Songs like Offertorium: Improperium Exspectavi by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
28% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
28% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
78 bpm • G Maj • 06:48 • -25.56db
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Traditional
The Water of Tyne (arr. Elizabeth Poston...
78 bpm • C# Maj • 02:38 • -27.34db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 8% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 8% Positiveness
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The Russian State Symphony Cappella
To Thee We Sing
78 bpm • D# min • 04:13 • -18.27db
27% Popularity • 15% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield
Exultate Justi in Domino
78 bpm • F# Maj • 02:06 • -21.03db
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Taizé
Sit nomen Domini - Instrumental
77 bpm • G min • 03:22 • -19.44db
18% Popularity • 24% Danceability • 8% Energy • 8% Liveness
62% Instrumentalness • 33% Positiveness
18% Popularity • 24% Danceability • 8% Energy • 8% Liveness
62% Instrumentalness • 33% Positiveness
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St. Petersburg Optina Pustyn Male Choir
A Winter Road, Op. 42, No. 2
78 bpm • C min • 02:09 • -27db
20% Popularity • 25% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
20% Popularity • 25% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
11% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Bernat Vivancos
L'amour, le temps
77 bpm • A min • 03:43 • -31db
13% Popularity • 16% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Stirps Iesse
Te Deum laudamus
79 bpm • A min • 06:06 • -22.65db
39% Popularity • 19% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
15% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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University of King's College Chapel Choir
Hymn of Kassia
79 bpm • G min • 07:36 • -24db
8% Popularity • 10% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
37% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
37% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Harry Burleigh
My Lord, What a Mornin' (arr. H.H.T. Bur...
79 bpm • D# Maj • 03:39 • -25.73db
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Nicene Creed
79 bpm • F min • 04:08 • -24db
32% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Edinorodnij Synje
79 bpm • D# min • 02:55 • -21.67db
21% Popularity • 16% Danceability • 11% Energy • 25% Liveness
60% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 11% Energy • 25% Liveness
60% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
31% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
31% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa. Agnus Dei: 11
79 bpm • G# Maj • 01:01 • -23.76db
35% Popularity • 16% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 16% Danceability • 7% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
79 bpm • A# min • 01:36 • -45.92db
32% Popularity • 10% Danceability • 0% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
32% Popularity • 10% Danceability • 0% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
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Kim André Arnesen
MAGNIFICAT: II. Ecce enim
77 bpm • A min • 06:01 • -20.05db
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Cheruvimskaja Piesn
77 bpm • G# min • 05:23 • -21.63db
24% Popularity • 11% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Beatus Choral Ensemble
Salve Regina - Solemn Tone
77 bpm • D Maj • 02:45 • -29.26db
32% Popularity • 18% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 3% Positiveness
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Juan de Anchieta
Ave sanctissima Maria: Ave Sanctissima M...
77 bpm • A min • 03:28 • -25db
15% Popularity • 16% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
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SOFIA ORTHODOX CHOIR
Cherubic Hymn No. 4
79 bpm • A# Maj • 04:49 • -25.2db
23% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Akademiska Damkören Lyran
Sügismaastikud: V. Tuul kõnnumaa kohal
79 bpm • D min • 01:14 • -23db
22% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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State Symphony Cappella
Amen, Allelulia
77 bpm • F Maj • 01:04 • -24.87db
24% Popularity • 12% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Heinrich Isaac
Innsbruck, ich muß dich lassen
77 bpm • F Maj • 02:45 • -18db
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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The Choir of Trinity College, Melbourne
Jesus, Lover of My Soul (Arr. Michael Le...
79 bpm • D min • 03:49 • -20.07db
20% Popularity • 18% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 18% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Virgil Thomson
My Shepherd Will Supply My Need (arr. V....
