Songs like Offering by Ara Dinkjian
Based on a tempo of (+/- 10%) and a similar genre
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Ara Dinkjian
Offering
117 bpm • E min • 03:32 • -22db
35% Popularity • 69% Danceability • 9% Energy • 12% Liveness
14% Instrumentalness • 45% Positiveness
35% Popularity • 69% Danceability • 9% Energy • 12% Liveness
14% Instrumentalness • 45% Positiveness
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Rabih Abou-Khalil
Nafas
117 bpm • G min • 01:34 • -22db
42% Popularity • 53% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
42% Popularity • 53% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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The Yuval Ron Ensemble
Tudra
117 bpm • D Maj • 08:13 • -19.95db
8% Popularity • 38% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
8% Popularity • 38% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Anouar Brahem
Astrakan Café - 1
116 bpm • D Maj • 03:15 • -28db
45% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
45% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 9% Positiveness
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Simon Shaheen
Taqasim On Violin
116 bpm • G min • 01:35 • -18.16db
28% Popularity • 31% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 31% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Yansımalar
Tutam Yar Elinden Tutam
116 bpm • E min • 05:37 • -18.86db
8% Popularity • 45% Danceability • 19% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
8% Popularity • 45% Danceability • 19% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
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Ara Dinkjian
Mahur Saz Semai
118 bpm • D Maj • 07:06 • -15.69db
4% Popularity • 46% Danceability • 27% Energy • 68% Liveness
42% Instrumentalness • 32% Positiveness
4% Popularity • 46% Danceability • 27% Energy • 68% Liveness
42% Instrumentalness • 32% Positiveness
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Omar Bashir
Taqsîm Maqâm Nahâwând, pt. 2
116 bpm • C min • 03:14 • -15db
31% Popularity • 51% Danceability • 13% Energy • 11% Liveness
26% Instrumentalness • 34% Positiveness
31% Popularity • 51% Danceability • 13% Energy • 11% Liveness
26% Instrumentalness • 34% Positiveness
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Sufi Music Ensemble
Tanbur improvisation in Makam Huzzam
116 bpm • C Maj • 02:04 • -14db
24% Popularity • 56% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 31% Positiveness
24% Popularity • 56% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 31% Positiveness
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Anouar Brahem
Astrakan Café - 2
116 bpm • A Maj • 04:49 • -27.31db
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
32% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Siavash Roshan
Affection
119 bpm • G Maj • 05:03 • -19.56db
11% Popularity • 52% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
11% Popularity • 52% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Munir Bashir
Taqsîm en maqâm : Kurdî
119 bpm • D min • 04:28 • -21.37db
23% Popularity • 50% Danceability • 9% Energy • 15% Liveness
18% Instrumentalness • 32% Positiveness
23% Popularity • 50% Danceability • 9% Energy • 15% Liveness
18% Instrumentalness • 32% Positiveness
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Ara Dinkjian
Quartet
118 bpm • F Maj • 01:24 • -17db
10% Popularity • 23% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 8% Positiveness
10% Popularity • 23% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 8% Positiveness
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Abderraouf Ouertani
Conte d'un luth désespéré
115 bpm • C Maj • 08:02 • -18.48db
23% Popularity • 58% Danceability • 20% Energy • 10% Liveness
70% Instrumentalness • 11% Positiveness
23% Popularity • 58% Danceability • 20% Energy • 10% Liveness
70% Instrumentalness • 11% Positiveness
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Omar Bashir
Taqsîm Maqâm Nahâwând, pt. 3
114 bpm • C min • 03:34 • -14.46db
24% Popularity • 53% Danceability • 15% Energy • 14% Liveness
14% Instrumentalness • 24% Positiveness
24% Popularity • 53% Danceability • 15% Energy • 14% Liveness
14% Instrumentalness • 24% Positiveness
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Anouar Brahem
The Astounding Eyes Of Rita
115 bpm • G min • 08:41 • -19.19db
45% Popularity • 53% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
45% Popularity • 53% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
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Joseph Tawadros
The Ancestor and the Serpent
115 bpm • D Maj • 01:29 • -16.53db
36% Popularity • 58% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 50% Positiveness
36% Popularity • 58% Danceability • 28% Energy • 11% Liveness
82% Instrumentalness • 50% Positiveness
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anna RF
Weeping Eyes - Remastered
120 bpm • C min • 05:26 • -9.6db
22% Popularity • 39% Danceability • 49% Energy • 36% Liveness
93% Instrumentalness • 28% Positiveness
22% Popularity • 39% Danceability • 49% Energy • 36% Liveness
93% Instrumentalness • 28% Positiveness
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Ara Dinkjian
Bint El Balad
118 bpm • D Maj • 10:34 • -17.06db
4% Popularity • 53% Danceability • 24% Energy • 70% Liveness
71% Instrumentalness • 40% Positiveness
4% Popularity • 53% Danceability • 24% Energy • 70% Liveness
71% Instrumentalness • 40% Positiveness
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Mark Eliyahu
Humbleness
120 bpm • C min • 04:08 • -5.88db
27% Popularity • 49% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
27% Popularity • 49% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Ibrahim al-Aryan
Bayati saz semai
114 bpm • C min • 03:57 • -19.43db
0% Popularity • 51% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 51% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Jadid Ensemble
Ilm
120 bpm • D# min • 06:13 • -11.62db
17% Popularity • 74% Danceability • 32% Energy • 8% Liveness
69% Instrumentalness • 21% Positiveness
17% Popularity • 74% Danceability • 32% Energy • 8% Liveness
69% Instrumentalness • 21% Positiveness
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Armenian Duduk
Melody of My Soul, Pt. 1
120 bpm • E min • 02:56 • -11.56db
11% Popularity • 70% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 89% Positiveness
11% Popularity • 70% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 89% Positiveness
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Renaud Garcia-Fons
Fortaleza
120 bpm • C min • 04:43 • -7db
29% Popularity • 78% Danceability • 55% Energy • 9% Liveness
87% Instrumentalness • 84% Positiveness
29% Popularity • 78% Danceability • 55% Energy • 9% Liveness
87% Instrumentalness • 84% Positiveness
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Ara Dinkjian
Der VoÄŸormia
119 bpm • D min • 05:47 • -17.95db
4% Popularity • 44% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
4% Popularity • 44% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
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Omar Bashir
Taqsîm Maqâm Nahâwând, pt. 1
120 bpm • C min • 04:41 • -17.44db
31% Popularity • 51% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
31% Popularity • 51% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
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Yaron Pe'er
Santur Improve
120 bpm • C min • 02:09 • -17.55db
33% Popularity • 42% Danceability • 23% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
33% Popularity • 42% Danceability • 23% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Hamed Nikpay
Gypsy (Kouli), Oud
114 bpm • G Maj • 03:24 • -12.73db
14% Popularity • 64% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
14% Popularity • 64% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Ross Daly
Erotokritos
114 bpm • A Maj • 04:39 • -12.45db
17% Popularity • 24% Danceability • 33% Energy • 10% Liveness
97% Instrumentalness • 16% Positiveness
17% Popularity • 24% Danceability • 33% Energy • 10% Liveness
97% Instrumentalness • 16% Positiveness
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Yuval Ron
Lama Bada
113 bpm • D min • 03:10 • -22.04db
9% Popularity • 63% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
9% Popularity • 63% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Ara Dinkjian
Offering
120 bpm • A Maj • 03:12 • -16.77db
16% Popularity • 50% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
16% Popularity • 50% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Quadro Nuevo
Antakya No. 1
113 bpm • A# Maj • 04:53 • -12.33db
10% Popularity • 65% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 36% Positiveness
10% Popularity • 65% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 36% Positiveness
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Katie Geissinger
Alta, Alta
121 bpm • G min • 03:31 • -20.86db
0% Popularity • 51% Danceability • 22% Energy • 5% Liveness
1% Instrumentalness • 66% Positiveness
0% Popularity • 51% Danceability • 22% Energy • 5% Liveness
1% Instrumentalness • 66% Positiveness
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anna RF
Why
113 bpm • G min • 04:39 • -9.82db
40% Popularity • 56% Danceability • 38% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
40% Popularity • 56% Danceability • 38% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Cemil Qocgiri
Ruh
113 bpm • G min • 04:21 • -11.85db
12% Popularity • 43% Danceability • 19% Energy • 10% Liveness
50% Instrumentalness • 16% Positiveness
12% Popularity • 43% Danceability • 19% Energy • 10% Liveness
50% Instrumentalness • 16% Positiveness
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Le Trio Joubran
Dawwâr El Shams
112 bpm • B Maj • 04:48 • -8.3db
28% Popularity • 58% Danceability • 72% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
28% Popularity • 58% Danceability • 72% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
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Ara Dinkjian
Silence
113 bpm • G Maj • 03:31 • -19.78db
2% Popularity • 68% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
2% Popularity • 68% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
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Haig Yazdjian
Ara
122 bpm • G# Maj • 05:56 • -11.02db
1% Popularity • 38% Danceability • 42% Energy • 6% Liveness
87% Instrumentalness • 31% Positiveness
1% Popularity • 38% Danceability • 42% Energy • 6% Liveness
87% Instrumentalness • 31% Positiveness
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Rose of the Compass
Dance from Aparan
121 bpm • C Maj • 03:01 • -17.7db
0% Popularity • 52% Danceability • 32% Energy • 13% Liveness
76% Instrumentalness • 59% Positiveness
0% Popularity • 52% Danceability • 32% Energy • 13% Liveness
76% Instrumentalness • 59% Positiveness
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Thomas Chapin
Radius
112 bpm • C Maj • 06:32 • -14.65db
0% Popularity • 59% Danceability • 47% Energy • 6% Liveness
84% Instrumentalness • 85% Positiveness
0% Popularity • 59% Danceability • 47% Energy • 6% Liveness
84% Instrumentalness • 85% Positiveness
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Khaled Mouzanar
Tango el Caramel
122 bpm • C# min • 02:25 • -10.47db
39% Popularity • 46% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
39% Popularity • 46% Danceability • 27% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Efrén López
Helicobtir
112 bpm • G min • 07:44 • -15db
13% Popularity • 44% Danceability • 34% Energy • 5% Liveness
83% Instrumentalness • 6% Positiveness
13% Popularity • 44% Danceability • 34% Energy • 5% Liveness
83% Instrumentalness • 6% Positiveness
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Peyman Yazdanian
Hidden Memories
112 bpm • C min • 01:28 • -23.38db
34% Popularity • 34% Danceability • 2% Energy • 10% Liveness
64% Instrumentalness • 35% Positiveness
34% Popularity • 34% Danceability • 2% Energy • 10% Liveness
64% Instrumentalness • 35% Positiveness
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Yaron Pe'er
Winter Sun
111 bpm • C min • 04:11 • -19.08db
26% Popularity • 52% Danceability • 22% Energy • 14% Liveness
97% Instrumentalness • 53% Positiveness
26% Popularity • 52% Danceability • 22% Energy • 14% Liveness
97% Instrumentalness • 53% Positiveness
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Sayat Nova
I Will Not Be Sad
111 bpm • F Maj • 03:14 • -31.4db
0% Popularity • 27% Danceability • 1% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
0% Popularity • 27% Danceability • 1% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
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Quentin Dujardin
1977
111 bpm • B min • 03:14 • -15.18db
41% Popularity • 48% Danceability • 23% Energy • 10% Liveness
67% Instrumentalness • 21% Positiveness
41% Popularity • 48% Danceability • 23% Energy • 10% Liveness
67% Instrumentalness • 21% Positiveness
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Khaled Mouzanar
Danse funèbre
112 bpm • G# Maj • 03:15 • -12.6db
37% Popularity • 46% Danceability • 38% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
37% Popularity • 46% Danceability • 38% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Efrén López
Mavra Froudia
123 bpm • E min • 05:24 • -10db
14% Popularity • 42% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 39% Positiveness
14% Popularity • 42% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 39% Positiveness
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Karim Baggili
Big Fish - Instrumentale
123 bpm • C min • 04:29 • -14db
