bpm • A Maj • 02:10 • -15.44db
22% Popularity • 56% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
22% Popularity • 56% Danceability • 26% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
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Cal Smith
Arizona Whiz
92 bpm • A Maj • 03:15 • -17.91db
13% Popularity • 56% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 56% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny Bush
My Joy
95 bpm • G Maj • 03:08 • -5.88db
6% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
6% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mel McDaniel
Goodbye Marie
95 bpm • D# Maj • 02:56 • -7.83db
34% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Jason James
Ole Used To Be
96 bpm • A Maj • 03:18 • -10.17db
19% Popularity • 64% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 64% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Stampley
Whiskey Chasin'
96 bpm • G# Maj • 02:47 • -11.89db
27% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Tom T. Hall
The Son Of Clayton Delaney
97 bpm • E Maj • 02:54 • -13.76db
19% Popularity • 62% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 62% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Cal Smith
Drinking Champagne
93 bpm • C Maj • 03:29 • -14.42db
23% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Bush
My Cup Runneth Over
95 bpm • A Maj • 02:29 • -7.47db
3% Popularity • 40% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 40% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Tommy Collins
Poor, Broke, Mixed up Mess of a Heart
97 bpm • G Maj • 02:09 • -14.9db
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Jason James
World Of Make Believe
96 bpm • B Maj • 03:22 • -8.59db
21% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Buck Owens And His Buckaroos
You'll Never Miss the Water (Till the We...
97 bpm • A Maj • 02:28 • -8.33db
14% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Malpass Brothers
Man In Black is Wearing White
98 bpm • D Maj • 03:05 • -6.23db
10% Popularity • 77% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 77% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Cal Smith
I've Found Someone Of My Own
97 bpm • A# Maj • 03:24 • -14.91db
32% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Stampley
I'm Gonna Love You Back to Loving Me Aga...
98 bpm • B Maj • 02:13 • -13db
24% Popularity • 75% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 75% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Bush
Ain't No Honky-Tonks in Jail
95 bpm • A Maj • 03:42 • -6.12db
12% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Billy Mata and the Texas Tradition
Who Drank My Beer (While I Was in the Re...
98 bpm • D# Maj • 02:51 • -6.06db
5% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
5% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Jason James
Achin’ Takin’ Place
98 bpm • F Maj • 03:31 • -10db
21% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Red Steagall
Bob's Got a Swing Band in Heaven
98 bpm • D Maj • 03:36 • -10.33db
8% Popularity • 62% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 62% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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MEL STREET
If Fingerprints Showed Up On Skin
98 bpm • C Maj • 02:49 • -12.88db
13% Popularity • 56% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 56% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
98 bpm • A Maj • 02:27 • -9.32db
39% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Bush
Warmth Of The Wine - Original Stop Recor...
96 bpm • C Maj • 02:31 • -7.21db
3% Popularity • 53% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 53% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Nat Stuckey
Don't Pay the Ransom
98 bpm • G# Maj • 02:08 • -6db
19% Popularity • 66% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
19% Popularity • 66% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Jim Ed Brown
Southern Loving
99 bpm • F Maj • 02:13 • -10.54db
25% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Ernest Tubb
Waltz Across Texas
99 bpm • A Maj • 02:39 • -7.98db
9% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills
99 bpm • E Maj • 02:09 • -7db
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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MEL STREET
I Met A Friend Of Yours Today
99 bpm • E Maj • 03:12 • -11db
28% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 65% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Darrell McCall
For a Minute There
99 bpm • D Maj • 02:33 • -12db
10% Popularity • 50% Danceability • 30% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
10% Popularity • 50% Danceability • 30% Energy • 11% Liveness
6% Instrumentalness • 67% Positiveness
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Johnny Bush
Puttin' Out An Old Flame
99 bpm • A# Maj • 03:13 • -7.15db
5% Popularity • 44% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
5% Popularity • 44% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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T.G. Sheppard
Party Time
100 bpm • F Maj • 03:32 • -12db
36% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
36% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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David Frizzell
Midnight Run To Dixie
100 bpm • E Maj • 02:18 • -13.01db
12% Popularity • 68% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 68% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 87% Positiveness
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James Hand
Don't Depend On Me
101 bpm • A Maj • 03:26 • -10.9db
11% Popularity • 60% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 60% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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MEL STREET
Lovin' On Borrowed Time
100 bpm • A Maj • 03:08 • -14.56db
12% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Mel McDaniel
Hard Earned Country Livin'
101 bpm • B Maj • 02:17 • -5.4db
19% Popularity • 70% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 70% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Bush
Cuando Calienta El Sol - Original Stop R...
100 bpm • B min • 02:23 • -7.87db
3% Popularity • 59% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 59% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Frankie Miller
Black Land Farmer
101 bpm • A Maj • 02:31 • -10.29db
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Junior Brown
Venom Wearin' Denim
101 bpm • A Maj • 02:37 • -9.33db
29% Popularity • 78% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 78% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Tom T. Hall
Your Man Loves You Honey
102 bpm • A Maj • 02:18 • -10.29db
30% Popularity • 43% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 43% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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MEL STREET
You Make Me Feel More Like A Man
101 bpm • A Maj • 03:10 • -8.57db
17% Popularity • 49% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 49% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness