Songs like Oh, Marie by Keely Smith
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
LaVern Baker
Gimme a Pigfoot - Mono
120 bpm • F min • 03:07 • -7.71db
26% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Louis Armstrong's Orchestra And Chorus
The Sunshine Of Love - Single Version
120 bpm • C# Maj • 02:53 • -18.87db
39% Popularity • 48% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 48% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Mel Torme & the Mel-Tones
You're a Heavenly Thing
120 bpm • F Maj • 02:35 • -17db
31% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Keely Smith
Oh, Marie
120 bpm • C Maj • 02:27 • -8.46db
18% Popularity • 62% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 62% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Louis Prima
Felicia No Capicia - Remastered 1999
121 bpm • D min • 03:01 • -17.96db
20% Popularity • 85% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 85% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Buddy Johnson
Be Careful
121 bpm • C Maj • 03:08 • -9.05db
19% Popularity • 84% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 84% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Joe Williams
Every Day I Have the Blues (Every Day I ...
119 bpm • F min • 04:43 • -9.03db
17% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
The McGuire Sisters
Volare
121 bpm • G# Maj • 02:40 • -14.27db
23% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Chick Webb
You'll have to swing it
119 bpm • A# Maj • 02:55 • -7.04db
16% Popularity • 70% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 70% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Cab Calloway
Hey Now, Hey Now
121 bpm • G# Maj • 02:53 • -9.36db
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Ronnie Hilton
Veni Vidi Vici
121 bpm • A# Maj • 02:30 • -10.36db
12% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Julia Lee
You Ain't Got It No More
122 bpm • B Maj • 02:40 • -5.32db
12% Popularity • 88% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 88% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
The McGuire Sisters
Volare
121 bpm • G# Maj • 02:42 • -7.42db
16% Popularity • 60% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 60% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Lloyd Price
No If's - No And's
122 bpm • G# Maj • 02:22 • -5.94db
17% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 55% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Tom Cunningham Orchestra
Shout And Feel It
121 bpm • C Maj • 02:30 • -11db
17% Popularity • 66% Danceability • 60% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
17% Popularity • 66% Danceability • 60% Energy • 3% Liveness
1% Instrumentalness • 76% Positiveness
► Preview
The Boswell Sisters
When I Take My Sugar to Tea
122 bpm • A# Maj • 03:12 • -13db
16% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
16% Popularity • 77% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 81% Positiveness
► Preview
Fats Waller
I'm Crazy 'Bout My Baby
118 bpm • D# Maj • 02:16 • -15.93db
26% Popularity • 80% Danceability • 35% Energy • 31% Liveness
64% Instrumentalness • 84% Positiveness
26% Popularity • 80% Danceability • 35% Energy • 31% Liveness
64% Instrumentalness • 84% Positiveness
► Preview
Margot Bingham
I'm A Little Blackbird
122 bpm • C Maj • 03:15 • -8.2db
15% Popularity • 75% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 75% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Vaughn Monroe
Dance Ballerina Dance
122 bpm • A Maj • 03:28 • -11.71db
23% Popularity • 55% Danceability • 38% Energy • 30% Liveness
92% Instrumentalness • 81% Positiveness
23% Popularity • 55% Danceability • 38% Energy • 30% Liveness
92% Instrumentalness • 81% Positiveness
► Preview
Louis Jordan & His Tympany Five
Doug The Jitterbug
118 bpm • G# Maj • 02:32 • -11.61db
14% Popularity • 81% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 81% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Lloyd Price
Lady Luck
122 bpm • F Maj • 02:18 • -6.68db
22% Popularity • 62% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 62% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Glenn Miller & The Army Air Force Band
The St. Louis Blues March - Remastered 2...
