Songs like Oh Please - Acoustic by Tom Grennan
Based on a tempo of (+/- 10%) and a similar genre
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Tom Grennan
Oh Please - Acoustic
152 bpm • A Maj • 03:28 • -9db
16% Popularity • 70% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 70% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Ella Henderson
Let’s Go Home Together - Stripped
154 bpm • E Maj • 03:41 • -4.04db
37% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 65% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Tim Newman
BURN UP
154 bpm • G Maj • 03:22 • -12.43db
7% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bow Anderson
Heavy
154 bpm • F min • 03:03 • -1.9db
21% Popularity • 67% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 67% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Saint Raymond
Movie in My Mind
150 bpm • F Maj • 04:16 • -10db
37% Popularity • 45% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 45% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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James Arthur
Treehouse
154 bpm • F# Maj • 02:52 • -5.74db
21% Popularity • 70% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 70% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Ella Eyre
Waiting All Night - Acoustic Version
150 bpm • A Maj • 03:27 • -8.99db
42% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 43% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Passenger
Sword from the Stone (Patchwork Version)
150 bpm • D# Maj • 03:34 • -11.59db
27% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lewis Watson
because of you
150 bpm • E Maj • 03:10 • -9db
13% Popularity • 53% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 53% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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JC Stewart
Medicine
149 bpm • B Maj • 03:40 • -9db
34% Popularity • 42% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 42% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Will And The People
Started on Love
149 bpm • E min • 04:07 • -4.71db
15% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Cat Burns
end game
149 bpm • A# Maj • 02:26 • -6.26db
56% Popularity • 52% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 52% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Fender
You're Not The Only One
156 bpm • B Maj • 04:35 • -3.88db
51% Popularity • 43% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 43% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ella Henderson
Let’s Go Home Together - Charlie Hedge...
156 bpm • F Maj • 03:54 • -4.91db
24% Popularity • 51% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 51% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Cobi
Island in My Mind
148 bpm • C Maj • 04:02 • -8db
23% Popularity • 54% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 54% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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JC Stewart
Bones
156 bpm • B Maj • 03:07 • -7.12db
38% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The King's Parade
Mad - Acoustic
148 bpm • A# Maj • 03:10 • -12.42db
11% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Nambyar
Caroline
148 bpm • C# Maj • 03:09 • -9.94db
9% Popularity • 56% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
9% Popularity • 56% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Joe Dolman
Drag You Down
148 bpm • F# min • 02:53 • -7.56db
13% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Gerry Cinnamon
Where We're Going
158 bpm • A Maj • 04:00 • -7db
59% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Jake Troth
The Queen
158 bpm • D Maj • 02:53 • -9.59db
10% Popularity • 36% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 36% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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JC Stewart
Valium
148 bpm • D Maj • 03:15 • -6db
18% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Molly Hocking
After The Night Before
158 bpm • F Maj • 03:28 • -6.77db
17% Popularity • 40% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 40% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Dan Owen
Running to the Hills
146 bpm • A# Maj • 03:12 • -6.12db
11% Popularity • 53% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 53% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Tom Grennan
Oh Please
146 bpm • B min • 03:40 • -5.14db
27% Popularity • 54% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 54% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
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Sydnee Carter
Plans
146 bpm • B Maj • 03:32 • -9.68db
9% Popularity • 59% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 59% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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remme
hunger
146 bpm • D Maj • 03:11 • -6.13db
40% Popularity • 59% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 59% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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JC Stewart
Bones - Acoustic
146 bpm • B Maj • 03:21 • -10db
30% Popularity • 68% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 68% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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220 KID
Too Many Nights - Acoustic
146 bpm • D Maj • 02:55 • -9.29db
20% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Salvador
Ordinary Love
145 bpm • E Maj • 04:16 • -7.91db
8% Popularity • 60% Danceability • 57% Energy • 14% Liveness
6% Instrumentalness • 13% Positiveness
8% Popularity • 60% Danceability • 57% Energy • 14% Liveness
6% Instrumentalness • 13% Positiveness
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BANNERS
Always Yours
145 bpm • D Maj • 03:06 • -6.36db
29% Popularity • 54% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 54% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Dylan J
Snow
145 bpm • A# min • 03:15 • -3.58db
8% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Robbie Miller
Bitterness
160 bpm • D Maj • 03:12 • -6.97db
12% Popularity • 51% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 51% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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JC Stewart
Have You Had Enough Wine?
