Songs like Ohio Is For Lovers by Hawthorne Heights
Based on a tempo of (+/- 10%) and a similar genre
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All Time Low
Remembering Sunday
170 bpm • F# min • 04:16 • -4.8db
59% Popularity • 45% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 45% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Hawthorne Heights
Silver Bullet
170 bpm • B Maj • 04:03 • -6.1db
39% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Senses Fail
Can't Be Saved
170 bpm • D Maj • 03:07 • -3.24db
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Dance Gavin Dance
Uneasy Hearts Weigh The Most
170 bpm • F# min • 03:38 • -3.2db
59% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Valencia
The Space Between
170 bpm • D Maj • 03:37 • -4.38db
44% Popularity • 38% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 38% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 44% Positiveness
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Underoath
A Boy Brushed Red Living In Black And Wh...
170 bpm • C# min • 04:28 • -3.6db
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Sugarcult
Pretty Girl (The Way)
170 bpm • A# min • 03:28 • -6.5db
45% Popularity • 45% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 45% Danceability • 85% Energy • 93% Liveness
0% Instrumentalness • 40% Positiveness
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Hawthorne Heights
Constant Dread
170 bpm • G# Maj • 02:52 • -5.16db
29% Popularity • 48% Danceability • 89% Energy • 11% Liveness
54% Instrumentalness • 67% Positiveness
29% Popularity • 48% Danceability • 89% Energy • 11% Liveness
54% Instrumentalness • 67% Positiveness
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Emarosa
A Toast to the future kids!
170 bpm • G# min • 03:48 • -3.81db
48% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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The Used
On My Own
170 bpm • F# min • 02:43 • -7.6db
46% Popularity • 20% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
46% Popularity • 20% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Emery
The Ponytail Parades
171 bpm • C min • 04:05 • -5.41db
40% Popularity • 23% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 23% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Taking Back Sunday
You Know How I Do - Remastered
171 bpm • E Maj • 03:21 • -4.11db
46% Popularity • 20% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 20% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Simple Plan
I'd Do Anything
169 bpm • G# Maj • 03:17 • -6.86db
63% Popularity • 40% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
63% Popularity • 40% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Hawthorne Heights
Ohio Is For Lovers
170 bpm • G# min • 04:04 • -6.87db
65% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
65% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Paramore
Ignorance
171 bpm • B min • 03:38 • -2.65db
61% Popularity • 52% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 52% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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The Used
Buried Myself Alive
171 bpm • G Maj • 04:02 • -5.02db
59% Popularity • 26% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 26% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 39% Positiveness
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Emery
Walls
169 bpm • C# min • 03:23 • -5db
48% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Dance Gavin Dance
Betrayed By The Game
171 bpm • G Maj • 03:10 • -2.83db
57% Popularity • 34% Danceability • 97% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 34% Danceability • 97% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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Thursday
Standing On The Edge Of Summer
169 bpm • D Maj • 03:42 • -5db
45% Popularity • 24% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 24% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hawthorne Heights
Nervous Breakdown
170 bpm • B min • 02:51 • -3db
32% Popularity • 40% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 40% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Four Year Strong
It Must Really Suck To Be Four Year Stro...
168 bpm • G Maj • 03:16 • -3.79db
46% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Underoath
I'm Content With Losing
168 bpm • C# min • 03:55 • -4db
43% Popularity • 33% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 33% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 38% Positiveness
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Taking Back Sunday
There's No 'I' In Team - Remastered
168 bpm • B min • 03:48 • -4db
48% Popularity • 29% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 29% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Senses Fail
Calling All Cars
168 bpm • D Maj • 03:23 • -3.16db
54% Popularity • 37% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 37% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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I Set My Friends On Fire
Things That Rhyme With Orange
168 bpm • F Maj • 03:24 • -3.7db
49% Popularity • 46% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 46% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Hawthorne Heights
Where Can I Stab Myself In The Ears
171 bpm • D# min • 03:42 • -3db
35% Popularity • 45% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 45% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The All-American Rejects
My Paper Heart
172 bpm • C Maj • 03:48 • -4.98db
51% Popularity • 50% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 50% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Atreyu
Right Side Of The Bed
172 bpm • G# Maj • 03:42 • -5db
53% Popularity • 25% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 72% Positiveness
53% Popularity • 25% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 72% Positiveness
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Jimmy Eat World
Pain
168 bpm • C min • 03:01 • -3db
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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Paramore
Emergency
168 bpm • A Maj • 04:00 • -3.52db
60% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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New Found Glory
All Downhill From Here
168 bpm • A Maj • 03:12 • -4.07db
58% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Hawthorne Heights
Saying Sorry
169 bpm • C# min • 03:07 • -2.2db
55% Popularity • 42% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 42% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Fall of Troy
F.C.P.R.E.M.I.X.
