Songs like Ok, American Medium by Jeff Witscher
Based on a tempo of (+/- 10%) and a similar genre
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Jeff Witscher
Ok, American Medium
50 bpm • C Maj • 06:19 • -11.53db
15% Popularity • 6% Danceability • 49% Energy • 31% Liveness
77% Instrumentalness • 3% Positiveness
15% Popularity • 6% Danceability • 49% Energy • 31% Liveness
77% Instrumentalness • 3% Positiveness
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Father2006
When Your World Collapses
50 bpm • G Maj • 06:40 • -10.19db
13% Popularity • 19% Danceability • 36% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 36% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
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Huerco S.
Struck with Deer Lungs
51 bpm • A Maj • 02:16 • -17.3db
19% Popularity • 12% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
19% Popularity • 12% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Vanessa Amara
Manos
49 bpm • A Maj • 02:30 • -22.07db
21% Popularity • 14% Danceability • 17% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 17% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
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Croatian Amor
New Morning
47 bpm • F Maj • 02:46 • -11.85db
7% Popularity • 21% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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GAS
Königsforst 3
57 bpm • B Maj • 08:57 • -19.92db
20% Popularity • 6% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
20% Popularity • 6% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Astrid Sonne
Moderato
57 bpm • F min • 03:57 • -14.98db
31% Popularity • 16% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Demdike Stare
Extwistle Hall
45 bpm • G# Maj • 03:24 • -15.11db
12% Popularity • 6% Danceability • 35% Energy • 30% Liveness
29% Instrumentalness • 4% Positiveness
12% Popularity • 6% Danceability • 35% Energy • 30% Liveness
29% Instrumentalness • 4% Positiveness
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Malibu
Cheirosa '94
59 bpm • F Maj • 02:04 • -18.77db
25% Popularity • 18% Danceability • 36% Energy • 34% Liveness
90% Instrumentalness • 17% Positiveness
25% Popularity • 18% Danceability • 36% Energy • 34% Liveness
90% Instrumentalness • 17% Positiveness
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Space Afrika
LV
60 bpm • C Maj • 02:52 • -17.78db
15% Popularity • 12% Danceability • 32% Energy • 12% Liveness
60% Instrumentalness • 10% Positiveness
15% Popularity • 12% Danceability • 32% Energy • 12% Liveness
60% Instrumentalness • 10% Positiveness
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Croatian Amor
The World
59 bpm • C Maj • 03:01 • -10.56db
14% Popularity • 17% Danceability • 93% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 93% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
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LEYA
Dankworld - Actress Remix
60 bpm • G# min • 09:33 • -16.88db
9% Popularity • 27% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 7% Positiveness
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Caterina Barbieri
TCCTF
61 bpm • F Maj • 08:02 • -13.91db
18% Popularity • 5% Danceability • 0% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
18% Popularity • 5% Danceability • 0% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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Huerco S.
Promises Of Fertility
62 bpm • G# Maj • 06:55 • -20db
26% Popularity • 26% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
26% Popularity • 26% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
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Tim Hecker
A sodium codec haze
61 bpm • G# min • 05:46 • -11.9db
12% Popularity • 6% Danceability • 53% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 53% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Raum
Restoration
62 bpm • D Maj • 07:39 • -22.11db
13% Popularity • 6% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Croatian Amor
Like Man
61 bpm • C Maj • 01:23 • -11.2db
11% Popularity • 20% Danceability • 11% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 11% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
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Dedekind Cut
De-Civilization
63 bpm • G Maj • 03:35 • -20.94db
15% Popularity • 6% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Caterina Barbieri
INTCAEB
62 bpm • G# Maj • 09:22 • -12.64db
18% Popularity • 7% Danceability • 24% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
18% Popularity • 7% Danceability • 24% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
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Delroy Edwards
H.A.T.B.
64 bpm • A# Maj • 02:13 • -8.6db
20% Popularity • 6% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 34% Positiveness
20% Popularity • 6% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 34% Positiveness
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Laurel Halo
Raw Silk Uncut Wood
63 bpm • D# min • 10:00 • -16.33db
30% Popularity • 6% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 6% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Toshimaru Nakamura
NIMB #1
64 bpm • G# Maj • 07:00 • -20.29db
9% Popularity • 29% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 45% Positiveness
9% Popularity • 29% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 45% Positiveness
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Imaginary Softwoods
Cloud Damage
65 bpm • A# Maj • 02:21 • -9.56db
20% Popularity • 16% Danceability • 37% Energy • 23% Liveness
82% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 37% Energy • 23% Liveness
82% Instrumentalness • 7% Positiveness
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Dedekind Cut
☯
64 bpm • B min • 05:01 • -13.75db
7% Popularity • 24% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
7% Popularity • 24% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Visible Cloaks
Toi
65 bpm • C Maj • 05:50 • -19.81db
22% Popularity • 7% Danceability • 11% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 7% Danceability • 11% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
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Andy Stott
Dove stone
66 bpm • G# min • 05:31 • -36db
19% Popularity • 11% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Microstoria
Sleepy People / Network Down
66 bpm • C# Maj • 05:27 • -32.59db
8% Popularity • 16% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Christina Vantzou
Percussion in Nonspace
66 bpm • C Maj • 01:38 • -22.68db
27% Popularity • 38% Danceability • 30% Energy • 16% Liveness
72% Instrumentalness • 11% Positiveness
27% Popularity • 38% Danceability • 30% Energy • 16% Liveness
72% Instrumentalness • 11% Positiveness
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Space Afrika
yyyyyy2222
66 bpm • A min • 05:30 • -22.95db
24% Popularity • 17% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
24% Popularity • 17% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Galcher Lustwerk
Left In The Dark
67 bpm • A# Maj • 02:43 • -21.41db
28% Popularity • 14% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
28% Popularity • 14% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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MEITEI
Curio
67 bpm • F# Maj • 04:22 • -20.68db
9% Popularity • 54% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
9% Popularity • 54% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
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William Basinski
Melancholia IV
67 bpm • D# Maj • 04:14 • -34.63db
25% Popularity • 29% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 2% Positiveness
25% Popularity • 29% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 2% Positiveness
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Vanessa Amara
20-03-2017 21-12-2016 06-02-2016
67 bpm • C# min • 06:20 • -16.25db
11% Popularity • 22% Danceability • 28% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 22% Danceability • 28% Energy • 12% Liveness
79% Instrumentalness • 3% Positiveness
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Deepchord Presents: Echospace
Warm
67 bpm • C# min • 06:59 • -19.67db
12% Popularity • 12% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 11% Positiveness
12% Popularity • 12% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 11% Positiveness
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Huerco S.
Hear Me Out
67 bpm • D# min • 06:07 • -26db
23% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
23% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Devonté Hynes
For All Its Fury: II. Blur
67 bpm • A min • 01:40 • -25.93db
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Belong
Who Told You This Room Exists?
68 bpm • G# min • 05:05 • -15.08db
22% Popularity • 23% Danceability • 49% Energy • 13% Liveness
95% Instrumentalness • 33% Positiveness
22% Popularity • 23% Danceability • 49% Energy • 13% Liveness
95% Instrumentalness • 33% Positiveness
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William Basinski
Melancholia V
67 bpm • F Maj • 01:13 • -40.76db
36% Popularity • 26% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 26% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Celer
(06.23.17) From the Doorway Of the Beef ...
