Songs like Oh I Oh Oh I by Anni B Sweet
Based on a tempo of (+/- 10%) and a similar genre
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L.A.
Rebel
125 bpm • C min • 03:09 • -3.51db
9% Popularity • 59% Danceability • 97% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
9% Popularity • 59% Danceability • 97% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
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Dorian
Corta El Aire
125 bpm • E min • 05:24 • -5.52db
11% Popularity • 62% Danceability • 75% Energy • 19% Liveness
1% Instrumentalness • 33% Positiveness
11% Popularity • 62% Danceability • 75% Energy • 19% Liveness
1% Instrumentalness • 33% Positiveness
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Sexy Sadie
I Won't Hurt You
125 bpm • B Maj • 03:35 • -4.89db
12% Popularity • 54% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 54% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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L.A.
Microphones And Medicines
125 bpm • C Maj • 04:06 • -6.47db
15% Popularity • 56% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 56% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Mendetz
FutureSex
125 bpm • A# Maj • 05:30 • -5.84db
22% Popularity • 62% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 62% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Mishima
L'última ressaca
125 bpm • F Maj • 04:02 • -5.81db
19% Popularity • 50% Danceability • 89% Energy • 26% Liveness
90% Instrumentalness • 49% Positiveness
19% Popularity • 50% Danceability • 89% Energy • 26% Liveness
90% Instrumentalness • 49% Positiveness
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Anni B Sweet
Un Astronauta
125 bpm • C Maj • 03:06 • -6db
31% Popularity • 48% Danceability • 75% Energy • 20% Liveness
12% Instrumentalness • 59% Positiveness
31% Popularity • 48% Danceability • 75% Energy • 20% Liveness
12% Instrumentalness • 59% Positiveness
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Dorian
La Noche Espiral
125 bpm • B min • 03:52 • -5.34db
7% Popularity • 64% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 64% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Neuman
I Have the Will
125 bpm • G Maj • 03:33 • -15.59db
16% Popularity • 58% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 58% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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The Pepper Pots
Time To Live
124 bpm • D# Maj • 04:06 • -4.79db
6% Popularity • 61% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
6% Popularity • 61% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Mazoni
Eufòria
126 bpm • B min • 04:20 • -7db
19% Popularity • 62% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 62% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Mishima
Un tros de fang
125 bpm • C Maj • 03:09 • -10.32db
28% Popularity • 63% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
28% Popularity • 63% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Anni B Sweet
Someone Else
125 bpm • D Maj • 04:29 • -9.05db
5% Popularity • 51% Danceability • 56% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
5% Popularity • 51% Danceability • 56% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
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Luthea Salom
37 Kisses
124 bpm • B Maj • 03:04 • -6.97db
8% Popularity • 72% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 72% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Russian Red
They Don´t Believe
124 bpm • C Maj • 03:11 • -11db
24% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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La Buena Vida
Rumbo a...
124 bpm • D Maj • 02:26 • -10.27db
7% Popularity • 65% Danceability • 38% Energy • 17% Liveness
4% Instrumentalness • 31% Positiveness
7% Popularity • 65% Danceability • 38% Energy • 17% Liveness
4% Instrumentalness • 31% Positiveness
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Jero Romero
Haciendo eses
124 bpm • D Maj • 02:52 • -6.56db
14% Popularity • 89% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 89% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Joan Miquel Oliver
Somiers
126 bpm • A# Maj • 01:53 • -12.86db
16% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Anni B Sweet
Oh I Oh Oh I
125 bpm • A min • 02:39 • -5.99db
12% Popularity • 82% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 82% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Luthea Salom
Happy
124 bpm • A Maj • 03:46 • -7.14db
9% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Klaus & Kinski
Forma, Sentido y Realidad
126 bpm • G min • 04:38 • -11.24db
7% Popularity • 59% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 59% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Napoleon Solo
Lolaila Carmona
126 bpm • D min • 03:07 • -7.01db
36% Popularity • 75% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 75% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Sunday Drivers
Tears & Years
126 bpm • C# Maj • 03:52 • -7.02db
13% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Smile
Do as I Want
126 bpm • G Maj • 03:29 • -7db
19% Popularity • 87% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 87% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Anni B Sweet
Missing a Stranger
126 bpm • C Maj • 03:58 • -9.97db
13% Popularity • 37% Danceability • 50% Energy • 24% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 37% Danceability • 50% Energy • 24% Liveness
1% Instrumentalness • 22% Positiveness
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Love of Lesbian
Te hiero mucho (Historia del amante guis...
126 bpm • F Maj • 04:23 • -7.26db
32% Popularity • 67% Danceability • 76% Energy • 5% Liveness
5% Instrumentalness • 92% Positiveness
32% Popularity • 67% Danceability • 76% Energy • 5% Liveness
5% Instrumentalness • 92% Positiveness
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Najwajean
Drive Me
124 bpm • G# Maj • 05:41 • -7db
19% Popularity • 75% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 75% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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L.A.
Hands
126 bpm • C min • 03:15 • -3.78db
33% Popularity • 63% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 63% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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We Are Standard
The First Girl Who Got a Kiss Without a ...
124 bpm • C Maj • 03:38 • -3.28db
25% Popularity • 64% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 64% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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L.A.
Under Radar
126 bpm • B Maj • 03:09 • -5.69db
15% Popularity • 51% Danceability • 83% Energy • 22% Liveness
56% Instrumentalness • 54% Positiveness
15% Popularity • 51% Danceability • 83% Energy • 22% Liveness
56% Instrumentalness • 54% Positiveness
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Julio de la Rosa
Colecciono Sabotajes
124 bpm • C Maj • 05:39 • -9.25db
8% Popularity • 28% Danceability • 58% Energy • 8% Liveness
8% Instrumentalness • 43% Positiveness
8% Popularity • 28% Danceability • 58% Energy • 8% Liveness
8% Instrumentalness • 43% Positiveness
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Love of Lesbian
Los seres únicos
124 bpm • C Maj • 04:04 • -6.27db
36% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Abraham Boba
Podría haber sido peor
123 bpm • F Maj • 03:40 • -14db
13% Popularity • 46% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 31% Positiveness
13% Popularity • 46% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 31% Positiveness
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John Legend
A Place Called World
123 bpm • A# Maj • 03:40 • -4.35db
15% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Los Estanques
Llévame al Cielo
127 bpm • A min • 04:06 • -6.27db
23% Popularity • 42% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 42% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Sexy Sadie
Stay Behind Me
127 bpm • D Maj • 04:25 • -5.96db
11% Popularity • 52% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 52% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Nacho Umbert & la compañía
La Verdad Es Que Me Da Igual
123 bpm • A Maj • 03:09 • -14db
23% Popularity • 80% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 80% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Fuel Fandango
New Life
127 bpm • C Maj • 03:57 • -8db
29% Popularity • 67% Danceability • 65% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
29% Popularity • 67% Danceability • 65% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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The Sunday Drivers
She
127 bpm • E Maj • 03:29 • -4.57db
17% Popularity • 54% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 54% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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John Legend
A Place Called World - The Zombie Kids ...
123 bpm • F Maj • 04:05 • -4.41db
5% Popularity • 56% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 56% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Mishima
Neix el món dintre l'ull
123 bpm • E min • 03:10 • -7.79db
10% Popularity • 64% Danceability • 73% Energy • 9% Liveness
64% Instrumentalness • 48% Positiveness
10% Popularity • 64% Danceability • 73% Energy • 9% Liveness
64% Instrumentalness • 48% Positiveness
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Alondra Bentley
I Feel Alive
127 bpm • E Maj • 02:29 • -14.23db
16% Popularity • 60% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 60% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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BSO
Bizarre Love Triangle
123 bpm • C# Maj • 01:59 • -5.95db
28% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Anni B Sweet
Doctor
122 bpm • G# min • 04:11 • -12.27db
9% Popularity • 48% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 48% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Los Estanques
No Te Preocupes
128 bpm • A min • 03:17 • -9.15db
19% Popularity • 42% Danceability • 55% Energy • 31% Liveness
1% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 55% Energy • 31% Liveness
1% Instrumentalness • 38% Positiveness
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John Legend
A Place Called World - The Zombie Kids ...
123 bpm • F Maj • 05:04 • -4.71db
2% Popularity • 64% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 65% Positiveness
2% Popularity • 64% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 65% Positiveness
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bigott
Dead Mum Walking
128 bpm • A Maj • 02:54 • -9.79db
18% Popularity • 59% Danceability • 36% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
18% Popularity • 59% Danceability • 36% Energy • 12% Liveness
12% Instrumentalness • 20% Positiveness
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Fanfarlo
Comets
122 bpm • G Maj • 05:44 • -7db
18% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Luthea Salom
The Way Things Are
122 bpm • C Maj • 02:18 • -9.7db
28% Popularity • 81% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 81% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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La Buena Vida
Pensando En Volver
122 bpm • A Maj • 04:13 • -8.36db
8% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Love of Lesbian
Shine It
122 bpm • G Maj • 03:50 • -6db
8% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 56% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Second
Rincón Exquisito
128 bpm • E Maj • 05:07 • -5.72db
56% Popularity • 55% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 55% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Pauline En La Playa
El Mundo Se Va a Acabar
128 bpm • D# Maj • 03:38 • -6.75db
18% Popularity • 57% Danceability • 68% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
18% Popularity • 57% Danceability • 68% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
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Maga
Sal y Otras Historias
128 bpm • F# Maj • 04:50 • -8.28db
25% Popularity • 70% Danceability • 61% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
25% Popularity • 70% Danceability • 61% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
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L.A.
