Songs like oh GOD by Orla Gartland
Based on a tempo of (+/- 10%) and a similar genre
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Lizzy McAlpine
Over-the-Ocean Call
92 bpm • E min • 04:04 • -12db
54% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Olive Klug
Raining in June
92 bpm • D Maj • 02:46 • -13.84db
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Orla Gartland
Get Back
93 bpm • F# Maj • 03:08 • -5.15db
22% Popularity • 57% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 57% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Maisie Peters
Not Another Rockstar
91 bpm • D# min • 02:29 • -2.14db
59% Popularity • 66% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 66% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Tessa Violet
Kitchen Song
93 bpm • G Maj • 02:35 • -6.09db
36% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Crawlers
Come Over (Again)
93 bpm • D Maj • 04:14 • -7.74db
59% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Regrettes
I Love Us
93 bpm • C# Maj • 03:10 • -7db
31% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Addison Grace
I Wanna Be a Boy
93 bpm • E Maj • 03:19 • -8.91db
42% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Baby Queen
These Drugs
93 bpm • B Maj • 04:02 • -6db
30% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Orla Gartland
Do You Mind?
90 bpm • F min • 03:37 • -12.13db
31% Popularity • 53% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
31% Popularity • 53% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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Paris Paloma
It's Called: Freefall
94 bpm • F# Maj • 02:38 • -15.01db
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Ezra Williams
My Own Person - Acoustic
91 bpm • G# Maj • 04:12 • -5.66db
18% Popularity • 47% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 47% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Maude Latour
Walk Backwards
90 bpm • G Maj • 02:33 • -10db
37% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Chappell Roan
Love Me Anyway
94 bpm • G# Maj • 03:53 • -7db
58% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
58% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Lorde
Stoned at the Nail Salon
94 bpm • D Maj • 04:26 • -12.3db
59% Popularity • 47% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 47% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Orla Gartland
New Friends
94 bpm • G Maj • 02:59 • -11.25db
25% Popularity • 66% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 66% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Semler
Don't Tell Anyone
94 bpm • B Maj • 03:24 • -9.41db
25% Popularity • 67% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 67% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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The Regrettes
Anxieties (Out of Time)
90 bpm • A Maj • 03:40 • -3.54db
31% Popularity • 57% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 57% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Maggie Rogers
Want Want
90 bpm • D Maj • 03:08 • -3db
57% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 53% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Baby Queen
Nobody Really Cares
90 bpm • A# Maj • 02:54 • -4.6db
35% Popularity • 59% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 59% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Orla Gartland
Why Am I Like This?
90 bpm • D Maj • 03:32 • -7.71db
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Ezra Williams
My Own Person
90 bpm • G Maj • 04:24 • -6.98db
49% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Xana
Kitchen Light
94 bpm • F# min • 04:16 • -6.99db
47% Popularity • 76% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 76% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Suki Waterhouse
Faded
94 bpm • C Maj • 02:55 • -5.72db
0% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Maisie Peters
I’m Trying (Not Friends)
90 bpm • B Maj • 02:43 • -5.07db
55% Popularity • 74% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 74% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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dodie
When
90 bpm • G# Maj • 03:43 • -15.89db
45% Popularity • 31% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 31% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Gracie Abrams
The Bottom
95 bpm • F Maj • 03:00 • -5.07db
61% Popularity • 72% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Caroline Culver
Summer 2019
95 bpm • A min • 02:20 • -9db
40% Popularity • 56% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 56% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Taylor Swift
seven
95 bpm • E Maj • 03:28 • -10.77db
73% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
73% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Samia
Big Wheel
95 bpm • F Maj • 03:15 • -8db
26% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Zeph
Lucky
95 bpm • C Maj • 03:12 • -17db
48% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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half•alive
Did I Make You Up?
95 bpm • A Maj • 02:29 • -6db
48% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Orla Gartland
Did It To Myself
95 bpm • F Maj • 03:16 • -10.55db
43% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Katie Gregson-MacLeod
complex (demo)
95 bpm • C Maj • 04:16 • -9.92db
55% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
55% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Taylor Swift
ivy
89 bpm • D Maj • 04:20 • -9.28db
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ashe
Love Is Letting Go
89 bpm • A Maj • 02:34 • -9.47db
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Frankie Cosmos
Sappho
95 bpm • G Maj • 01:52 • -6.78db
56% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Sammy Copley
Marsha
89 bpm • B Maj • 02:45 • -13db
23% Popularity • 31% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
23% Popularity • 31% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Orla Gartland
Bloodline / Difficult Things - live in D...
