Songs like Officium defunctorum: Parce mihi Domine: Parce mihi Domine by Cristobal de Morales
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Vespers, Op. 37: Come, Let Us Worship
66 bpm • C# Maj • 01:43 • -19.41db
14% Popularity • 18% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Jordi Savall
Missa Pro Defunctis - Sequentia
66 bpm • G min • 09:22 • -24.94db
7% Popularity • 10% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
66 bpm • C Maj • 03:11 • -19db
17% Popularity • 21% Danceability • 12% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
17% Popularity • 21% Danceability • 12% Energy • 12% Liveness
36% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
21% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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Montserrat Figueras
Medea - Invocation "Nunc iam cessit pont...
66 bpm • F Maj • 04:52 • -20.06db
17% Popularity • 18% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Officium defunctorum: Parce mihi Domine:...
66 bpm • A# Maj • 05:21 • -36.59db
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
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Henry Purcell
Miserere mei, Z. 109
66 bpm • A min • 01:22 • -25.22db
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Domine Deus, Rex coelestis
66 bpm • B Maj • 04:05 • -30db
29% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
31% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Kyrie eleyson
65 bpm • G# min • 07:05 • -22db
10% Popularity • 8% Danceability • 12% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
10% Popularity • 8% Danceability • 12% Energy • 6% Liveness
8% Instrumentalness • 7% Positiveness
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Johann Bach
Weint nicht um meinen Tod
67 bpm • C min • 06:25 • -25.46db
22% Popularity • 16% Danceability • 4% Energy • 12% Liveness
13% Instrumentalness • 10% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 12% Liveness
13% Instrumentalness • 10% Positiveness
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Orlando Gibbons
Threefold Amen
67 bpm • D Maj • 01:04 • -36.24db
30% Popularity • 24% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
30% Popularity • 24% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Chorale: O Ha...
65 bpm • F Maj • 02:31 • -20.81db
29% Popularity • 16% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
29% Popularity • 16% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
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Ä’riks EÅ¡envalds
O salutaris hostia
65 bpm • D Maj • 03:20 • -26.46db
34% Popularity • 21% Danceability • 10% Energy • 11% Liveness
23% Instrumentalness • 5% Positiveness
34% Popularity • 21% Danceability • 10% Energy • 11% Liveness
23% Instrumentalness • 5% Positiveness
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Andreas Scholl
Fac Ut Portem
67 bpm • B min • 02:13 • -14.66db
25% Popularity • 8% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: II. Praise the ...
65 bpm • C Maj • 06:15 • -31.43db
10% Popularity • 10% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
64 bpm • B min • 02:19 • -17db
32% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
32% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe": ...
68 bpm • C min • 06:57 • -22.22db
18% Popularity • 10% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: When I Am Laid ...
68 bpm • C# min • 04:04 • -19db
24% Popularity • 11% Danceability • 11% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 11% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Jordi Savall
O Virgo splendens (monodic)
68 bpm • G min • 02:11 • -21db
20% Popularity • 19% Danceability • 25% Energy • 36% Liveness
20% Instrumentalness • 8% Positiveness
20% Popularity • 19% Danceability • 25% Energy • 36% Liveness
20% Instrumentalness • 8% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
36% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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John Shrapnel
Music: Stolzel: Bist Du Bei Mir
64 bpm • D# Maj • 02:25 • -19db
42% Popularity • 21% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 8% Positiveness
42% Popularity • 21% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: I. Nulla in ...
69 bpm • E Maj • 07:25 • -22.63db
29% Popularity • 34% Danceability • 6% Energy • 22% Liveness
51% Instrumentalness • 13% Positiveness
29% Popularity • 34% Danceability • 6% Energy • 22% Liveness
51% Instrumentalness • 13% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
69 bpm • D# Maj • 02:04 • -32.16db
27% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Gottfried Heinrich Stölzel
Diomedes: Anna Magdalena Notenbuch (Clav...
69 bpm • C# Maj • 03:49 • -19.08db
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
21% Popularity • 23% Danceability • 16% Energy • 13% Liveness
44% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: Lieblic...
