Songs like OFF-WHITE by Oumar
Based on a tempo of (+/- 10%) and a similar genre
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Rémy
Je te raconte
90 bpm • G Maj • 03:24 • -4db
33% Popularity • 72% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 72% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Kekro
À contre-sens
90 bpm • A# min • 01:58 • -8.38db
21% Popularity • 77% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 77% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Doxi
C'est Doxi Wesh.
90 bpm • C# Maj • 01:46 • -9.14db
14% Popularity • 83% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 83% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Double Zulu
Pugilat
90 bpm • G Maj • 02:56 • -7.33db
9% Popularity • 68% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 68% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jewel Usain
Kitano Ken
90 bpm • D Maj • 02:13 • -7.86db
27% Popularity • 81% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 81% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Lesram
East Side (Remix)
90 bpm • F# min • 04:32 • -4.54db
24% Popularity • 70% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 70% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
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Lino
Interview
90 bpm • F# min • 03:18 • -5.77db
20% Popularity • 73% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 73% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Dicidens
Criminogène
90 bpm • G# Maj • 04:12 • -5.77db
27% Popularity • 56% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 56% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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okis
Carré d'As
90 bpm • A# min • 03:13 • -12.76db
12% Popularity • 71% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 71% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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La Smala
Ils ont pas compris
90 bpm • B min • 05:41 • -7.42db
14% Popularity • 80% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 80% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Jewel Usain
Vista
90 bpm • A# min • 03:27 • -8.22db
15% Popularity • 74% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 74% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Oumar
OFF-WHITE
90 bpm • A Maj • 02:21 • -5.01db
8% Popularity • 88% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 88% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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TRZ
Rap Tele
90 bpm • G Maj • 04:24 • -5.62db
10% Popularity • 74% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 74% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Abis
Le bitume assassine
90 bpm • C# min • 02:26 • -7.46db
19% Popularity • 81% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 81% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Aka Seul Two
Papapala
90 bpm • F# Maj • 02:57 • -5.59db
23% Popularity • 62% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 62% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Kanaye
PLM 7
91 bpm • G Maj • 03:58 • -8.18db
7% Popularity • 48% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 48% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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I.n.c.h
Ding dong
91 bpm • C Maj • 02:58 • -5.09db
17% Popularity • 37% Danceability • 92% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 37% Danceability • 92% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Seth Gueko
Barlou tattoo shop
91 bpm • C Maj • 03:19 • -5.17db
17% Popularity • 67% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 67% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Pilon
Loin
91 bpm • E min • 02:21 • -6.85db
15% Popularity • 68% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 68% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Unité 2 Feu
C'est le retour de l'U2F
89 bpm • A# min • 04:23 • -3db
11% Popularity • 48% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 48% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Will LCK
Sincère
91 bpm • C# Maj • 02:37 • -7.2db
9% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Aka Seul Two
Je combat avec moi même
91 bpm • F# Maj • 01:48 • -6.88db
23% Popularity • 88% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 88% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Black Barbe
Freestyle Gàngs 44
89 bpm • A# Maj • 02:56 • -7.97db
13% Popularity • 74% Danceability • 54% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 74% Danceability • 54% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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Mo'vez Lang
Sur le bitume
91 bpm • D min • 01:29 • -4.43db
33% Popularity • 74% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 74% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Relo
Ce que je vis ce que je vois
89 bpm • A Maj • 02:55 • -10.33db
8% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Rep King
Hao Ntsebe...