168 bpm • A min • 03:57 • -5.53db
57% Popularity • 23% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 23% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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From First To Last
Note to Self
172 bpm • E min • 03:53 • -5db
52% Popularity • 21% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 21% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Yellowcard
Lights And Sounds
168 bpm • B min • 03:28 • -3.68db
62% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Underoath
Down, Set, Go
172 bpm • F# min • 03:44 • -4.16db
44% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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The Spill Canvas
All Hail The Heartbreaker
167 bpm • D Maj • 05:08 • -5.92db
38% Popularity • 40% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 40% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Hawthorne Heights
Dead In The Water
171 bpm • F Maj • 03:51 • -2.61db
34% Popularity • 46% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 46% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Armor For Sleep
Williamsburg
173 bpm • D Maj • 03:42 • -3db
29% Popularity • 24% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 24% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Taking Back Sunday
Error Operator
167 bpm • D# min • 02:51 • -4db
46% Popularity • 38% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
46% Popularity • 38% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Sugarcult
Memory
167 bpm • C# Maj • 03:46 • -3.89db
66% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Story So Far
Out of It
173 bpm • D Maj • 02:38 • -3.26db
52% Popularity • 38% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 38% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Breaking Benjamin
The Diary of Jane - Single Version
167 bpm • A# min • 03:20 • -4.44db
74% Popularity • 39% Danceability • 96% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
74% Popularity • 39% Danceability • 96% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
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Hawthorne Heights
Hurt
168 bpm • C# Maj • 03:36 • -3.69db
23% Popularity • 33% Danceability • 86% Energy • 16% Liveness
4% Instrumentalness • 36% Positiveness
23% Popularity • 33% Danceability • 86% Energy • 16% Liveness
4% Instrumentalness • 36% Positiveness
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Armor For Sleep
Awkward Last Words
167 bpm • G# min • 03:46 • -5.02db
35% Popularity • 36% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 36% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Taking Back Sunday
Set Phasers To Stun
167 bpm • C# min • 03:03 • -3.89db
49% Popularity • 50% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 50% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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blink-182
Feeling This
173 bpm • E Maj • 02:52 • -5.95db
70% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 62% Positiveness
70% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 62% Positiveness
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The Red Jumpsuit Apparatus
Waiting
167 bpm • D min • 02:57 • -3db
50% Popularity • 37% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 37% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Relient K
Who I Am Hates Who I've Been
167 bpm • D# Maj • 03:52 • -4db
52% Popularity • 40% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 40% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Hawthorne Heights
Blue Burns Orange
172 bpm • B min • 03:19 • -6db
38% Popularity • 55% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 55% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Coheed and Cambria
A Favor House Atlantic
166 bpm • E Maj • 03:54 • -5db
58% Popularity • 29% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 29% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Yellowcard
Ocean Avenue
174 bpm • F# min • 03:18 • -3.75db
73% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Story So Far
All Wrong
174 bpm • A# min • 03:02 • -4.16db
50% Popularity • 39% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 39% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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The Almost
Southern Weather
174 bpm • D Maj • 03:28 • -3.45db
41% Popularity • 35% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 35% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Scary Kids Scaring Kids
The Deep End
174 bpm • G# min • 04:12 • -4.22db
40% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Hawthorne Heights
Dandelions
167 bpm • F# Maj • 02:59 • -3.5db
40% Popularity • 49% Danceability • 94% Energy • 24% Liveness
5% Instrumentalness • 63% Positiveness
40% Popularity • 49% Danceability • 94% Energy • 24% Liveness
5% Instrumentalness • 63% Positiveness
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Lustra
Scotty Doesn't Know
174 bpm • C Maj • 02:55 • -4.53db
71% Popularity • 32% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 32% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Broadside
Coffee Talk
174 bpm • G# Maj • 02:54 • -2.96db
53% Popularity • 27% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 27% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Saosin
Bury Your Head
166 bpm • F# min • 03:34 • -3.87db
43% Popularity • 32% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 32% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Cute Is What We Aim For
There's a Class for This
166 bpm • C# Maj • 03:36 • -4.62db
43% Popularity • 48% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 48% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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From First To Last
Ride The Wings Of Pestilence
165 bpm • G Maj • 04:27 • -4.23db
44% Popularity • 29% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 29% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
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Hawthorne Heights
Language Lessons (Five Words Or Less)
173 bpm • F Maj • 03:21 • -2.78db
29% Popularity • 50% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 50% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Thrice
The Artist In The Ambulance
175 bpm • F min • 03:39 • -4.1db
59% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Used
Bulimic
175 bpm • A Maj • 03:20 • -4.69db
47% Popularity • 38% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 38% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Scary Kids Scaring Kids
