Songs like Olava Modala by Hari
Based on a tempo of (+/- 10%) and a similar genre
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Hari
Olava Modala
128 bpm • D min • 04:45 • -6.75db
45% Popularity • 70% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 70% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Thaman S, Dinker and Ramya Behara
Oorikokka Raaja
128 bpm • G Maj • 03:39 • -5.51db
24% Popularity • 83% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 83% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Sachin
Sidila Bharava
128 bpm • A# min • 03:30 • -6.11db
46% Popularity • 53% Danceability • 91% Energy • 63% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 53% Danceability • 91% Energy • 63% Liveness
0% Instrumentalness • 24% Positiveness
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Chandan Shetty
Top To Bottom
128 bpm • G Maj • 02:41 • -4.31db
22% Popularity • 81% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 81% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Chetan Sosca
Pyarge Aagbittaite
128 bpm • E min • 04:13 • -8.52db
29% Popularity • 73% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 73% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Puneeth Rajkumar
1234 Shille Hodi
128 bpm • A# min • 03:36 • -6.71db
41% Popularity • 52% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 52% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Ganesh
Coffee Hogonvaa
129 bpm • C Maj • 04:23 • -5.65db
23% Popularity • 77% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 77% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Tippu
Cindrella Cindrella
127 bpm • D min • 04:37 • -6.31db
31% Popularity • 74% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 74% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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LAKSHMI
First Time Ninna
127 bpm • C# min • 04:46 • -9.67db
0% Popularity • 79% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 79% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Chandan Shetty
Tequila
128 bpm • D Maj • 03:22 • -6.88db
48% Popularity • 86% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 86% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Ravindra Soragavi
Chuttu Chuttu
127 bpm • G# Maj • 04:18 • -4db
42% Popularity • 87% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 87% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Puneeth Rajkumar
Neene Neene
127 bpm • A min • 03:43 • -8db
43% Popularity • 84% Danceability • 67% Energy • 19% Liveness
12% Instrumentalness • 78% Positiveness
43% Popularity • 84% Danceability • 67% Energy • 19% Liveness
12% Instrumentalness • 78% Positiveness
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Hemanth
Danaku Dana
130 bpm • F min • 04:46 • -6db
3% Popularity • 84% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 84% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Upendra Kumar
Jodi
130 bpm • F min • 03:26 • -4db
20% Popularity • 68% Danceability • 96% Energy • 34% Liveness
2% Instrumentalness • 61% Positiveness
20% Popularity • 68% Danceability • 96% Energy • 34% Liveness
2% Instrumentalness • 61% Positiveness
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Sadhana Sargam
Marali Mareyagi
130 bpm • E min • 04:48 • -8db
52% Popularity • 68% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 68% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Chandan Shetty
Chakravyuha Theme
128 bpm • C Maj • 02:08 • -7.42db
20% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Sangeetha Ravindranath
Thoogu Manchadalli Koothu
130 bpm • C Maj • 02:13 • -13.41db
41% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Sree Raksha Achar
Mental Ho Jawa
126 bpm • C# min • 04:03 • -8.88db
41% Popularity • 69% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 69% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Vasuki Vaibhav
Arere Avala Naguva
130 bpm • A# Maj • 03:28 • -7.57db
56% Popularity • 73% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 73% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Puneeth Rajkumar
Taliban Alla Alla
130 bpm • C min • 04:51 • -14db
44% Popularity • 83% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 83% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Bharath B J
Hey Who Are You
130 bpm • D# min • 04:54 • -6.5db
25% Popularity • 76% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 76% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Chandan Shetty
Party Freak
130 bpm • F# min • 04:00 • -6db
50% Popularity • 87% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 87% Danceability • 88% Energy • 43% Liveness
0% Instrumentalness • 54% Positiveness
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Midhun Mukundan
Sojugada Soojumallige
126 bpm • D Maj • 02:47 • -13.95db
46% Popularity • 74% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 47% Positiveness
46% Popularity • 74% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 47% Positiveness
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Sriimurali
Bhara Bhara Bharaate
130 bpm • G Maj • 03:43 • -5db
42% Popularity • 90% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 90% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Rakshita Suresh
O Nidhima
126 bpm • D Maj • 03:43 • -8.53db
29% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Chaitra H. G.