Elizabeth
122 bpm • A Maj • 03:22 • -3db
16% Popularity • 58% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 58% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Anni B Sweet
Good Bye Child
122 bpm • A Maj • 03:50 • -9.2db
6% Popularity • 54% Danceability • 57% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
6% Popularity • 54% Danceability • 57% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
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Love of Lesbian
Si tú me dices Ben, yo digo Affleck
128 bpm • E min • 04:36 • -7.07db
32% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
32% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
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Mishima
La tarda esclata
122 bpm • G Maj • 01:59 • -5.57db
16% Popularity • 41% Danceability • 80% Energy • 38% Liveness
96% Instrumentalness • 25% Positiveness
16% Popularity • 41% Danceability • 80% Energy • 38% Liveness
96% Instrumentalness • 25% Positiveness
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Tulsa
Ya No Somos Invencibles
122 bpm • A Maj • 04:21 • -5db
12% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Mazoni
Per primer cop
122 bpm • A# Maj • 03:48 • -7.63db
10% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 48% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Sunday Drivers
Everything Remind Me of You
122 bpm • D min • 01:41 • -4.61db
21% Popularity • 43% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 43% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Maria Coma
L'últim Cercle Polar
128 bpm • F# Maj • 04:38 • -13.44db
10% Popularity • 31% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
10% Popularity • 31% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Love of Lesbian
La noche eterna
122 bpm • C Maj • 07:59 • -7.9db
32% Popularity • 24% Danceability • 55% Energy • 18% Liveness
5% Instrumentalness • 8% Positiveness
32% Popularity • 24% Danceability • 55% Energy • 18% Liveness
5% Instrumentalness • 8% Positiveness
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Los Planetas
Un Buen Dia
128 bpm • D Maj • 03:51 • -6.07db
50% Popularity • 39% Danceability • 92% Energy • 17% Liveness
74% Instrumentalness • 58% Positiveness
50% Popularity • 39% Danceability • 92% Energy • 17% Liveness
74% Instrumentalness • 58% Positiveness
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Klaus & Kinski
Flash-Back al Revés
129 bpm • G Maj • 02:33 • -5.38db
13% Popularity • 53% Danceability • 88% Energy • 38% Liveness
69% Instrumentalness • 72% Positiveness
13% Popularity • 53% Danceability • 88% Energy • 38% Liveness
69% Instrumentalness • 72% Positiveness
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Sr. Chinarro
Un Final Feliz
129 bpm • E min • 04:15 • -5.27db
8% Popularity • 58% Danceability • 56% Energy • 10% Liveness
37% Instrumentalness • 68% Positiveness
8% Popularity • 58% Danceability • 56% Energy • 10% Liveness
37% Instrumentalness • 68% Positiveness
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bigott
The Party
122 bpm • C Maj • 01:47 • -12db
8% Popularity • 62% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
8% Popularity • 62% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Los Estanques
Brillabas
129 bpm • D# Maj • 03:22 • -6.3db
30% Popularity • 33% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 33% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Mikel Erentxun
Tú y yo
129 bpm • A Maj • 03:42 • -5.55db
33% Popularity • 63% Danceability • 64% Energy • 30% Liveness
52% Instrumentalness • 79% Positiveness
33% Popularity • 63% Danceability • 64% Energy • 30% Liveness
52% Instrumentalness • 79% Positiveness
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León Benavente
Ánimo, Valiente
129 bpm • A# Maj • 03:44 • -4.64db
40% Popularity • 51% Danceability • 87% Energy • 9% Liveness
70% Instrumentalness • 67% Positiveness
40% Popularity • 51% Danceability • 87% Energy • 9% Liveness
70% Instrumentalness • 67% Positiveness
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Luthea Salom
Be Me
129 bpm • C Maj • 03:25 • -7.09db
20% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Niño y pistola
Catch The Sun
129 bpm • C Maj • 03:45 • -5.77db
11% Popularity • 55% Danceability • 92% Energy • 52% Liveness
14% Instrumentalness • 86% Positiveness
11% Popularity • 55% Danceability • 92% Energy • 52% Liveness
14% Instrumentalness • 86% Positiveness
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Joan Miquel Oliver
Ai Las!
121 bpm • F Maj • 02:03 • -19.73db
10% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Los Estanques
Bla, Bla, Bla
129 bpm • C Maj • 03:18 • -6.99db
25% Popularity • 38% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 38% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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The Wave Pictures
Kiss Me
121 bpm • F# min • 03:35 • -3.88db
11% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Maika Makovski
I Want to Cry
130 bpm • C Maj • 03:04 • -9db
12% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Ruidoblanco
Ni las intenciones
120 bpm • B Maj • 06:53 • -6.6db
9% Popularity • 33% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 33% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Anni B Sweet
Drive
130 bpm • B min • 04:30 • -8.38db
13% Popularity • 61% Danceability • 65% Energy • 17% Liveness
5% Instrumentalness • 28% Positiveness
13% Popularity • 61% Danceability • 65% Energy • 17% Liveness
5% Instrumentalness • 28% Positiveness
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Maga
Medusa
130 bpm • A Maj • 02:46 • -7db
16% Popularity • 57% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 57% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Standstill
Cobarde Pecador - II. B. Pasa De Querer ...
130 bpm • B min • 02:54 • -15.12db
9% Popularity • 74% Danceability • 20% Energy • 9% Liveness
81% Instrumentalness • 28% Positiveness
9% Popularity • 74% Danceability • 20% Energy • 9% Liveness
81% Instrumentalness • 28% Positiveness
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Polock
Fireworks
130 bpm • B Maj • 03:41 • -4.9db
17% Popularity • 57% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 57% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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bigott
Vaporcito
130 bpm • G Maj • 04:04 • -12db
13% Popularity • 64% Danceability • 52% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
13% Popularity • 64% Danceability • 52% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Mürfila
Me Pones
130 bpm • C# min • 04:12 • -5.12db
12% Popularity • 65% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 65% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Anni B Sweet
At Home
130 bpm • A# Maj • 03:27 • -9db
15% Popularity • 55% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
15% Popularity • 55% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Maga
Agosto Esquimal
130 bpm • G Maj • 04:01 • -5db
26% Popularity • 56% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 56% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Standstill
La Familia Inventada - I. Algunos Recuer...
130 bpm • C min • 05:16 • -8db
14% Popularity • 52% Danceability • 58% Energy • 13% Liveness
42% Instrumentalness • 11% Positiveness
14% Popularity • 52% Danceability • 58% Energy • 13% Liveness
42% Instrumentalness • 11% Positiveness
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Hidrogenesse
Caballos y ponis
130 bpm • E Maj • 04:34 • -7.38db
9% Popularity • 87% Danceability • 87% Energy • 9% Liveness
31% Instrumentalness • 95% Positiveness
9% Popularity • 87% Danceability • 87% Energy • 9% Liveness
31% Instrumentalness • 95% Positiveness
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Mishima
Tot torna a començar
130 bpm • D Maj • 03:23 • -5.31db
24% Popularity • 56% Danceability • 83% Energy • 17% Liveness
58% Instrumentalness • 33% Positiveness
24% Popularity • 56% Danceability • 83% Energy • 17% Liveness
58% Instrumentalness • 33% Positiveness
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Francisco Nixon
Erasmus Borrachas
130 bpm • D Maj • 02:53 • -5db
19% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Anni B Sweet
Watch Me Shoot You
130 bpm • G Maj • 03:29 • -8db
14% Popularity • 69% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 69% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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L.A.
Heavenly Hell
130 bpm • G# min • 02:46 • -3.16db
13% Popularity • 52% Danceability • 95% Energy • 39% Liveness
63% Instrumentalness • 47% Positiveness
13% Popularity • 52% Danceability • 95% Energy • 39% Liveness
63% Instrumentalness • 47% Positiveness
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Love of Lesbian
Allí donde solíamos gritar - Remixed b...
130 bpm • A# Maj • 06:25 • -9.99db
18% Popularity • 61% Danceability • 73% Energy • 69% Liveness
4% Instrumentalness • 68% Positiveness
18% Popularity • 61% Danceability • 73% Energy • 69% Liveness
4% Instrumentalness • 68% Positiveness
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Nat Simons
Strange Music Avenue
130 bpm • C Maj • 02:46 • -12.68db
8% Popularity • 49% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 49% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Delorean
Soon
130 bpm • B min • 04:03 • -6.71db
8% Popularity • 76% Danceability • 88% Energy • 38% Liveness
1% Instrumentalness • 86% Positiveness
8% Popularity • 76% Danceability • 88% Energy • 38% Liveness
1% Instrumentalness • 86% Positiveness
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Gossos
Dia 1
130 bpm • C Maj • 04:05 • -7.85db
13% Popularity • 73% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 73% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Anni B Sweet
Remember Today
120 bpm • A# Maj • 03:34 • -7.7db
7% Popularity • 36% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 36% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Dover
Under Your Spell
130 bpm • C# Maj • 03:07 • -3.46db
11% Popularity • 56% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 56% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Dorian
Más Problemas
130 bpm • G min • 03:41 • -3.71db
18% Popularity • 60% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 60% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