Holding On
165 bpm • G# min • 04:21 • -5db
48% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Ataris
In This Diary
175 bpm • G# Maj • 03:50 • -4.64db
48% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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From First To Last
Secrets Don't Make Friends
175 bpm • D min • 04:01 • -3.77db
37% Popularity • 29% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 29% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Hawthorne Heights
The Business Of Paper Stars
175 bpm • D min • 03:46 • -4.21db
22% Popularity • 17% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 17% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Cute Is What We Aim For
Newport Living
165 bpm • C Maj • 03:31 • -4.86db
38% Popularity • 55% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 55% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Escape the Fate
Something
175 bpm • A# min • 03:37 • -5.81db
48% Popularity • 40% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 40% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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A Skylit Drive
Wires And The Concept Of Breathing
165 bpm • A# Maj • 02:30 • -3db
44% Popularity • 26% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 26% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Circa Survive
Get Out
164 bpm • A min • 03:04 • -4.29db
53% Popularity • 21% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 21% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Hot Mulligan
BCKYRD
164 bpm • G# Maj • 03:23 • -4.21db
59% Popularity • 46% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 46% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Hawthorne Heights
Hard to Breathe
167 bpm • C# Maj • 02:57 • -6.27db
39% Popularity • 43% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 43% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Armor For Sleep
Remember To Feel Real
164 bpm • E min • 03:21 • -5.4db
41% Popularity • 34% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 34% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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The Used
Take It Away
176 bpm • E min • 03:37 • -5.45db
34% Popularity • 28% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 28% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Emery
Studying Politics
164 bpm • A# min • 03:30 • -5.47db
44% Popularity • 45% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 45% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Jack's Mannequin
Dark Blue - 2015 Remastered
163 bpm • D# Maj • 04:11 • -5db
49% Popularity • 32% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 32% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Senses Fail
Buried a Lie
163 bpm • D Maj • 02:59 • -5.31db
53% Popularity • 49% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 49% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
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Hawthorne Heights
Wake Up Call
173 bpm • C# min • 04:02 • -5.11db
32% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Forever The Sickest Kids
She's A Lady
163 bpm • B Maj • 04:00 • -6db
49% Popularity • 44% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 44% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Chiodos
3 AM
163 bpm • G Maj • 03:35 • -4.41db
46% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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The Audition
Warm Me Up
163 bpm • G# min • 03:32 • -2.49db
47% Popularity • 47% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 47% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Four Year Strong
Heroes Get Remembered, Legends Never Die
163 bpm • D Maj • 03:35 • -4.06db
46% Popularity • 43% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 43% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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My Chemical Romance
To the End
163 bpm • A# Maj • 03:01 • -3.95db
61% Popularity • 37% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 37% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Hawthorne Heights
The Transition
167 bpm • C# min • 04:04 • -6.15db
38% Popularity • 48% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 48% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Escape the Fate
Ashley
177 bpm • F Maj • 03:27 • -5.72db
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Armor For Sleep
Dream to Make Believe
163 bpm • A min • 03:01 • -4.04db
39% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Good Charlotte
The Anthem
178 bpm • C# Maj • 02:55 • -3.13db
75% Popularity • 49% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
75% Popularity • 49% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Thursday
Understanding In A Car Crash
163 bpm • F Maj • 04:24 • -5db
52% Popularity • 40% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 40% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Brand New
The Boy Who Blocked His Own Shot
178 bpm • F# Maj • 04:39 • -8.19db
51% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Hawthorne Heights
Common Crook
173 bpm • F# Maj • 03:13 • -3.27db
29% Popularity • 44% Danceability • 94% Energy • 10% Liveness
40% Instrumentalness • 46% Positiveness
29% Popularity • 44% Danceability • 94% Energy • 10% Liveness
40% Instrumentalness • 46% Positiveness
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The Used
All That I've Got
178 bpm • G Maj • 03:58 • -4.76db
48% Popularity • 34% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 34% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Bullet For My Valentine
Tears Don't Fall
162 bpm • G min • 05:48 • -3.35db
66% Popularity • 21% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
66% Popularity • 21% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jimmy Eat World
The Middle
162 bpm • D Maj • 02:45 • -5.43db
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Pierce The Veil
Circles
162 bpm • D Maj • 03:44 • -3.1db
64% Popularity • 48% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
64% Popularity • 48% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Brand New
Jude Law And A Semester Abroad
178 bpm • G# Maj • 03:42 • -3.37db
49% Popularity • 43% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 43% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Thursday
Signals Over The Air
162 bpm • A min • 04:10 • -3.39db
42% Popularity • 43% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 43% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
