Songs like Oh My Love by Leyla McCalla
Based on a tempo of (+/- 10%) and a similar genre
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Théo Charaf
Forward
170 bpm • D Maj • 02:28 • -14.17db
10% Popularity • 35% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 35% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Leyla McCalla
Oh My Love
170 bpm • F Maj • 03:45 • -3.74db
10% Popularity • 54% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 54% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Amythyst Kiah
Darlin Corey
172 bpm • D# min • 04:16 • -13db
26% Popularity • 43% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 43% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Our Native Daughters
I Knew I Could Fly
167 bpm • C Maj • 03:41 • -17.17db
36% Popularity • 54% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
36% Popularity • 54% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
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Pharis & Jason Romero
Sweet Old Religion
173 bpm • A# Maj • 03:48 • -7.43db
9% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Phoebe Hunt
Lint Head Gal
167 bpm • D Maj • 02:49 • -5.18db
28% Popularity • 44% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 44% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Pokey LaFarge
Get It ‘Fore It’s Gone
165 bpm • G Maj • 03:34 • -6.22db
27% Popularity • 55% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 55% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Leyla McCalla
Minis Azaka
174 bpm • C Maj • 04:09 • -10.15db
7% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Don Vappie
Eh La Bas
175 bpm • F Maj • 04:08 • -10.87db
8% Popularity • 65% Danceability • 33% Energy • 7% Liveness
8% Instrumentalness • 87% Positiveness
8% Popularity • 65% Danceability • 33% Energy • 7% Liveness
8% Instrumentalness • 87% Positiveness
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Mavis Staples
We Go High
175 bpm • G Maj • 03:26 • -7.87db
7% Popularity • 63% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
7% Popularity • 63% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Ondara
God Bless America
165 bpm • A Maj • 03:50 • -11.55db
21% Popularity • 48% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 48% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Elizabeth Cotten and Brenda Evans
Shake Sugaree
176 bpm • A# Maj • 05:02 • -10.19db
42% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 59% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Raphaël Imbert
Sweat River Blues (radio edit) - Bonus T...
176 bpm • B min • 02:43 • -12.37db
2% Popularity • 61% Danceability • 30% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
2% Popularity • 61% Danceability • 30% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
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Carsie Blanton
Buck Up
164 bpm • B Maj • 03:05 • -8.95db
29% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Luke Winslow-King
The Coming Tide
176 bpm • G# Maj • 02:48 • -11.66db
26% Popularity • 54% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 54% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Forest Sun
That Other Shore
176 bpm • G Maj • 03:23 • -8.05db
19% Popularity • 57% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 57% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Adia Victoria
Carolina Bound
164 bpm • A min • 03:05 • -12.55db
15% Popularity • 40% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 40% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Diana Jones
All My Money On You
164 bpm • C min • 03:09 • -7.84db
20% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Raphaël Imbert
Sweat River Blues
176 bpm • B min • 04:27 • -14.43db
11% Popularity • 57% Danceability • 27% Energy • 11% Liveness
35% Instrumentalness • 68% Positiveness
11% Popularity • 57% Danceability • 27% Energy • 11% Liveness
35% Instrumentalness • 68% Positiveness
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The Lowest Pair
Like I Did Before
164 bpm • A Maj • 03:16 • -11.55db
11% Popularity • 48% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
11% Popularity • 48% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Barbara Keith
The Bramble and the Rose
177 bpm • G Maj • 02:55 • -9.1db
15% Popularity • 48% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 48% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Puss N Boots
Jamola
177 bpm • C Maj • 03:46 • -9.58db
9% Popularity • 57% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 55% Positiveness
9% Popularity • 57% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 55% Positiveness
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Kaia Kater
Maggie May
178 bpm • C min • 04:05 • -11db
30% Popularity • 41% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 41% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Smither
Drive You Home Again
178 bpm • E min • 05:34 • -12.39db
12% Popularity • 41% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 41% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Amythyst Kiah
Dark Holler
162 bpm • B min • 04:40 • -14.61db
15% Popularity • 52% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 52% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Terre Roche
Fish Out of Water
179 bpm • D Maj • 03:18 • -8.36db
10% Popularity • 46% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 46% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Mavis Staples
One More Change
179 bpm • C# min • 04:12 • -9.59db
14% Popularity • 48% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 48% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Leyla McCalla
Money Is King
161 bpm • G min • 02:54 • -3db
29% Popularity • 65% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 65% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Carolina Chocolate Drops
Your Baby Ain't Sweet Like Mine
160 bpm • G Maj • 03:00 • -6.89db
26% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Po' Girl
Kathy
160 bpm • G Maj • 04:17 • -7.94db
11% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Amythyst Kiah
Soapbox
162 bpm • C Maj • 01:37 • -14.3db
21% Popularity • 43% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 43% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Allison Russell
Many Mansions
160 bpm • A Maj • 03:31 • -8.77db
17% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Little Willies
Tenessee Stud
181 bpm • F min • 03:49 • -9.85db
29% Popularity • 62% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
29% Popularity • 62% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Our Native Daughters
Lavi Difisil
183 bpm • C Maj • 02:30 • -11.78db
16% Popularity • 60% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 60% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Che Apalache
The Dreamer
184 bpm • D# Maj • 04:29 • -8.73db
13% Popularity • 30% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 30% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ondara
Pyramid Justice
183 bpm • D# Maj • 04:27 • -8.24db
18% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Amythyst Kiah
Aragon Mill
160 bpm • E Maj • 03:59 • -12.75db
10% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dave Van Ronk