31% Popularity • 61% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
31% Popularity • 61% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
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Ara Dinkjian
Dele Yaman
111 bpm • A Maj • 02:40 • -32.5db
22% Popularity • 47% Danceability • 1% Energy • 70% Liveness
84% Instrumentalness • 20% Positiveness
22% Popularity • 47% Danceability • 1% Energy • 70% Liveness
84% Instrumentalness • 20% Positiveness
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Rose of the Compass
Isabella
123 bpm • D min • 06:37 • -22.99db
0% Popularity • 53% Danceability • 21% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
0% Popularity • 53% Danceability • 21% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
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Tamer PinarbaÅŸi
Erangi
111 bpm • D min • 03:15 • -13db
8% Popularity • 51% Danceability • 20% Energy • 16% Liveness
76% Instrumentalness • 28% Positiveness
8% Popularity • 51% Danceability • 20% Energy • 16% Liveness
76% Instrumentalness • 28% Positiveness
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Thomas Chapin
Egg Hunt
111 bpm • C min • 11:50 • -13.75db
0% Popularity • 50% Danceability • 57% Energy • 32% Liveness
68% Instrumentalness • 54% Positiveness
0% Popularity • 50% Danceability • 57% Energy • 32% Liveness
68% Instrumentalness • 54% Positiveness
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Itai Armon
Aremeniain Dream (Intro)
124 bpm • E min • 01:30 • -20.36db
35% Popularity • 29% Danceability • 7% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
35% Popularity • 29% Danceability • 7% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
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Yansımalar
Bêyhude
124 bpm • F Maj • 05:11 • -12.8db
28% Popularity • 53% Danceability • 19% Energy • 18% Liveness
87% Instrumentalness • 20% Positiveness
28% Popularity • 53% Danceability • 19% Energy • 18% Liveness
87% Instrumentalness • 20% Positiveness
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Ara Dinkjian
Giligia
111 bpm • D min • 03:24 • -15.3db
7% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
7% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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Minor Empire
Ismail's Spell
110 bpm • D# Maj • 01:17 • -18.62db
32% Popularity • 56% Danceability • 15% Energy • 7% Liveness
81% Instrumentalness • 69% Positiveness
32% Popularity • 56% Danceability • 15% Energy • 7% Liveness
81% Instrumentalness • 69% Positiveness
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Homayoun Shajarian
Liberation: Moonlight, Introduction (Dib...
110 bpm • C min • 08:09 • -15.09db
26% Popularity • 43% Danceability • 17% Energy • 12% Liveness
40% Instrumentalness • 6% Positiveness
26% Popularity • 43% Danceability • 17% Energy • 12% Liveness
40% Instrumentalness • 6% Positiveness
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anna RF
Lachin - Remastered
124 bpm • G min • 03:29 • -9db
35% Popularity • 45% Danceability • 22% Energy • 6% Liveness
55% Instrumentalness • 42% Positiveness
35% Popularity • 45% Danceability • 22% Energy • 6% Liveness
55% Instrumentalness • 42% Positiveness
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Taksim Trio
Lotus Feet
110 bpm • A min • 06:18 • -7.87db
32% Popularity • 44% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
32% Popularity • 44% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Thomas Konstantinou
Spring
110 bpm • D min • 02:40 • -15.19db
37% Popularity • 86% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 66% Positiveness
37% Popularity • 86% Danceability • 27% Energy • 7% Liveness
85% Instrumentalness • 66% Positiveness
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Ara Dinkjian
Elements
110 bpm • G Maj • 05:14 • -18.09db
7% Popularity • 65% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
7% Popularity • 65% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
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Adnan Joubran
Signs of Madness
110 bpm • A min • 05:04 • -11.36db
22% Popularity • 74% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
22% Popularity • 74% Danceability • 72% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Mohammed Naiem
Monagah (Prayer)
110 bpm • G min • 05:31 • -17.9db
27% Popularity • 67% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 35% Positiveness
27% Popularity • 67% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 35% Positiveness
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Charbel Rouhana
Mouassal
