Songs like Oh What a Beautiful Morning (From "Oklahoma!") by The City of Prague Philharmonic Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Marcelo Camelo
Movimento 1
56 bpm • F Maj • 07:32 • -15.73db
10% Popularity • 10% Danceability • 20% Energy • 28% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 20% Energy • 28% Liveness
93% Instrumentalness • 4% Positiveness
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John Powell
Corellia Chase
57 bpm • A# Maj • 03:30 • -9.2db
25% Popularity • 12% Danceability • 63% Energy • 12% Liveness
79% Instrumentalness • 20% Positiveness
25% Popularity • 12% Danceability • 63% Energy • 12% Liveness
79% Instrumentalness • 20% Positiveness
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Carter Burwell
Love Death Birth
55 bpm • G Maj • 06:12 • -16.13db
28% Popularity • 9% Danceability • 23% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 23% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Hans Zimmer
Home
52 bpm • C Maj • 06:54 • -15.27db
20% Popularity • 22% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Kamen
Discovery Of The Camp - Instrumental
59 bpm • C min • 10:58 • -22.48db
15% Popularity • 7% Danceability • 11% Energy • 39% Liveness
37% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 11% Energy • 39% Liveness
37% Instrumentalness • 3% Positiveness
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Craig Armstrong
Boldwood Variation
59 bpm • A min • 02:31 • -15.86db
26% Popularity • 6% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 6% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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John Williams
The Book Thief
59 bpm • D Maj • 07:15 • -17.88db
8% Popularity • 12% Danceability • 14% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
8% Popularity • 12% Danceability • 14% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera Symphonic Suite...
60 bpm • C# Maj • 03:26 • -14.75db
24% Popularity • 6% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 6% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Carter Burwell
River Crossing
58 bpm • G Maj • 01:22 • -14.46db
37% Popularity • 22% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
What Else Do You Love?
61 bpm • D# Maj • 01:05 • -23.09db
39% Popularity • 25% Danceability • 4% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
39% Popularity • 25% Danceability • 4% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Samuel Sim
The Seaside
50 bpm • G Maj • 01:40 • -16.99db
35% Popularity • 40% Danceability • 14% Energy • 18% Liveness
93% Instrumentalness • 26% Positiveness
35% Popularity • 40% Danceability • 14% Energy • 18% Liveness
93% Instrumentalness • 26% Positiveness
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Emile Pandolfi
All I Ask of You
61 bpm • C# Maj • 04:06 • -14db
24% Popularity • 11% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 11% Danceability • 21% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation for male da...
61 bpm • G# Maj • 01:10 • -27db
46% Popularity • 48% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
46% Popularity • 48% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Andrew Lloyd Webber
Phantom Fantasia: The Music of the Night
59 bpm • C Maj • 03:43 • -20.45db
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Richard Harvey
Kyrie for the Magdalene
62 bpm • D min • 03:53 • -14.96db
21% Popularity • 8% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Kip's Lights
62 bpm • G Maj • 01:29 • -19.43db
36% Popularity • 37% Danceability • 8% Energy • 24% Liveness
34% Instrumentalness • 25% Positiveness
36% Popularity • 37% Danceability • 8% Energy • 24% Liveness
34% Instrumentalness • 25% Positiveness
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Samuel Sim
Love Story
50 bpm • D Maj • 01:06 • -18.11db
35% Popularity • 24% Danceability • 10% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 10% Energy • 22% Liveness
88% Instrumentalness • 7% Positiveness
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Randy Newman
The Reality of Miracles - Awakenings - O...
62 bpm • A# Maj • 02:29 • -29.4db
19% Popularity • 16% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Martin Phipps
The Dance
63 bpm • C# Maj • 03:01 • -21db
40% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
40% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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John Corigliano
II. Vienna, Kaspar's Audition - Journey ...
62 bpm • D# Maj • 02:38 • -24.43db
18% Popularity • 22% Danceability • 5% Energy • 19% Liveness
55% Instrumentalness • 12% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 19% Liveness
55% Instrumentalness • 12% Positiveness
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: Vb. Songe ...
63 bpm • G min • 01:49 • -21.43db
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
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The City of Prague Philharmonic Orchestra
Elegy For Dunkirk
63 bpm • B min • 05:04 • -21.41db
20% Popularity • 6% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 6% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
52% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
52% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Christopher Gunning
Poirot Variants
64 bpm • G min • 08:57 • -19.83db
22% Popularity • 16% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 11% Positiveness
22% Popularity • 16% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 11% Positiveness
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Carter Burwell
LaBoeuf Takes Leave
47 bpm • F Maj • 02:57 • -26.31db
24% Popularity • 21% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Rick Clark
Lohengrin: Treulich Gefürt - Bridal Cho...