118 bpm • A min • 04:25 • -9.91db
20% Popularity • 61% Danceability • 51% Energy • 9% Liveness
66% Instrumentalness • 41% Positiveness
20% Popularity • 61% Danceability • 51% Energy • 9% Liveness
66% Instrumentalness • 41% Positiveness
► Preview
Buddy Clark
I'll Dance At Your Wedding
122 bpm • G min • 03:10 • -14.44db
11% Popularity • 75% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 75% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Guy Lombardo
Seems Like Old Times
122 bpm • D min • 02:58 • -13db
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Eddie Fisher
I Need You Now
117 bpm • G Maj • 02:30 • -20.97db
24% Popularity • 61% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 61% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Fats Waller
Your Feet's Too Big
117 bpm • C Maj • 03:04 • -20db
26% Popularity • 72% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 72% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Cliff Edwards
Good Little Bad Little You
117 bpm • C Maj • 02:39 • -11db
26% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
35% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
35% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
► Preview
Jeri Southern
It's Bad For Me
123 bpm • D# Maj • 02:13 • -8.91db
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Earl Grant
Sermonette
123 bpm • G# Maj • 02:42 • -11.37db
34% Popularity • 78% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 78% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Louis Prima
When The Saints Go Marching In
117 bpm • F Maj • 02:41 • -8.18db
12% Popularity • 60% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 60% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Keely Smith
S'Posin'
117 bpm • C Maj • 02:41 • -9.44db
8% Popularity • 45% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 45% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Louis Jordan & His Tympany Five
G.I Jive
116 bpm • C Maj • 03:00 • -7.95db
10% Popularity • 78% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 78% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Guy Lombardo
Red Roses For A Blue Lady
124 bpm • C Maj • 02:46 • -13.83db
29% Popularity • 65% Danceability • 7% Energy • 8% Liveness
10% Instrumentalness • 32% Positiveness
29% Popularity • 65% Danceability • 7% Energy • 8% Liveness
10% Instrumentalness • 32% Positiveness
► Preview
Ella Fitzgerald and Her Famous Orchestra
When My Sugar Walks Down The Street
116 bpm • G min • 02:43 • -9.81db
17% Popularity • 82% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 82% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Lil Hardin Armstrong And Her Orchestra
Clip Joint
116 bpm • A Maj • 04:42 • -16db
28% Popularity • 68% Danceability • 26% Energy • 15% Liveness
5% Instrumentalness • 58% Positiveness
28% Popularity • 68% Danceability • 26% Energy • 15% Liveness
5% Instrumentalness • 58% Positiveness
► Preview
Nellie Lutcher
Fine Brown Frame
116 bpm • C# Maj • 02:57 • -15.84db
29% Popularity • 72% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 72% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Slim Gaillard
Atomic Cocktail - Alternate Take
124 bpm • F Maj • 02:43 • -14db
15% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Louis Jordan
Knock Me a Kiss
116 bpm • D# Maj • 02:48 • -11.59db
18% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
18% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
► Preview
Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Buddy Greco
The Lady Is a Tramp
124 bpm • G min • 03:36 • -14.27db
25% Popularity • 66% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 66% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
► Preview
Louis Jordan & His Tympany Five
Knock Me A Kiss - Single Version
116 bpm • C min • 02:48 • -9.79db
26% Popularity • 82% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 82% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Louis Prima
(I'll Be Glad When You're Dead) You Rasc...
116 bpm • G# Maj • 03:15 • -6db
29% Popularity • 56% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 56% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Roy Brown
Big Town
125 bpm • F min • 02:56 • -7.19db
16% Popularity • 68% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 68% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Chick Webb
Crying My Heart Out For You
125 bpm • G min • 03:05 • -8.11db
22% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 73% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Margaret Whiting
They Can't Take That Away From Me
125 bpm • C min • 02:52 • -12.9db
45% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
► Preview
Sam Butera & The Witnesses
Later, Baby, Later - Bonus Track
125 bpm • F Maj • 02:23 • -12db
11% Popularity • 76% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 76% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Vince Giordano And The Nighthawks
What Is It
125 bpm • D# Maj • 05:28 • -9.41db
10% Popularity • 48% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
10% Popularity • 48% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Louis Prima
When the Saints Go Marching In
115 bpm • F Maj • 04:15 • -8.47db
10% Popularity • 59% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 59% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
31% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
► Preview
Lily Wilde and her Jumpin' Jubilee Orchestra
Mister Five By Five
125 bpm • D Maj • 03:07 • -9.66db
28% Popularity • 72% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 72% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Beryl Bryden