Green, Green Rocky Road
157 bpm • F# Maj • 03:42 • -18.09db
32% Popularity • 46% Danceability • 24% Energy • 69% Liveness
34% Instrumentalness • 10% Positiveness
32% Popularity • 46% Danceability • 24% Energy • 69% Liveness
34% Instrumentalness • 10% Positiveness
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Leyla McCalla
Ekzile
157 bpm • C min • 03:16 • -10.53db
12% Popularity • 47% Danceability • 41% Energy • 10% Liveness
32% Instrumentalness • 46% Positiveness
12% Popularity • 47% Danceability • 41% Energy • 10% Liveness
32% Instrumentalness • 46% Positiveness
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John Prine
I Have Met My Love Today
156 bpm • D Maj • 01:50 • -15.43db
42% Popularity • 62% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 62% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Applewood Road
Old Time Country Song
156 bpm • F# Maj • 02:19 • -12.96db
13% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Ondara
Master O’Connor
185 bpm • C min • 03:47 • -9.25db
21% Popularity • 32% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 32% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sunny War
Mama's Milk
185 bpm • F# Maj • 02:29 • -8.88db
21% Popularity • 46% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 46% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Amythyst Kiah
Fake Plastic Trees
156 bpm • A# Maj • 04:36 • -13.59db
11% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Adia Victoria
You Was Born To Die
155 bpm • D min • 03:01 • -9.42db
25% Popularity • 37% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 37% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Mavis Staples
Peaceful Dream
155 bpm • G Maj • 03:20 • -10.51db
17% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Amy LaVere
Cricket (At Night I Can Fly)
154 bpm • C Maj • 02:51 • -9.74db
17% Popularity • 67% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 67% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Leyla McCalla
Let it fall
188 bpm • G Maj • 02:50 • -13.26db
10% Popularity • 33% Danceability • 30% Energy • 14% Liveness
7% Instrumentalness • 46% Positiveness
10% Popularity • 33% Danceability • 30% Energy • 14% Liveness
7% Instrumentalness • 46% Positiveness
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Kaia Kater
Paradise Fell
154 bpm • C# Maj • 04:37 • -14.97db
6% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 45% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Amythyst Kiah
Grinnin' in Your Face
155 bpm • C min • 02:48 • -13db
19% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Pokey LaFarge
Drink of You
189 bpm • E Maj • 03:42 • -6.68db
16% Popularity • 34% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 34% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Secret Sisters
King Cotton
152 bpm • D# Maj • 03:12 • -6.5db
23% Popularity • 51% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 51% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Pierce
Young Black and Beautiful
150 bpm • C Maj • 02:31 • -6.83db
2% Popularity • 62% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 62% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Leyla McCalla
Nan Fon Bwa
154 bpm • G Maj • 04:36 • -7.45db
16% Popularity • 50% Danceability • 65% Energy • 40% Liveness
28% Instrumentalness • 75% Positiveness
16% Popularity • 50% Danceability • 65% Energy • 40% Liveness
28% Instrumentalness • 75% Positiveness
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Natalie Merchant
The Blind Men and the Elephant
150 bpm • A# min • 05:33 • -6.64db
8% Popularity • 65% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 65% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Amythyst Kiah
My Old Man
154 bpm • A Maj • 03:24 • -13.07db
10% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Be Good Tanyas
Rain And Snow
150 bpm • G Maj • 04:01 • -9.28db
41% Popularity • 64% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 85% Positiveness
41% Popularity • 64% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 85% Positiveness
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Diane Cluck
Float a Cuppa Tea
194 bpm • E min • 02:27 • -9.57db
7% Popularity • 46% Danceability • 78% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 46% Danceability • 78% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
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Luther Dickinson
Superlover
149 bpm • E Maj • 03:53 • -13.43db
15% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 48% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Leyla McCalla
Artibonite
150 bpm • B min • 02:50 • -9.62db
11% Popularity • 86% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 86% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Barbara Keith
Shining All Along
149 bpm • E Maj • 03:11 • -8.94db
11% Popularity • 54% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 54% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Amythyst Kiah
Black Myself
153 bpm • A Maj • 03:21 • -4db
41% Popularity • 56% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 56% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Little Miss Higgins
Heavy Train
148 bpm • G Maj • 02:01 • -7.94db
33% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Lisa LeBlanc
Eh Cher (You've Overstayed Your Welcome)
148 bpm • D Maj • 03:36 • -8.98db
16% Popularity • 56% Danceability • 54% Energy • 19% Liveness
7% Instrumentalness • 39% Positiveness
16% Popularity • 56% Danceability • 54% Energy • 19% Liveness
7% Instrumentalness • 39% Positiveness
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Birds of Chicago
Try
147 bpm • D# Maj • 05:11 • -10.06db
15% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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I Draw Slow
My Portion
147 bpm • C Maj • 04:15 • -10.43db
27% Popularity • 51% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 51% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Allison Russell
All Of The Women
146 bpm • A min • 05:24 • -10.26db
28% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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I'm With Her
Chinky Pin Hill
146 bpm • G Maj • 03:25 • -11.74db
20% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sunny War
Age of a Man
145 bpm • D# Maj • 03:39 • -6.05db
29% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Anna Tivel
Worthless
145 bpm • E Maj • 03:50 • -9.55db
11% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Our Native Daughters
Black Myself
145 bpm • B min • 03:54 • -6db
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Béla Fleck
My Home's Across The Blue Ridge Mountain...
200 bpm • D min • 04:44 • -10.86db
12% Popularity • 48% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 48% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Pokey LaFarge
Wanna Be Your Man
144 bpm • C Maj • 02:48 • -8db
32% Popularity • 78% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 78% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Jolie Holland
Goodbye California
201 bpm • E Maj • 03:28 • -9.57db
19% Popularity • 34% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 34% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