77 bpm • D Maj • 04:17 • -28.49db
29% Popularity • 14% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 4% Positiveness
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Strathclyde University Chamber Choir
Ye Banks And Braes
79 bpm • G# Maj • 02:46 • -20db
5% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
5% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Little Bell
77 bpm • D# Maj • 03:43 • -21.75db
15% Popularity • 10% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
Jesus Prayer
77 bpm • G# Maj • 02:30 • -27db
34% Popularity • 10% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Ordinarium Missae: Sanctus
77 bpm • E Maj • 01:36 • -21.89db
24% Popularity • 25% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
24% Popularity • 25% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 5% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
34% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
34% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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James Whitbourn
Requiem canticorum: Lux aeterna
76 bpm • C Maj • 01:39 • -41db
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
76 bpm • G# Maj • 01:31 • -23.32db
32% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Monks Of The Abbey Of Notre Dame
Final Angelus Bells
76 bpm • D min • 05:29 • -15.98db
38% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 15% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Ars Veritas
Gloria, laus et honor
76 bpm • F# min • 04:23 • -12db
27% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 17% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Gregorian Chants
Miss De Angelis: III. Credo III
76 bpm • F# min • 03:56 • -20.2db
22% Popularity • 29% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 29% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Shelley Phillips And Friends
Mr. Beveridge's_Hole in the Wall
80 bpm • A# Maj • 04:51 • -11db
14% Popularity • 47% Danceability • 19% Energy • 13% Liveness
56% Instrumentalness • 27% Positiveness
14% Popularity • 47% Danceability • 19% Energy • 13% Liveness
56% Instrumentalness • 27% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Traditional
A Worcester Ladymass: Agnus Dei
80 bpm • A min • 03:34 • -32.05db
17% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Glory
80 bpm • A# Maj • 01:57 • -14db
30% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
30% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Probandi Benedittini Di San Giovanni In Parma
Agnus Dei
76 bpm • F Maj • 01:30 • -22.05db
46% Popularity • 17% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 9% Positiveness
46% Popularity • 17% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 9% Positiveness
► Preview
Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
12% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Cantus
Finlandia-Hymni
76 bpm • A Maj • 02:08 • -23.12db
19% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Men's Chamber Choir of Sofia
The Noble Joseph
80 bpm • C Maj • 02:38 • -19.31db
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Philip Wilby
Marianne (arr. P. Wilby)
76 bpm • E Maj • 03:47 • -32db
24% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Alfred Schnittke
Choir Concerto: IV. Sej trud, shto natch...
76 bpm • G Maj • 05:20 • -26db
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 7% Liveness
54% Instrumentalness • 3% Positiveness
► Preview
Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:10 • -23.73db
15% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 8% Energy • 8% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
The Choir of Trinity College, Melbourne
Be Still, My Soul
80 bpm • D# Maj • 03:02 • -24.86db
24% Popularity • 15% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 15% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Cyrillus Kreek
Whilst Great Is Our Poverty
76 bpm • C# Maj • 05:17 • -25.36db
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Dan Gibson's Solitudes
Credo III
81 bpm • D Maj • 06:43 • -21.38db
44% Popularity • 8% Danceability • 18% Energy • 36% Liveness
53% Instrumentalness • 7% Positiveness
44% Popularity • 8% Danceability • 18% Energy • 36% Liveness
53% Instrumentalness • 7% Positiveness
► Preview
Calmus Ensemble
Jesu, Meine Freude BWV 227: Jesu, Meine ...
81 bpm • C# min • 01:05 • -18db
26% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
27% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
27% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
► Preview
Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
41% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
William Walton
Coronation Te Deum
81 bpm • A Maj • 09:47 • -23.37db
7% Popularity • 15% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
John Alexander
There Will Be Rest
81 bpm • D# Maj • 06:23 • -25db
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Louis-Nicolas Clérambault
Asperges me: Messe à la ville "Repons"
75 bpm • G Maj • 03:04 • -23.83db
15% Popularity • 13% Danceability • 4% Energy • 30% Liveness
11% Instrumentalness • 6% Positiveness
15% Popularity • 13% Danceability • 4% Energy • 30% Liveness
11% Instrumentalness • 6% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
27% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Angel City Chorale
Song of Peace (Finlandia)
81 bpm • E Maj • 02:58 • -24db
12% Popularity • 22% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Dimitri Tchesnokov
Hymn to the Cherubim
75 bpm • G min • 05:26 • -20.42db
22% Popularity • 8% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 16% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
31% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
31% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Christina Pluhar
Are mou rindineddha
81 bpm • B min • 04:35 • -15.42db
27% Popularity • 31% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
9% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Pax Aeterna
81 bpm • G# Maj • 01:15 • -23.24db
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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"The Orthodox Singers" Male Choir
Before Thy Cross
75 bpm • G min • 05:06 • -31.18db
26% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Ojcze Nasz
82 bpm • F Maj • 01:15 • -21.55db
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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St. Cyril & Methodius Ukrainian Church Choir
The Mother of God (Ukraine)
82 bpm • C# Maj • 02:05 • -32db
35% Popularity • 8% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Georgius Bardos
Eli, Eli
82 bpm • C min • 03:40 • -27db
10% Popularity • 9% Danceability • 2% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Traditional
Were You There?
82 bpm • E Maj • 03:50 • -31.95db
16% Popularity • 19% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Cherubic Hymn No. 7
82 bpm • D Maj • 05:30 • -31db
16% Popularity • 12% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