96 bpm • F Maj • 06:09 • -8.82db
14% Popularity • 49% Danceability • 47% Energy • 84% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 49% Danceability • 47% Energy • 84% Liveness
0% Instrumentalness • 27% Positiveness
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Harry Styles
Cherry
96 bpm • G Maj • 04:19 • -9.26db
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Lisa Curtis
Gasp of Air
96 bpm • G# Maj • 03:33 • -6db
42% Popularity • 54% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 54% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Lorde
Secrets from a Girl (Who's Seen it All)
88 bpm • E Maj • 03:38 • -9.49db
56% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Tommy Lefroy
Dog Eat Dog
88 bpm • B Maj • 02:49 • -8.67db
47% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Catie Turner
Nothing
88 bpm • G Maj • 02:54 • -6db
37% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Orla Gartland
Bloodline / Difficult Things
96 bpm • F Maj • 04:22 • -9db
31% Popularity • 77% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 77% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 26% Positiveness
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MUNA
Silk Chiffon
97 bpm • G# Maj • 03:26 • -6.22db
65% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Chappell Roan
My Kink Is Karma
87 bpm • D Maj • 03:42 • -5.62db
72% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 56% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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FIZZ
Hell Of A Ride
98 bpm • D Maj • 02:59 • -7.6db
40% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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MOTHICA
forever fifteen
98 bpm • E Maj • 03:45 • -8.31db
44% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Orla Gartland
Lonely People
96 bpm • G# Maj • 03:09 • -5db
30% Popularity • 71% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 71% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Maisie Peters
Cate’s Brother
98 bpm • C# min • 03:00 • -4.52db
53% Popularity • 74% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 74% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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flor
heart
98 bpm • D Maj • 03:42 • -5db
47% Popularity • 64% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 64% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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dodie
Got Weird
98 bpm • F# min • 03:22 • -15.93db
46% Popularity • 85% Danceability • 30% Energy • 11% Liveness
20% Instrumentalness • 69% Positiveness
46% Popularity • 85% Danceability • 30% Energy • 11% Liveness
20% Instrumentalness • 69% Positiveness
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Stella Bridie
My Girl
86 bpm • C# Maj • 02:43 • -10.05db
21% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Orla Gartland
Zombie!
88 bpm • G Maj • 02:57 • -5.92db
36% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Holly Humberstone
Thursday
86 bpm • A# Maj • 04:07 • -8db
40% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Baby Queen
Dream Girl
99 bpm • E Maj • 03:42 • -5.49db
38% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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dodie
Secret For The Mad
86 bpm • E Maj • 03:17 • -14.99db
45% Popularity • 49% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
45% Popularity • 49% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Greta Isaac
Power
85 bpm • G# Maj • 01:54 • -7.38db
13% Popularity • 38% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 38% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
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Orla Gartland
Whispers
99 bpm • C Maj • 03:43 • -8db
21% Popularity • 40% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 40% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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King Princess
For My Friends
85 bpm • C# Maj • 03:35 • -6db
42% Popularity • 47% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 47% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Trixie Mattel
Video Games
85 bpm • D min • 03:45 • -9.15db
48% Popularity • 45% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 45% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Em Beihold
Groundhog Day
85 bpm • F# Maj • 02:53 • -8.12db
55% Popularity • 80% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 80% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Olive Klug
Self Help
85 bpm • B Maj • 03:42 • -8.42db
35% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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rainbow frog biscuits
Friends Instead
100 bpm • A Maj • 02:36 • -9.68db
30% Popularity • 70% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 70% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Madi Diaz
Think Of Me
85 bpm • F# min • 03:30 • -8db
34% Popularity • 64% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 64% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Liza Anne
Panic Attack
100 bpm • F Maj • 03:44 • -7.22db
36% Popularity • 46% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 46% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Maya Hawke
To Love a Boy
100 bpm • D# min • 02:17 • -13.56db
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Baby Queen
Dover Beach
100 bpm • F# Maj • 03:38 • -5.48db
56% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Orla Gartland
Kiss Ur Face Forever
85 bpm • B Maj • 02:46 • -6.93db
46% Popularity • 31% Danceability • 81% Energy • 15% Liveness
4% Instrumentalness • 62% Positiveness
46% Popularity • 31% Danceability • 81% Energy • 15% Liveness
4% Instrumentalness • 62% Positiveness
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Brye
Diet Culture
100 bpm • G Maj • 02:29 • -7.01db
45% Popularity • 85% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 85% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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ella jane
Time On
100 bpm • F Maj • 03:48 • -7.86db
29% Popularity • 81% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 81% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 93% Positiveness
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half•alive
Nobody
100 bpm • G min • 03:26 • -7.22db
47% Popularity • 72% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 72% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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dodie
Monster
100 bpm • A Maj • 04:05 • -7.69db
53% Popularity • 83% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
53% Popularity • 83% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Sammy Copley
Little Box
100 bpm • D Maj • 03:27 • -13.24db
18% Popularity • 78% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 78% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Orla Gartland
Madison (orla & friends version)
100 bpm • F Maj • 03:48 • -9.34db
24% Popularity • 76% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 76% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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rainbow frog biscuits
Help Me
100 bpm • D Maj • 03:23 • -11.34db
36% Popularity • 83% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 83% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Waterparks
Telephone
85 bpm • G# Maj • 02:33 • -3db
52% Popularity • 60% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 60% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Greta Isaac
FU
84 bpm • B min • 02:53 • -13.63db
26% Popularity • 64% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 64% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Paris Paloma
labour
84 bpm • B min • 03:57 • -10.3db
77% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
77% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Taylor Swift
invisible string
83 bpm • E min • 04:12 • -11.14db
76% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
76% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Gatlin
What If I Love You
101 bpm • B Maj • 02:38 • -8db
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Phoebe Bridgers
Punisher
84 bpm • C# Maj • 03:09 • -12.8db
63% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
63% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ashe
When I'm Older
102 bpm • A# Maj • 02:50 • -12db
38% Popularity • 39% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 39% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Florence + The Machine
Dream Girl Evil
83 bpm • C Maj • 03:47 • -7db
60% Popularity • 55% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 55% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Billie Eilish
The 30th
83 bpm • G Maj • 03:36 • -14.4db
73% Popularity • 39% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 39% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