Gunturu Gunturu
130 bpm • G# Maj • 04:32 • -5.02db
4% Popularity • 89% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 89% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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V. Manohar
Ledu Yelellu
130 bpm • C# Maj • 07:03 • -13db
25% Popularity • 71% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 71% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Aniruddha Sastry
Jeeva Kottavalu
130 bpm • A# Maj • 04:23 • -9db
10% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Puneeth Rajkumar
Jhanak Jhanak
130 bpm • G# min • 03:39 • -7db
8% Popularity • 90% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 90% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Raghu Dixit
Eno Ide
126 bpm • C# Maj • 05:42 • -11.39db
42% Popularity • 64% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
42% Popularity • 64% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Harish Raghavendra
Nee Amrithadhare
126 bpm • G Maj • 04:45 • -5db
55% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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All Ok
Good Morning
126 bpm • C# Maj • 03:33 • -5.34db
48% Popularity • 66% Danceability • 63% Energy • 33% Liveness
1% Instrumentalness • 8% Positiveness
48% Popularity • 66% Danceability • 63% Energy • 33% Liveness
1% Instrumentalness • 8% Positiveness
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Sagar
Sangama
126 bpm • D min • 04:46 • -6.72db
16% Popularity • 84% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 84% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Yash
Annange Love Aagidhe
126 bpm • G min • 04:19 • -5.48db
42% Popularity • 88% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 88% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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J. Anoop Seelin
Megharajana Raaga
126 bpm • A min • 03:39 • -8.01db
22% Popularity • 67% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 67% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Rajesh Krishnan
Yaaro Kannalli
125 bpm • G# Maj • 05:49 • -9.15db
48% Popularity • 64% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 64% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Vasishta N. Simha
Neecha Sullu Sutho Naalige
125 bpm • A min • 03:31 • -9.23db
24% Popularity • 69% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 69% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Vijay Antony
Chitrana Chitrana
125 bpm • F# min • 04:50 • -6.6db
8% Popularity • 89% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 89% Danceability • 64% Energy • 71% Liveness
0% Instrumentalness • 86% Positiveness
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Supriya Acharya
Pathangavagi
125 bpm • G# min • 04:34 • -3.78db
1% Popularity • 66% Danceability • 93% Energy • 10% Liveness
2% Instrumentalness • 86% Positiveness
1% Popularity • 66% Danceability • 93% Energy • 10% Liveness
2% Instrumentalness • 86% Positiveness
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K. K.
Nadedaduva Kamanabillu
125 bpm • B min • 05:35 • -4.55db
41% Popularity • 74% Danceability • 81% Energy • 41% Liveness
1% Instrumentalness • 55% Positiveness
41% Popularity • 74% Danceability • 81% Energy • 41% Liveness
1% Instrumentalness • 55% Positiveness
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Sanjith Hegde
I Love You Idiot
125 bpm • G# Maj • 03:53 • -3.99db
39% Popularity • 92% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 92% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Clinton
Hejjegondu Hejje
125 bpm • B min • 04:39 • -7.29db
41% Popularity • 86% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 86% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Jithin Raj
Tajaa Samachara - Male
125 bpm • C min • 04:49 • -3.82db
47% Popularity • 62% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 62% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Hamsalekha
Raja Raja
125 bpm • G# min • 05:01 • -11db
47% Popularity • 75% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 75% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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S. P. Balasubrahmanyam
Sarayi Shisheyali
125 bpm • C min • 05:03 • -3.21db
31% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Hemanth Kumar
Nille Nille
132 bpm • G# min • 04:18 • -4db
34% Popularity • 92% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 92% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Ananya Bhat
Nee Thoreda Ghaligeyali
132 bpm • G Maj • 04:19 • -9db
41% Popularity • 56% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 56% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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L.N. Shastri
Karunade
132 bpm • A min • 04:52 • -8db
36% Popularity • 71% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 71% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Puneeth Rajkumar
Hosa Gaana Bajaana
132 bpm • G min • 03:44 • -4db
45% Popularity • 76% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 76% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Tippu
KD No 1
132 bpm • A min • 04:33 • -5db
39% Popularity • 94% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 94% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Charanraj MR
Kadalanu
124 bpm • E min • 01:44 • -12.84db
49% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Anirudh Ravichander
Kaavaalaayya
132 bpm • F# min • 03:10 • -6.39db
38% Popularity • 87% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
38% Popularity • 87% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
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Rajesh Krishnan
Bidu Bidu
124 bpm • G min • 04:50 • -9.35db
41% Popularity • 73% Danceability • 71% Energy • 9% Liveness
4% Instrumentalness • 95% Positiveness
41% Popularity • 73% Danceability • 71% Energy • 9% Liveness
4% Instrumentalness • 95% Positiveness
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Chetan Sosca
Cindrella
132 bpm • C min • 04:22 • -6db
34% Popularity • 66% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 66% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Upendra
Bida Beda
133 bpm • E min • 05:06 • -15db
27% Popularity • 68% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 68% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 47% Positiveness
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Yash
Annthamma
123 bpm • B min • 04:13 • -8db
46% Popularity • 90% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 90% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Shashank Sheshagiri
Yaarivanu Kannadadhavnu
123 bpm • C# Maj • 04:04 • -5db
37% Popularity • 94% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 94% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Deva
Saagariye
123 bpm • G# Maj • 05:36 • -13.44db
37% Popularity • 75% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 75% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Rajesh Krishnan
Manase Manase
133 bpm • D min • 06:15 • -7.58db