146 bpm • F# min • 02:36 • -5.64db
25% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Goldteeth
Thinking
160 bpm • B min • 04:24 • -8.67db
19% Popularity • 69% Danceability • 64% Energy • 12% Liveness
15% Instrumentalness • 45% Positiveness
19% Popularity • 69% Danceability • 64% Energy • 12% Liveness
15% Instrumentalness • 45% Positiveness
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Isaac Butler
Change the Past
160 bpm • D Maj • 03:16 • -5.69db
20% Popularity • 47% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 47% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Louis Berry
Too Late
160 bpm • E Maj • 02:57 • -7.2db
13% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ten Tonnes
Subtle Changes - Acoustic
160 bpm • A# min • 02:46 • -10.51db
10% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
58% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Áine
Dislocated
144 bpm • E Maj • 03:35 • -10.89db
15% Popularity • 57% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 57% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Fender
The Borders
161 bpm • G# Maj • 05:32 • -3.79db
59% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
59% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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The Sherlocks
NYC (Sing It Loud) (Piano Version)
143 bpm • A Maj • 03:43 • -7.58db
8% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Mimi Webb
Mistake
162 bpm • B min • 02:24 • -4.95db
66% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Emily Burns
My Town
162 bpm • G# Maj • 02:46 • -8db
26% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tom Grennan
This is the Place
142 bpm • C Maj • 03:05 • -4.94db
45% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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David Keenan
The Healing
162 bpm • F# min • 03:20 • -7.65db
11% Popularity • 40% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 40% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Quarry
No_Ordinary_Love_s1e2
142 bpm • D min • 03:17 • -9.06db
10% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Benjamin Haycock
Faith's Qualms
142 bpm • E min • 03:13 • -9.77db
11% Popularity • 53% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 53% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Jake Isaac
Thinkin' Bout You - Recorded at RAK Stud...
142 bpm • G Maj • 03:54 • -6.93db
9% Popularity • 78% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 78% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Ryder
July
141 bpm • D Maj • 04:08 • -4.66db
35% Popularity • 33% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 33% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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YourCuzMarcus
Obey
164 bpm • C# Maj • 03:06 • -9.99db
18% Popularity • 39% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
18% Popularity • 39% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Bugzy Malone
Memory Lane
141 bpm • F# min • 03:31 • -4.71db
50% Popularity • 52% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 52% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Melle
On The Road
141 bpm • F min • 04:12 • -6.04db
8% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 55% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Tom Grennan
Royal Highness
140 bpm • D min • 03:13 • -3.64db
45% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Dan Elliott
Only Ever Been You
140 bpm • F# min • 03:14 • -7.84db
20% Popularity • 63% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 63% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Harry Strange
Six Feet Under
140 bpm • C# Maj • 03:35 • -9.04db
11% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Saint Raymond
Wide Eyed Blind
140 bpm • B Maj • 03:24 • -5.45db
17% Popularity • 68% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 80% Positiveness
17% Popularity • 68% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 80% Positiveness
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Emily Burns
Press Pause
140 bpm • E Maj • 02:25 • -5.88db
12% Popularity • 75% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 75% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Hein Cooper
Invincible
139 bpm • G# Maj • 03:38 • -8.04db
22% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Hender
I Don't Mind
139 bpm • C# Maj • 03:09 • -8.78db
23% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Sam Fischer
Everybody's Got Somebody
139 bpm • G Maj • 03:10 • -8db
24% Popularity • 57% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 57% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 41% Positiveness
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John Buckley
Oh My My
166 bpm • B min • 02:54 • -6db
10% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Tom Grennan
Love Has Different Ways to Say Goodbye
139 bpm • D min • 03:06 • -7.29db
24% Popularity • 47% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 47% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Isaac Waddington
Bright Skies
139 bpm • G# Maj • 03:42 • -8db
21% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 41% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Craig Eddie
Take You Back
138 bpm • F# min • 02:53 • -10.1db
10% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Enjune
Lost In The Woods
138 bpm • B Maj • 03:52 • -8.67db
9% Popularity • 41% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 41% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Billy Crabtree
Hate Me
167 bpm • A# min • 03:00 • -5db