63 bpm • F# Maj • 06:30 • -23db
28% Popularity • 18% Danceability • 7% Energy • 17% Liveness
41% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 7% Energy • 17% Liveness
41% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Ave verum corpus, K. 618
63 bpm • D Maj • 03:26 • -21db
36% Popularity • 6% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
36% Popularity • 6% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Selva morale e spirituale, SV 252-288: C...
69 bpm • D# min • 02:09 • -19db
10% Popularity • 14% Danceability • 14% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 14% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
13% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Ario...
63 bpm • D Maj • 02:16 • -34.04db
29% Popularity • 12% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Pierre de la Rue
Requiem: VI. Agnus Dei
63 bpm • D# min • 03:03 • -22db
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Étienne Moulinié
Concert de différents oyseaux
70 bpm • A# Maj • 09:41 • -26db
7% Popularity • 14% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
7% Popularity • 14% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Ich weiss, dass mein Erlöser lebet, SWV...
70 bpm • C# Maj • 04:29 • -18.23db
10% Popularity • 12% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
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Guillaume Dufay
Ave maris stella
70 bpm • A min • 04:46 • -28.4db
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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La Capella Reial De Catalunya
Pie Jesu (Requiem)
70 bpm • A# Maj • 01:37 • -31.41db
38% Popularity • 21% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
38% Popularity • 21% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Gloria in exce...
70 bpm • C# Maj • 06:00 • -15.15db
25% Popularity • 19% Danceability • 26% Energy • 7% Liveness
26% Instrumentalness • 32% Positiveness
25% Popularity • 19% Danceability • 26% Energy • 7% Liveness
26% Instrumentalness • 32% Positiveness
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James Whitbourn
Son of God Mass: Agnus Dei
70 bpm • C min • 02:20 • -31.76db
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 6% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Kyrie eleison: Kyrie
71 bpm • D Maj • 02:15 • -22.93db
15% Popularity • 31% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 31% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jean-Baptiste Lully
Lully : Ballet des Muses : "Trop indiscr...
71 bpm • F min • 05:06 • -21.53db
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Samuel Barber
Barber: Agnus Dei
71 bpm • A# min • 07:40 • -21.37db
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Guillaume Dufay
Nuper rosarum flores
71 bpm • D min • 06:27 • -26db
18% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 7% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Erster Teil...
71 bpm • B min • 04:56 • -29.23db
31% Popularity • 23% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
31% Popularity • 23% Danceability • 2% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
61 bpm • D# min • 08:55 • -29.9db
20% Popularity • 6% Danceability • 1% Energy • 7% Liveness
65% Instrumentalness • 3% Positiveness
20% Popularity • 6% Danceability • 1% Energy • 7% Liveness
65% Instrumentalness • 3% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Sanctus
71 bpm • D min • 05:46 • -18.29db
16% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 18% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla Regis
71 bpm • F Maj • 08:14 • -29.23db
15% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 2% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
61 bpm • A min • 01:16 • -16.97db
33% Popularity • 14% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
33% Popularity • 14% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Cristobal de Morales
Kyrie: I. Kyrie
72 bpm • G# Maj • 00:57 • -26.47db
15% Popularity • 25% Danceability • 5% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 5% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 1. Domine Deus noster-...
72 bpm • C Maj • 02:59 • -52db
15% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 0% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Lux Aurumque
72 bpm • C# min • 04:15 • -28.43db
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Ä’riks EÅ¡envalds
Rivers of Light
72 bpm • C min • 06:26 • -24.96db
14% Popularity • 9% Danceability • 8% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 8% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
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Claudin de Sermisy
Tant que vivray
72 bpm • E Maj • 02:19 • -18.77db
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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The Russian State Symphony Cappella
Great Ektenia
72 bpm • A# Maj • 03:48 • -18.52db
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu (I)
72 bpm • A# Maj • 03:49 • -38.3db
25% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Drop, Drop, Slow Tears a 4
72 bpm • E Maj • 02:05 • -43db
22% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Herr, nun lässest du deinen Diener in F...
60 bpm • G min • 04:57 • -23.31db
14% Popularity • 10% Danceability • 6% Energy • 33% Liveness
3% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 6% Energy • 33% Liveness
3% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Call (Arr. Harry D Bennett)
73 bpm • F min • 02:23 • -22.48db
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Purcell: "O Solitude, My Sweetest Choice...