68 bpm • D min • 02:30 • -25.07db
26% Popularity • 9% Danceability • 22% Energy • 20% Liveness
19% Instrumentalness • 15% Positiveness
26% Popularity • 9% Danceability • 22% Energy • 20% Liveness
19% Instrumentalness • 15% Positiveness
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Rachika Nayar
The Edges
68 bpm • C# min • 05:07 • -15db
24% Popularity • 21% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 21% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Sarah Davachi
Waking
68 bpm • D# min • 03:19 • -25.5db
18% Popularity • 6% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 6% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Dedekind Cut
Virtues
68 bpm • C# Maj • 04:28 • -28.53db
16% Popularity • 17% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
16% Popularity • 17% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Klein
Not a Gangster but Still from Endz
68 bpm • F Maj • 01:05 • -21.13db
26% Popularity • 15% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia XIII
67 bpm • D Maj • 02:00 • -32db
29% Popularity • 22% Danceability • 13% Energy • 16% Liveness
77% Instrumentalness • 17% Positiveness
29% Popularity • 22% Danceability • 13% Energy • 16% Liveness
77% Instrumentalness • 17% Positiveness
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Jefre Cantu-Ledesma
Wild Moon And Sea
68 bpm • C Maj • 05:00 • -10.52db
15% Popularity • 9% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Andy Stott
Missing
68 bpm • D# min • 04:55 • -17.18db
18% Popularity • 13% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Microstoria
Endless Summer NAMM
69 bpm • C# min • 04:39 • -26.21db
10% Popularity • 26% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Splash 144
69 bpm • F min • 03:31 • -13.47db
10% Popularity • 18% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Vanessa Amara
And Promise
69 bpm • F# Maj • 01:49 • -22.34db
23% Popularity • 24% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Oneohtrix Point Never
Behind the Bank
69 bpm • E Maj • 02:21 • -6.2db
25% Popularity • 17% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Jordon Alexander
Doze On The Bullet Train
69 bpm • F Maj • 02:52 • -26.28db
29% Popularity • 20% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
29% Popularity • 20% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Fennesz
Onsay
69 bpm • D Maj • 01:08 • -20.4db
30% Popularity • 7% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 2% Positiveness
30% Popularity • 7% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 2% Positiveness
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Isorinne
9: 21
69 bpm • D# min • 09:20 • -16.95db
11% Popularity • 20% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia III
69 bpm • D# Maj • 01:54 • -31db
38% Popularity • 25% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 25% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Father2006
Loosing Everything
69 bpm • C Maj • 05:41 • -9db
20% Popularity • 6% Danceability • 48% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 6% Danceability • 48% Energy • 16% Liveness
95% Instrumentalness • 3% Positiveness
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Marta De Pascalis
Sonus Ruinae part 1
69 bpm • F# min • 09:43 • -11.45db
16% Popularity • 6% Danceability • 34% Energy • 30% Liveness
94% Instrumentalness • 8% Positiveness
16% Popularity • 6% Danceability • 34% Energy • 30% Liveness
94% Instrumentalness • 8% Positiveness
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Lee Gamble
Digbeth
70 bpm • D Maj • 02:28 • -16.62db
11% Popularity • 32% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 32% Danceability • 66% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Dedekind Cut
Equity
70 bpm • E Maj • 04:15 • -38.77db
20% Popularity • 6% Danceability • 2% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 6% Danceability • 2% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Tujiko Noriko
Rooftop
70 bpm • A# min • 04:45 • -27.67db
22% Popularity • 10% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
22% Popularity • 10% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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William Basinski
Tear Vial
69 bpm • G min • 04:45 • -26.3db
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Imagine Drowning
The Sun Is Hitting My Eyes, I Can No Lon...
71 bpm • G min • 02:40 • -27.07db
6% Popularity • 7% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
6% Popularity • 7% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Perila
Room To Room
71 bpm • C# min • 03:08 • -22db
18% Popularity • 56% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 56% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Midori Hirano
Close to Life
71 bpm • E min • 03:25 • -17.71db
19% Popularity • 12% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Belong
I Never Lose. Never Really
71 bpm • F# Maj • 04:43 • -8.09db
27% Popularity • 6% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 6% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Vanessa Amara
Bells
71 bpm • G# min • 01:11 • -23db
29% Popularity • 33% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 33% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia XIV
70 bpm • D# Maj • 05:52 • -37.52db
21% Popularity • 18% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 18% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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Inca Ore
Infant Ra
72 bpm • C Maj • 05:58 • -14.34db
15% Popularity • 18% Danceability • 26% Energy • 27% Liveness
86% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 26% Energy • 27% Liveness
86% Instrumentalness • 3% Positiveness
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Andy Stott
Time Away
71 bpm • A min • 06:24 • -25db
28% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Grouper
Down to the Ocean
72 bpm • C Maj • 06:07 • -25.72db
21% Popularity • 19% Danceability • 17% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 17% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Leif
Mimosa
72 bpm • A min • 07:35 • -21.37db