91 bpm • C# Maj • 04:59 • -6.33db
18% Popularity • 85% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 85% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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YUNG POOR ALO
Asics en peine
91 bpm • E min • 02:27 • -9.33db
24% Popularity • 83% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 83% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Oumar
Dernier siècle
91 bpm • D# min • 02:51 • -3.56db
2% Popularity • 69% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 69% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Jo le Pheno
Déjà 10 piges
91 bpm • C# Maj • 03:23 • -7.5db
8% Popularity • 84% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 84% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Mo'vez Lang
A neuf ans déjà
91 bpm • B min • 05:14 • -6.06db
32% Popularity • 75% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 75% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Seth Gueko
Feu en l'air
91 bpm • G# Maj • 02:38 • -6.18db
21% Popularity • 74% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 74% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Guizmo
Le Fugitif 2
91 bpm • B min • 02:04 • -4.53db
14% Popularity • 59% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 59% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Chroniques de Mars 3
Heat
91 bpm • B Maj • 02:46 • -10.7db
14% Popularity • 51% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 51% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Oumar
Étoile oubliée
91 bpm • A min • 02:41 • -4.27db
4% Popularity • 59% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
4% Popularity • 59% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Kekro
Passe le message
91 bpm • F# min • 04:03 • -3.84db
13% Popularity • 62% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 62% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Dicidens
De larmes et de sang
89 bpm • B min • 04:56 • -5db
37% Popularity • 72% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 72% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Dibson
L'AUTRE CÔTÉ
91 bpm • G# Maj • 07:13 • -5.09db
16% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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N'Dji
4.Vingt.X
91 bpm • C# Maj • 04:54 • -7.68db
19% Popularity • 78% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 78% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Pilon
Une seule parole
91 bpm • G min • 02:10 • -8.62db
15% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Oumar
Orage
89 bpm • F# min • 03:40 • -7.12db
3% Popularity • 54% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 54% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Deen Burbigo
Luc Bresson
92 bpm • G# Maj • 02:10 • -7.78db
24% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Waltmann
7 jours
92 bpm • C# Maj • 03:00 • -6.38db
12% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Ham Mauvaise Graine
Carte blanche
88 bpm • F# min • 03:17 • -5.86db
12% Popularity • 65% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 65% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lesram
310
88 bpm • G# min • 03:10 • -9.82db
32% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 50% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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R.E.D.K.
Simple constat 7
92 bpm • G Maj • 05:50 • -9.61db
14% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Y&W
Pourquoi tu te la racontes ?
92 bpm • G Maj • 04:15 • -7.22db
7% Popularity • 64% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 64% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Caballero
La paire
88 bpm • B Maj • 03:44 • -7.21db
7% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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La Smala
Le barillet
92 bpm • B min • 07:06 • -6.85db
13% Popularity • 55% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 55% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Despo Rutti
Arrêtez
92 bpm • A min • 03:54 • -4.55db
35% Popularity • 63% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 63% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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N3MS
GOYA
88 bpm • A# min • 01:51 • -10.04db
11% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 71% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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TSR Crew
Bloc Opératoire
92 bpm • A# min • 03:42 • -6db
31% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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ABSOLEM
Pas Pour Moi
92 bpm • G# Maj • 02:13 • -7.89db
16% Popularity • 85% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 85% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Tony Toxik
La peine de vivre
88 bpm • C# Maj • 02:51 • -8.43db
9% Popularity • 77% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 77% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Zikxo
Temps 3
88 bpm • F# min • 03:12 • -5.94db
33% Popularity • 84% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 84% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Salif
Prendre le large
88 bpm • G# Maj • 04:04 • -7.07db
28% Popularity • 76% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 76% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Grödash
Risperidone
88 bpm • C# min • 01:49 • -10.53db
19% Popularity • 69% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 69% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Hash 24
Marche ou crève
92 bpm • F# Maj • 02:48 • -7.76db
10% Popularity • 82% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 82% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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N3MS
Inédit #2
92 bpm • C# min • 02:38 • -10.75db
25% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Ali
Lotus
92 bpm • A# Maj • 02:27 • -5.19db
14% Popularity • 49% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 49% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ärsenik
16 rimes
88 bpm • B Maj • 02:38 • -10db
29% Popularity • 50% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 50% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Guizmo
Homies
92 bpm • G# Maj • 04:04 • -5.38db
27% Popularity • 72% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 72% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Nyda
Malade
88 bpm • E min • 03:05 • -9.74db
14% Popularity • 74% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 74% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Boyzy
Réalité
92 bpm • D Maj • 02:03 • -7.68db
24% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Aka Seul Two
Le verrou
92 bpm • A min • 03:18 • -7.43db
17% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Lino
Délinquante musique
92 bpm • G Maj • 05:49 • -5.41db
25% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 62% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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N3MS
Inédit #1
92 bpm • D Maj • 03:07 • -9.66db
25% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Ghetto Fabulous Gang
Gangsta gangsta
87 bpm • G# Maj • 03:00 • -9db
25% Popularity • 84% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 84% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Deen Burbigo
Booska fluide
87 bpm • C# Maj • 02:50 • -7db
22% Popularity • 58% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 58% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Nakk Mendosa
Devenir Quelqu'un
87 bpm • G Maj • 02:50 • -7.56db
33% Popularity • 53% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 53% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Kekro
Quand la ville s'endort
93 bpm • A# min • 03:33 • -4.52db
15% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Dirlo
Window Shopper Freestyle
93 bpm • G# Maj • 01:16 • -7.06db
16% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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B-NØM
COCO AÇAÏ
93 bpm • D# min • 02:26 • -11.43db
14% Popularity • 82% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 82% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Guizmo
Renard Tome 2
93 bpm • C# Maj • 03:01 • -5.29db
13% Popularity • 47% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 47% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Numéro 10
Pas loin d'ici
87 bpm • E min • 02:48 • -7.14db
12% Popularity • 73% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 73% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Infinit'
Cru
93 bpm • F# Maj • 03:06 • -4.51db
14% Popularity • 77% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 77% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Jewel Usain
Zone
93 bpm • D Maj • 03:39 • -8.85db
10% Popularity • 75% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 75% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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I.n.c.h
Numéro 13
93 bpm • C# Maj • 04:39 • -6.47db
10% Popularity • 60% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 60% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Ol'Kameez
Poudrière
93 bpm • A# min • 03:47 • -15.55db
8% Popularity • 76% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 76% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Guizmo
Le Fugitif 3
93 bpm • C# Maj • 01:34 • -5.12db
13% Popularity • 66% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 66% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Fares
Je viens de la où
87 bpm • C# min • 04:04 • -4.92db
25% Popularity • 70% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 70% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Salif
Journée en enfer
87 bpm • C# Maj • 03:51 • -5.38db
29% Popularity • 55% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 55% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Dala
L'avocat
87 bpm • G Maj • 01:53 • -9.68db
15% Popularity • 84% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 84% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Busta Flex
Envie de...
94 bpm • A# min • 01:56 • -6.94db
11% Popularity • 65% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 65% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Kekro
C'est gris
87 bpm • G# min • 02:59 • -3.17db
12% Popularity • 59% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 59% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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N3MS
Inédit #8
94 bpm • G# Maj • 02:37 • -7.49db
25% Popularity • 66% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 66% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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ISHA
Définition d'un OG
87 bpm • F# Maj • 03:50 • -7.33db
16% Popularity • 60% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 60% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Salif
Bleu blanc rouge
94 bpm • A# min • 03:05 • -3.06db
28% Popularity • 54% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 54% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Costa
Tu Captes
86 bpm • A Maj • 01:32 • -6.62db
9% Popularity • 55% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 55% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Sam's
Le Fond de la classe
86 bpm • C# min • 06:59 • -9.65db
7% Popularity • 64% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 64% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Kekro
Voilà ce qu'on a fait de moi
94 bpm • G# Maj • 02:55 • -5.5db
13% Popularity • 55% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 55% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Seyté
Ouaich BX ça dit quoi?
86 bpm • C# Maj • 03:21 • -9.37db
14% Popularity • 71% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 71% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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TRZ
Kennedy Bridge
94 bpm • D# Maj • 02:26 • -5.95db
10% Popularity • 72% Danceability • 66% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 72% Danceability • 66% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
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TSR Crew
Mes Frères
94 bpm • A# min • 03:28 • -6.43db
36% Popularity • 85% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 85% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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ABSOLEM
Tant que ça rentre
86 bpm • B Maj • 02:10 • -8.59db
20% Popularity • 83% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 83% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Reda
Samedi soir
94 bpm • C# min • 02:02 • -8.32db
16% Popularity • 77% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 77% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Hash 24
Hors de moi
94 bpm • D min • 02:58 • -5.49db
12% Popularity • 87% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 87% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Jewel Usain
Just Do It
94 bpm • G Maj • 01:05 • -12.88db
18% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 85% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Allebou
Travail
94 bpm • A# min • 02:46 • -5.81db
7% Popularity • 85% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 85% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