73 bpm • B min • 05:24 • -28.46db
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Guillaume de Machaut
Introitus: Gaudeamus omnes in domino
73 bpm • E Maj • 05:11 • -26.17db
11% Popularity • 19% Danceability • 5% Energy • 21% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 19% Danceability • 5% Energy • 21% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Monks And Choirboys Of Downside Abbey
Cantique De Jean Racine
73 bpm • C# Maj • 05:13 • -21.9db
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
17% Popularity • 6% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Gottfried Heinrich Stölzel
Aria: Bist du bei mir, BWV 508 (Arr. for...
73 bpm • B Maj • 03:20 • -18.49db
23% Popularity • 18% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Traditional
Ma navu
73 bpm • F Maj • 05:41 • -24.11db
10% Popularity • 8% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 4% Energy • 11% Liveness
17% Instrumentalness • 3% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 3. Otche nash (Our F...
73 bpm • D# Maj • 04:25 • -27db
11% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Mass in B Minor, BWV 232: Christe eleiso...
73 bpm • C# Maj • 04:48 • -23.55db
26% Popularity • 21% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Heinrich Schütz
Psalmen Davids samt etlichen Moteten und...
73 bpm • G min • 08:07 • -23.77db
13% Popularity • 22% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
73 bpm • C# min • 05:37 • -18db
16% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
16% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Andreas Scholl
Sancta Mater
73 bpm • D Maj • 03:38 • -16.41db
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
33% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
59 bpm • A# Maj • 03:45 • -43.22db
14% Popularity • 6% Danceability • 0% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
14% Popularity • 6% Danceability • 0% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Gloria, R. 589: Et in terra pax hominibu...
59 bpm • A# min • 04:47 • -21db
32% Popularity • 20% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Os justi, WAB 30
74 bpm • C Maj • 05:07 • -28.94db
10% Popularity • 7% Danceability • 4% Energy • 7% Liveness
17% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 4% Energy • 7% Liveness
17% Instrumentalness • 3% Positiveness
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Andreas Scholl
Marco Rosano: Requiem
59 bpm • A# Maj • 05:12 • -14.64db
24% Popularity • 16% Danceability • 22% Energy • 13% Liveness
37% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 22% Energy • 13% Liveness
37% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 1. Introitus: Requiem a...
74 bpm • A# Maj • 06:33 • -28.76db
10% Popularity • 9% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K. 618
59 bpm • D Maj • 03:33 • -30db
21% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Kyrie
74 bpm • D min • 04:38 • -33.66db
16% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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François Couperin
Troisième Leçon de Ténèbres à 2 voi...
74 bpm • C Maj • 12:48 • -16.09db
26% Popularity • 18% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Morales: Officium defunctorum, a 4: II. ...
74 bpm • A# Maj • 03:55 • -24.07db
17% Popularity • 12% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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John Dowland
Flow, my tears
74 bpm • F# min • 04:04 • -22db
22% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Francisco de Peñalosa
Missa Nunca Fue Pena Major: V. Agnus Dei
74 bpm • G# min • 03:26 • -22.83db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Thomas Weelkes
As Vesta was from Latmos hill descending
74 bpm • C# Maj • 03:18 • -18.28db
11% Popularity • 21% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 21% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
17% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
17% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Domine Deus (S...
74 bpm • F# Maj • 05:11 • -25.75db
23% Popularity • 40% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile (1988...
75 bpm • F Maj • 05:16 • -15db
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
22% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Luigi Cherubini
Requiem in C Minor: I. Introitus
58 bpm • G# Maj • 09:55 • -27.47db
13% Popularity • 6% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
13% Popularity • 6% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Aria:...
75 bpm • C# min • 04:40 • -26.6db
33% Popularity • 32% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
33% Popularity • 32% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Andreas Scholl
O Quam Tristis
58 bpm • F# min • 02:54 • -14db
37% Popularity • 12% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 12% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D minor, K.626: 3. Sequentia:...
75 bpm • C Maj • 02:27 • -23.76db
38% Popularity • 13% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 13% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