Coney Island Washboard
115 bpm • G Maj • 03:25 • -10.07db
9% Popularity • 59% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 59% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Kay Kyser
Who Wouldn't Love You
115 bpm • D# Maj • 02:41 • -13.19db
21% Popularity • 86% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 67% Positiveness
21% Popularity • 86% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 67% Positiveness
► Preview
Louis Armstrong And The All-Stars
High Society
126 bpm • C min • 03:59 • -13.55db
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
► Preview
Sarah Vaughan
The Banana Boat Song
126 bpm • A# Maj • 02:20 • -9.82db
13% Popularity • 71% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 71% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Sammy Davis Jr. | Dean Martin
Sam's Song
115 bpm • D min • 02:45 • -11.75db
38% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
► Preview
Earl Hines
G.T. Stomp
126 bpm • G# Maj • 02:45 • -10.89db
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
► Preview
Joe Williams
I'm Sticking with You, Baby - Remastered
126 bpm • F min • 02:45 • -12.65db
13% Popularity • 74% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 74% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
► Preview
Fats Waller
It's A Sin To Tell A Lie
114 bpm • C Maj • 02:53 • -15.57db
29% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
29% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
► Preview
The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Sam Butera & The Witnesses
Oh Ma-Ma Twist
113 bpm • A# Maj • 01:58 • -8.94db
10% Popularity • 51% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 51% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
► Preview
Bob Scobey
Melancholy
113 bpm • F Maj • 03:06 • -12.2db
11% Popularity • 71% Danceability • 41% Energy • 5% Liveness
1% Instrumentalness • 71% Positiveness
11% Popularity • 71% Danceability • 41% Energy • 5% Liveness
1% Instrumentalness • 71% Positiveness
► Preview
Nellie Lutcher
Hurry On Down
113 bpm • G# Maj • 02:27 • -12db
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Ray Conniff and Don Cherry
Band Of Gold
113 bpm • G Maj • 02:34 • -9.94db
26% Popularity • 43% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
26% Popularity • 43% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
► Preview
Indigo Swing
How Lucky Can One Guy Be?
128 bpm • A min • 03:13 • -9db
31% Popularity • 73% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 73% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Etta Jones
I Got A Felling (c.02-55)
128 bpm • C min • 02:13 • -10.64db
18% Popularity • 68% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 68% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
► Preview
The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
The McGuire Sisters
Something's Gotta Give
128 bpm • A# Maj • 02:56 • -8.75db
29% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Ella Mae Morse
Mister Five by Five
128 bpm • D Maj • 03:02 • -10.26db
25% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 71% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Louis Prima & Keely Smith
Too Marvelous For Words - Live In Las Ve...
112 bpm • A# Maj • 01:54 • -16.68db
9% Popularity • 65% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 65% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Jimmie Lunceford
Rhythm Is Our Business
112 bpm • G Maj • 03:15 • -12.61db
20% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
20% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
► Preview
Big Band Orchestra
On The Alamo
112 bpm • G min • 02:24 • -16db
20% Popularity • 52% Danceability • 17% Energy • 14% Liveness
60% Instrumentalness • 26% Positiveness
20% Popularity • 52% Danceability • 17% Energy • 14% Liveness
60% Instrumentalness • 26% Positiveness
► Preview
The Four Knights
(Oh Baby Mine) I Get so Lonely
112 bpm • G# Maj • 02:05 • -11db
32% Popularity • 79% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 79% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
► Preview
The Big 18
Five O'Clock Drag
128 bpm • A# Maj • 05:43 • -20.04db
9% Popularity • 68% Danceability • 22% Energy • 20% Liveness
91% Instrumentalness • 70% Positiveness
9% Popularity • 68% Danceability • 22% Energy • 20% Liveness
91% Instrumentalness • 70% Positiveness
► Preview
Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Buddy Johnson
Fine Brown Frame
112 bpm • G min • 03:02 • -9.75db
10% Popularity • 70% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 70% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Mildred Bailey
Doin' the Uptown Lowdown
112 bpm • D# min • 02:51 • -11.16db
35% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Louis Prima
Oh, Marie
112 bpm • C Maj • 02:28 • -5.55db
38% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Cab Calloway
Tarzan of Harlem
112 bpm • C min • 02:46 • -11.6db
9% Popularity • 74% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 74% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Ella Mae Morse
Captain Kidd
129 bpm • A# min • 02:54 • -5.47db
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Lucky Millinder
Let It Roll Again
129 bpm • G# Maj • 02:58 • -3.24db
12% Popularity • 62% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 62% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Charlie Barnet & His Orchestra
Southern Fried
129 bpm • A# Maj • 03:24 • -9.23db
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
► Preview
Joe Williams
Woman's Got Soul
129 bpm • C# Maj • 02:22 • -11.45db
34% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