110 bpm • D min • 01:21 • -10db
41% Popularity • 65% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 78% Positiveness
41% Popularity • 65% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 78% Positiveness
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Yansımalar
Pervane
110 bpm • D# Maj • 07:35 • -11.08db
31% Popularity • 52% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
31% Popularity • 52% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Khaled Mouzanar
Un air de liberté - Version guitare
110 bpm • C min • 02:29 • -21.34db
44% Popularity • 45% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
44% Popularity • 45% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Ara Dinkjian
Mandilatos
110 bpm • G Maj • 03:25 • -11.01db
7% Popularity • 47% Danceability • 52% Energy • 67% Liveness
38% Instrumentalness • 54% Positiveness
7% Popularity • 47% Danceability • 52% Energy • 67% Liveness
38% Instrumentalness • 54% Positiveness
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Thomas Konstantinou
Erotiko
110 bpm • D min • 03:25 • -17.07db
32% Popularity • 71% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
32% Popularity • 71% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Djivan Gasparyan
Hovi Ganche (Call of the Wind)
125 bpm • C Maj • 06:49 • -19.18db
26% Popularity • 31% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
26% Popularity • 31% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Axiom Of Choice
Pulse
109 bpm • C Maj • 00:58 • -21.55db
33% Popularity • 68% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
33% Popularity • 68% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 60% Positiveness
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Yansımalar
Yollarda
125 bpm • E min • 05:28 • -16.87db
12% Popularity • 55% Danceability • 20% Energy • 10% Liveness
76% Instrumentalness • 38% Positiveness
12% Popularity • 55% Danceability • 20% Energy • 10% Liveness
76% Instrumentalness • 38% Positiveness
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Khaled Mouzanar
Un air de liberté
110 bpm • C min • 02:47 • -18.03db
34% Popularity • 36% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
34% Popularity • 36% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Ali Samadpour
Lubhyati
109 bpm • G Maj • 01:21 • -17.51db
23% Popularity • 60% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
23% Popularity • 60% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Ara Dinkjian
Mardiki Yerk
124 bpm • E min • 02:35 • -13.66db
15% Popularity • 68% Danceability • 17% Energy • 13% Liveness
85% Instrumentalness • 56% Positiveness
15% Popularity • 68% Danceability • 17% Energy • 13% Liveness
85% Instrumentalness • 56% Positiveness
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Yaron Pe'er
Bhagsu Cake
109 bpm • C min • 03:38 • -18.61db
28% Popularity • 56% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 84% Positiveness
28% Popularity • 56% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 84% Positiveness
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Sufi Music Ensemble
Kanun improvisation in Makam Ussak
125 bpm • A Maj • 01:52 • -9.62db
27% Popularity • 57% Danceability • 34% Energy • 20% Liveness
93% Instrumentalness • 15% Positiveness
27% Popularity • 57% Danceability • 34% Energy • 20% Liveness
93% Instrumentalness • 15% Positiveness
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Tamer PinarbaÅŸi
Soundscapes
126 bpm • A Maj • 05:29 • -16.54db
5% Popularity • 37% Danceability • 34% Energy • 31% Liveness
87% Instrumentalness • 11% Positiveness
5% Popularity • 37% Danceability • 34% Energy • 31% Liveness
87% Instrumentalness • 11% Positiveness
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Khaled Mouzanar
Révélations mineures
110 bpm • C min • 03:07 • -10.88db
23% Popularity • 43% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
23% Popularity • 43% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Omar Bashir
Darawish Dance
109 bpm • G# Maj • 05:14 • -6db
12% Popularity • 60% Danceability • 52% Energy • 11% Liveness
83% Instrumentalness • 43% Positiveness
12% Popularity • 60% Danceability • 52% Energy • 11% Liveness
83% Instrumentalness • 43% Positiveness
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Ara Dinkjian
Ferafeza Longa
124 bpm • A min • 03:40 • -11.99db
6% Popularity • 54% Danceability • 58% Energy • 67% Liveness
24% Instrumentalness • 90% Positiveness
6% Popularity • 54% Danceability • 58% Energy • 67% Liveness
24% Instrumentalness • 90% Positiveness