9% Popularity • 45% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 45% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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HUX
It's Alright
138 bpm • C Maj • 03:21 • -5.35db
20% Popularity • 67% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
20% Popularity • 67% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Tom Grennan
Being Angry
166 bpm • C Maj • 02:49 • -7.8db
30% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Gerry Cinnamon
Head in the Clouds
138 bpm • G Maj • 03:53 • -7db
41% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lakyn
Sweet Days - Acoustic
138 bpm • G Maj • 03:26 • -10.13db
8% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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JC Stewart
Have You Had Enough Wine? - Acoustic
138 bpm • F# min • 02:59 • -11.12db
18% Popularity • 69% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 69% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Dolman
Drag You Down (Acoustic)
138 bpm • G# Maj • 03:08 • -10.95db
16% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Example
Erin
168 bpm • A Maj • 03:49 • -5.46db
19% Popularity • 74% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 74% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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St. Lundi
You've Got the Wrong Guy
137 bpm • D Maj • 03:28 • -5.36db
29% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Cara Rose
Urges
137 bpm • A# Maj • 04:17 • -6db
19% Popularity • 50% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 50% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Passenger
Patchwork
136 bpm • D min • 02:55 • -13.24db
28% Popularity • 47% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 47% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Tones And I
Forever Young - triple j Like A Version
136 bpm • C Maj • 05:48 • -9.15db
43% Popularity • 42% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 42% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Odell
Go Tell Her Now - Acoustic
136 bpm • D min • 04:16 • -7.62db
24% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Grennan
Make My Mind Up
170 bpm • G# Maj • 03:17 • -4.49db
27% Popularity • 36% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 36% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Rhys Lewis
Be Your Man
170 bpm • A min • 04:00 • -8.24db
35% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 52% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Jack Curley
Wait for Me
136 bpm • A# min • 03:41 • -7.56db
40% Popularity • 73% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 73% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jake Bugg
All I Need - Rudimental Remix
170 bpm • C# Maj • 03:04 • -6db
17% Popularity • 56% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
17% Popularity • 56% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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James Cherry
Little Luck
170 bpm • C# Maj • 03:17 • -7.5db
30% Popularity • 68% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 68% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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CONRAD
No God
170 bpm • C# min • 03:29 • -5.58db
7% Popularity • 45% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 45% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Liam Bailey
You Saw the Devil in Me
136 bpm • G min • 03:29 • -8.11db
9% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 41% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Grace Davies
Amsterdam
135 bpm • C Maj • 03:28 • -11db
38% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Lewis Watson
take what you need
171 bpm • C Maj • 03:19 • -10.37db
10% Popularity • 58% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 58% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Gerry Cinnamon
Canter
135 bpm • A# Maj • 04:26 • -6.83db
62% Popularity • 68% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 68% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Jeffrey James
Slow Right Down
135 bpm • D# Maj • 02:38 • -10.85db
12% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Mathilda Homer
Too Much
134 bpm • C min • 03:41 • -10.56db
28% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Tom Grennan
Run in the Rain
134 bpm • B min • 03:57 • -3.55db
35% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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JC Stewart
The Wrong Ones
173 bpm • C# Maj • 02:47 • -6.25db
19% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 56% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Toby Johnson
Rumour of a Good Life
173 bpm • A Maj • 03:33 • -9.47db
31% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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George Ezra
All My Love
174 bpm • C Maj • 02:40 • -5.21db
53% Popularity • 45% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 45% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Lewis Watson
castles of sand
174 bpm • D Maj • 03:07 • -7.73db
9% Popularity • 55% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 55% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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KSI
Not Over Yet
174 bpm • A Maj • 02:35 • -2.99db
50% Popularity • 50% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 50% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Tom Grennan
Lucky Ones
172 bpm • G Maj • 03:33 • -5db
29% Popularity • 34% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 34% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