11% Popularity • 55% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 55% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Hariharan
Nara Mansa Nara
134 bpm • D min • 04:18 • -7db
1% Popularity • 82% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
1% Popularity • 82% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Upendra
Rasika Ba Baro Rasika
124 bpm • F min • 05:42 • -10.22db
32% Popularity • 86% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 86% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Dharma Vish
Aarambha Aarambha
134 bpm • A# Maj • 04:55 • -5.13db
21% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 50% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Tippu
Yavanig Gotthu
122 bpm • C Maj • 03:42 • -12db
47% Popularity • 91% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 91% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Shachina Heggar
Dibbaradindi
122 bpm • F# min • 04:03 • -6db
29% Popularity • 83% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 83% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Raghu Dixit
Baanina Haniyu
134 bpm • F Maj • 02:44 • -7.28db
24% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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V. Harikrishna
Bombe Adsonu
122 bpm • F min • 04:34 • -6db
14% Popularity • 88% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 88% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sanjith Hegde
Hrudayake Hedarike
122 bpm • G Maj • 03:46 • -7.64db
30% Popularity • 62% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 62% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Sathyaprakash
Sanchari
122 bpm • B Maj • 04:28 • -9db
37% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Hari
Nanna Yedeya
122 bpm • E min • 06:01 • -5.71db
11% Popularity • 50% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 50% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Shilpa
Kanna Neeru
122 bpm • E Maj • 02:50 • -8db
37% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Raghu Dixit
Maley Maley
122 bpm • C Maj • 04:51 • -11.32db
38% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 60% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Madhuri Seshadri
Mellage
135 bpm • D Maj • 04:37 • -14.21db
41% Popularity • 59% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 59% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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V. Harikrishna
Basanni
122 bpm • B min • 04:23 • -4.86db
48% Popularity • 95% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 95% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Nihal Tauro
Neenu Bagehariyada Haadu
135 bpm • A min • 04:08 • -9.18db
27% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Charanraj MR
Balma
135 bpm • C min • 03:14 • -9.96db
47% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 60% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Rajesh Krishnan
Nee Muddada
135 bpm • G min • 04:18 • -6.28db
46% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ravi Basrur
Chanda Chanda
135 bpm • E min • 03:20 • -5.43db
48% Popularity • 88% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 88% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Vasuki Vaibhav
Kaagadada Doniyalli
121 bpm • F min • 03:27 • -5.52db
47% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 68% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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V. Harikrishna
Starade
135 bpm • F min • 04:25 • -6.86db
32% Popularity • 85% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 85% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Shweta Mohan
Kanasalli Nadesu
136 bpm • C min • 03:34 • -5db
35% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Charanraj MR
Naa Ninage Kaavalugaara
135 bpm • G# min • 03:22 • -9.04db
45% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Shankar Mahadevan
Yaaru Yaaru
120 bpm • F min • 06:37 • -6db
43% Popularity • 54% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 54% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Ananya Bhat
Garbadhi
120 bpm • A# min • 02:40 • -10db
43% Popularity • 30% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 30% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Raghu Dixit
Ee Kanninalli
120 bpm • G Maj • 05:29 • -6.23db
10% Popularity • 64% Danceability • 74% Energy • 95% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 64% Danceability • 74% Energy • 95% Liveness
0% Instrumentalness • 48% Positiveness
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V. Harikrishna
Falling In Love
135 bpm • A min • 03:38 • -8.18db
37% Popularity • 92% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 92% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Mano Murthy
Aleva Moda
120 bpm • D# Maj • 04:20 • -9.9db
36% Popularity • 60% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 60% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Badri Prasad
Ninna Manevaregu
120 bpm • G min • 05:04 • -5.2db
45% Popularity • 81% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 81% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Jassie Gift
Mandakiniye
120 bpm • C Maj • 04:57 • -7db
36% Popularity • 82% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 82% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Avinash
Neenaadena
120 bpm • G min • 05:10 • -9db
46% Popularity • 75% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 75% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ishaq vali
Gayam Chesesave
120 bpm • C min • 05:03 • -8db
39% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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V. Harikrishna
Hoo Chandu
121 bpm • B min • 04:23 • -12db
40% Popularity • 79% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 79% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Upendra
Aishwarya Aishwarya
120 bpm • G Maj • 04:33 • -7db
26% Popularity • 83% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 83% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Anurag Kulkarni
Narayana Narayana ")
120 bpm • D Maj • 04:45 • -9.9db
38% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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sharan
Haalu Kudida
120 bpm • A min • 04:22 • -6db
37% Popularity • 64% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 64% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Arfaz Ullal
Hey Nalle
120 bpm • F min • 04:02 • -9.3db
40% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kailash Kher
Re Re Bajarangi
120 bpm • D min • 05:39 • -7db
37% Popularity • 55% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 55% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Mohit Chauhan
Madhura Pisumaatige
120 bpm • B Maj • 04:37 • -9db
53% Popularity • 58% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 58% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Siddhartha Belmannu
Badukina Bannave
120 bpm • C Maj • 03:33 • -12.23db
40% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 64% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