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Alsarah & The Nubatones
Oud Solo
109 bpm • F Maj • 02:35 • -11.41db
31% Popularity • 56% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
31% Popularity • 56% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Sufi Music Ensemble
Santoor Taksim
126 bpm • B min • 02:56 • -25db
23% Popularity • 40% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
23% Popularity • 40% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Charbel Rouhana
Tableaux De Sourat - Ya Banat Iskandaria
126 bpm • A min • 02:41 • -5.99db
21% Popularity • 54% Danceability • 61% Energy • 22% Liveness
90% Instrumentalness • 73% Positiveness
21% Popularity • 54% Danceability • 61% Energy • 22% Liveness
90% Instrumentalness • 73% Positiveness
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Burcu Yıldız
Suskun
126 bpm • D min • 05:44 • -13.65db
1% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Adam Hurst
Hidden Door
126 bpm • A# min • 04:01 • -16.28db
30% Popularity • 39% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 39% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ara Dinkjian
Ä°prev Ardziv
108 bpm • D Maj • 02:45 • -16.34db
5% Popularity • 69% Danceability • 9% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
5% Popularity • 69% Danceability • 9% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
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Efrén López
üç Telli
108 bpm • D min • 08:50 • -14.84db
8% Popularity • 72% Danceability • 29% Energy • 8% Liveness
82% Instrumentalness • 22% Positiveness
8% Popularity • 72% Danceability • 29% Energy • 8% Liveness
82% Instrumentalness • 22% Positiveness
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Ahmad Pejman
Dawn
108 bpm • A# min • 04:39 • -15.79db
18% Popularity • 32% Danceability • 20% Energy • 5% Liveness
30% Instrumentalness • 11% Positiveness
18% Popularity • 32% Danceability • 20% Energy • 5% Liveness
30% Instrumentalness • 11% Positiveness
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Charbel Rouhana
Wissal
126 bpm • G Maj • 01:32 • -11.72db
36% Popularity • 37% Danceability • 38% Energy • 43% Liveness
78% Instrumentalness • 11% Positiveness
36% Popularity • 37% Danceability • 38% Energy • 43% Liveness
78% Instrumentalness • 11% Positiveness
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Munir Bashir
Makam Hijaz Karkurd (Al Hamra)
108 bpm • F Maj • 07:41 • -15.25db
15% Popularity • 39% Danceability • 19% Energy • 7% Liveness
83% Instrumentalness • 31% Positiveness
15% Popularity • 39% Danceability • 19% Energy • 7% Liveness
83% Instrumentalness • 31% Positiveness
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Sufi Music Ensemble
Tekbir in Makam Segah
108 bpm • E min • 06:17 • -10.62db
21% Popularity • 36% Danceability • 36% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
21% Popularity • 36% Danceability • 36% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Ara Dinkjian
Meeting My Past
127 bpm • E min • 04:49 • -20.46db
18% Popularity • 61% Danceability • 11% Energy • 71% Liveness
61% Instrumentalness • 35% Positiveness
18% Popularity • 61% Danceability • 11% Energy • 71% Liveness
61% Instrumentalness • 35% Positiveness
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Efrén López
To Katehon - Intro
108 bpm • B min • 02:11 • -27.45db
31% Popularity • 49% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
31% Popularity • 49% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Le Trio Joubran
Sama-Sounounou
127 bpm • G Maj • 02:59 • -11.92db
38% Popularity • 63% Danceability • 46% Energy • 4% Liveness
92% Instrumentalness • 90% Positiveness
38% Popularity • 63% Danceability • 46% Energy • 4% Liveness
92% Instrumentalness • 90% Positiveness
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Charbel Rouhana
Tableaux De Sourat - Ya Weyl Hali
108 bpm • G min • 01:32 • -8.95db
31% Popularity • 65% Danceability • 55% Energy • 18% Liveness
91% Instrumentalness • 77% Positiveness
31% Popularity • 65% Danceability • 55% Energy • 18% Liveness
91% Instrumentalness • 77% Positiveness
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Stephan Micus
Salinas Dance
107 bpm • E min • 05:27 • -22db
22% Popularity • 26% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
22% Popularity • 26% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Samir Joubran
Safar
107 bpm • G min • 06:21 • -25db
12% Popularity • 38% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 46% Positiveness
12% Popularity • 38% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 46% Positiveness