64 bpm • A# Maj • 01:21 • -13.35db
12% Popularity • 19% Danceability • 20% Energy • 14% Liveness
83% Instrumentalness • 20% Positiveness
12% Popularity • 19% Danceability • 20% Energy • 14% Liveness
83% Instrumentalness • 20% Positiveness
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Lucie Svehlová
The Barn - Love Theme
65 bpm • D min • 05:06 • -14db
13% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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Howard Hanson
Symphony No. 6: VI. Allegro
65 bpm • A# min • 01:55 • -13db
26% Popularity • 36% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 36% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Samuel Sim
A Ball
65 bpm • E min • 01:02 • -25.79db
40% Popularity • 34% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
40% Popularity • 34% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
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Hans Zimmer
Up Is Down
66 bpm • A# Maj • 02:39 • -10.45db
34% Popularity • 22% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 27% Positiveness
34% Popularity • 22% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 27% Positiveness
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Howard Shore
May It Be
66 bpm • A Maj • 05:19 • -16.85db
33% Popularity • 25% Danceability • 14% Energy • 7% Liveness
93% Instrumentalness • 5% Positiveness
33% Popularity • 25% Danceability • 14% Energy • 7% Liveness
93% Instrumentalness • 5% Positiveness
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Iva Davies
Smoke n'oakum
66 bpm • F Maj • 05:26 • -21.97db
25% Popularity • 14% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Mason Bates
Philharmonia Fantastique - The Making of...
66 bpm • G Maj • 03:03 • -27.05db
24% Popularity • 14% Danceability • 7% Energy • 65% Liveness
44% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 7% Energy • 65% Liveness
44% Instrumentalness • 8% Positiveness
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The City of Prague Philharmonic Orchestra
Main Theme
67 bpm • E Maj • 02:10 • -17.54db
34% Popularity • 21% Danceability • 15% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 15% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Samuel Sim
The World Has Left Us Behind
66 bpm • G Maj • 01:41 • -28.38db
28% Popularity • 29% Danceability • 2% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
28% Popularity • 29% Danceability • 2% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
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Michael Kamen
Buck In Hospital - Instrumental
67 bpm • A min • 01:59 • -15db
19% Popularity • 17% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
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Howard Shore
The White Tree
66 bpm • E min • 03:47 • -10.94db
28% Popularity • 7% Danceability • 39% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 39% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Miriam Nemcova
Fantasia on Greensleeves
67 bpm • C min • 04:29 • -18.3db
12% Popularity • 8% Danceability • 18% Energy • 6% Liveness
50% Instrumentalness • 8% Positiveness
12% Popularity • 8% Danceability • 18% Energy • 6% Liveness
50% Instrumentalness • 8% Positiveness
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Jan A.P. Kaczmarek
The Chess - Finding Neverland/Soundtrack...
67 bpm • A min • 01:07 • -16.29db
36% Popularity • 18% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Helena Blackman
I Vow to Thee My Country
67 bpm • D Maj • 04:03 • -10.41db
18% Popularity • 18% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 18% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The City of Prague Philharmonic Orchestra
Overture
67 bpm • B min • 04:28 • -12.29db
18% Popularity • 11% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 11% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
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George Fenton
The Journey of the Sun
68 bpm • F Maj • 03:24 • -21.41db
23% Popularity • 14% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Hans Zimmer
The Village
68 bpm • B min • 06:11 • -18.71db
19% Popularity • 17% Danceability • 14% Energy • 33% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 14% Energy • 33% Liveness
89% Instrumentalness • 4% Positiveness
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Howard Shore
The Fellowship of the Ring: Lord of the ...
68 bpm • B min • 05:52 • -14.91db
48% Popularity • 7% Danceability • 24% Energy • 30% Liveness
96% Instrumentalness • 6% Positiveness
48% Popularity • 7% Danceability • 24% Energy • 30% Liveness
96% Instrumentalness • 6% Positiveness
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Jan A.P. Kaczmarek
The Kite - Finding Neverland/Soundtrack ...
68 bpm • C Maj • 01:37 • -16.92db
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
54% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
54% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Iva Davies
Full Circle
68 bpm • E Maj • 01:34 • -29.34db
23% Popularity • 16% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Martin Phipps
Lord M
70 bpm • D# min • 02:44 • -19.73db
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Another Story
70 bpm • F Maj • 02:37 • -25db
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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George Fenton
Planet Earth Prelude
71 bpm • A# min • 01:53 • -17.14db
10% Popularity • 14% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Armand Amar
Amar: The Storm
72 bpm • G min • 03:58 • -19.08db
28% Popularity • 22% Danceability • 7% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Boléro, M. 81
72 bpm • C Maj • 05:12 • -14.17db
19% Popularity • 41% Danceability • 22% Energy • 30% Liveness
88% Instrumentalness • 45% Positiveness
19% Popularity • 41% Danceability • 22% Energy • 30% Liveness
88% Instrumentalness • 45% Positiveness
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Martin Phipps
It Is True
69 bpm • G Maj • 01:34 • -18.68db
25% Popularity • 31% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
25% Popularity • 31% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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Michael Kamen
Winters On Subway - Instrumental
71 bpm • G Maj • 01:54 • -36db
29% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
29% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Debbie Wiseman
Wilde
73 bpm • F# Maj • 05:39 • -23db
11% Popularity • 13% Danceability • 11% Energy • 78% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 11% Energy • 78% Liveness
74% Instrumentalness • 4% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
46% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
46% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Johannes Brahms
Hungarian Dances, WoO 1: No. 1 in G Mino...
73 bpm • G min • 03:11 • -20db
20% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
20% Popularity • 18% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 44% Positiveness
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The City of Prague Philharmonic Orchestra
Tara's Theme
72 bpm • F Maj • 04:21 • -13.98db
26% Popularity • 7% Danceability • 25% Energy • 16% Liveness
90% Instrumentalness • 5% Positiveness
26% Popularity • 7% Danceability • 25% Energy • 16% Liveness
90% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
Austenland Symphony: II. Romanze
74 bpm • G Maj • 06:04 • -17.84db
26% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Kamen
Boy Eats Chocolate - Instrumental
72 bpm • C Maj • 01:16 • -24.15db
31% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
45% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
45% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
The City of Prague Philharmonic Orchestra
Prelude
74 bpm • E min • 02:47 • -23.5db
12% Popularity • 17% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
44% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
44% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Michael Kamen
Preparing For Patrol - Instrumental
72 bpm • F min • 02:29 • -25db
15% Popularity • 17% Danceability • 7% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Adrian Johnston
Brideshead Revisited: No. 5, A Crock of ...
75 bpm • E min • 01:21 • -22.6db
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
75 bpm • A min • 02:11 • -30db
22% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
22% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
► Preview
An Eligible Quartet
Mr. Knightley Returns
75 bpm • G min • 01:52 • -16.99db
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
The City of Prague Philharmonic Orchestra
Another Year Ends
74 bpm • G Maj • 02:19 • -16.78db
21% Popularity • 12% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
42% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Jóhann Jóhannsson
The Origins of Time
75 bpm • C Maj • 02:21 • -27.17db
41% Popularity • 7% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Hans Zimmer
I See Dead People in Boats
76 bpm • D min • 05:36 • -17.91db
17% Popularity • 12% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Armand Amar
Amar: Faces
76 bpm • E min • 04:12 • -14.1db
30% Popularity • 12% Danceability • 19% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
30% Popularity • 12% Danceability • 19% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
► Preview
London Philharmonic Orchestra
Swan Lake - Waltz
76 bpm • A Maj • 05:41 • -15.38db
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
57% Instrumentalness • 8% Positiveness
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
57% Instrumentalness • 8% Positiveness
► Preview
The City of Prague Philharmonic Orchestra
Gabriel's Oboe
75 bpm • D Maj • 02:21 • -19.93db
34% Popularity • 11% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
34% Popularity • 11% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Dan Redfeld & Elizabeth Hedman
The Patriot: Main Theme
76 bpm • C Maj • 04:20 • -17db
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Howard Shore
The Shadow of the Past / A Knife in the ...
76 bpm • E min • 07:26 • -14.12db
26% Popularity • 11% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
26% Popularity • 11% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Basil Poledouris
End Titles
76 bpm • G# Maj • 04:24 • -11.44db
26% Popularity • 44% Danceability • 22% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
26% Popularity • 44% Danceability • 22% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Isobel Waller-Bridge
Harriet Smith And Robert Martin Meet On ...
76 bpm • G Maj • 01:09 • -19.5db
34% Popularity • 34% Danceability • 4% Energy • 15% Liveness
36% Instrumentalness • 13% Positiveness
34% Popularity • 34% Danceability • 4% Energy • 15% Liveness
36% Instrumentalness • 13% Positiveness
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Ronald Binge
Sailing By
76 bpm • D Maj • 02:37 • -26db
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
23% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
76 bpm • D Maj • 02:32 • -10db
42% Popularity • 23% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 23% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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London Philharmonic Orchestra
Swan Lake Suite, Op. 20: Scène
77 bpm • E min • 03:01 • -13.58db
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Milo Paulus
A Simple Gift
77 bpm • B Maj • 04:15 • -20.79db
10% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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The City of Prague Philharmonic Orchestra
Jurassic Park Suite
77 bpm • A# Maj • 06:00 • -12db
27% Popularity • 19% Danceability • 25% Energy • 12% Liveness
56% Instrumentalness • 8% Positiveness
27% Popularity • 19% Danceability • 25% Energy • 12% Liveness
56% Instrumentalness • 8% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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James Horner
Lookout Point / End Titles
77 bpm • D min • 09:56 • -20.45db
8% Popularity • 8% Danceability • 6% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 6% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Filharmonie Brno
The Lamb (For String Orchestra)
77 bpm • E min • 03:20 • -27.36db
35% Popularity • 8% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera Symphonic Suite...
78 bpm • D Maj • 02:12 • -18.23db
22% Popularity • 18% Danceability • 13% Energy • 36% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 13% Energy • 36% Liveness
89% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Hedwig's Theme
77 bpm • A min • 04:51 • -13db
33% Popularity • 22% Danceability • 21% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 21% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo (Godfat...
78 bpm • F Maj • 03:39 • -22.62db
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