18% Popularity • 15% Danceability • 25% Energy • 58% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 25% Energy • 58% Liveness
91% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
In Blue Unsure Dawn
72 bpm • E min • 03:51 • -16db
31% Popularity • 34% Danceability • 17% Energy • 7% Liveness
84% Instrumentalness • 18% Positiveness
31% Popularity • 34% Danceability • 17% Energy • 7% Liveness
84% Instrumentalness • 18% Positiveness
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William Basinski
Melancholia VI
71 bpm • A min • 02:15 • -38.26db
36% Popularity • 19% Danceability • 1% Energy • 29% Liveness
95% Instrumentalness • 9% Positiveness
36% Popularity • 19% Danceability • 1% Energy • 29% Liveness
95% Instrumentalness • 9% Positiveness
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Vanessa Amara
Piano & Two Tape Loops
72 bpm • F min • 05:47 • -29.94db
8% Popularity • 24% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
Body Within Body
72 bpm • D Maj • 02:27 • -21.07db
25% Popularity • 16% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Infinite Body
Drive Dreams Away
72 bpm • D# Maj • 06:57 • -12.3db
8% Popularity • 24% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
8% Popularity • 24% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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GAS
Pop 6
72 bpm • A# min • 09:18 • -16.44db
26% Popularity • 6% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 16% Positiveness
26% Popularity • 6% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 16% Positiveness
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Steve Hauschildt
Cupid's Dart
72 bpm • C Maj • 01:39 • -15.21db
31% Popularity • 22% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
31% Popularity • 22% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Dedekind Cut
Conversations With Angels
73 bpm • F min • 08:33 • -22.64db
12% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
12% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Vanessa Amara
Piano I
72 bpm • G# Maj • 02:27 • -22.18db
20% Popularity • 24% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
20% Popularity • 24% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
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Squarepusher
Goodnight Jade
72 bpm • F# Maj • 02:45 • -26.76db
28% Popularity • 40% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
28% Popularity • 40% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Rezzett
Yunus in Ekstasi
73 bpm • C min • 03:16 • -15.2db
20% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Croatian Amor
No End To New Moments
73 bpm • A min • 02:31 • -13.48db
8% Popularity • 28% Danceability • 27% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 27% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Imagine Drowning
Wither
73 bpm • F Maj • 02:36 • -20.35db
18% Popularity • 6% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 6% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Yves Tumor
IGWAGBD
73 bpm • G Maj • 03:10 • -18.45db
15% Popularity • 16% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Clark
Simple Homecoming Loop
73 bpm • C# Maj • 02:24 • -15.37db
20% Popularity • 11% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
20% Popularity • 11% Danceability • 23% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
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HTRK
Bio
73 bpm • C min • 01:20 • -27.88db
37% Popularity • 20% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
37% Popularity • 20% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Aphex Twin
Petiatil Cx Htdui
73 bpm • C min • 02:11 • -29.68db
44% Popularity • 42% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 14% Positiveness
44% Popularity • 42% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 14% Positiveness
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Broadcast
Microtronics 20
74 bpm • F Maj • 01:35 • -12.49db
29% Popularity • 30% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 30% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Lanark Artefax
Ferthenheap
74 bpm • D min • 03:01 • -15.77db
13% Popularity • 30% Danceability • 20% Energy • 31% Liveness
77% Instrumentalness • 11% Positiveness
13% Popularity • 30% Danceability • 20% Energy • 31% Liveness
77% Instrumentalness • 11% Positiveness
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Belong
Red Velvet or Nothing
73 bpm • G Maj • 05:40 • -14.42db
21% Popularity • 14% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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AL-90
Change of Stages 13
74 bpm • B min • 02:25 • -25db
27% Popularity • 11% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 11% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Pan Daijing
Tilt
74 bpm • C# Maj • 03:12 • -22.1db
9% Popularity • 30% Danceability • 13% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 13% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Vanessa Amara
Leopards, Pt. 3
74 bpm • C# Maj • 02:29 • -20.38db
18% Popularity • 18% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
18% Popularity • 18% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Perila
Haven't Left Home 4 4 Days
74 bpm • D Maj • 04:24 • -25.88db
15% Popularity • 23% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Slow Attack Ensemble
Everything Turns Black to Blue
74 bpm • A Maj • 04:00 • -20db
35% Popularity • 22% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
35% Popularity • 22% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Kara-Lis Coverdale
Icon /c
75 bpm • C min • 03:52 • -12.63db
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Deru
Drink It In
75 bpm • G Maj • 04:10 • -17.99db
23% Popularity • 30% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
23% Popularity • 30% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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His Name Is Alive
F Choir
75 bpm • C# min • 02:06 • -14.77db
20% Popularity • 22% Danceability • 32% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 22% Danceability • 32% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness