Songs like OKAY (feat. Dreezy) by tobi lou
Based on a tempo of (+/- 10%) and a similar genre
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tobi lou
OKAY
102 bpm • F# Maj • 02:58 • -8.81db
31% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 80% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Omar Apollo
Imagine U
102 bpm • E min • 03:09 • -6.43db
39% Popularity • 96% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 92% Positiveness
39% Popularity • 96% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 92% Positiveness
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27Delly
First Love
102 bpm • C# Maj • 02:47 • -5.99db
18% Popularity • 71% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 71% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Alina Baraz
Gimme the Wheel
102 bpm • B Maj • 03:37 • -6.54db
40% Popularity • 81% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 81% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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24kGoldn
Unbelievable
102 bpm • C min • 02:28 • -7.68db
31% Popularity • 39% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 39% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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AUGUST 08
Bussdown Your Soul
102 bpm • F min • 03:57 • -8.86db
21% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Smino
Tempo
102 bpm • F# min • 02:10 • -9.01db
48% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Jack Harlow
OUT FRONT
103 bpm • F min • 02:58 • -9.79db
48% Popularity • 90% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 90% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Buddy
Inconsistent
103 bpm • E Maj • 01:55 • -15.51db
15% Popularity • 58% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 58% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Mir Fontane
Georgia Peaches
103 bpm • E min • 03:06 • -6.84db
40% Popularity • 82% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 82% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Lowgo
Are We Cool?
100 bpm • A# min • 02:26 • -9db
17% Popularity • 60% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 60% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Floyd Mikeal
She Wit da Godz
101 bpm • D Maj • 03:03 • -12.18db
2% Popularity • 93% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 93% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Berhana
I Been
104 bpm • C Maj • 02:56 • -10.38db
39% Popularity • 73% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 73% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Lucid
Good Day
100 bpm • G# Maj • 03:35 • -11.36db
0% Popularity • 93% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 93% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Pink Sweat$
Give It To Me
100 bpm • C min • 02:27 • -6.01db
30% Popularity • 79% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 79% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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MFnMelo
Flow Seats
100 bpm • C Maj • 02:39 • -9.97db
21% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dreezy
Ecstasy
104 bpm • A# min • 03:07 • -7.77db
45% Popularity • 89% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 89% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Matt McGhee
These Exchanges
100 bpm • C# min • 02:15 • -3db
13% Popularity • 85% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 85% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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JBlanked
Run No Game
100 bpm • C# min • 02:43 • -10.35db
28% Popularity • 92% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 92% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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cam jones.
No Strings
104 bpm • C min • 03:04 • -5.87db
30% Popularity • 88% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 88% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Tae Bae
B.B.
104 bpm • C# Maj • 02:20 • -6.41db
4% Popularity • 82% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
4% Popularity • 82% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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ODIE
North Face
100 bpm • A# Maj • 03:16 • -7.36db
64% Popularity • 80% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 58% Positiveness
64% Popularity • 80% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 58% Positiveness
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Ryan Trey
Rollin
105 bpm • C# min • 03:41 • -6.82db
46% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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MarÃa Isabel
Where Does The Love Go?
105 bpm • D# min • 02:56 • -6db
36% Popularity • 51% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 51% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Bishop Nehru
All of My Years
105 bpm • F Maj • 03:49 • -7.45db
25% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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![Thot Box (Remix) [feat. Young MA, Dreezy, Latto, DreamDoll, Chinese Kitty] cover art](https://i.scdn.co/image/ab67616d00001e02ab24027da7e4c40155121853)
Hitmaka
Thot Box (Remix)
105 bpm • A# min • 03:01 • -6.43db
39% Popularity • 84% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 84% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Dreezy
Lonely
105 bpm • G# Maj • 04:02 • -9.07db
6% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
6% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Jevon Doe
Name
105 bpm • C Maj • 03:40 • -7db
24% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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UMI
Bet
105 bpm • D Maj • 02:31 • -6.68db
35% Popularity • 67% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 67% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Terrell Morris
ROXY
105 bpm • C Maj • 03:25 • -10.43db
28% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Kemba
Work In Progress
99 bpm • B min • 03:16 • -9.53db
15% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Masego
Passport
98 bpm • C Maj • 03:17 • -12.04db
42% Popularity • 78% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 78% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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070 Phi
The Deep End
98 bpm • D min • 04:04 • -7db
32% Popularity • 43% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Carter Ace
What They Think
98 bpm • F min • 03:26 • -5.46db
34% Popularity • 73% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 73% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Michael from the East
Just
98 bpm • C min • 03:50 • -10db
16% Popularity • 90% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 90% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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IDK
Peloton
98 bpm • F# min • 03:33 • -7.8db
37% Popularity • 64% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 64% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
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Phora
This Weekend
98 bpm • D# Maj • 03:41 • -8.99db
39% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Zack Cokas
LIFT OFF (GOODBYE)
98 bpm • B Maj • 02:13 • -4db
11% Popularity • 68% Danceability • 70% Energy • 22% Liveness
2% Instrumentalness • 40% Positiveness
11% Popularity • 68% Danceability • 70% Energy • 22% Liveness
2% Instrumentalness • 40% Positiveness
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Jack Harlow
21C/Delta
97 bpm • F# min • 03:34 • -7.49db
51% Popularity • 73% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 73% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Sainvil
Shoulders
107 bpm • F# Maj • 02:28 • -6.82db
16% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 83% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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LOCS
Bright and Early
107 bpm • C min • 03:02 • -6.56db
21% Popularity • 86% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 86% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Tyler Thomas
Player Shit
97 bpm • B min • 03:46 • -6db
35% Popularity • 59% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 59% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Ajani Jones
Kiwi
97 bpm • G# min • 02:51 • -8.99db
10% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 83% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Wolftyla
All Tinted
97 bpm • G# min • 03:18 • -12db
44% Popularity • 83% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 83% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Katori Walker
ride.
97 bpm • C# min • 02:18 • -8.7db
17% Popularity • 82% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 82% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Hare Squead
Minor Gangsters (Gully)
97 bpm • D min • 02:53 • -8.01db
23% Popularity • 91% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 91% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Your Grandparents
My Only One
97 bpm • F# min • 04:31 • -12.35db
28% Popularity • 80% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 80% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Jack Harlow
ICE
97 bpm • A Maj • 02:27 • -7.4db
37% Popularity • 94% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 94% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Tavi Montelle
My Koolaid
96 bpm • E Maj • 03:44 • -7.96db
7% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jazz Ingram
blue gatorade
96 bpm • D min • 03:39 • -11db
8% Popularity • 62% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 62% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Kash Doll
Ready Set
96 bpm • E min • 02:45 • -5.92db
38% Popularity • 85% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 85% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Kosine
Transparency
96 bpm • F min • 03:37 • -6.1db
16% Popularity • 66% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 66% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Deante' Hitchcock
Growing Up/Mother God
109 bpm • B min • 05:02 • -5db
31% Popularity • 54% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 54% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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ADÉ
Don't Cry
95 bpm • D Maj • 03:04 • -5.76db
19% Popularity • 82% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 82% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Verzache
Think About It
95 bpm • C min • 02:22 • -8.25db
34% Popularity • 94% Danceability • 56% Energy • 8% Liveness
6% Instrumentalness • 66% Positiveness
34% Popularity • 94% Danceability • 56% Energy • 8% Liveness
6% Instrumentalness • 66% Positiveness
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Peter CottonTale
Pray For Real
95 bpm • C# Maj • 03:13 • -7.61db
36% Popularity • 85% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 85% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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McClenney
Black Betty White
95 bpm • G Maj • 03:14 • -9.79db
31% Popularity • 88% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
31% Popularity • 88% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Smino
Trina
95 bpm • E min • 02:21 • -8.99db
43% Popularity • 84% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 84% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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TeaMarrr
Chasing Amy
110 bpm • B min • 04:08 • -6.91db
30% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 72% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sylo
Spirits
95 bpm • G min • 03:14 • -6db
27% Popularity • 90% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 90% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Spencer.
Hold It Down
110 bpm • C min • 03:14 • -8db
27% Popularity • 75% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 75% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Gianni Lee
Gas
110 bpm • F# Maj • 02:28 • -7.47db
16% Popularity • 89% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 89% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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lilspirit
nothing2prove
95 bpm • F# Maj • 01:36 • -14.54db
28% Popularity • 74% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 74% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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tobi lou
Troop
110 bpm • A Maj • 04:26 • -9.66db
40% Popularity • 88% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 88% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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808vic
Vibe Session 2
110 bpm • D min • 03:33 • -10.45db
15% Popularity • 88% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 88% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Reagan Capaci
Don't Recommend
110 bpm • G Maj • 03:05 • -8db
33% Popularity • 80% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 80% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Zen Boba
Talk to Yuh
110 bpm • D Maj • 03:31 • -6.16db
22% Popularity • 75% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 75% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Christmas
Not the Only One
110 bpm • F min • 04:39 • -7db
30% Popularity • 78% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 78% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Emotional Oranges
All That
110 bpm • A# min • 03:05 • -6.29db
48% Popularity • 92% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 85% Positiveness
48% Popularity • 92% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 85% Positiveness
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tobi lou
Darlin'
110 bpm • A Maj • 03:25 • -11.01db
49% Popularity • 87% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 87% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Masego
Passport - シングル版
94 bpm • C Maj • 03:02 • -11.22db
35% Popularity • 51% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 51% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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AUGUST 08
Day Trip
94 bpm • E min • 03:38 • -8.8db
11% Popularity • 52% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 52% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Ashton Travis
Playing With Fire
111 bpm • F min • 03:31 • -4.28db
9% Popularity • 82% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 82% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Skizzy Mars
Come Back
94 bpm • F# min • 03:54 • -6.34db
27% Popularity • 77% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 77% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Mack Keane
Often
94 bpm • F min • 03:10 • -4.88db
37% Popularity • 77% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 77% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Harlow
Same Guy
94 bpm • A# min • 02:44 • -6.33db
47% Popularity • 80% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 80% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Pink Sweat$
Icy
112 bpm • A# min • 02:58 • -5.06db
37% Popularity • 84% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 61% Positiveness
37% Popularity • 84% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 61% Positiveness
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Dwn2earth
ICE ON ME
93 bpm • A Maj • 02:27 • -8.46db
19% Popularity • 75% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 25% Positiveness
19% Popularity • 75% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 25% Positiveness
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Joey XL
Friday Love
93 bpm • E min • 03:08 • -8.07db
10% Popularity • 77% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 77% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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snny
Better to Leave It
93 bpm • E min • 03:48 • -6db
29% Popularity • 72% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 72% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Yoza
Issue
93 bpm • G Maj • 03:05 • -10.76db
25% Popularity • 67% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
25% Popularity • 67% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Xavier Omär
FIND ME.
112 bpm • C# min • 04:26 • -12db
23% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 75% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Clairmont The Second
Bent
93 bpm • G Maj • 02:47 • -9db
20% Popularity • 70% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 70% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jack Harlow
Baxter Avenue
93 bpm • G# Maj • 03:27 • -8.74db
42% Popularity • 70% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 70% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Syd
Right Track
113 bpm • A Maj • 02:38 • -6.01db
36% Popularity • 81% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 81% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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88rising
Too Many Tears
113 bpm • C Maj • 02:35 • -6.41db
34% Popularity • 71% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 71% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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UHMEER
99virgo
92 bpm • A# Maj • 02:52 • -18.28db
9% Popularity • 80% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 80% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Emotional Oranges
Back & Forth
92 bpm • G# min • 03:22 • -5.6db
40% Popularity • 77% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 77% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jerreau
BANKREAU
114 bpm • B min • 02:48 • -7.01db
17% Popularity • 65% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 65% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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J-S.A.N.D.
RapHub
114 bpm • D min • 03:50 • -9.31db
14% Popularity • 92% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 92% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Trey
LV Smoke
114 bpm • D# min • 02:31 • -6.42db
37% Popularity • 77% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 77% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Nia Kay
Where You Going
114 bpm • E min • 04:38 • -5.91db
7% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Taylor*
Catfish
91 bpm • B min • 02:49 • -7db
35% Popularity • 84% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 84% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Keys Open Doors
Why You in LA
114 bpm • B Maj • 03:08 • -9db
33% Popularity • 94% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 94% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jalen Santoy
Something Different
91 bpm • D Maj • 02:28 • -7.83db
27% Popularity • 83% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 83% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Harlow
ONCE MAY COMES
91 bpm • B min • 02:26 • -8.93db
41% Popularity • 91% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 91% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tate Tucker
Breezy
91 bpm • A min • 04:30 • -6db
28% Popularity • 64% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
28% Popularity • 64% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
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tobi lou
8702
115 bpm • C Maj • 02:49 • -7.6db
32% Popularity • 88% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 88% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
