Songs like Oh, What a World 2.0 - Earth Day Edition by Kacey Musgraves
Based on a tempo of (+/- 10%) and a similar genre
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Maddie & Tae
Watermelon Sugar
95 bpm • C# min • 02:57 • -6.31db
46% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Sea Changer
Heart is Home
95 bpm • B min • 03:02 • -9db
18% Popularity • 64% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 64% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 74% Positiveness
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Kacey Musgraves
Oh, What a World 2.0 - Earth Day Edition
95 bpm • E Maj • 03:39 • -9.26db
36% Popularity • 62% Danceability • 66% Energy • 86% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 62% Danceability • 66% Energy • 86% Liveness
0% Instrumentalness • 23% Positiveness
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Maggie Rogers
Dog Years
95 bpm • A Maj • 04:37 • -7db
53% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Patrick Droney
The Wire
95 bpm • D Maj • 03:32 • -3.17db
40% Popularity • 51% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 51% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Overcoats
Leave If You Wanna
95 bpm • F Maj • 03:47 • -5db
24% Popularity • 58% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 58% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Drew Holcomb & The Neighbors
Family
95 bpm • G Maj • 02:19 • -5db
48% Popularity • 70% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 70% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Ingrid Andress
Lady Like
95 bpm • A Maj • 03:14 • -5.83db
55% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Kacey Musgraves
if this was a movie..
95 bpm • G# min • 03:14 • -8.19db
45% Popularity • 53% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 53% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
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Wet
Old Bone
95 bpm • F min • 03:07 • -13db
43% Popularity • 62% Danceability • 41% Energy • 27% Liveness
21% Instrumentalness • 23% Positiveness
43% Popularity • 62% Danceability • 41% Energy • 27% Liveness
21% Instrumentalness • 23% Positiveness
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![Back To Me [Feat Lucius] cover art](https://i.scdn.co/image/ab67616d00001e02d092c09811fb7f809fcbb0c8)
Grace Potter
Back To Me [Feat Lucius]
95 bpm • F Maj • 04:45 • -7.07db
30% Popularity • 65% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 65% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Maggie Rogers
The Knife
95 bpm • B min • 03:59 • -5db
50% Popularity • 66% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 66% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Buddy Miller
Love’s Gonna Live Here
95 bpm • G Maj • 02:14 • -6.91db
50% Popularity • 65% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 65% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Tish Melton
We Can Do Hard Things
96 bpm • A# Maj • 04:26 • -7.69db
38% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Kacey Musgraves
hookup scene
95 bpm • A# Maj • 03:21 • -11db
47% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Red Hearse
Everybody Wants You
96 bpm • C Maj • 03:42 • -10db
41% Popularity • 80% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 80% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Matt Wertz
Carolina // Acoustic
94 bpm • F# Maj • 03:09 • -7db
21% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Grace VanderWaal
Ur So Beautiful
94 bpm • C# Maj • 03:12 • -6.6db
39% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Your Smith
Bad Habit
94 bpm • C Maj • 03:54 • -10db
37% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Lennon Stella
Kissing Other People
94 bpm • D Maj • 02:41 • -5.94db
52% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kacey Musgraves
Pageant Material
94 bpm • B Maj • 03:53 • -6.7db
42% Popularity • 65% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 65% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Girl Named Tom
Barrier Island
96 bpm • D Maj • 03:36 • -8.82db
17% Popularity • 78% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 78% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Niall Horan
Seeing Blind
94 bpm • A Maj • 03:05 • -7.57db
62% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Mipso
Your Body
96 bpm • D# Maj • 03:24 • -9.27db
37% Popularity • 76% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 76% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Cattle & Cane
Waiting to Become
94 bpm • F Maj • 03:40 • -9.1db
12% Popularity • 47% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 47% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Lennon Stella
Like Everybody Else - Acoustic
96 bpm • A# min • 03:14 • -15.23db
45% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Taylor Janzen
New Mercies
94 bpm • D Maj • 04:42 • -6.2db
17% Popularity • 35% Danceability • 80% Energy • 19% Liveness
10% Instrumentalness • 11% Positiveness
17% Popularity • 35% Danceability • 80% Energy • 19% Liveness
10% Instrumentalness • 11% Positiveness
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Caitlyn Smith
Cheap Date
97 bpm • D Maj • 03:10 • -6.65db
40% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Carly Rae Jepsen
Want You In My Room - Recorded at Electr...
97 bpm • A# Maj • 02:41 • -7.95db
22% Popularity • 73% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 73% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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St. Lucia
All Eyes on You - Acoustic
97 bpm • C Maj • 04:40 • -11.92db
12% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Catie Turner
A Little More
97 bpm • E Maj • 03:44 • -10db
28% Popularity • 79% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 79% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ingrid Andress
Lady Like
93 bpm • F# min • 03:26 • -7.16db
33% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Maren Morris
The Feels
97 bpm • F# min • 03:07 • -5.33db
43% Popularity • 69% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 69% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Matt Nathanson
Used To Be
92 bpm • G Maj • 03:10 • -5db
43% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 56% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Maggie Rogers
Light On - Recorded At Spotify Studios N...
93 bpm • D Maj • 04:31 • -9.85db
43% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Chicks
Sleep at Night
98 bpm • C Maj • 03:12 • -7db
46% Popularity • 71% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 71% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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LÉON
In a Stranger's Arms
98 bpm • A Maj • 03:21 • -7.52db
54% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Wild Rivers
Wandering Child
98 bpm • D Maj • 03:04 • -12db
64% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
62% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Joanna Serenko
Best of Me
92 bpm • A Maj • 04:49 • -13db
23% Popularity • 65% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
23% Popularity • 65% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
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Caitlyn Smith
Feel That Way
98 bpm • D Maj • 04:28 • -3.81db
12% Popularity • 46% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 46% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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MUNA
Stayaway
92 bpm • A Maj • 03:31 • -5.42db
49% Popularity • 42% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 42% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Nashville Cast
We Belong
92 bpm • D Maj • 03:12 • -7.11db
21% Popularity • 63% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 63% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Tenille Townes
The Most Beautiful Things
99 bpm • G Maj • 03:59 • -11.3db
35% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Maren Morris
Gold Love
92 bpm • C Maj • 03:23 • -6.41db
35% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Rector
It Would Be You
91 bpm • C# Maj • 03:39 • -8.74db
41% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Wrabel
since i was young
91 bpm • A# Maj • 03:51 • -5.93db
29% Popularity • 43% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 43% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Grace Potter
We'll Be Alright
99 bpm • D Maj • 03:53 • -7db
30% Popularity • 38% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 38% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Mandy Moore
Tryin' My Best, Los Angeles
91 bpm • F Maj • 04:01 • -4.82db
22% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Lady A
Ocean
99 bpm • F# Maj • 03:30 • -7.93db
51% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Kacey Musgraves
Oh, What A World
91 bpm • E Maj • 04:01 • -7.23db
59% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Skylar Grey
New Kind Of Love
100 bpm • G# Maj • 03:17 • -7.13db
24% Popularity • 56% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 56% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Drew Holcomb & The Neighbors
End of the World
100 bpm • A# Maj • 03:24 • -5db
39% Popularity • 58% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 58% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Wet
Come to You
100 bpm • C# Maj • 03:50 • -19.56db
26% Popularity • 73% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
26% Popularity • 73% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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Lennon Stella
Much Too Much
100 bpm • C Maj • 03:30 • -9db
41% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Wild Rivers
Bedrock
100 bpm • F# Maj • 03:30 • -9db
55% Popularity • 79% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 79% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Kacey Musgraves
Dime Store Cowgirl
100 bpm • F# Maj • 03:34 • -7.24db
51% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Maren Morris
A Song for Everything
100 bpm • C# Maj • 03:14 • -7.86db
39% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Miley Cyrus
The Most
100 bpm • G Maj • 03:41 • -6.89db
51% Popularity • 57% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 57% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Miranda Lambert
Settling Down
90 bpm • F# min • 03:17 • -5.8db
55% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Jillian Edwards
First Day of My Life
90 bpm • A# min • 02:49 • -12.62db
22% Popularity • 53% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
22% Popularity • 53% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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Carly Rae Jepsen
Comeback
90 bpm • C Maj • 03:43 • -7.94db
47% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Kacey Musgraves
justified
100 bpm • C Maj • 03:00 • -7.98db
58% Popularity • 67% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 67% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Mandy Moore
Stories Reminding Myself Of Me
101 bpm • G Maj • 03:57 • -5.57db
14% Popularity • 64% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 64% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Maggie Rogers
Retrograde
101 bpm • C# Maj • 04:11 • -5.5db
49% Popularity • 73% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 73% Danceability • 77% Energy • 69% Liveness
0% Instrumentalness • 33% Positiveness
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Lennon Stella
Save Us
90 bpm • D Maj • 03:01 • -6.41db
48% Popularity • 65% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 73% Positiveness
48% Popularity • 65% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 73% Positiveness
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Allison Ponthier
Harshest Critic
101 bpm • B Maj • 03:16 • -8.02db
32% Popularity • 54% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 54% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Desiree Dawson
Just Fine
101 bpm • G Maj • 03:31 • -8.02db
22% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kacey Musgraves
Velvet Elvis
90 bpm • C# Maj • 02:34 • -5.24db
56% Popularity • 68% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 68% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Platt
Temporary Love
89 bpm • C min • 03:38 • -7.75db
42% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Good Lovelies
I See Gold
89 bpm • B Maj • 03:15 • -9.14db
20% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 62% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Tristan Prettyman
Letting Go
89 bpm • B min • 03:49 • -8.48db
18% Popularity • 58% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 58% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Rozzi
Joshua Tree
102 bpm • B min • 03:51 • -5.74db
42% Popularity • 87% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 87% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Donna Missal
You Burned Me
102 bpm • C# Maj • 03:41 • -6.9db
22% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Kacey Musgraves
Happy & Sad
90 bpm • A# Maj • 04:03 • -5.25db
58% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Walk off the Earth
Farther We Go
102 bpm • C# min • 02:56 • -7db
30% Popularity • 55% Danceability • 67% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 55% Danceability • 67% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
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Grace VanderWaal
Waste My Time
102 bpm • C# min • 03:21 • -4db
40% Popularity • 68% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 68% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Hilton
When the Night Moves - Single Edit
102 bpm • D Maj • 03:10 • -5.93db
9% Popularity • 53% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 53% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Maggie Rogers
Light On
102 bpm • D Maj • 03:53 • -6.29db
68% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
68% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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John Paul White
This Isn't Gonna End Well
102 bpm • A# Maj • 03:43 • -7.2db
15% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Kacey Musgraves
Somebody To Love
89 bpm • A# Maj • 03:13 • -8.94db
47% Popularity • 45% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 45% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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penelope Q
catch me when i fall
88 bpm • C# Maj • 03:31 • -6db
23% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 49% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Donovan Woods
We Used To
88 bpm • E min • 02:50 • -6.09db
23% Popularity • 63% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 63% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Brooks & Dunn
Neon Moon - with Kacey Musgraves
103 bpm • D# Maj • 04:38 • -7.62db
62% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 64% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Lorde
Solar Power
88 bpm • E Maj • 03:12 • -8.57db
64% Popularity • 73% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 73% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Davie
Roll With Me
103 bpm • C# Maj • 04:20 • -8.34db
36% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Kacey Musgraves
Golden Hour
89 bpm • F# min • 03:18 • -6.37db
63% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Lennon Stella
Fortress
103 bpm • C min • 02:54 • -4.74db
41% Popularity • 81% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 81% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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The Chicks
Easy Silence
87 bpm • D Maj • 04:01 • -7db
47% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Head And The Heart
I Found Out
103 bpm • D Maj • 03:53 • -5.35db
42% Popularity • 60% Danceability • 71% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 60% Danceability • 71% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Lukas Nelson and Promise of the Real
Let Go Of Your Plans
87 bpm • B Maj • 03:45 • -9.57db
32% Popularity • 46% Danceability • 49% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 46% Danceability • 49% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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Brett Eldredge
Where the Heart Is
87 bpm • C Maj • 04:07 • -8.81db
42% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kacey Musgraves
Miserable
102 bpm • D# Maj • 03:00 • -9.15db
36% Popularity • 62% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 62% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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King Princess
Cheap Queen
87 bpm • C# Maj • 02:41 • -6.27db
44% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Maggie Rogers
Alaska
104 bpm • A min • 03:08 • -11db
71% Popularity • 85% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
71% Popularity • 85% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Caitlyn Smith
Breakfast in the Afternoon
104 bpm • G Maj • 03:30 • -8.46db
15% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Brummies
Drive Away
104 bpm • F min • 04:34 • -4.82db
47% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
